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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93C92F it is the complementary color #6C36D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93C92F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93C92F shade: #98C92A, #A9DB3D, #BAED50, #CBFF63 and #DCFF76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93C92F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93C92F shade: #93C92F, #82B71C, #71A509, #609300 and #4F8100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93C92F shade: #94CA2F, #BDCA2F, #CAAD2F, #CA832F and #CA592F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93C92F shade: #94CA2F, #6ACA2F, #40CA2F, #2FCA48 and #2FCA72

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93C92F shade matches the following richer shades: #94CA2F, #9ADE1B and #A0F207

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93C92F shade: #94CA2F, #8EB643, #88A157, #818D6C and #7B7980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93C92F shade: #CAAE2F, #BDCA2F, #94CA2F, #6ACA2F and #41CA2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93C92F shade: #63871F, #7BA827, #94CA2F, #A5D54D and #B6DD6F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93C92F shade: #93C92F, #2FCA84 and #C22FCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93C92F shade: #93C92F, #2F94CA and #CA2F94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93C92F shade: #93C92F, #2FCA84, #652FCA and #CA2F75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93C92F shade: #93C92F, #2FCAB3, #652FCA and #CA2F46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 77 / 21

HEX #93C92F

RGB 147 201 47

HSL 81.04, 0.62%, 0.49%

LAB 74.94, -39.03, 65.88

 

Complementary color

CMYK 48 / 74 / 0 / 18

HEX #6C36D0

RGB 108 54 208

HSL 261.04, 0.62%, 0.51%

LAB 38.52, 56.79, -70.59

 

CMYK 24 / 0 / 79 / 21

HEX #98C92A

RGB 152 201 42

HSL 78.49, 0.65%, 0.48%

LAB 75.21, -37.34, 67.73

 

CMYK 23 / 0 / 72 / 14

HEX #A9DB3D

RGB 169 219 61

HSL 78.99, 0.69%, 0.55%

LAB 81.53, -37.94, 68.07

 

CMYK 22 / 0 / 66 / 7

HEX #BAED50

RGB 186 237 80

HSL 79.49, 0.81%, 0.62%

LAB 87.77, -38.39, 67.81

 

CMYK 20 / 0 / 61 / 0

HEX #CBFF63

RGB 203 255 99

HSL 80, 1%, 0.69%

LAB 93.93, -38.73, 67.18

 

CMYK 14 / 0 / 54 / 0

HEX #DCFF76

RGB 220 255 118

HSL 75.33, 1%, 0.73%

LAB 95.18, -30.84, 60.8

 

CMYK 27 / 0 / 77 / 21

HEX #93C92F

RGB 147 201 47

HSL 81.04, 0.62%, 0.49%

LAB 74.94, -39.03, 65.88

 

CMYK 29 / 0 / 85 / 28

HEX #82B71C

RGB 130 183 28

HSL 80.52, 0.73%, 0.41%

LAB 68.53, -38.34, 64.95

 

CMYK 32 / 0 / 95 / 35

HEX #71A509

RGB 113 165 9

HSL 80, 0.9%, 0.34%

LAB 62.03, -37.4, 62.62

 

CMYK 35 / 0 / 100 / 42

HEX #609300

RGB 96 147 0

HSL 80.82, 1%, 0.29%

LAB 55.44, -36.17, 58.36

 

CMYK 39 / 0 / 100 / 49

HEX #4F8100

RGB 79 129 0

HSL 83.26, 1%, 0.25%

LAB 48.71, -34.73, 52.77

 

CMYK 27 / 0 / 77 / 21

HEX #94CA2F

RGB 148 202 47

HSL 80.9, 0.62%, 0.49%

LAB 75.29, -39.09, 66.23

 

CMYK 6 / 0 / 77 / 21

HEX #BDCA2F

RGB 189 202 47

HSL 65.03, 0.62%, 0.49%

LAB 78.03, -22.6, 69.76

 

CMYK 0 / 14 / 77 / 21

HEX #CAAD2F

RGB 202 173 47

HSL 48.77, 0.62%, 0.49%

LAB 71.32, -2.25, 64

 

CMYK 0 / 35 / 77 / 21

HEX #CA832F

RGB 202 131 47

HSL 32.52, 0.62%, 0.49%

LAB 60.78, 20.44, 54.02

 

CMYK 0 / 56 / 77 / 21

HEX #CA592F

RGB 202 89 47

HSL 16.26, 0.62%, 0.49%

LAB 51.73, 42.49, 45

 

CMYK 27 / 0 / 77 / 21

HEX #94CA2F

RGB 148 202 47

HSL 80.9, 0.62%, 0.49%

LAB 75.29, -39.09, 66.23

 

CMYK 48 / 0 / 77 / 21

HEX #6ACA2F

RGB 106 202 47

HSL 97.16, 0.62%, 0.49%

LAB 73.23, -53.59, 63.54

 

CMYK 68 / 0 / 77 / 21

HEX #40CA2F

RGB 64 202 47

HSL 113.42, 0.62%, 0.49%

LAB 71.92, -64.04, 61.83

 

CMYK 77 / 0 / 64 / 21

HEX #2FCA48

RGB 47 202 72

HSL 129.68, 0.62%, 0.49%

LAB 71.77, -64.65, 52.2

 

CMYK 77 / 0 / 44 / 21

HEX #2FCA72

RGB 47 202 114

HSL 145.94, 0.62%, 0.49%

LAB 72.27, -58.71, 32.92

 

CMYK 27 / 0 / 77 / 21

HEX #94CA2F

RGB 148 202 47

HSL 80.9, 0.62%, 0.49%

LAB 75.29, -39.09, 66.23

 

CMYK 31 / 0 / 88 / 13

HEX #9ADE1B

RGB 154 222 27

HSL 80.92, 0.78%, 0.49%

LAB 81.4, -46.23, 76.58

 

CMYK 34 / 0 / 97 / 5

HEX #A0F207

RGB 160 242 7

HSL 80.94, 0.94%, 0.49%

LAB 87.48, -52.66, 83.98

 

CMYK 27 / 0 / 77 / 21

HEX #94CA2F

RGB 148 202 47

HSL 80.9, 0.62%, 0.49%

LAB 75.29, -39.09, 66.23

 

CMYK 22 / 0 / 63 / 29

HEX #8EB643

RGB 142 182 67

HSL 80.87, 0.46%, 0.49%

LAB 69.19, -31, 52.53

 

CMYK 16 / 0 / 46 / 37

HEX #88A157

RGB 136 161 87

HSL 80.27, 0.3%, 0.49%

LAB 62.85, -21.17, 35.54

 

CMYK 9 / 0 / 23 / 45

HEX #818D6C

RGB 129 141 108

HSL 81.82, 0.13%, 0.49%

LAB 56.88, -10.5, 16.19

 

CMYK 4 / 5 / 0 / 50

HEX #7B7980

RGB 123 121 128

HSL 257.14, 0.03%, 0.49%

LAB 51.2, 2.18, -3.55

 

CMYK 0 / 14 / 77 / 21

HEX #CAAE2F

RGB 202 174 47

HSL 49.16, 0.62%, 0.49%

LAB 71.58, -2.78, 64.24

 

CMYK 6 / 0 / 77 / 21

HEX #BDCA2F

RGB 189 202 47

HSL 65.03, 0.62%, 0.49%

LAB 78.03, -22.6, 69.76

 

CMYK 27 / 0 / 77 / 21

HEX #94CA2F

RGB 148 202 47

HSL 80.9, 0.62%, 0.49%

LAB 75.29, -39.09, 66.23

 

CMYK 48 / 0 / 77 / 21

HEX #6ACA2F

RGB 106 202 47

HSL 97.16, 0.62%, 0.49%

LAB 73.23, -53.59, 63.54

 

CMYK 68 / 0 / 77 / 21

HEX #41CA2F

RGB 65 202 47

HSL 113.03, 0.62%, 0.49%

LAB 71.94, -63.84, 61.86

 

CMYK 27 / 0 / 77 / 47

HEX #63871F

RGB 99 135 31

HSL 80.77, 0.63%, 0.33%

LAB 51.93, -28.37, 48.32

 

CMYK 27 / 0 / 77 / 34

HEX #7BA827

RGB 123 168 39

HSL 80.93, 0.62%, 0.41%

LAB 63.64, -33.81, 57.28

 

CMYK 27 / 0 / 77 / 21

HEX #94CA2F

RGB 148 202 47

HSL 80.9, 0.62%, 0.49%

LAB 75.29, -39.09, 66.23

 

CMYK 23 / 0 / 64 / 16

HEX #A5D54D

RGB 165 213 77

HSL 81.18, 0.62%, 0.57%

LAB 79.68, -35.72, 60.07

 

CMYK 18 / 0 / 50 / 13

HEX #B6DD6F

RGB 182 221 111

HSL 81.27, 0.62%, 0.65%

LAB 83.34, -29.97, 49.41

 

CMYK 27 / 0 / 77 / 21

HEX #93C92F

RGB 147 201 47

HSL 81.04, 0.62%, 0.49%

LAB 74.94, -39.03, 65.88

 

CMYK 77 / 0 / 35 / 21

HEX #2FCA84

RGB 47 202 132

HSL 152.9, 0.62%, 0.49%

LAB 72.57, -55.29, 23.99

 

CMYK 4 / 77 / 0 / 21

HEX #C22FCA

RGB 194 47 202

HSL 296.9, 0.62%, 0.49%

LAB 49.21, 73.59, -49.24

 

CMYK 27 / 0 / 77 / 21

HEX #93C92F

RGB 147 201 47

HSL 81.04, 0.62%, 0.49%

LAB 74.94, -39.03, 65.88

 

CMYK 77 / 27 / 0 / 21

HEX #2F94CA

RGB 47 148 202

HSL 200.9, 0.62%, 0.49%

LAB 58.08, -10.37, -35.99

 

CMYK 0 / 77 / 27 / 21

HEX #CA2F94

RGB 202 47 148

HSL 320.9, 0.62%, 0.49%

LAB 47.92, 67.63, -19.4

 

CMYK 27 / 0 / 77 / 21

HEX #93C92F

RGB 147 201 47

HSL 81.04, 0.62%, 0.49%

LAB 74.94, -39.03, 65.88

 

CMYK 77 / 0 / 35 / 21

HEX #2FCA84

RGB 47 202 132

HSL 152.9, 0.62%, 0.49%

LAB 72.57, -55.29, 23.99

 

CMYK 50 / 77 / 0 / 21

HEX #652FCA

RGB 101 47 202

HSL 260.9, 0.62%, 0.49%

LAB 36.11, 57.36, -71.09

 

CMYK 0 / 77 / 42 / 21

HEX #CA2F75

RGB 202 47 117

HSL 332.9, 0.62%, 0.49%

LAB 46.81, 64.26, -2.26

 

CMYK 27 / 0 / 77 / 21

HEX #93C92F

RGB 147 201 47

HSL 81.04, 0.62%, 0.49%

LAB 74.94, -39.03, 65.88

 

CMYK 77 / 0 / 11 / 21

HEX #2FCAB3

RGB 47 202 179

HSL 171.1, 0.62%, 0.49%

LAB 73.61, -44.2, 0.26

 

CMYK 50 / 77 / 0 / 21

HEX #652FCA

RGB 101 47 202

HSL 260.9, 0.62%, 0.49%

LAB 36.11, 57.36, -71.09

 

CMYK 0 / 77 / 65 / 21

HEX #CA2F46

RGB 202 47 70

HSL 351.1, 0.62%, 0.49%

LAB 45.68, 60.7, 25.09

 

Description

Color code: HEX #93C92F | qconv.com Color code: HEX #93C92F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 201 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 201 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 77 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 77% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

50% - Hjem | EVU
Link: https://evu.dk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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