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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93AE14 it is the complementary color #6C51EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93AE14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93AE14 shade: #98AE0F, #A9C022, #BAD235, #CBE448 and #DCF65B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93AE14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93AE14 shade: #93AE14, #829C01, #718A00, #607800 and #4F6600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93AE14 shade: #93AD14, #AD9F14, #AD7614, #AD4C14 and #AD2314

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93AE14 shade: #93AD14, #69AD14, #40AD14, #17AD14 and #14AD3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93AE14 shade matches the following richer shades: #93AD14 and #9DBD05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93AE14 shade: #93AD14, #889E24, #7E8E34, #747E43 and #6A6F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93AE14 shade: #AD7514, #AD9E14, #94AD14, #6BAD14 and #42AD14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93AE14 shade: #54640C, #738910, #93AD14, #B2D219 and #C6E62E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93AE14 shade: #93AE14, #14AD4C and #8A14AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93AE14 shade: #93AE14, #1494AD and #AD1494

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93AE14 shade: #93AE14, #14AD4C, #2E14AD and #AD1475

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93AE14 shade: #93AE14, #14AD7A, #2E14AD and #AD1447

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 89 / 32

HEX #93AE14

RGB 147 174 20

HSL 70.52, 0.79%, 0.38%

LAB 66.92, -27.54, 65.72

 

Complementary color

CMYK 54 / 66 / 0 / 8

HEX #6C51EB

RGB 108 81 235

HSL 250.52, 0.79%, 0.62%

LAB 45.73, 50.48, -74.21

 

CMYK 13 / 0 / 91 / 32

HEX #98AE0F

RGB 152 174 15

HSL 68.3, 0.84%, 0.37%

LAB 67.26, -25.53, 67.01

 

CMYK 12 / 0 / 82 / 25

HEX #A9C022

RGB 169 192 34

HSL 68.73, 0.7%, 0.44%

LAB 73.71, -26.59, 68.96

 

CMYK 11 / 0 / 75 / 18

HEX #BAD235

RGB 186 210 53

HSL 69.17, 0.64%, 0.52%

LAB 80.06, -27.45, 69.7

 

CMYK 11 / 0 / 68 / 11

HEX #CBE448

RGB 203 228 72

HSL 69.62, 0.74%, 0.59%

LAB 86.33, -28.14, 69.68

 

CMYK 11 / 0 / 63 / 4

HEX #DCF65B

RGB 220 246 91

HSL 70.06, 0.9%, 0.66%

LAB 92.52, -28.71, 69.2

 

CMYK 16 / 0 / 89 / 32

HEX #93AE14

RGB 147 174 20

HSL 70.52, 0.79%, 0.38%

LAB 66.92, -27.54, 65.72

 

CMYK 17 / 0 / 99 / 39

HEX #829C01

RGB 130 156 1

HSL 70.06, 0.99%, 0.31%

LAB 60.36, -26.39, 62.91

 

CMYK 18 / 0 / 100 / 46

HEX #718A00

RGB 113 138 0

HSL 70.87, 1%, 0.27%

LAB 53.69, -24.91, 57.5

 

CMYK 20 / 0 / 100 / 53

HEX #607800

RGB 96 120 0

HSL 72, 1%, 0.24%

LAB 46.87, -23.4, 51.82

 

CMYK 23 / 0 / 100 / 60

HEX #4F6600

RGB 79 102 0

HSL 73.53, 1%, 0.2%

LAB 39.86, -21.86, 45.98

 

CMYK 15 / 0 / 88 / 32

HEX #93AD14

RGB 147 173 20

HSL 70.2, 0.79%, 0.38%

LAB 66.63, -27.05, 65.48

 

CMYK 0 / 8 / 88 / 32

HEX #AD9F14

RGB 173 159 20

HSL 54.51, 0.79%, 0.38%

LAB 64.75, -8.54, 64.83

 

CMYK 0 / 32 / 88 / 32

HEX #AD7614

RGB 173 118 20

HSL 38.43, 0.79%, 0.38%

LAB 53.91, 13.97, 56.16

 

CMYK 0 / 56 / 88 / 32

HEX #AD4C14

RGB 173 76 20

HSL 21.96, 0.79%, 0.38%

LAB 44.38, 36.86, 48.56

 

CMYK 0 / 80 / 88 / 32

HEX #AD2314

RGB 173 35 20

HSL 5.88, 0.79%, 0.38%

LAB 38.09, 53.79, 43.54

 

CMYK 15 / 0 / 88 / 32

HEX #93AD14

RGB 147 173 20

HSL 70.2, 0.79%, 0.38%

LAB 66.63, -27.05, 65.48

 

CMYK 39 / 0 / 88 / 32

HEX #69AD14

RGB 105 173 20

HSL 86.67, 0.79%, 0.38%

LAB 64.11, -43.55, 62.36

 

CMYK 63 / 0 / 88 / 32

HEX #40AD14

RGB 64 173 20

HSL 102.75, 0.79%, 0.38%

LAB 62.53, -55.77, 60.38

 

CMYK 87 / 0 / 88 / 32

HEX #17AD14

RGB 23 173 20

HSL 118.82, 0.79%, 0.38%

LAB 61.76, -62.44, 59.41

 

CMYK 88 / 0 / 66 / 32

HEX #14AD3B

RGB 20 173 59

HSL 135.29, 0.79%, 0.38%

LAB 61.96, -59.82, 46.8

 

CMYK 15 / 0 / 88 / 32

HEX #93AD14

RGB 147 173 20

HSL 70.2, 0.79%, 0.38%

LAB 66.63, -27.05, 65.48

 

CMYK 17 / 0 / 97 / 26

HEX #9DBD05

RGB 157 189 5

HSL 70.43, 0.95%, 0.38%

LAB 71.94, -30.76, 72.04

 

CMYK 15 / 0 / 88 / 32

HEX #93AD14

RGB 147 173 20

HSL 70.2, 0.79%, 0.38%

LAB 66.63, -27.05, 65.48

 

CMYK 14 / 0 / 77 / 38

HEX #889E24

RGB 136 158 36

HSL 70.82, 0.63%, 0.38%

LAB 61.49, -23.82, 56.55

 

CMYK 11 / 0 / 63 / 44

HEX #7E8E34

RGB 126 142 52

HSL 70.67, 0.46%, 0.38%

LAB 56.12, -19.03, 44.64

 

CMYK 8 / 0 / 47 / 51

HEX #747E43

RGB 116 126 67

HSL 70.17, 0.31%, 0.38%

LAB 50.73, -13.44, 30.74

 

CMYK 5 / 0 / 25 / 56

HEX #6A6F53

RGB 106 111 83

HSL 70.71, 0.14%, 0.38%

LAB 45.71, -7.14, 14.99

 

CMYK 0 / 32 / 88 / 32

HEX #AD7514

RGB 173 117 20

HSL 38.04, 0.79%, 0.38%

LAB 53.66, 14.54, 55.96

 

CMYK 0 / 9 / 88 / 32

HEX #AD9E14

RGB 173 158 20

HSL 54.12, 0.79%, 0.38%

LAB 64.47, -8.01, 64.61

 

CMYK 14 / 0 / 88 / 32

HEX #94AD14

RGB 148 173 20

HSL 69.8, 0.79%, 0.38%

LAB 66.7, -26.63, 65.57

 

CMYK 38 / 0 / 88 / 32

HEX #6BAD14

RGB 107 173 20

HSL 85.88, 0.79%, 0.38%

LAB 64.21, -42.83, 62.49

 

CMYK 62 / 0 / 88 / 32

HEX #42AD14

RGB 66 173 20

HSL 101.96, 0.79%, 0.38%

LAB 62.59, -55.29, 60.46

 

CMYK 16 / 0 / 88 / 61

HEX #54640C

RGB 84 100 12

HSL 70.91, 0.79%, 0.22%

LAB 39.62, -18.11, 42.79

 

CMYK 16 / 0 / 88 / 46

HEX #738910

RGB 115 137 16

HSL 70.91, 0.79%, 0.3%

LAB 53.57, -23.17, 54.56

 

CMYK 15 / 0 / 88 / 32

HEX #93AD14

RGB 147 173 20

HSL 70.2, 0.79%, 0.38%

LAB 66.63, -27.05, 65.48

 

CMYK 15 / 0 / 88 / 18

HEX #B2D219

RGB 178 210 25

HSL 70.38, 0.79%, 0.46%

LAB 79.4, -31.64, 75.89

 

CMYK 14 / 0 / 80 / 10

HEX #C6E62E

RGB 198 230 46

HSL 70.43, 0.79%, 0.54%

LAB 86.4, -32.25, 77.78

 

CMYK 16 / 0 / 89 / 32

HEX #93AE14

RGB 147 174 20

HSL 70.52, 0.79%, 0.38%

LAB 66.92, -27.54, 65.72

 

CMYK 88 / 0 / 56 / 32

HEX #14AD4C

RGB 20 173 76

HSL 141.96, 0.79%, 0.38%

LAB 62.13, -57.65, 39.19

 

CMYK 20 / 88 / 0 / 32

HEX #8A14AD

RGB 138 20 173

HSL 286.27, 0.79%, 0.38%

LAB 35.83, 65.17, -54.23

 

CMYK 16 / 0 / 89 / 32

HEX #93AE14

RGB 147 174 20

HSL 70.52, 0.79%, 0.38%

LAB 66.92, -27.54, 65.72

 

CMYK 88 / 14 / 0 / 32

HEX #1494AD

RGB 20 148 173

HSL 189.8, 0.79%, 0.38%

LAB 56.43, -22.85, -22.15

 

CMYK 0 / 88 / 14 / 32

HEX #AD1494

RGB 173 20 148

HSL 309.8, 0.79%, 0.38%

LAB 40.45, 67.5, -31.41

 

CMYK 16 / 0 / 89 / 32

HEX #93AE14

RGB 147 174 20

HSL 70.52, 0.79%, 0.38%

LAB 66.92, -27.54, 65.72

 

CMYK 88 / 0 / 56 / 32

HEX #14AD4C

RGB 20 173 76

HSL 141.96, 0.79%, 0.38%

LAB 62.13, -57.65, 39.19

 

CMYK 73 / 88 / 0 / 32

HEX #2E14AD

RGB 46 20 173

HSL 250.2, 0.79%, 0.38%

LAB 23.99, 54.83, -74.11

 

CMYK 0 / 88 / 32 / 32

HEX #AD1475

RGB 173 20 117

HSL 321.96, 0.79%, 0.38%

LAB 39.02, 63.66, -14.5

 

CMYK 16 / 0 / 89 / 32

HEX #93AE14

RGB 147 174 20

HSL 70.52, 0.79%, 0.38%

LAB 66.92, -27.54, 65.72

 

CMYK 88 / 0 / 29 / 32

HEX #14AD7A

RGB 20 173 122

HSL 160, 0.79%, 0.38%

LAB 62.88, -48.95, 16.04

 

CMYK 73 / 88 / 0 / 32

HEX #2E14AD

RGB 46 20 173

HSL 250.2, 0.79%, 0.38%

LAB 23.99, 54.83, -74.11

 

CMYK 0 / 88 / 59 / 32

HEX #AD1447

RGB 173 20 71

HSL 340, 0.79%, 0.38%

LAB 37.55, 59.57, 12.68

 

Description

Color code: HEX #93AE14 | qconv.com Color code: HEX #93AE14 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 174 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 174 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 89 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 89% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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