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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #939C01 it is the complementary color #6C63FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #939C01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #939C01 shade: #989C00, #A9AE0F, #BAC022, #CBD235 and #DCE448

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #939C01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #939C01 shade: #939C01, #828A00, #717800, #606600 and #4F5400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #939C01 shade: #949D01, #9D7C01, #9D5201, #9D2801 and #9D0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #939C01 shade: #949D01, #6A9D01, #409D01, #169D01 and #019D16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #939C01 shade matches the following richer shades: #949D01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #939C01 shade: #949D01, #89910E, #7E841A, #727727 and #676A34

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #939C01 shade: #9D5201, #9D7B01, #959D01, #6C9D01 and #429D01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #939C01 shade: #474B00, #6E7401, #949D01, #BBC601 and #E2EF01

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #939C01 shade: #939C01, #019D28 and #67019D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #939C01 shade: #939C01, #01959D and #9D0195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #939C01 shade: #939C01, #019D28, #09019D and #9D0176

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #939C01 shade: #939C01, #019D57, #09019D and #9D0147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 99 / 39

HEX #939C01

RGB 147 156 1

HSL 63.48, 0.99%, 0.31%

LAB 61.64, -18.94, 64.43

 

Complementary color

CMYK 57 / 61 / 0 / 0

HEX #6C63FE

RGB 108 99 254

HSL 243.48, 0.99%, 0.69%

LAB 51, 46.01, -76.25

 

CMYK 3 / 0 / 100 / 39

HEX #989C00

RGB 152 156 0

HSL 61.54, 1%, 0.31%

LAB 62.04, -16.73, 65.06

 

CMYK 3 / 0 / 91 / 32

HEX #A9AE0F

RGB 169 174 15

HSL 61.89, 0.84%, 0.37%

LAB 68.56, -18.18, 68.59

 

CMYK 3 / 0 / 82 / 25

HEX #BAC022

RGB 186 192 34

HSL 62.28, 0.7%, 0.44%

LAB 74.98, -19.4, 70.56

 

CMYK 3 / 0 / 75 / 18

HEX #CBD235

RGB 203 210 53

HSL 62.68, 0.64%, 0.52%

LAB 81.32, -20.42, 71.32

 

CMYK 4 / 0 / 68 / 11

HEX #DCE448

RGB 220 228 72

HSL 63.08, 0.74%, 0.59%

LAB 87.57, -21.27, 71.32

 

CMYK 6 / 0 / 99 / 39

HEX #939C01

RGB 147 156 1

HSL 63.48, 0.99%, 0.31%

LAB 61.64, -18.94, 64.43

 

CMYK 6 / 0 / 100 / 46

HEX #828A00

RGB 130 138 0

HSL 63.48, 1%, 0.27%

LAB 54.99, -17.31, 59.05

 

CMYK 6 / 0 / 100 / 53

HEX #717800

RGB 113 120 0

HSL 63.5, 1%, 0.24%

LAB 48.19, -15.63, 53.39

 

CMYK 6 / 0 / 100 / 60

HEX #606600

RGB 96 102 0

HSL 63.53, 1%, 0.2%

LAB 41.2, -13.9, 47.58

 

CMYK 6 / 0 / 100 / 67

HEX #4F5400

RGB 79 84 0

HSL 63.57, 1%, 0.16%

LAB 33.99, -12.11, 41.59

 

CMYK 6 / 0 / 99 / 38

HEX #949D01

RGB 148 157 1

HSL 63.46, 0.99%, 0.31%

LAB 62.01, -19.01, 64.74

 

CMYK 0 / 21 / 99 / 38

HEX #9D7C01

RGB 157 124 1

HSL 47.31, 0.99%, 0.31%

LAB 53.58, 2.9, 59.02

 

CMYK 0 / 48 / 99 / 38

HEX #9D5201

RGB 157 82 1

HSL 31.15, 0.99%, 0.31%

LAB 43.07, 26.7, 52

 

CMYK 0 / 75 / 99 / 38

HEX #9D2801

RGB 157 40 1

HSL 15, 0.99%, 0.31%

LAB 35.38, 46.75, 47.66

 

CMYK 0 / 99 / 99 / 38

HEX #9D0101

RGB 157 1 1

HSL 0, 0.99%, 0.31%

LAB 32.24, 55.63, 45.81

 

CMYK 6 / 0 / 99 / 38

HEX #949D01

RGB 148 157 1

HSL 63.46, 0.99%, 0.31%

LAB 62.01, -19.01, 64.74

 

CMYK 32 / 0 / 99 / 38

HEX #6A9D01

RGB 106 157 1

HSL 79.62, 0.99%, 0.31%

LAB 59.14, -36.72, 61.31

 

CMYK 59 / 0 / 99 / 38

HEX #409D01

RGB 64 157 1

HSL 95.77, 0.99%, 0.31%

LAB 57.28, -50.68, 59.05

 

CMYK 86 / 0 / 99 / 38

HEX #169D01

RGB 22 157 1

HSL 111.92, 0.99%, 0.31%

LAB 56.37, -58.41, 57.95

 

CMYK 99 / 0 / 86 / 38

HEX #019D16

RGB 1 157 22

HSL 128.08, 0.99%, 0.31%

LAB 56.27, -59.17, 54.03

 

CMYK 6 / 0 / 99 / 38

HEX #949D01

RGB 148 157 1

HSL 63.46, 0.99%, 0.31%

LAB 62.01, -19.01, 64.74

 

CMYK 6 / 0 / 99 / 38

HEX #949D01

RGB 148 157 1

HSL 63.46, 0.99%, 0.31%

LAB 62.01, -19.01, 64.74

 

CMYK 6 / 0 / 90 / 43

HEX #89910E

RGB 137 145 14

HSL 63.66, 0.82%, 0.31%

LAB 57.66, -17.53, 59.02

 

CMYK 5 / 0 / 80 / 48

HEX #7E841A

RGB 126 132 26

HSL 63.4, 0.67%, 0.31%

LAB 52.96, -15.31, 51.68

 

CMYK 4 / 0 / 67 / 53

HEX #727727

RGB 114 119 39

HSL 63.75, 0.51%, 0.31%

LAB 48.16, -13.09, 41.71

 

CMYK 3 / 0 / 51 / 58

HEX #676A34

RGB 103 106 52

HSL 63.33, 0.34%, 0.31%

LAB 43.42, -9.77, 29.68

 

CMYK 0 / 48 / 99 / 38

HEX #9D5201

RGB 157 82 1

HSL 31.15, 0.99%, 0.31%

LAB 43.07, 26.7, 52

 

CMYK 0 / 22 / 99 / 38

HEX #9D7B01

RGB 157 123 1

HSL 46.92, 0.99%, 0.31%

LAB 53.32, 3.46, 58.83

 

CMYK 5 / 0 / 99 / 38

HEX #959D01

RGB 149 157 1

HSL 63.08, 0.99%, 0.31%

LAB 62.09, -18.56, 64.84

 

CMYK 31 / 0 / 99 / 38

HEX #6C9D01

RGB 108 157 1

HSL 78.85, 0.99%, 0.31%

LAB 59.25, -35.94, 61.45

 

CMYK 58 / 0 / 99 / 38

HEX #429D01

RGB 66 157 1

HSL 95, 0.99%, 0.31%

LAB 57.34, -50.14, 59.13

 

CMYK 5 / 0 / 100 / 71

HEX #474B00

RGB 71 75 0

HSL 63.2, 1%, 0.15%

LAB 30.33, -10.94, 38.56

 

CMYK 5 / 0 / 99 / 55

HEX #6E7401

RGB 110 116 1

HSL 63.13, 0.98%, 0.23%

LAB 46.72, -14.86, 51.97

 

CMYK 6 / 0 / 99 / 38

HEX #949D01

RGB 148 157 1

HSL 63.46, 0.99%, 0.31%

LAB 62.01, -19.01, 64.74

 

CMYK 6 / 0 / 99 / 22

HEX #BBC601

RGB 187 198 1

HSL 63.35, 0.99%, 0.39%

LAB 76.65, -22.52, 76.97

 

CMYK 5 / 0 / 100 / 6

HEX #E2EF01

RGB 226 239 1

HSL 63.28, 0.99%, 0.47%

LAB 90.74, -25.89, 88.71

 

CMYK 6 / 0 / 99 / 39

HEX #939C01

RGB 147 156 1

HSL 63.48, 0.99%, 0.31%

LAB 61.64, -18.94, 64.43

 

CMYK 99 / 0 / 75 / 38

HEX #019D28

RGB 1 157 40

HSL 135, 0.99%, 0.31%

LAB 56.36, -57.95, 48.5

 

CMYK 34 / 99 / 0 / 38

HEX #67019D

RGB 103 1 157

HSL 279.23, 0.99%, 0.31%

LAB 27.68, 60.37, -58.09

 

CMYK 6 / 0 / 99 / 39

HEX #939C01

RGB 147 156 1

HSL 63.48, 0.99%, 0.31%

LAB 61.64, -18.94, 64.43

 

CMYK 99 / 5 / 0 / 38

HEX #01959D

RGB 1 149 157

HSL 183.08, 0.99%, 0.31%

LAB 56.02, -29.59, -13.64

 

CMYK 0 / 99 / 5 / 38

HEX #9D0195

RGB 157 1 149

HSL 303.08, 0.99%, 0.31%

LAB 36.67, 67.07, -38.2

 

CMYK 6 / 0 / 99 / 39

HEX #939C01

RGB 147 156 1

HSL 63.48, 0.99%, 0.31%

LAB 61.64, -18.94, 64.43

 

CMYK 99 / 0 / 75 / 38

HEX #019D28

RGB 1 157 40

HSL 135, 0.99%, 0.31%

LAB 56.36, -57.95, 48.5

 

CMYK 94 / 99 / 0 / 38

HEX #09019D

RGB 9 1 157

HSL 243.08, 0.99%, 0.31%

LAB 17.98, 54.9, -74.46

 

CMYK 0 / 99 / 25 / 38

HEX #9D0176

RGB 157 1 118

HSL 315, 0.99%, 0.31%

LAB 35, 62.91, -21.58

 

CMYK 6 / 0 / 99 / 39

HEX #939C01

RGB 147 156 1

HSL 63.48, 0.99%, 0.31%

LAB 61.64, -18.94, 64.43

 

CMYK 99 / 0 / 45 / 38

HEX #019D57

RGB 1 157 87

HSL 153.08, 0.99%, 0.31%

LAB 56.89, -51.44, 26.99

 

CMYK 94 / 99 / 0 / 38

HEX #09019D

RGB 9 1 157

HSL 243.08, 0.99%, 0.31%

LAB 17.98, 54.9, -74.46

 

CMYK 0 / 99 / 55 / 38

HEX #9D0147

RGB 157 1 71

HSL 333.08, 0.99%, 0.31%

LAB 33.23, 58.31, 6.15

 

Description

Color code: HEX #939C01 | qconv.com Color code: HEX #939C01 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 156 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 156 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 99 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 99% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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