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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93B5E1 it is the complementary color #6C4A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93B5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93B5E1 shade: #98B5DC, #A9C7EF, #BAD9FF, #CBEBFF and #DCFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93B5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93B5E1 shade: #93B5E1, #82A3CE, #7191BB, #607FA8 and #4F6D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93B5E1 shade: #93B5E1, #93A0E1, #9B93E1, #B093E1 and #C593E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93B5E1 shade: #93B5E1, #93A0E1 and #9393E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93B5E1 shade matches the following richer shades: #93B5E1, #88B4ED and #7DB2F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93B5E1 shade: #93B5E1, #9EB7D6, #A9B8CB, #B4B9C0 and #BFBBB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93B5E1 shade: #93E0E1, #93CBE1, #93B6E1, #93A1E1 and #9993E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93B5E1 shade: #5289D0, #739FD9, #93B5E1, #B3CBEA and #D4E1F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93B5E1 shade: #93B5E1, #CE93E1 and #D6E193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93B5E1 shade: #93B5E1, #E193B6 and #B6E193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93B5E1 shade: #93B5E1, #CE93E1, #E1BE93 and #A7E193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93B5E1 shade: #93B5E1, #E193DD, #E1BE93 and #93E197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

Complementary color

CMYK 0 / 31 / 72 / 58

HEX #6C4A1E

RGB 108 74 30

HSL 33.85, 0.57%, 0.27%

LAB 34.35, 9.73, 31.21

 

CMYK 31 / 18 / 0 / 14

HEX #98B5DC

RGB 152 181 220

HSL 214.41, 0.49%, 0.73%

LAB 72.82, -0.83, -22.82

 

CMYK 29 / 17 / 0 / 6

HEX #A9C7EF

RGB 169 199 239

HSL 214.29, 0.69%, 0.8%

LAB 79.34, -1.04, -23.06

 

CMYK 27 / 15 / 0 / 0

HEX #BAD9FF

RGB 186 217 255

HSL 213.04, 1%, 0.86%

LAB 85.65, -1.93, -21.88

 

CMYK 20 / 8 / 0 / 0

HEX #CBEBFF

RGB 203 235 255

HSL 203.08, 1%, 0.9%

LAB 91.38, -6.26, -13.14

 

CMYK 14 / 1 / 0 / 0

HEX #DCFDFF

RGB 220 253 255

HSL 183.43, 1%, 0.93%

LAB 97.1, -10.18, -4.54

 

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

CMYK 37 / 21 / 0 / 19

HEX #82A3CE

RGB 130 163 206

HSL 213.95, 0.44%, 0.66%

LAB 66.06, -0.7, -25.59

 

CMYK 40 / 22 / 0 / 27

HEX #7191BB

RGB 113 145 187

HSL 214.05, 0.35%, 0.59%

LAB 59.3, -0.37, -25.43

 

CMYK 43 / 24 / 0 / 34

HEX #607FA8

RGB 96 127 168

HSL 214.17, 0.29%, 0.52%

LAB 52.39, 0.02, -25.3

 

CMYK 47 / 27 / 0 / 42

HEX #4F6D95

RGB 79 109 149

HSL 214.29, 0.31%, 0.45%

LAB 45.32, 0.5, -25.2

 

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

CMYK 35 / 29 / 0 / 12

HEX #93A0E1

RGB 147 160 225

HSL 230, 0.57%, 0.73%

LAB 67.11, 10.73, -34.36

 

CMYK 31 / 35 / 0 / 12

HEX #9B93E1

RGB 155 147 225

HSL 246.15, 0.57%, 0.73%

LAB 64.38, 20.39, -38.57

 

CMYK 22 / 35 / 0 / 12

HEX #B093E1

RGB 176 147 225

HSL 262.31, 0.57%, 0.73%

LAB 66.16, 26.48, -35.66

 

CMYK 12 / 35 / 0 / 12

HEX #C593E1

RGB 197 147 225

HSL 278.46, 0.57%, 0.73%

LAB 68.15, 32.82, -32.42

 

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

CMYK 35 / 29 / 0 / 12

HEX #93A0E1

RGB 147 160 225

HSL 230, 0.57%, 0.73%

LAB 67.11, 10.73, -34.36

 

CMYK 35 / 35 / 0 / 12

HEX #9393E1

RGB 147 147 225

HSL 240, 0.57%, 0.73%

LAB 63.76, 18.16, -39.59

 

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

CMYK 43 / 24 / 0 / 7

HEX #88B4ED

RGB 136 180 237

HSL 213.86, 0.74%, 0.73%

LAB 72.22, -0.16, -33.06

 

CMYK 50 / 28 / 0 / 3

HEX #7DB2F8

RGB 125 178 248

HSL 214.15, 0.9%, 0.73%

LAB 71.54, 1.45, -40.13

 

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

CMYK 26 / 14 / 0 / 16

HEX #9EB7D6

RGB 158 183 214

HSL 213.21, 0.41%, 0.73%

LAB 73.54, -1.6, -18.42

 

CMYK 17 / 9 / 0 / 20

HEX #A9B8CB

RGB 169 184 203

HSL 213.53, 0.25%, 0.73%

LAB 74.21, -1.21, -11.34

 

CMYK 6 / 4 / 0 / 25

HEX #B4B9C0

RGB 180 185 192

HSL 215, 0.09%, 0.73%

LAB 74.96, -0.38, -4.15

 

CMYK 0 / 2 / 5 / 25

HEX #BFBBB5

RGB 191 187 181

HSL 36, 0.07%, 0.73%

LAB 76.04, 0.33, 3.52

 

CMYK 35 / 0 / 0 / 12

HEX #93E0E1

RGB 147 224 225

HSL 180.77, 0.57%, 0.73%

LAB 84.46, -23.34, -8.03

 

CMYK 35 / 10 / 0 / 12

HEX #93CBE1

RGB 147 203 225

HSL 196.92, 0.57%, 0.73%

LAB 78.67, -12.71, -16.69

 

CMYK 35 / 19 / 0 / 12

HEX #93B6E1

RGB 147 182 225

HSL 213.08, 0.57%, 0.73%

LAB 72.95, -1.53, -25.36

 

CMYK 35 / 28 / 0 / 12

HEX #93A1E1

RGB 147 161 225

HSL 229.23, 0.57%, 0.73%

LAB 67.37, 10.16, -33.96

 

CMYK 32 / 35 / 0 / 12

HEX #9993E1

RGB 153 147 225

HSL 244.62, 0.57%, 0.73%

LAB 64.22, 19.83, -38.83

 

CMYK 61 / 34 / 0 / 18

HEX #5289D0

RGB 82 137 208

HSL 213.81, 0.57%, 0.57%

LAB 56.33, 3.44, -42.04

 

CMYK 47 / 27 / 0 / 15

HEX #739FD9

RGB 115 159 217

HSL 214.12, 0.57%, 0.65%

LAB 64.52, 0.72, -34.12

 

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

CMYK 24 / 13 / 0 / 8

HEX #B3CBEA

RGB 179 203 234

HSL 213.82, 0.57%, 0.81%

LAB 80.87, -1.4, -18

 

CMYK 13 / 7 / 0 / 5

HEX #D4E1F3

RGB 212 225 243

HSL 214.84, 0.56%, 0.89%

LAB 89.07, -0.82, -10.24

 

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

CMYK 8 / 35 / 0 / 12

HEX #CE93E1

RGB 206 147 225

HSL 285.38, 0.57%, 0.73%

LAB 69.06, 35.59, -30.94

 

CMYK 5 / 0 / 35 / 12

HEX #D6E193

RGB 214 225 147

HSL 68.46, 0.57%, 0.73%

LAB 87.12, -15.75, 36.98

 

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

CMYK 0 / 35 / 19 / 12

HEX #E193B6

RGB 225 147 182

HSL 333.08, 0.57%, 0.73%

LAB 69.65, 34.26, -6

 

CMYK 19 / 0 / 35 / 12

HEX #B6E193

RGB 182 225 147

HSL 93.08, 0.57%, 0.73%

LAB 84.95, -27.53, 33.72

 

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

CMYK 8 / 35 / 0 / 12

HEX #CE93E1

RGB 206 147 225

HSL 285.38, 0.57%, 0.73%

LAB 69.06, 35.59, -30.94

 

CMYK 0 / 16 / 35 / 12

HEX #E1BE93

RGB 225 190 147

HSL 33.08, 0.57%, 0.73%

LAB 79.01, 6.46, 26.38

 

CMYK 26 / 0 / 35 / 12

HEX #A7E193

RGB 167 225 147

HSL 104.62, 0.57%, 0.73%

LAB 84.06, -32.75, 32.38

 

CMYK 35 / 20 / 0 / 12

HEX #93B5E1

RGB 147 181 225

HSL 213.85, 0.57%, 0.73%

LAB 72.69, -0.98, -25.77

 

CMYK 0 / 35 / 2 / 12

HEX #E193DD

RGB 225 147 221

HSL 303.08, 0.57%, 0.73%

LAB 70.94, 40.75, -25.68

 

CMYK 0 / 16 / 35 / 12

HEX #E1BE93

RGB 225 190 147

HSL 33.08, 0.57%, 0.73%

LAB 79.01, 6.46, 26.38

 

CMYK 35 / 0 / 33 / 12

HEX #93E197

RGB 147 225 151

HSL 123.08, 0.57%, 0.73%

LAB 83.07, -38.63, 28.82

 

Description

Color code: HEX #93B5E1 | qconv.com Color code: HEX #93B5E1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 181 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 181 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 20 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 20% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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