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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93971A it is the complementary color #6C68E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93971A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93971A shade: #989715, #A9A928, #BABB3B, #CBCD4E and #DCDF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93971A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93971A shade: #93971A, #828507, #717300, #606100 and #4F4F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93971A shade: #949819, #987A19, #985819, #983619 and #981919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93971A shade: #949819, #729819, #509819, #2E9819 and #199827

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93971A shade matches the following richer shades: #949819 and #A2A70B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93971A shade: #949819, #878A28, #797B36, #6C6D45 and #5E5E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93971A shade: #985719, #987819, #969819, #749819 and #529819

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93971A shade: #4F520D, #727513, #949819, #B6BB1F and #D5DA2A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93971A shade: #93971A, #199835 and #681998

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93971A shade: #93971A, #199698 and #981996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93971A shade: #93971A, #199835, #1B1998 and #98197D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93971A shade: #93971A, #19985B, #1B1998 and #981957

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 83 / 41

HEX #93971A

RGB 147 151 26

HSL 61.92, 0.71%, 0.35%

LAB 60.26, -15.84, 58.76

 

Complementary color

CMYK 53 / 55 / 0 / 10

HEX #6C68E5

RGB 108 104 229

HSL 241.92, 0.71%, 0.65%

LAB 50.39, 35.38, -63.27

 

CMYK 0 / 1 / 86 / 40

HEX #989715

RGB 152 151 21

HSL 59.54, 0.76%, 0.34%

LAB 60.66, -13.74, 60.52

 

CMYK 0 / 0 / 76 / 34

HEX #A9A928

RGB 169 169 40

HSL 60, 0.62%, 0.41%

LAB 67.25, -14.91, 61.51

 

CMYK 1 / 0 / 68 / 27

HEX #BABB3B

RGB 186 187 59

HSL 60.47, 0.52%, 0.48%

LAB 73.74, -15.86, 61.49

 

CMYK 1 / 0 / 62 / 20

HEX #CBCD4E

RGB 203 205 78

HSL 60.94, 0.56%, 0.55%

LAB 80.13, -16.63, 60.93

 

CMYK 1 / 0 / 57 / 13

HEX #DCDF61

RGB 220 223 97

HSL 61.43, 0.66%, 0.63%

LAB 86.43, -17.27, 60.07

 

CMYK 3 / 0 / 83 / 41

HEX #93971A

RGB 147 151 26

HSL 61.92, 0.71%, 0.35%

LAB 60.26, -15.84, 58.76

 

CMYK 2 / 0 / 95 / 48

HEX #828507

RGB 130 133 7

HSL 61.43, 0.9%, 0.27%

LAB 53.53, -14.54, 56.73

 

CMYK 2 / 0 / 100 / 55

HEX #717300

RGB 113 115 0

HSL 61.04, 1%, 0.23%

LAB 46.67, -12.92, 52.28

 

CMYK 1 / 0 / 100 / 62

HEX #606100

RGB 96 97 0

HSL 60.62, 1%, 0.19%

LAB 39.64, -11.11, 46.43

 

CMYK 0 / 0 / 100 / 69

HEX #4F4F00

RGB 79 79 0

HSL 60, 1%, 0.15%

LAB 32.38, -9.22, 40.4

 

CMYK 3 / 0 / 84 / 40

HEX #949819

RGB 148 152 25

HSL 61.89, 0.72%, 0.35%

LAB 60.62, -15.94, 59.37

 

CMYK 0 / 20 / 84 / 40

HEX #987A19

RGB 152 122 25

HSL 45.83, 0.72%, 0.35%

LAB 52.58, 2.2, 52.6

 

CMYK 0 / 42 / 84 / 40

HEX #985819

RGB 152 88 25

HSL 29.76, 0.72%, 0.35%

LAB 43.84, 21.65, 44.89

 

CMYK 0 / 64 / 84 / 40

HEX #983619

RGB 152 54 25

HSL 13.7, 0.72%, 0.35%

LAB 36.71, 39.61, 38.38

 

CMYK 0 / 84 / 84 / 40

HEX #981919

RGB 152 25 25

HSL 0, 0.72%, 0.35%

LAB 32.79, 50.39, 34.67

 

CMYK 3 / 0 / 84 / 40

HEX #949819

RGB 148 152 25

HSL 61.89, 0.72%, 0.35%

LAB 60.62, -15.94, 59.37

 

CMYK 25 / 0 / 84 / 40

HEX #729819

RGB 114 152 25

HSL 77.95, 0.72%, 0.35%

LAB 58.14, -30.61, 56.24

 

CMYK 47 / 0 / 84 / 40

HEX #509819

RGB 80 152 25

HSL 94.02, 0.72%, 0.35%

LAB 56.32, -43.26, 53.93

 

CMYK 70 / 0 / 84 / 40

HEX #2E9819

RGB 46 152 25

HSL 110.08, 0.72%, 0.35%

LAB 55.18, -52.35, 52.47

 

CMYK 84 / 0 / 74 / 40

HEX #199827

RGB 25 152 39

HSL 126.61, 0.72%, 0.35%

LAB 54.88, -54.7, 47.43

 

CMYK 3 / 0 / 84 / 40

HEX #949819

RGB 148 152 25

HSL 61.89, 0.72%, 0.35%

LAB 60.62, -15.94, 59.37

 

CMYK 3 / 0 / 93 / 35

HEX #A2A70B

RGB 162 167 11

HSL 61.92, 0.88%, 0.35%

LAB 66.01, -17.76, 66.93

 

CMYK 3 / 0 / 84 / 40

HEX #949819

RGB 148 152 25

HSL 61.89, 0.72%, 0.35%

LAB 60.62, -15.94, 59.37

 

CMYK 2 / 0 / 71 / 46

HEX #878A28

RGB 135 138 40

HSL 61.84, 0.55%, 0.35%

LAB 55.56, -13.76, 49.39

 

CMYK 2 / 0 / 56 / 52

HEX #797B36

RGB 121 123 54

HSL 61.74, 0.39%, 0.35%

LAB 50.09, -10.93, 36.86

 

CMYK 1 / 0 / 37 / 57

HEX #6C6D45

RGB 108 109 69

HSL 61.5, 0.22%, 0.35%

LAB 45.02, -7.21, 22.25

 

CMYK 0 / 0 / 12 / 63

HEX #5E5E53

RGB 94 94 83

HSL 60, 0.06%, 0.35%

LAB 39.6, -2.19, 6.31

 

CMYK 0 / 43 / 84 / 40

HEX #985719

RGB 152 87 25

HSL 29.29, 0.72%, 0.35%

LAB 43.6, 22.22, 44.68

 

CMYK 0 / 21 / 84 / 40

HEX #987819

RGB 152 120 25

HSL 44.88, 0.72%, 0.35%

LAB 52.04, 3.33, 52.13

 

CMYK 1 / 0 / 84 / 40

HEX #969819

RGB 150 152 25

HSL 60.94, 0.72%, 0.35%

LAB 60.79, -15.05, 59.58

 

CMYK 24 / 0 / 84 / 40

HEX #749819

RGB 116 152 25

HSL 77.01, 0.72%, 0.35%

LAB 58.26, -29.78, 56.4

 

CMYK 46 / 0 / 84 / 40

HEX #529819

RGB 82 152 25

HSL 93.07, 0.72%, 0.35%

LAB 56.41, -42.6, 54.04

 

CMYK 4 / 0 / 84 / 68

HEX #4F520D

RGB 79 82 13

HSL 62.61, 0.73%, 0.19%

LAB 33.41, -10.45, 36.82

 

CMYK 3 / 0 / 84 / 54

HEX #727513

RGB 114 117 19

HSL 61.84, 0.72%, 0.27%

LAB 47.43, -13.04, 48.52

 

CMYK 3 / 0 / 84 / 40

HEX #949819

RGB 148 152 25

HSL 61.89, 0.72%, 0.35%

LAB 60.62, -15.94, 59.37

 

CMYK 3 / 0 / 83 / 27

HEX #B6BB1F

RGB 182 187 31

HSL 61.92, 0.72%, 0.43%

LAB 73.28, -18.71, 69.71

 

CMYK 2 / 0 / 81 / 15

HEX #D5DA2A

RGB 213 218 42

HSL 61.7, 0.7%, 0.51%

LAB 84.2, -20.55, 77.3

 

CMYK 3 / 0 / 83 / 41

HEX #93971A

RGB 147 151 26

HSL 61.92, 0.71%, 0.35%

LAB 60.26, -15.84, 58.76

 

CMYK 84 / 0 / 65 / 40

HEX #199835

RGB 25 152 53

HSL 133.23, 0.72%, 0.35%

LAB 54.99, -53.28, 41.73

 

CMYK 32 / 84 / 0 / 40

HEX #681998

RGB 104 25 152

HSL 277.32, 0.72%, 0.35%

LAB 29.17, 54.19, -52.59

 

CMYK 3 / 0 / 83 / 41

HEX #93971A

RGB 147 151 26

HSL 61.92, 0.71%, 0.35%

LAB 60.26, -15.84, 58.76

 

CMYK 84 / 1 / 0 / 40

HEX #199698

RGB 25 150 152

HSL 180.94, 0.72%, 0.35%

LAB 56.37, -30.38, -10.23

 

CMYK 0 / 84 / 1 / 40

HEX #981996

RGB 152 25 150

HSL 300.94, 0.72%, 0.35%

LAB 37.06, 62.61, -38.23

 

CMYK 3 / 0 / 83 / 41

HEX #93971A

RGB 147 151 26

HSL 61.92, 0.71%, 0.35%

LAB 60.26, -15.84, 58.76

 

CMYK 84 / 0 / 65 / 40

HEX #199835

RGB 25 152 53

HSL 133.23, 0.72%, 0.35%

LAB 54.99, -53.28, 41.73

 

CMYK 82 / 84 / 0 / 40

HEX #1B1998

RGB 27 25 152

HSL 240.94, 0.72%, 0.35%

LAB 20.81, 45.46, -66.65

 

CMYK 0 / 84 / 18 / 40

HEX #98197D

RGB 152 25 125

HSL 312.76, 0.72%, 0.35%

LAB 35.7, 58.87, -24.96

 

CMYK 3 / 0 / 83 / 41

HEX #93971A

RGB 147 151 26

HSL 61.92, 0.71%, 0.35%

LAB 60.26, -15.84, 58.76

 

CMYK 84 / 0 / 40 / 40

HEX #19985B

RGB 25 152 91

HSL 151.18, 0.72%, 0.35%

LAB 55.5, -47.2, 23.05

 

CMYK 82 / 84 / 0 / 40

HEX #1B1998

RGB 27 25 152

HSL 240.94, 0.72%, 0.35%

LAB 20.81, 45.46, -66.65

 

CMYK 0 / 84 / 43 / 40

HEX #981957

RGB 152 25 87

HSL 330.71, 0.72%, 0.35%

LAB 34.11, 54.33, -3.18

 

Description

Color code: HEX #93971A | qconv.com Color code: HEX #93971A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 151 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 151 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 83 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 83% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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