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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93D116 it is the complementary color #6C2EE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93D116. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93D116 shade: #98D111, #A9E324, #BAF537, #CBFF4A and #DCFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93D116. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93D116 shade: #93D116, #82BF03, #71AD00, #609B00 and #4F8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93D116 shade: #92D016, #C4D016, #D0A916, #D07716 and #D04516

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93D116 shade: #92D016, #60D016, #2ED016, #16D030 and #16D062

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93D116 shade matches the following richer shades: #92D016 and #98E203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93D116 shade: #92D016, #8CBD28, #86AB3B, #7F984E and #798560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93D116 shade: #D0A716, #C6D016, #95D016, #63D016 and #32D016

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93D116 shade: #5E850E, #78AA12, #92D016, #A8E826 and #B7EC4C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93D116 shade: #93D116, #16D076 and #C016D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93D116 shade: #93D116, #1695D0 and #D01695

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93D116 shade: #93D116, #16D076, #5116D0 and #D01670

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93D116 shade: #93D116, #16D0AE, #5116D0 and #D01638

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 89 / 18

HEX #93D116

RGB 147 209 22

HSL 79.89, 0.81%, 0.45%

LAB 77.2, -43.41, 73.81

 

Complementary color

CMYK 54 / 80 / 0 / 9

HEX #6C2EE9

RGB 108 46 233

HSL 259.89, 0.81%, 0.55%

LAB 39.62, 66.63, -83.1

 

CMYK 27 / 0 / 92 / 18

HEX #98D111

RGB 152 209 17

HSL 77.81, 0.85%, 0.44%

LAB 77.47, -41.63, 74.88

 

CMYK 26 / 0 / 84 / 11

HEX #A9E324

RGB 169 227 36

HSL 78.22, 0.77%, 0.52%

LAB 83.71, -42.54, 77.1

 

CMYK 24 / 0 / 78 / 4

HEX #BAF537

RGB 186 245 55

HSL 78.63, 0.9%, 0.59%

LAB 89.87, -43.26, 78.19

 

CMYK 20 / 0 / 71 / 0

HEX #CBFF4A

RGB 203 255 74

HSL 77.24, 1%, 0.65%

LAB 93.76, -40.34, 76.35

 

CMYK 14 / 0 / 64 / 0

HEX #DCFF5D

RGB 220 255 93

HSL 72.96, 1%, 0.68%

LAB 94.96, -32.74, 71

 

CMYK 30 / 0 / 89 / 18

HEX #93D116

RGB 147 209 22

HSL 79.89, 0.81%, 0.45%

LAB 77.2, -43.41, 73.81

 

CMYK 32 / 0 / 98 / 25

HEX #82BF03

RGB 130 191 3

HSL 79.47, 0.97%, 0.38%

LAB 70.88, -42.38, 70.73

 

CMYK 35 / 0 / 100 / 32

HEX #71AD00

RGB 113 173 0

HSL 80.81, 1%, 0.34%

LAB 64.48, -41.06, 65.74

 

CMYK 38 / 0 / 100 / 39

HEX #609B00

RGB 96 155 0

HSL 82.84, 1%, 0.3%

LAB 57.97, -39.66, 60.32

 

CMYK 42 / 0 / 100 / 46

HEX #4F8900

RGB 79 137 0

HSL 85.4, 1%, 0.27%

LAB 51.33, -38.2, 54.8

 

CMYK 30 / 0 / 89 / 18

HEX #92D016

RGB 146 208 22

HSL 80, 0.81%, 0.45%

LAB 76.85, -43.35, 73.5

 

CMYK 6 / 0 / 89 / 18

HEX #C4D016

RGB 196 208 22

HSL 63.87, 0.81%, 0.45%

LAB 80.13, -23.3, 77.51

 

CMYK 0 / 19 / 89 / 18

HEX #D0A916

RGB 208 169 22

HSL 47.42, 0.81%, 0.45%

LAB 70.76, 1.79, 70.6

 

CMYK 0 / 43 / 89 / 18

HEX #D07716

RGB 208 119 22

HSL 31.29, 0.81%, 0.45%

LAB 58.66, 28.74, 61.26

 

CMYK 0 / 67 / 89 / 18

HEX #D04516

RGB 208 69 22

HSL 15.16, 0.81%, 0.45%

LAB 49.16, 52.96, 54.1

 

CMYK 30 / 0 / 89 / 18

HEX #92D016

RGB 146 208 22

HSL 80, 0.81%, 0.45%

LAB 76.85, -43.35, 73.5

 

CMYK 54 / 0 / 89 / 18

HEX #60D016

RGB 96 208 22

HSL 96.13, 0.81%, 0.45%

LAB 74.61, -59.75, 70.72

 

CMYK 78 / 0 / 89 / 18

HEX #2ED016

RGB 46 208 22

HSL 112.26, 0.81%, 0.45%

LAB 73.38, -70, 69.19

 

CMYK 89 / 0 / 77 / 18

HEX #16D030

RGB 22 208 48

HSL 128.39, 0.81%, 0.45%

LAB 73.22, -71.09, 62.57

 

CMYK 89 / 0 / 53 / 18

HEX #16D062

RGB 22 208 98

HSL 144.52, 0.81%, 0.45%

LAB 73.65, -65.68, 42.53

 

CMYK 30 / 0 / 89 / 18

HEX #92D016

RGB 146 208 22

HSL 80, 0.81%, 0.45%

LAB 76.85, -43.35, 73.5

 

CMYK 33 / 0 / 99 / 11

HEX #98E203

RGB 152 226 3

HSL 79.91, 0.97%, 0.45%

LAB 82.42, -49.02, 80.19

 

CMYK 30 / 0 / 89 / 18

HEX #92D016

RGB 146 208 22

HSL 80, 0.81%, 0.45%

LAB 76.85, -43.35, 73.5

 

CMYK 26 / 0 / 79 / 26

HEX #8CBD28

RGB 140 189 40

HSL 79.73, 0.65%, 0.45%

LAB 70.96, -36.68, 64.15

 

CMYK 22 / 0 / 65 / 33

HEX #86AB3B

RGB 134 171 59

HSL 79.82, 0.49%, 0.45%

LAB 65.37, -29.57, 51.67

 

CMYK 16 / 0 / 49 / 40

HEX #7F984E

RGB 127 152 78

HSL 80.27, 0.32%, 0.45%

LAB 59.45, -21.25, 35.84

 

CMYK 9 / 0 / 28 / 48

HEX #798560

RGB 121 133 96

HSL 79.46, 0.16%, 0.45%

LAB 53.69, -11.23, 18.54

 

CMYK 0 / 20 / 89 / 18

HEX #D0A716

RGB 208 167 22

HSL 46.77, 0.81%, 0.45%

LAB 70.25, 2.85, 70.2

 

CMYK 5 / 0 / 89 / 18

HEX #C6D016

RGB 198 208 22

HSL 63.23, 0.81%, 0.45%

LAB 80.28, -22.46, 77.69

 

CMYK 28 / 0 / 89 / 18

HEX #95D016

RGB 149 208 22

HSL 79.03, 0.81%, 0.45%

LAB 77.02, -42.23, 73.7

 

CMYK 52 / 0 / 89 / 18

HEX #63D016

RGB 99 208 22

HSL 95.16, 0.81%, 0.45%

LAB 74.71, -58.92, 70.85

 

CMYK 76 / 0 / 89 / 18

HEX #32D016

RGB 50 208 22

HSL 110.97, 0.81%, 0.45%

LAB 73.45, -69.45, 69.27

 

CMYK 29 / 0 / 89 / 48

HEX #5E850E

RGB 94 133 14

HSL 79.66, 0.81%, 0.29%

LAB 50.9, -30.22, 52.19

 

CMYK 29 / 0 / 89 / 33

HEX #78AA12

RGB 120 170 18

HSL 79.74, 0.81%, 0.37%

LAB 63.99, -36.71, 62.97

 

CMYK 30 / 0 / 89 / 18

HEX #92D016

RGB 146 208 22

HSL 80, 0.81%, 0.45%

LAB 76.85, -43.35, 73.5

 

CMYK 28 / 0 / 84 / 9

HEX #A8E826

RGB 168 232 38

HSL 79.79, 0.81%, 0.53%

LAB 85.09, -45, 77.82

 

CMYK 22 / 0 / 68 / 7

HEX #B7EC4C

RGB 183 236 76

HSL 79.88, 0.81%, 0.61%

LAB 87.28, -39.33, 68.75

 

CMYK 30 / 0 / 89 / 18

HEX #93D116

RGB 147 209 22

HSL 79.89, 0.81%, 0.45%

LAB 77.2, -43.41, 73.81

 

CMYK 89 / 0 / 43 / 18

HEX #16D076

RGB 22 208 118

HSL 150.97, 0.81%, 0.45%

LAB 73.93, -62.39, 32.98

 

CMYK 8 / 89 / 0 / 18

HEX #C016D0

RGB 192 22 208

HSL 294.84, 0.81%, 0.45%

LAB 47.41, 79.55, -55.61

 

CMYK 30 / 0 / 89 / 18

HEX #93D116

RGB 147 209 22

HSL 79.89, 0.81%, 0.45%

LAB 77.2, -43.41, 73.81

 

CMYK 89 / 28 / 0 / 18

HEX #1695D0

RGB 22 149 208

HSL 199.03, 0.81%, 0.45%

LAB 58.24, -10.88, -39.13

 

CMYK 0 / 89 / 28 / 18

HEX #D01695

RGB 208 22 149

HSL 319.03, 0.81%, 0.45%

LAB 47.18, 74.53, -21.04

 

CMYK 30 / 0 / 89 / 18

HEX #93D116

RGB 147 209 22

HSL 79.89, 0.81%, 0.45%

LAB 77.2, -43.41, 73.81

 

CMYK 89 / 0 / 43 / 18

HEX #16D076

RGB 22 208 118

HSL 150.97, 0.81%, 0.45%

LAB 73.93, -62.39, 32.98

 

CMYK 61 / 89 / 0 / 18

HEX #5116D0

RGB 81 22 208

HSL 259.03, 0.81%, 0.45%

LAB 31.53, 65.74, -82.22

 

CMYK 0 / 89 / 46 / 18

HEX #D01670

RGB 208 22 112

HSL 330.97, 0.81%, 0.45%

LAB 45.84, 70.9, -0.46

 

CMYK 30 / 0 / 89 / 18

HEX #93D116

RGB 147 209 22

HSL 79.89, 0.81%, 0.45%

LAB 77.2, -43.41, 73.81

 

CMYK 89 / 0 / 16 / 18

HEX #16D0AE

RGB 22 208 174

HSL 169.03, 0.81%, 0.45%

LAB 75.04, -49.99, 4.99

 

CMYK 61 / 89 / 0 / 18

HEX #5116D0

RGB 81 22 208

HSL 259.03, 0.81%, 0.45%

LAB 31.53, 65.74, -82.22

 

CMYK 0 / 89 / 73 / 18

HEX #D01638

RGB 208 22 56

HSL 349.03, 0.81%, 0.45%

LAB 44.62, 67.46, 32.55

 

Description

Color code: HEX #93D116 | qconv.com Color code: HEX #93D116 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 209 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 209 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 89 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 89% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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