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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93C2DF it is the complementary color #6C3D20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93C2DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93C2DF shade: #98C2DA, #A9D4ED, #BAE6FF, #CBF8FF and #DCFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93C2DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93C2DF shade: #93C2DF, #82B0CC, #719EB9, #608CA6 and #4F7A93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93C2DF shade: #95C3DF, #95AFDF, #959BDF, #A395DF and #B795DF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93C2DF shade: #95C3DF, #95AFDF, #959BDF and #9595DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93C2DF shade matches the following richer shades: #95C3DF, #8AC6EA and #7FC8F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93C2DF shade: #95C3DF, #A0C0D4, #ABBEC9, #B6BBBE and #C2B8B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93C2DF shade: #95DFD3, #95D8DF, #95C4DF, #95B0DF and #959CDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93C2DF shade: #559FCC, #75B1D6, #95C3DF, #B5D5E9 and #D5E7F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93C2DF shade: #93C2DF, #BF95DF and #DFDD95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93C2DF shade: #93C2DF, #DF95C4 and #C4DF95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93C2DF shade: #93C2DF, #BF95DF, #DFB095 and #B5DF95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93C2DF shade: #93C2DF, #D595DF, #DFB095 and #9FDF95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 13 / 0 / 13

HEX #93C2DF

RGB 147 194 223

HSL 202.89, 0.54%, 0.73%

LAB 76.14, -8.49, -19.43

 

Complementary color

CMYK 0 / 44 / 70 / 58

HEX #6C3D20

RGB 108 61 32

HSL 22.89, 0.54%, 0.27%

LAB 30.95, 17.79, 26.32

 

CMYK 30 / 11 / 0 / 15

HEX #98C2DA

RGB 152 194 218

HSL 201.82, 0.47%, 0.73%

LAB 76.27, -8.3, -16.51

 

CMYK 29 / 11 / 0 / 7

HEX #A9D4ED

RGB 169 212 237

HSL 202.06, 0.65%, 0.8%

LAB 82.72, -8.38, -16.87

 

CMYK 27 / 10 / 0 / 0

HEX #BAE6FF

RGB 186 230 255

HSL 201.74, 1%, 0.86%

LAB 89.04, -8.67, -16.76

 

CMYK 20 / 3 / 0 / 0

HEX #CBF8FF

RGB 203 248 255

HSL 188.08, 1%, 0.9%

LAB 94.76, -12.83, -8.12

 

CMYK 14 / 0 / 0 / 0

HEX #DCFFFF

RGB 220 255 255

HSL 180, 1%, 0.93%

LAB 97.61, -11.18, -3.79

 

CMYK 34 / 13 / 0 / 13

HEX #93C2DF

RGB 147 194 223

HSL 202.89, 0.54%, 0.73%

LAB 76.14, -8.49, -19.43

 

CMYK 36 / 14 / 0 / 20

HEX #82B0CC

RGB 130 176 204

HSL 202.7, 0.42%, 0.65%

LAB 69.58, -8.36, -19.1

 

CMYK 39 / 15 / 0 / 27

HEX #719EB9

RGB 113 158 185

HSL 202.5, 0.34%, 0.58%

LAB 62.9, -8.21, -18.79

 

CMYK 42 / 16 / 0 / 35

HEX #608CA6

RGB 96 140 166

HSL 202.29, 0.28%, 0.51%

LAB 56.08, -8.03, -18.47

 

CMYK 46 / 17 / 0 / 42

HEX #4F7A93

RGB 79 122 147

HSL 202.06, 0.3%, 0.44%

LAB 49.12, -7.79, -18.17

 

CMYK 33 / 13 / 0 / 13

HEX #95C3DF

RGB 149 195 223

HSL 202.7, 0.54%, 0.73%

LAB 76.53, -8.46, -18.83

 

CMYK 33 / 22 / 0 / 13

HEX #95AFDF

RGB 149 175 223

HSL 218.92, 0.54%, 0.73%

LAB 71.13, 2.36, -27.05

 

CMYK 33 / 30 / 0 / 13

HEX #959BDF

RGB 149 155 223

HSL 235.14, 0.54%, 0.73%

LAB 65.87, 13.61, -35.17

 

CMYK 27 / 33 / 0 / 13

HEX #A395DF

RGB 163 149 223

HSL 251.35, 0.54%, 0.73%

LAB 65.44, 21.04, -35.76

 

CMYK 18 / 33 / 0 / 13

HEX #B795DF

RGB 183 149 223

HSL 267.57, 0.54%, 0.73%

LAB 67.19, 27, -32.9

 

CMYK 33 / 13 / 0 / 13

HEX #95C3DF

RGB 149 195 223

HSL 202.7, 0.54%, 0.73%

LAB 76.53, -8.46, -18.83

 

CMYK 33 / 22 / 0 / 13

HEX #95AFDF

RGB 149 175 223

HSL 218.92, 0.54%, 0.73%

LAB 71.13, 2.36, -27.05

 

CMYK 33 / 30 / 0 / 13

HEX #959BDF

RGB 149 155 223

HSL 235.14, 0.54%, 0.73%

LAB 65.87, 13.61, -35.17

 

CMYK 33 / 33 / 0 / 13

HEX #9595DF

RGB 149 149 223

HSL 240, 0.54%, 0.73%

LAB 64.33, 17.04, -37.58

 

CMYK 33 / 13 / 0 / 13

HEX #95C3DF

RGB 149 195 223

HSL 202.7, 0.54%, 0.73%

LAB 76.53, -8.46, -18.83

 

CMYK 41 / 15 / 0 / 8

HEX #8AC6EA

RGB 138 198 234

HSL 202.5, 0.7%, 0.73%

LAB 77.12, -10.17, -23.91

 

CMYK 48 / 19 / 0 / 4

HEX #7FC8F6

RGB 127 200 246

HSL 203.19, 0.87%, 0.73%

LAB 77.56, -10.61, -29.72

 

CMYK 33 / 13 / 0 / 13

HEX #95C3DF

RGB 149 195 223

HSL 202.7, 0.54%, 0.73%

LAB 76.53, -8.46, -18.83

 

CMYK 25 / 9 / 0 / 17

HEX #A0C0D4

RGB 160 192 212

HSL 203.08, 0.38%, 0.73%

LAB 76.02, -6.29, -13.57

 

CMYK 15 / 5 / 0 / 21

HEX #ABBEC9

RGB 171 190 201

HSL 202, 0.22%, 0.73%

LAB 75.89, -4.21, -7.74

 

CMYK 4 / 2 / 0 / 25

HEX #B6BBBE

RGB 182 187 190

HSL 202.5, 0.06%, 0.73%

LAB 75.58, -1.16, -2.13

 

CMYK 0 / 5 / 8 / 24

HEX #C2B8B3

RGB 194 184 179

HSL 20, 0.11%, 0.73%

LAB 75.45, 2.66, 3.79

 

CMYK 33 / 0 / 5 / 13

HEX #95DFD3

RGB 149 223 211

HSL 170.27, 0.54%, 0.73%

LAB 83.9, -25.52, -1.43

 

CMYK 33 / 3 / 0 / 13

HEX #95D8DF

RGB 149 216 223

HSL 185.68, 0.54%, 0.73%

LAB 82.29, -19.3, -10.18

 

CMYK 33 / 12 / 0 / 13

HEX #95C4DF

RGB 149 196 223

HSL 201.89, 0.54%, 0.73%

LAB 76.8, -8.99, -18.42

 

CMYK 33 / 21 / 0 / 13

HEX #95B0DF

RGB 149 176 223

HSL 218.11, 0.54%, 0.73%

LAB 71.4, 1.81, -26.64

 

CMYK 33 / 30 / 0 / 13

HEX #959CDF

RGB 149 156 223

HSL 234.32, 0.54%, 0.73%

LAB 66.13, 13.04, -34.77

 

CMYK 58 / 22 / 0 / 20

HEX #559FCC

RGB 85 159 204

HSL 202.69, 0.54%, 0.57%

LAB 62.58, -9.85, -30.02

 

CMYK 45 / 17 / 0 / 16

HEX #75B1D6

RGB 117 177 214

HSL 202.89, 0.54%, 0.65%

LAB 69.53, -9.6, -24.74

 

CMYK 33 / 13 / 0 / 13

HEX #95C3DF

RGB 149 195 223

HSL 202.7, 0.54%, 0.73%

LAB 76.53, -8.46, -18.83

 

CMYK 22 / 9 / 0 / 9

HEX #B5D5E9

RGB 181 213 233

HSL 203.08, 0.54%, 0.81%

LAB 83.6, -6.28, -13.35

 

CMYK 12 / 5 / 0 / 5

HEX #D5E7F2

RGB 213 231 242

HSL 202.76, 0.53%, 0.89%

LAB 90.65, -3.8, -7.38

 

CMYK 34 / 13 / 0 / 13

HEX #93C2DF

RGB 147 194 223

HSL 202.89, 0.54%, 0.73%

LAB 76.14, -8.49, -19.43

 

CMYK 14 / 33 / 0 / 13

HEX #BF95DF

RGB 191 149 223

HSL 274.05, 0.54%, 0.73%

LAB 67.95, 29.45, -31.68

 

CMYK 0 / 1 / 33 / 13

HEX #DFDD95

RGB 223 221 149

HSL 58.38, 0.54%, 0.73%

LAB 86.79, -10.08, 35.66

 

CMYK 34 / 13 / 0 / 13

HEX #93C2DF

RGB 147 194 223

HSL 202.89, 0.54%, 0.73%

LAB 76.14, -8.49, -19.43

 

CMYK 0 / 33 / 12 / 13

HEX #DF95C4

RGB 223 149 196

HSL 321.89, 0.54%, 0.73%

LAB 70.29, 34.72, -12.85

 

CMYK 12 / 0 / 33 / 13

HEX #C4DF95

RGB 196 223 149

HSL 81.89, 0.54%, 0.73%

LAB 85.34, -21.23, 33.39

 

CMYK 34 / 13 / 0 / 13

HEX #93C2DF

RGB 147 194 223

HSL 202.89, 0.54%, 0.73%

LAB 76.14, -8.49, -19.43

 

CMYK 14 / 33 / 0 / 13

HEX #BF95DF

RGB 191 149 223

HSL 274.05, 0.54%, 0.73%

LAB 67.95, 29.45, -31.68

 

CMYK 0 / 21 / 33 / 13

HEX #DFB095

RGB 223 176 149

HSL 21.89, 0.54%, 0.73%

LAB 75.39, 13.37, 20.36

 

CMYK 19 / 0 / 33 / 13

HEX #B5DF95

RGB 181 223 149

HSL 94.05, 0.54%, 0.73%

LAB 84.36, -26.65, 31.92

 

CMYK 34 / 13 / 0 / 13

HEX #93C2DF

RGB 147 194 223

HSL 202.89, 0.54%, 0.73%

LAB 76.14, -8.49, -19.43

 

CMYK 4 / 33 / 0 / 13

HEX #D595DF

RGB 213 149 223

HSL 291.89, 0.54%, 0.73%

LAB 70.15, 36.29, -28.09

 

CMYK 0 / 21 / 33 / 13

HEX #DFB095

RGB 223 176 149

HSL 21.89, 0.54%, 0.73%

LAB 75.39, 13.37, 20.36

 

CMYK 29 / 0 / 33 / 13

HEX #9FDF95

RGB 159 223 149

HSL 111.89, 0.54%, 0.73%

LAB 83.08, -34.2, 29.98

 

Description

Color code: HEX #93C2DF | qconv.com Color code: HEX #93C2DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 194 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 194 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 13 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 13% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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