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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93D223 it is the complementary color #6C2DDC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93D223. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93D223 shade: #98D21E, #A9E431, #BAF644, #CBFF57 and #DCFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93D223. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93D223 shade: #93D223, #82C010, #71AE00, #609C00 and #4F8A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93D223 shade: #93D123, #C2D123, #D1B223, #D18323 and #D15423

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93D223 shade: #93D123, #64D123, #35D123, #23D141 and #23D170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93D223 shade matches the following richer shades: #93D123 and #98E510

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93D223 shade: #93D123, #8DBD37, #88AA4B, #82965F and #7D8273

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93D223 shade: #D1B123, #C3D123, #94D123, #66D123 and #38D123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93D223 shade: #618B18, #7AAE1E, #93D123, #A5DF40 and #B6E563

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93D223 shade: #93D223, #23D183 and #C923D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93D223 shade: #93D223, #2394D1 and #D12394

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93D223 shade: #93D223, #23D183, #6023D1 and #D12372

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93D223 shade: #93D223, #23D1B7, #6023D1 and #D1233E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 83 / 18

HEX #93D223

RGB 147 210 35

HSL 81.6, 0.71%, 0.48%

LAB 77.53, -43.46, 71.5

 

Complementary color

CMYK 51 / 80 / 0 / 14

HEX #6C2DDC

RGB 108 45 220

HSL 261.6, 0.71%, 0.52%

LAB 38.26, 63.74, -77.93

 

CMYK 28 / 0 / 86 / 18

HEX #98D21E

RGB 152 210 30

HSL 79.33, 0.75%, 0.47%

LAB 77.79, -41.75, 72.94

 

CMYK 26 / 0 / 79 / 11

HEX #A9E431

RGB 169 228 49

HSL 79.78, 0.77%, 0.54%

LAB 84.04, -42.5, 74.17

 

CMYK 24 / 0 / 72 / 4

HEX #BAF644

RGB 186 246 68

HSL 80.22, 0.91%, 0.62%

LAB 90.21, -43.07, 74.54

 

CMYK 20 / 0 / 66 / 0

HEX #CBFF57

RGB 203 255 87

HSL 78.57, 1%, 0.67%

LAB 93.84, -39.57, 71.79

 

CMYK 14 / 0 / 58 / 0

HEX #DCFF6A

RGB 220 255 106

HSL 74.09, 1%, 0.71%

LAB 95.07, -31.81, 65.84

 

CMYK 30 / 0 / 83 / 18

HEX #93D223

RGB 147 210 35

HSL 81.6, 0.71%, 0.48%

LAB 77.53, -43.46, 71.5

 

CMYK 32 / 0 / 92 / 25

HEX #82C010

RGB 130 192 16

HSL 81.14, 0.85%, 0.41%

LAB 71.2, -42.59, 69.45

 

CMYK 35 / 0 / 100 / 32

HEX #71AE00

RGB 113 174 0

HSL 81.03, 1%, 0.34%

LAB 64.79, -41.49, 65.98

 

CMYK 38 / 0 / 100 / 39

HEX #609C00

RGB 96 156 0

HSL 83.08, 1%, 0.31%

LAB 58.29, -40.09, 60.57

 

CMYK 43 / 0 / 100 / 46

HEX #4F8A00

RGB 79 138 0

HSL 85.65, 1%, 0.27%

LAB 51.65, -38.62, 55.05

 

CMYK 30 / 0 / 83 / 18

HEX #93D123

RGB 147 209 35

HSL 81.38, 0.71%, 0.48%

LAB 77.24, -43.03, 71.24

 

CMYK 7 / 0 / 83 / 18

HEX #C2D123

RGB 194 209 35

HSL 65.17, 0.71%, 0.48%

LAB 80.29, -24.32, 75.06

 

CMYK 0 / 15 / 83 / 18

HEX #D1B223

RGB 209 178 35

HSL 49.31, 0.71%, 0.48%

LAB 73.23, -2.22, 69.61

 

CMYK 0 / 37 / 83 / 18

HEX #D18323

RGB 209 131 35

HSL 33.1, 0.71%, 0.48%

LAB 61.58, 23.03, 59.67

 

CMYK 0 / 60 / 83 / 18

HEX #D15423

RGB 209 84 35

HSL 16.9, 0.71%, 0.48%

LAB 51.86, 47.07, 51.15

 

CMYK 30 / 0 / 83 / 18

HEX #93D123

RGB 147 209 35

HSL 81.38, 0.71%, 0.48%

LAB 77.24, -43.03, 71.24

 

CMYK 52 / 0 / 83 / 18

HEX #64D123

RGB 100 209 35

HSL 97.59, 0.71%, 0.48%

LAB 75.1, -58.55, 68.53

 

CMYK 75 / 0 / 83 / 18

HEX #35D123

RGB 53 209 35

HSL 113.79, 0.71%, 0.48%

LAB 73.86, -68.79, 66.95

 

CMYK 83 / 0 / 69 / 18

HEX #23D141

RGB 35 209 65

HSL 130.34, 0.71%, 0.48%

LAB 73.77, -68.94, 57.16

 

CMYK 83 / 0 / 46 / 18

HEX #23D170

RGB 35 209 112

HSL 146.55, 0.71%, 0.48%

LAB 74.27, -62.8, 36.47

 

CMYK 30 / 0 / 83 / 18

HEX #93D123

RGB 147 209 35

HSL 81.38, 0.71%, 0.48%

LAB 77.24, -43.03, 71.24

 

CMYK 34 / 0 / 93 / 10

HEX #98E510

RGB 152 229 16

HSL 81.69, 0.87%, 0.48%

LAB 83.31, -50.09, 79.69

 

CMYK 30 / 0 / 83 / 18

HEX #93D123

RGB 147 209 35

HSL 81.38, 0.71%, 0.48%

LAB 77.24, -43.03, 71.24

 

CMYK 25 / 0 / 71 / 26

HEX #8DBD37

RGB 141 189 55

HSL 81.49, 0.55%, 0.48%

LAB 71.1, -35.49, 59.31

 

CMYK 20 / 0 / 56 / 33

HEX #88AA4B

RGB 136 170 75

HSL 81.47, 0.39%, 0.48%

LAB 65.35, -26.92, 44.49

 

CMYK 13 / 0 / 37 / 41

HEX #82965F

RGB 130 150 95

HSL 81.82, 0.22%, 0.48%

LAB 59.33, -16.87, 26.71

 

CMYK 4 / 0 / 12 / 49

HEX #7D8273

RGB 125 130 115

HSL 80, 0.06%, 0.48%

LAB 53.56, -4.76, 7.48

 

CMYK 0 / 15 / 83 / 18

HEX #D1B123

RGB 209 177 35

HSL 48.97, 0.71%, 0.48%

LAB 72.97, -1.69, 69.39

 

CMYK 7 / 0 / 83 / 18

HEX #C3D123

RGB 195 209 35

HSL 64.83, 0.71%, 0.48%

LAB 80.36, -23.9, 75.16

 

CMYK 29 / 0 / 83 / 18

HEX #94D123

RGB 148 209 35

HSL 81.03, 0.71%, 0.48%

LAB 77.29, -42.66, 71.31

 

CMYK 51 / 0 / 83 / 18

HEX #66D123

RGB 102 209 35

HSL 96.9, 0.71%, 0.48%

LAB 75.17, -57.98, 68.62

 

CMYK 73 / 0 / 83 / 18

HEX #38D123

RGB 56 209 35

HSL 112.76, 0.71%, 0.48%

LAB 73.91, -68.32, 67.02

 

CMYK 30 / 0 / 83 / 45

HEX #618B18

RGB 97 139 24

HSL 81.91, 0.71%, 0.32%

LAB 53.03, -31.44, 51.57

 

CMYK 30 / 0 / 83 / 32

HEX #7AAE1E

RGB 122 174 30

HSL 81.67, 0.71%, 0.4%

LAB 65.36, -37.33, 61.49

 

CMYK 30 / 0 / 83 / 18

HEX #93D123

RGB 147 209 35

HSL 81.38, 0.71%, 0.48%

LAB 77.24, -43.03, 71.24

 

CMYK 26 / 0 / 71 / 13

HEX #A5DF40

RGB 165 223 64

HSL 81.89, 0.71%, 0.56%

LAB 82.46, -41.05, 67.87

 

CMYK 21 / 0 / 57 / 10

HEX #B6E563

RGB 182 229 99

HSL 81.69, 0.71%, 0.64%

LAB 85.45, -34.82, 57.37

 

CMYK 30 / 0 / 83 / 18

HEX #93D223

RGB 147 210 35

HSL 81.6, 0.71%, 0.48%

LAB 77.53, -43.46, 71.5

 

CMYK 83 / 0 / 37 / 18

HEX #23D183

RGB 35 209 131

HSL 153.1, 0.71%, 0.48%

LAB 74.57, -59.33, 27.17

 

CMYK 4 / 83 / 0 / 18

HEX #C923D1

RGB 201 35 209

HSL 297.24, 0.71%, 0.48%

LAB 49.77, 78.95, -52.32

 

CMYK 30 / 0 / 83 / 18

HEX #93D223

RGB 147 210 35

HSL 81.6, 0.71%, 0.48%

LAB 77.53, -43.46, 71.5

 

CMYK 83 / 29 / 0 / 18

HEX #2394D1

RGB 35 148 209

HSL 201.03, 0.71%, 0.48%

LAB 58.17, -9.07, -39.8

 

CMYK 0 / 83 / 29 / 18

HEX #D12394

RGB 209 35 148

HSL 321.03, 0.71%, 0.48%

LAB 48.13, 72.29, -18.96

 

CMYK 30 / 0 / 83 / 18

HEX #93D223

RGB 147 210 35

HSL 81.6, 0.71%, 0.48%

LAB 77.53, -43.46, 71.5

 

CMYK 83 / 0 / 37 / 18

HEX #23D183

RGB 35 209 131

HSL 153.1, 0.71%, 0.48%

LAB 74.57, -59.33, 27.17

 

CMYK 54 / 83 / 0 / 18

HEX #6023D1

RGB 96 35 209

HSL 261.03, 0.71%, 0.48%

LAB 34.58, 63.31, -77.69

 

CMYK 0 / 83 / 45 / 18

HEX #D12372

RGB 209 35 114

HSL 332.76, 0.71%, 0.48%

LAB 46.94, 68.89, -0.07

 

CMYK 30 / 0 / 83 / 18

HEX #93D223

RGB 147 210 35

HSL 81.6, 0.71%, 0.48%

LAB 77.53, -43.46, 71.5

 

CMYK 83 / 0 / 12 / 18

HEX #23D1B7

RGB 35 209 183

HSL 171.03, 0.71%, 0.48%

LAB 75.69, -47.21, 1.11

 

CMYK 54 / 83 / 0 / 18

HEX #6023D1

RGB 96 35 209

HSL 261.03, 0.71%, 0.48%

LAB 34.58, 63.31, -77.69

 

CMYK 0 / 83 / 70 / 18

HEX #D1233E

RGB 209 35 62

HSL 350.69, 0.71%, 0.48%

LAB 45.78, 65.48, 30.37

 

Description

Color code: HEX #93D223 | qconv.com Color code: HEX #93D223 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 210 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 210 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 83 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 83% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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