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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93883A it is the complementary color #6C77C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93883A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93883A shade: #988835, #A99A48, #BAAC5B, #CBBE6E and #DCD081

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93883A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93883A shade: #93883A, #827627, #716414, #605201 and #4F4000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93883A shade: #92873A, #926F3A, #92583A, #92403A and #923A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93883A shade: #92873A, #85923A, #6D923A, #56923A and #3E923A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93883A shade matches the following richer shades: #92873A, #A2932A, #B3A019 and #C3AC09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93883A shade: #92873A, #817B4B, #716E5B, #60626C and #50557C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93883A shade: #92573A, #926F3A, #92863A, #86923A and #6F923A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93883A shade: #575023, #746C2E, #92873A, #AFA246 and #BFB35F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93883A shade: #93883A, #3A9240 and #633A92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93883A shade: #93883A, #3A9286 and #863A92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93883A shade: #93883A, #3A9240, #3A4692 and #923A8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93883A shade: #93883A, #3A925A, #3A4692 and #923A72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 61 / 42

HEX #93883A

RGB 147 136 58

HSL 52.58, 0.43%, 0.4%

LAB 56.2, -6.1, 42.44

 

Complementary color

CMYK 45 / 40 / 0 / 23

HEX #6C77C5

RGB 108 119 197

HSL 232.58, 0.43%, 0.6%

LAB 52.3, 16.54, -42.06

 

CMYK 0 / 11 / 65 / 40

HEX #988835

RGB 152 136 53

HSL 50.3, 0.48%, 0.4%

LAB 56.63, -4.22, 45.38

 

CMYK 0 / 9 / 57 / 34

HEX #A99A48

RGB 169 154 72

HSL 50.72, 0.4%, 0.47%

LAB 63.35, -5.1, 44.3

 

CMYK 0 / 8 / 51 / 27

HEX #BAAC5B

RGB 186 172 91

HSL 51.16, 0.41%, 0.54%

LAB 69.96, -5.82, 43.1

 

CMYK 0 / 6 / 46 / 20

HEX #CBBE6E

RGB 203 190 110

HSL 51.61, 0.47%, 0.61%

LAB 76.47, -6.41, 41.87

 

CMYK 0 / 5 / 41 / 14

HEX #DCD081

RGB 220 208 129

HSL 52.09, 0.57%, 0.68%

LAB 82.87, -6.9, 40.66

 

CMYK 0 / 7 / 61 / 42

HEX #93883A

RGB 147 136 58

HSL 52.58, 0.43%, 0.4%

LAB 56.2, -6.1, 42.44

 

CMYK 0 / 9 / 70 / 49

HEX #827627

RGB 130 118 39

HSL 52.09, 0.54%, 0.33%

LAB 49.31, -5.15, 43.36

 

CMYK 0 / 12 / 82 / 56

HEX #716414

RGB 113 100 20

HSL 51.61, 0.7%, 0.26%

LAB 42.27, -3.91, 43.6

 

CMYK 0 / 15 / 99 / 62

HEX #605201

RGB 96 82 1

HSL 51.16, 0.98%, 0.19%

LAB 35.05, -2.33, 42.78

 

CMYK 0 / 19 / 100 / 69

HEX #4F4000

RGB 79 64 0

HSL 48.61, 1%, 0.15%

LAB 27.65, -0.09, 36.78

 

CMYK 0 / 8 / 60 / 43

HEX #92873A

RGB 146 135 58

HSL 52.5, 0.43%, 0.4%

LAB 55.83, -6, 41.99

 

CMYK 0 / 24 / 60 / 43

HEX #926F3A

RGB 146 111 58

HSL 36.14, 0.43%, 0.4%

LAB 49.23, 7.55, 34.42

 

CMYK 0 / 40 / 60 / 43

HEX #92583A

RGB 146 88 58

HSL 20.45, 0.43%, 0.4%

LAB 43.35, 20.86, 27.34

 

CMYK 0 / 56 / 60 / 43

HEX #92403A

RGB 146 64 58

HSL 4.09, 0.43%, 0.4%

LAB 37.99, 34.14, 20.58

 

CMYK 0 / 60 / 60 / 43

HEX #923A3A

RGB 146 58 58

HSL 0, 0.43%, 0.4%

LAB 36.82, 37.19, 19.07

 

CMYK 0 / 8 / 60 / 43

HEX #92873A

RGB 146 135 58

HSL 52.5, 0.43%, 0.4%

LAB 55.83, -6, 41.99

 

CMYK 9 / 0 / 60 / 43

HEX #85923A

RGB 133 146 58

HSL 68.86, 0.43%, 0.4%

LAB 57.89, -17.61, 43.98

 

CMYK 25 / 0 / 60 / 43

HEX #6D923A

RGB 109 146 58

HSL 85.23, 0.43%, 0.4%

LAB 56.2, -27.59, 41.63

 

CMYK 41 / 0 / 60 / 43

HEX #56923A

RGB 86 146 58

HSL 100.91, 0.43%, 0.4%

LAB 54.91, -36.16, 39.81

 

CMYK 58 / 0 / 60 / 43

HEX #3E923A

RGB 62 146 58

HSL 117.27, 0.43%, 0.4%

LAB 53.91, -43.52, 38.4

 

CMYK 0 / 8 / 60 / 43

HEX #92873A

RGB 146 135 58

HSL 52.5, 0.43%, 0.4%

LAB 55.83, -6, 41.99

 

CMYK 0 / 9 / 74 / 36

HEX #A2932A

RGB 162 147 42

HSL 52.5, 0.59%, 0.4%

LAB 60.53, -6.33, 54.28

 

CMYK 0 / 11 / 86 / 30

HEX #B3A019

RGB 179 160 25

HSL 52.6, 0.75%, 0.4%

LAB 65.59, -6.26, 64.63

 

CMYK 0 / 12 / 95 / 24

HEX #C3AC09

RGB 195 172 9

HSL 52.58, 0.91%, 0.4%

LAB 70.26, -5.74, 71.66

 

CMYK 0 / 8 / 60 / 43

HEX #92873A

RGB 146 135 58

HSL 52.5, 0.43%, 0.4%

LAB 55.83, -6, 41.99

 

CMYK 0 / 5 / 42 / 49

HEX #817B4B

RGB 129 123 75

HSL 53.33, 0.26%, 0.4%

LAB 51.08, -5.22, 27.04

 

CMYK 0 / 3 / 19 / 56

HEX #716E5B

RGB 113 110 91

HSL 51.82, 0.11%, 0.4%

LAB 46.2, -2.34, 11.03

 

CMYK 11 / 9 / 0 / 58

HEX #60626C

RGB 96 98 108

HSL 230, 0.06%, 0.4%

LAB 41.7, 1.43, -5.92

 

CMYK 35 / 31 / 0 / 51

HEX #50557C

RGB 80 85 124

HSL 233.18, 0.22%, 0.4%

LAB 37.22, 8.17, -22.67

 

CMYK 0 / 40 / 60 / 43

HEX #92573A

RGB 146 87 58

HSL 19.77, 0.43%, 0.4%

LAB 43.11, 21.43, 27.05

 

CMYK 0 / 24 / 60 / 43

HEX #926F3A

RGB 146 111 58

HSL 36.14, 0.43%, 0.4%

LAB 49.23, 7.55, 34.42

 

CMYK 0 / 8 / 60 / 43

HEX #92863A

RGB 146 134 58

HSL 51.82, 0.43%, 0.4%

LAB 55.55, -5.45, 41.68

 

CMYK 8 / 0 / 60 / 43

HEX #86923A

RGB 134 146 58

HSL 68.18, 0.43%, 0.4%

LAB 57.97, -17.18, 44.09

 

CMYK 24 / 0 / 60 / 43

HEX #6F923A

RGB 111 146 58

HSL 83.86, 0.43%, 0.4%

LAB 56.33, -26.79, 41.8

 

CMYK 0 / 8 / 60 / 66

HEX #575023

RGB 87 80 35

HSL 51.92, 0.43%, 0.24%

LAB 33.74, -3.8, 27.17

 

CMYK 0 / 7 / 60 / 55

HEX #746C2E

RGB 116 108 46

HSL 53.14, 0.43%, 0.32%

LAB 45.13, -5.5, 35.13

 

CMYK 0 / 8 / 60 / 43

HEX #92873A

RGB 146 135 58

HSL 52.5, 0.43%, 0.4%

LAB 55.83, -6, 41.99

 

CMYK 0 / 7 / 60 / 31

HEX #AFA246

RGB 175 162 70

HSL 52.57, 0.43%, 0.48%

LAB 66.06, -6.93, 48.45

 

CMYK 0 / 6 / 50 / 25

HEX #BFB35F

RGB 191 179 95

HSL 52.5, 0.43%, 0.56%

LAB 72.32, -7.04, 44.05

 

CMYK 0 / 7 / 61 / 42

HEX #93883A

RGB 147 136 58

HSL 52.58, 0.43%, 0.4%

LAB 56.2, -6.1, 42.44

 

CMYK 60 / 0 / 56 / 43

HEX #3A9240

RGB 58 146 64

HSL 124.09, 0.43%, 0.4%

LAB 53.84, -43.77, 35.34

 

CMYK 32 / 60 / 0 / 43

HEX #633A92

RGB 99 58 146

HSL 267.95, 0.43%, 0.4%

LAB 33.47, 36.55, -42

 

CMYK 0 / 7 / 61 / 42

HEX #93883A

RGB 147 136 58

HSL 52.58, 0.43%, 0.4%

LAB 56.2, -6.1, 42.44

 

CMYK 60 / 0 / 8 / 43

HEX #3A9286

RGB 58 146 134

HSL 171.82, 0.43%, 0.4%

LAB 55.26, -29.19, -1.49

 

CMYK 8 / 60 / 0 / 43

HEX #863A92

RGB 134 58 146

HSL 291.82, 0.43%, 0.4%

LAB 38.15, 45.72, -34.26

 

CMYK 0 / 7 / 61 / 42

HEX #93883A

RGB 147 136 58

HSL 52.58, 0.43%, 0.4%

LAB 56.2, -6.1, 42.44

 

CMYK 60 / 0 / 56 / 43

HEX #3A9240

RGB 58 146 64

HSL 124.09, 0.43%, 0.4%

LAB 53.84, -43.77, 35.34

 

CMYK 60 / 52 / 0 / 43

HEX #3A4692

RGB 58 70 146

HSL 231.82, 0.43%, 0.4%

LAB 32.6, 19.44, -43.59

 

CMYK 0 / 60 / 4 / 43

HEX #923A8C

RGB 146 58 140

HSL 304.09, 0.43%, 0.4%

LAB 39.63, 47.87, -28.14

 

CMYK 0 / 7 / 61 / 42

HEX #93883A

RGB 147 136 58

HSL 52.58, 0.43%, 0.4%

LAB 56.2, -6.1, 42.44

 

CMYK 60 / 0 / 38 / 43

HEX #3A925A

RGB 58 146 90

HSL 141.82, 0.43%, 0.4%

LAB 54.23, -39.5, 22.04

 

CMYK 60 / 52 / 0 / 43

HEX #3A4692

RGB 58 70 146

HSL 231.82, 0.43%, 0.4%

LAB 32.6, 19.44, -43.59

 

CMYK 0 / 60 / 22 / 43

HEX #923A72

RGB 146 58 114

HSL 321.82, 0.43%, 0.4%

LAB 38.47, 43.61, -13.9

 

Description

Color code: HEX #93883A | qconv.com Color code: HEX #93883A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 136 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 136 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 61 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 61% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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