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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #939B42 it is the complementary color #6C64BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #939B42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #939B42 shade: #989B3D, #A9AD50, #BABF63, #CBD176 and #DCE389

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #939B42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #939B42 shade: #939B42, #82892F, #71771C, #606509 and #4F5300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #939B42 shade: #929A42, #9A8A42, #9A7242, #9A5A42 and #9A4342

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #939B42 shade: #929A42, #7A9A42, #629A42, #4B9A42 and #429A51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #939B42 shade matches the following richer shades: #929A42, #A0AB30, #AFBD1E and #BDCF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #939B42 shade: #929A42, #838854, #757665, #666477 and #575389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #939B42 shade: #9A7242, #9A8942, #929A42, #7B9A42 and #639A42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #939B42 shade: #5B6029, #767D35, #929A42, #ABB450 and #B9C16D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #939B42 shade: #939B42, #429A5B and #7E429A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #939B42 shade: #939B42, #42929A and #9A4292

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #939B42 shade: #939B42, #429A5B, #49429A and #9A4281

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #939B42 shade: #939B42, #429A75, #49429A and #9A4266

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 57 / 39

HEX #939B42

RGB 147 155 66

HSL 65.39, 0.4%, 0.43%

LAB 61.69, -15.63, 44.78

 

Complementary color

CMYK 43 / 47 / 0 / 26

HEX #6C64BD

RGB 108 100 189

HSL 245.39, 0.4%, 0.57%

LAB 46.94, 25.72, -45.96

 

CMYK 2 / 0 / 61 / 39

HEX #989B3D

RGB 152 155 61

HSL 61.91, 0.44%, 0.42%

LAB 62.04, -13.87, 47.6

 

CMYK 2 / 0 / 54 / 32

HEX #A9AD50

RGB 169 173 80

HSL 62.58, 0.37%, 0.5%

LAB 68.68, -14.45, 46.59

 

CMYK 3 / 0 / 48 / 25

HEX #BABF63

RGB 186 191 99

HSL 63.26, 0.42%, 0.57%

LAB 75.2, -14.92, 45.45

 

CMYK 3 / 0 / 44 / 18

HEX #CBD176

RGB 203 209 118

HSL 63.96, 0.5%, 0.64%

LAB 81.62, -15.29, 44.28

 

CMYK 3 / 0 / 40 / 11

HEX #DCE389

RGB 220 227 137

HSL 64.67, 0.62%, 0.71%

LAB 87.95, -15.6, 43.12

 

CMYK 5 / 0 / 57 / 39

HEX #939B42

RGB 147 155 66

HSL 65.39, 0.4%, 0.43%

LAB 61.69, -15.63, 44.78

 

CMYK 5 / 0 / 66 / 46

HEX #82892F

RGB 130 137 47

HSL 64.67, 0.49%, 0.36%

LAB 54.91, -15.02, 45.67

 

CMYK 5 / 0 / 76 / 53

HEX #71771C

RGB 113 119 28

HSL 63.96, 0.62%, 0.29%

LAB 47.99, -14.2, 46.01

 

CMYK 5 / 0 / 91 / 60

HEX #606509

RGB 96 101 9

HSL 63.26, 0.84%, 0.22%

LAB 40.92, -13.08, 45.05

 

CMYK 5 / 0 / 100 / 67

HEX #4F5300

RGB 79 83 0

HSL 62.89, 1%, 0.16%

LAB 33.67, -11.54, 41.35

 

CMYK 5 / 0 / 57 / 40

HEX #929A42

RGB 146 154 66

HSL 65.45, 0.4%, 0.43%

LAB 61.32, -15.54, 44.34

 

CMYK 0 / 10 / 57 / 40

HEX #9A8A42

RGB 154 138 66

HSL 49.09, 0.4%, 0.43%

LAB 57.5, -3.45, 40.15

 

CMYK 0 / 26 / 57 / 40

HEX #9A7242

RGB 154 114 66

HSL 32.73, 0.4%, 0.43%

LAB 51.03, 10.07, 32.49

 

CMYK 0 / 42 / 57 / 40

HEX #9A5A42

RGB 154 90 66

HSL 16.36, 0.4%, 0.43%

LAB 45.05, 23.82, 25.05

 

CMYK 0 / 56 / 57 / 40

HEX #9A4342

RGB 154 67 66

HSL 0.68, 0.4%, 0.43%

LAB 40.04, 36.32, 18.58

 

CMYK 5 / 0 / 57 / 40

HEX #929A42

RGB 146 154 66

HSL 65.45, 0.4%, 0.43%

LAB 61.32, -15.54, 44.34

 

CMYK 21 / 0 / 57 / 40

HEX #7A9A42

RGB 122 154 66

HSL 81.82, 0.4%, 0.43%

LAB 59.56, -25.54, 41.87

 

CMYK 36 / 0 / 57 / 40

HEX #629A42

RGB 98 154 66

HSL 98.18, 0.4%, 0.43%

LAB 58.13, -34.68, 39.84

 

CMYK 51 / 0 / 57 / 40

HEX #4B9A42

RGB 75 154 66

HSL 113.86, 0.4%, 0.43%

LAB 57.08, -42.16, 38.34

 

CMYK 57 / 0 / 47 / 40

HEX #429A51

RGB 66 154 81

HSL 130.23, 0.4%, 0.43%

LAB 56.94, -42.49, 30.47

 

CMYK 5 / 0 / 57 / 40

HEX #929A42

RGB 146 154 66

HSL 65.45, 0.4%, 0.43%

LAB 61.32, -15.54, 44.34

 

CMYK 6 / 0 / 72 / 33

HEX #A0AB30

RGB 160 171 48

HSL 65.37, 0.56%, 0.43%

LAB 67.14, -19.46, 58.39

 

CMYK 7 / 0 / 84 / 26

HEX #AFBD1E

RGB 175 189 30

HSL 65.28, 0.73%, 0.43%

LAB 73.29, -22.72, 69.73

 

CMYK 9 / 0 / 94 / 19

HEX #BDCF0D

RGB 189 207 13

HSL 65.57, 0.88%, 0.43%

LAB 79.31, -25.89, 77.85

 

CMYK 5 / 0 / 57 / 40

HEX #929A42

RGB 146 154 66

HSL 65.45, 0.4%, 0.43%

LAB 61.32, -15.54, 44.34

 

CMYK 4 / 0 / 38 / 47

HEX #838854

RGB 131 136 84

HSL 65.77, 0.24%, 0.43%

LAB 55.15, -10.45, 27.32

 

CMYK 1 / 0 / 14 / 54

HEX #757665

RGB 117 118 101

HSL 63.53, 0.08%, 0.43%

LAB 49.1, -3.6, 9.25

 

CMYK 14 / 16 / 0 / 53

HEX #666477

RGB 102 100 119

HSL 246.32, 0.09%, 0.43%

LAB 43.17, 4.98, -10.35

 

CMYK 36 / 39 / 0 / 46

HEX #575389

RGB 87 83 137

HSL 244.44, 0.25%, 0.43%

LAB 37.88, 15.35, -29.57

 

CMYK 0 / 26 / 57 / 40

HEX #9A7242

RGB 154 114 66

HSL 32.73, 0.4%, 0.43%

LAB 51.03, 10.07, 32.49

 

CMYK 0 / 11 / 57 / 40

HEX #9A8942

RGB 154 137 66

HSL 48.41, 0.4%, 0.43%

LAB 57.23, -2.9, 39.83

 

CMYK 5 / 0 / 57 / 40

HEX #929A42

RGB 146 154 66

HSL 65.45, 0.4%, 0.43%

LAB 61.32, -15.54, 44.34

 

CMYK 20 / 0 / 57 / 40

HEX #7B9A42

RGB 123 154 66

HSL 81.14, 0.4%, 0.43%

LAB 59.63, -25.13, 41.97

 

CMYK 36 / 0 / 57 / 40

HEX #639A42

RGB 99 154 66

HSL 97.5, 0.4%, 0.43%

LAB 58.19, -34.32, 39.92

 

CMYK 5 / 0 / 57 / 62

HEX #5B6029

RGB 91 96 41

HSL 65.45, 0.4%, 0.27%

LAB 39.16, -10.71, 30.29

 

CMYK 6 / 0 / 58 / 51

HEX #767D35

RGB 118 125 53

HSL 65.83, 0.4%, 0.35%

LAB 50.42, -13.45, 37.67

 

CMYK 5 / 0 / 57 / 40

HEX #929A42

RGB 146 154 66

HSL 65.45, 0.4%, 0.43%

LAB 61.32, -15.54, 44.34

 

CMYK 5 / 0 / 56 / 29

HEX #ABB450

RGB 171 180 80

HSL 65.4, 0.4%, 0.51%

LAB 70.79, -17.2, 49.05

 

CMYK 4 / 0 / 44 / 24

HEX #B9C16D

RGB 185 193 109

HSL 65.71, 0.4%, 0.59%

LAB 75.8, -15.33, 41.22

 

CMYK 5 / 0 / 57 / 39

HEX #939B42

RGB 147 155 66

HSL 65.39, 0.4%, 0.43%

LAB 61.69, -15.63, 44.78

 

CMYK 57 / 0 / 41 / 40

HEX #429A5B

RGB 66 154 91

HSL 137.05, 0.4%, 0.43%

LAB 57.1, -40.8, 25.33

 

CMYK 18 / 57 / 0 / 40

HEX #7E429A

RGB 126 66 154

HSL 280.91, 0.4%, 0.43%

LAB 39.01, 41.16, -37.8

 

CMYK 5 / 0 / 57 / 39

HEX #939B42

RGB 147 155 66

HSL 65.39, 0.4%, 0.43%

LAB 61.69, -15.63, 44.78

 

CMYK 57 / 5 / 0 / 40

HEX #42929A

RGB 66 146 154

HSL 185.45, 0.4%, 0.43%

LAB 56.14, -21.91, -11.64

 

CMYK 0 / 57 / 5 / 40

HEX #9A4292

RGB 154 66 146

HSL 305.45, 0.4%, 0.43%

LAB 42.52, 47.41, -27.17

 

CMYK 5 / 0 / 57 / 39

HEX #939B42

RGB 147 155 66

HSL 65.39, 0.4%, 0.43%

LAB 61.69, -15.63, 44.78

 

CMYK 57 / 0 / 41 / 40

HEX #429A5B

RGB 66 154 91

HSL 137.05, 0.4%, 0.43%

LAB 57.1, -40.8, 25.33

 

CMYK 53 / 57 / 0 / 40

HEX #49429A

RGB 73 66 154

HSL 244.77, 0.4%, 0.43%

LAB 33.23, 27.91, -47.38

 

CMYK 0 / 57 / 16 / 40

HEX #9A4281

RGB 154 66 129

HSL 317.05, 0.4%, 0.43%

LAB 41.77, 44.56, -18

 

CMYK 5 / 0 / 57 / 39

HEX #939B42

RGB 147 155 66

HSL 65.39, 0.4%, 0.43%

LAB 61.69, -15.63, 44.78

 

CMYK 57 / 0 / 24 / 40

HEX #429A75

RGB 66 154 117

HSL 154.77, 0.4%, 0.43%

LAB 57.61, -35.5, 11.61

 

CMYK 53 / 57 / 0 / 40

HEX #49429A

RGB 73 66 154

HSL 244.77, 0.4%, 0.43%

LAB 33.23, 27.91, -47.38

 

CMYK 0 / 57 / 34 / 40

HEX #9A4266

RGB 154 66 102

HSL 335.45, 0.4%, 0.43%

LAB 40.78, 40.65, -2.82

 

Description

Color code: HEX #939B42 | qconv.com Color code: HEX #939B42 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 155 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 155 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 57 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 57% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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