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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93AF38 it is the complementary color #6C50C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93AF38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93AF38 shade: #98AF33, #A9C146, #BAD359, #CBE56C and #DCF77F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93AF38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93AF38 shade: #93AF38, #829D25, #718B12, #607900 and #4F6700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93AF38 shade: #92AE37, #AEAA37, #AE8A37, #AE6A37 and #AE4A37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93AF38 shade: #92AE37, #72AE37, #52AE37, #37AE3C and #37AE5D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93AF38 shade matches the following richer shades: #92AE37, #9CC125 and #A6D412

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93AF38 shade: #92AE37, #899C4A, #7F895C, #75776F and #6B6481

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93AF38 shade: #AE8B37, #AEAA37, #93AE37, #73AE37 and #53AE37

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93AF38 shade: #5E7023, #788F2D, #92AE37, #A8C649 and #B7CF69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93AF38 shade: #93AF38, #37AE6B and #9B37AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93AF38 shade: #93AF38, #3793AE and #AE3793

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93AF38 shade: #93AF38, #37AE6B, #5337AE and #AE377B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93AF38 shade: #93AF38, #37AE8F, #5337AE and #AE3757

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 68 / 31

HEX #93AF38

RGB 147 175 56

HSL 74.12, 0.52%, 0.45%

LAB 67.39, -26.44, 55.28

 

Complementary color

CMYK 46 / 60 / 0 / 22

HEX #6C50C7

RGB 108 80 199

HSL 254.12, 0.52%, 0.55%

LAB 42.84, 40.59, -58.35

 

CMYK 13 / 0 / 71 / 31

HEX #98AF33

RGB 152 175 51

HSL 71.13, 0.55%, 0.44%

LAB 67.71, -24.67, 57.64

 

CMYK 12 / 0 / 64 / 24

HEX #A9C146

RGB 169 193 70

HSL 71.71, 0.5%, 0.52%

LAB 74.2, -25.24, 57.18

 

CMYK 12 / 0 / 58 / 17

HEX #BAD359

RGB 186 211 89

HSL 72.3, 0.58%, 0.59%

LAB 80.6, -25.68, 56.36

 

CMYK 11 / 0 / 53 / 10

HEX #CBE56C

RGB 203 229 108

HSL 72.89, 0.7%, 0.66%

LAB 86.91, -26.02, 55.37

 

CMYK 11 / 0 / 49 / 3

HEX #DCF77F

RGB 220 247 127

HSL 73.5, 0.88%, 0.73%

LAB 93.13, -26.28, 54.31

 

CMYK 16 / 0 / 68 / 31

HEX #93AF38

RGB 147 175 56

HSL 74.12, 0.52%, 0.45%

LAB 67.39, -26.44, 55.28

 

CMYK 17 / 0 / 76 / 38

HEX #829D25

RGB 130 157 37

HSL 73.5, 0.62%, 0.38%

LAB 60.78, -25.82, 55.39

 

CMYK 19 / 0 / 87 / 45

HEX #718B12

RGB 113 139 18

HSL 72.89, 0.77%, 0.31%

LAB 54.05, -24.98, 54.45

 

CMYK 21 / 0 / 100 / 53

HEX #607900

RGB 96 121 0

HSL 72.4, 1%, 0.24%

LAB 47.19, -23.9, 52.06

 

CMYK 23 / 0 / 100 / 60

HEX #4F6700

RGB 79 103 0

HSL 73.98, 1%, 0.2%

LAB 40.18, -22.37, 46.23

 

CMYK 16 / 0 / 68 / 32

HEX #92AE37

RGB 146 174 55

HSL 74.12, 0.52%, 0.45%

LAB 67.02, -26.43, 55.28

 

CMYK 0 / 2 / 68 / 32

HEX #AEAA37

RGB 174 170 55

HSL 57.98, 0.52%, 0.45%

LAB 68.04, -12.52, 57.01

 

CMYK 0 / 21 / 68 / 32

HEX #AE8A37

RGB 174 138 55

HSL 41.85, 0.52%, 0.45%

LAB 59.39, 4.67, 48.08

 

CMYK 0 / 39 / 68 / 32

HEX #AE6A37

RGB 174 106 55

HSL 25.71, 0.52%, 0.45%

LAB 51.36, 22.57, 39.34

 

CMYK 0 / 57 / 68 / 32

HEX #AE4A37

RGB 174 74 55

HSL 9.58, 0.52%, 0.45%

LAB 44.48, 39.63, 31.41

 

CMYK 16 / 0 / 68 / 32

HEX #92AE37

RGB 146 174 55

HSL 74.12, 0.52%, 0.45%

LAB 67.02, -26.43, 55.28

 

CMYK 34 / 0 / 68 / 32

HEX #72AE37

RGB 114 174 55

HSL 90.25, 0.52%, 0.45%

LAB 65.06, -38.89, 52.64

 

CMYK 53 / 0 / 68 / 32

HEX #52AE37

RGB 82 174 55

HSL 106.39, 0.52%, 0.45%

LAB 63.62, -49.3, 50.68

 

CMYK 68 / 0 / 66 / 32

HEX #37AE3C

RGB 55 174 60

HSL 122.52, 0.52%, 0.45%

LAB 62.85, -55.29, 47.52

 

CMYK 68 / 0 / 47 / 32

HEX #37AE5D

RGB 55 174 93

HSL 139.16, 0.52%, 0.45%

LAB 63.24, -50.81, 32.14

 

CMYK 16 / 0 / 68 / 32

HEX #92AE37

RGB 146 174 55

HSL 74.12, 0.52%, 0.45%

LAB 67.02, -26.43, 55.28

 

CMYK 19 / 0 / 81 / 24

HEX #9CC125

RGB 156 193 37

HSL 74.23, 0.68%, 0.45%

LAB 73.12, -32.29, 67.32

 

CMYK 22 / 0 / 92 / 17

HEX #A6D412

RGB 166 212 18

HSL 74.23, 0.84%, 0.45%

LAB 79.18, -37.51, 76.47

 

CMYK 16 / 0 / 68 / 32

HEX #92AE37

RGB 146 174 55

HSL 74.12, 0.52%, 0.45%

LAB 67.02, -26.43, 55.28

 

CMYK 12 / 0 / 53 / 39

HEX #899C4A

RGB 137 156 74

HSL 73.9, 0.36%, 0.45%

LAB 61.3, -19.63, 40.25

 

CMYK 7 / 0 / 33 / 46

HEX #7F895C

RGB 127 137 92

HSL 73.33, 0.2%, 0.45%

LAB 55.25, -11.58, 22.96

 

CMYK 2 / 0 / 7 / 53

HEX #75776F

RGB 117 119 111

HSL 75, 0.03%, 0.45%

LAB 49.65, -2.34, 4.13

 

CMYK 17 / 22 / 0 / 49

HEX #6B6481

RGB 107 100 129

HSL 254.48, 0.13%, 0.45%

LAB 43.98, 9.13, -15.12

 

CMYK 0 / 20 / 68 / 32

HEX #AE8B37

RGB 174 139 55

HSL 42.35, 0.52%, 0.45%

LAB 59.65, 4.12, 48.36

 

CMYK 0 / 2 / 68 / 32

HEX #AEAA37

RGB 174 170 55

HSL 57.98, 0.52%, 0.45%

LAB 68.04, -12.52, 57.01

 

CMYK 16 / 0 / 68 / 32

HEX #93AE37

RGB 147 174 55

HSL 73.61, 0.52%, 0.45%

LAB 67.09, -26.02, 55.37

 

CMYK 34 / 0 / 68 / 32

HEX #73AE37

RGB 115 174 55

HSL 89.75, 0.52%, 0.45%

LAB 65.12, -38.53, 52.71

 

CMYK 52 / 0 / 68 / 32

HEX #53AE37

RGB 83 174 55

HSL 105.88, 0.52%, 0.45%

LAB 63.66, -49.01, 50.73

 

CMYK 16 / 0 / 69 / 56

HEX #5E7023

RGB 94 112 35

HSL 74.03, 0.52%, 0.29%

LAB 44.36, -18.65, 39.03

 

CMYK 16 / 0 / 69 / 44

HEX #788F2D

RGB 120 143 45

HSL 74.08, 0.52%, 0.37%

LAB 55.91, -22.62, 47.33

 

CMYK 16 / 0 / 68 / 32

HEX #92AE37

RGB 146 174 55

HSL 74.12, 0.52%, 0.45%

LAB 67.02, -26.43, 55.28

 

CMYK 15 / 0 / 63 / 22

HEX #A8C649

RGB 168 198 73

HSL 74.4, 0.52%, 0.53%

LAB 75.57, -27.84, 57.37

 

CMYK 12 / 0 / 49 / 19

HEX #B7CF69

RGB 183 207 105

HSL 74.12, 0.52%, 0.61%

LAB 79.45, -23.49, 47.6

 

CMYK 16 / 0 / 68 / 31

HEX #93AF38

RGB 147 175 56

HSL 74.12, 0.52%, 0.45%

LAB 67.39, -26.44, 55.28

 

CMYK 68 / 0 / 39 / 32

HEX #37AE6B

RGB 55 174 107

HSL 146.22, 0.52%, 0.45%

LAB 63.46, -48.3, 25.06

 

CMYK 11 / 68 / 0 / 32

HEX #9B37AE

RGB 155 55 174

HSL 290.42, 0.52%, 0.45%

LAB 42.39, 57.71, -44.12

 

CMYK 16 / 0 / 68 / 31

HEX #93AF38

RGB 147 175 56

HSL 74.12, 0.52%, 0.45%

LAB 67.39, -26.44, 55.28

 

CMYK 68 / 16 / 0 / 32

HEX #3793AE

RGB 55 147 174

HSL 193.61, 0.52%, 0.45%

LAB 56.82, -18.22, -22.07

 

CMYK 0 / 68 / 16 / 32

HEX #AE3793

RGB 174 55 147

HSL 313.61, 0.52%, 0.45%

LAB 44, 57.8, -25.24

 

CMYK 16 / 0 / 68 / 31

HEX #93AF38

RGB 147 175 56

HSL 74.12, 0.52%, 0.45%

LAB 67.39, -26.44, 55.28

 

CMYK 68 / 0 / 39 / 32

HEX #37AE6B

RGB 55 174 107

HSL 146.22, 0.52%, 0.45%

LAB 63.46, -48.3, 25.06

 

CMYK 52 / 68 / 0 / 32

HEX #5337AE

RGB 83 55 174

HSL 254.12, 0.52%, 0.45%

LAB 33.19, 42.72, -59.43

 

CMYK 0 / 68 / 29 / 32

HEX #AE377B

RGB 174 55 123

HSL 325.71, 0.52%, 0.45%

LAB 43, 54.5, -12.14

 

CMYK 16 / 0 / 68 / 31

HEX #93AF38

RGB 147 175 56

HSL 74.12, 0.52%, 0.45%

LAB 67.39, -26.44, 55.28

 

CMYK 68 / 0 / 18 / 32

HEX #37AE8F

RGB 55 174 143

HSL 164.37, 0.52%, 0.45%

LAB 64.22, -40.31, 6.41

 

CMYK 52 / 68 / 0 / 32

HEX #5337AE

RGB 83 55 174

HSL 254.12, 0.52%, 0.45%

LAB 33.19, 42.72, -59.43

 

CMYK 0 / 68 / 50 / 32

HEX #AE3757

RGB 174 55 87

HSL 343.87, 0.52%, 0.45%

LAB 41.87, 50.6, 8.56

 

Description

Color code: HEX #93AF38 | qconv.com Color code: HEX #93AF38 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 175 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 175 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 68 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 68% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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