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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93942F it is the complementary color #6C6BD0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93942F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93942F shade: #98942A, #A9A63D, #BAB850, #CBCA63 and #DCDC76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93942F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93942F shade: #93942F, #82821C, #717009, #605E00 and #4F4C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93942F shade: #92932F, #93792F, #935E2F, #93432F and #932F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93942F shade: #92932F, #77932F, #5C932F, #41932F and #2F9337

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93942F shade matches the following richer shades: #92932F, #A2A31F and #B1B30F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93942F shade: #92932F, #83843E, #74744E, #64645E and #55556D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93942F shade: #935E2F, #93782F, #93932F, #78932F and #5E932F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93942F shade: #54551B, #737425, #92932F, #B1B338 and #C6C74D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93942F shade: #93942F, #2F9343 and #6B2F93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93942F shade: #93942F, #2F9393 and #932F93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93942F shade: #93942F, #2F9343, #2F2F93 and #932F7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93942F shade: #93942F, #2F9361, #2F2F93 and #932F61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 68 / 42

HEX #93942F

RGB 147 148 47

HSL 60.59, 0.52%, 0.38%

LAB 59.51, -13.31, 50.87

 

Complementary color

CMYK 48 / 49 / 0 / 18

HEX #6C6BD0

RGB 108 107 208

HSL 240.59, 0.52%, 0.62%

LAB 49.81, 27.14, -52.31

 

CMYK 0 / 3 / 72 / 40

HEX #98942A

RGB 152 148 42

HSL 57.82, 0.57%, 0.38%

LAB 59.91, -11.35, 53.37

 

CMYK 0 / 2 / 64 / 34

HEX #A9A63D

RGB 169 166 61

HSL 58.33, 0.47%, 0.45%

LAB 66.55, -12.25, 52.87

 

CMYK 0 / 1 / 57 / 27

HEX #BAB850

RGB 186 184 80

HSL 58.87, 0.43%, 0.52%

LAB 73.09, -12.97, 51.97

 

CMYK 0 / 0 / 51 / 20

HEX #CBCA63

RGB 203 202 99

HSL 59.42, 0.5%, 0.59%

LAB 79.52, -13.56, 50.9

 

CMYK 0 / 0 / 46 / 14

HEX #DCDC76

RGB 220 220 118

HSL 60, 0.59%, 0.66%

LAB 85.86, -14.04, 49.77

 

CMYK 1 / 0 / 68 / 42

HEX #93942F

RGB 147 148 47

HSL 60.59, 0.52%, 0.38%

LAB 59.51, -13.31, 50.87

 

CMYK 0 / 0 / 78 / 49

HEX #82821C

RGB 130 130 28

HSL 60, 0.65%, 0.31%

LAB 52.72, -12.33, 50.94

 

CMYK 0 / 1 / 92 / 56

HEX #717009

RGB 113 112 9

HSL 59.42, 0.85%, 0.24%

LAB 45.8, -11.06, 49.63

 

CMYK 0 / 2 / 100 / 62

HEX #605E00

RGB 96 94 0

HSL 58.75, 1%, 0.19%

LAB 38.71, -9.4, 45.76

 

CMYK 0 / 4 / 100 / 69

HEX #4F4C00

RGB 79 76 0

HSL 57.72, 1%, 0.15%

LAB 31.42, -7.44, 39.7

 

CMYK 1 / 0 / 68 / 42

HEX #92932F

RGB 146 147 47

HSL 60.6, 0.52%, 0.38%

LAB 59.14, -13.22, 50.46

 

CMYK 0 / 18 / 68 / 42

HEX #93792F

RGB 147 121 47

HSL 44.4, 0.52%, 0.38%

LAB 51.93, 1.5, 42.99

 

CMYK 0 / 36 / 68 / 42

HEX #935E2F

RGB 147 94 47

HSL 28.2, 0.52%, 0.38%

LAB 44.82, 17.04, 35.21

 

CMYK 0 / 54 / 68 / 42

HEX #93432F

RGB 147 67 47

HSL 12, 0.52%, 0.38%

LAB 38.59, 32.19, 28

 

CMYK 0 / 68 / 68 / 42

HEX #932F2F

RGB 147 47 47

HSL 0, 0.52%, 0.38%

LAB 34.89, 41.94, 23.52

 

CMYK 1 / 0 / 68 / 42

HEX #92932F

RGB 146 147 47

HSL 60.6, 0.52%, 0.38%

LAB 59.14, -13.22, 50.46

 

CMYK 19 / 0 / 68 / 42

HEX #77932F

RGB 119 147 47

HSL 76.8, 0.52%, 0.38%

LAB 57.07, -24.91, 47.67

 

CMYK 37 / 0 / 68 / 42

HEX #5C932F

RGB 92 147 47

HSL 93, 0.52%, 0.38%

LAB 55.43, -35.53, 45.45

 

CMYK 56 / 0 / 68 / 42

HEX #41932F

RGB 65 147 47

HSL 109.2, 0.52%, 0.38%

LAB 54.23, -44.29, 43.81

 

CMYK 68 / 0 / 63 / 42

HEX #2F9337

RGB 47 147 55

HSL 124.8, 0.52%, 0.38%

LAB 53.76, -47.81, 39.53

 

CMYK 1 / 0 / 68 / 42

HEX #92932F

RGB 146 147 47

HSL 60.6, 0.52%, 0.38%

LAB 59.14, -13.22, 50.46

 

CMYK 1 / 0 / 81 / 36

HEX #A2A31F

RGB 162 163 31

HSL 60.45, 0.68%, 0.38%

LAB 64.94, -15.23, 61.93

 

CMYK 1 / 0 / 92 / 30

HEX #B1B30F

RGB 177 179 15

HSL 60.73, 0.85%, 0.38%

LAB 70.61, -17.21, 70.46

 

CMYK 1 / 0 / 68 / 42

HEX #92932F

RGB 146 147 47

HSL 60.6, 0.52%, 0.38%

LAB 59.14, -13.22, 50.46

 

CMYK 1 / 0 / 53 / 48

HEX #83843E

RGB 131 132 62

HSL 60.86, 0.36%, 0.38%

LAB 53.68, -10.68, 37.19

 

CMYK 0 / 0 / 33 / 55

HEX #74744E

RGB 116 116 78

HSL 60, 0.2%, 0.38%

LAB 47.95, -6.51, 21.05

 

CMYK 0 / 0 / 6 / 61

HEX #64645E

RGB 100 100 94

HSL 60, 0.03%, 0.38%

LAB 42.2, -1.21, 3.4

 

CMYK 22 / 22 / 0 / 57

HEX #55556D

RGB 85 85 109

HSL 240, 0.12%, 0.38%

LAB 36.99, 5.7, -13.72

 

CMYK 0 / 36 / 68 / 42

HEX #935E2F

RGB 147 94 47

HSL 28.2, 0.52%, 0.38%

LAB 44.82, 17.04, 35.21

 

CMYK 0 / 18 / 68 / 42

HEX #93782F

RGB 147 120 47

HSL 43.8, 0.52%, 0.38%

LAB 51.66, 2.07, 42.7

 

CMYK 0 / 0 / 68 / 42

HEX #93932F

RGB 147 147 47

HSL 60, 0.52%, 0.38%

LAB 59.23, -12.78, 50.58

 

CMYK 18 / 0 / 68 / 42

HEX #78932F

RGB 120 147 47

HSL 76.2, 0.52%, 0.38%

LAB 57.14, -24.49, 47.77

 

CMYK 36 / 0 / 68 / 42

HEX #5E932F

RGB 94 147 47

HSL 91.8, 0.52%, 0.38%

LAB 55.54, -34.8, 45.59

 

CMYK 1 / 0 / 68 / 67

HEX #54551B

RGB 84 85 27

HSL 61.03, 0.52%, 0.22%

LAB 34.92, -8.9, 32.55

 

CMYK 1 / 0 / 68 / 55

HEX #737425

RGB 115 116 37

HSL 60.76, 0.52%, 0.3%

LAB 47.33, -11.12, 41.76

 

CMYK 1 / 0 / 68 / 42

HEX #92932F

RGB 146 147 47

HSL 60.6, 0.52%, 0.38%

LAB 59.14, -13.22, 50.46

 

CMYK 1 / 0 / 69 / 30

HEX #B1B338

RGB 177 179 56

HSL 60.98, 0.52%, 0.46%

LAB 70.78, -15.8, 59.45

 

CMYK 1 / 0 / 61 / 22

HEX #C6C74D

RGB 198 199 77

HSL 60.49, 0.52%, 0.54%

LAB 78.1, -15.77, 59.07

 

CMYK 1 / 0 / 68 / 42

HEX #93942F

RGB 147 148 47

HSL 60.59, 0.52%, 0.38%

LAB 59.51, -13.31, 50.87

 

CMYK 68 / 0 / 54 / 42

HEX #2F9343

RGB 47 147 67

HSL 132, 0.52%, 0.38%

LAB 53.9, -46.2, 33.82

 

CMYK 27 / 68 / 0 / 42

HEX #6B2F93

RGB 107 47 147

HSL 276, 0.52%, 0.38%

LAB 32.4, 44.59, -44.26

 

CMYK 1 / 0 / 68 / 42

HEX #93942F

RGB 147 148 47

HSL 60.59, 0.52%, 0.38%

LAB 59.51, -13.31, 50.87

 

CMYK 68 / 0 / 0 / 42

HEX #2F9393

RGB 47 147 147

HSL 180, 0.52%, 0.38%

LAB 55.66, -27.89, -8.39

 

CMYK 0 / 68 / 0 / 42

HEX #932F93

RGB 147 47 147

HSL 300, 0.52%, 0.38%

LAB 38.45, 54.1, -34.26

 

CMYK 1 / 0 / 68 / 42

HEX #93942F

RGB 147 148 47

HSL 60.59, 0.52%, 0.38%

LAB 59.51, -13.31, 50.87

 

CMYK 68 / 0 / 54 / 42

HEX #2F9343

RGB 47 147 67

HSL 132, 0.52%, 0.38%

LAB 53.9, -46.2, 33.82

 

CMYK 68 / 68 / 0 / 42

HEX #2F2F93

RGB 47 47 147

HSL 240, 0.52%, 0.38%

LAB 25.99, 33.03, -54.97

 

CMYK 0 / 68 / 14 / 42

HEX #932F7F

RGB 147 47 127

HSL 312, 0.52%, 0.38%

LAB 37.42, 50.77, -23.58

 

CMYK 1 / 0 / 68 / 42

HEX #93942F

RGB 147 148 47

HSL 60.59, 0.52%, 0.38%

LAB 59.51, -13.31, 50.87

 

CMYK 68 / 0 / 34 / 42

HEX #2F9361

RGB 47 147 97

HSL 150, 0.52%, 0.38%

LAB 54.38, -40.8, 18.29

 

CMYK 68 / 68 / 0 / 42

HEX #2F2F93

RGB 47 47 147

HSL 240, 0.52%, 0.38%

LAB 25.99, 33.03, -54.97

 

CMYK 0 / 68 / 34 / 42

HEX #932F61

RGB 147 47 97

HSL 330, 0.52%, 0.38%

LAB 36.17, 46.55, -6.63

 

Description

Color code: HEX #93942F | qconv.com Color code: HEX #93942F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 148 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 148 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 68 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 68% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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