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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9381FCCE it is the complementary color #6C7E03CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9381FCCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9381FCCE shade: #9881F7CE, #A993FFCE, #BAA5FFCE, #CBB7FFCE and #DCC9FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9381FCCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9381FCCE shade: #9381FCCE, #826FE9CE, #715DD6CE, #604BC3CE and #4F39B0CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9381FCCE shade: #9483FC, #B583FC, #D683FC, #F683FC and #FC83E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9381FCCE shade: #9483FC and #8383FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9381FCCE shade matches the following richer shades: #9483FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9381FCCE shade: #9483FC, #9C8DF1, #A397E7, #AAA2DD and #B2ACD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9381FCCE shade: #83B3FC, #8393FC, #9383FC, #B383FC and #D383FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9381FCCE shade: #4F32FA, #725AFB, #9483FC, #B7ABFD and #D9D3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9381FCCE shade: #9381FC, #FC83D3 and #A3FC83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9381FCCE shade: #9381FC, #FC9383 and #83FC93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9381FCCE shade: #9381FC, #FC83D3, #ECFC83 and #83FCAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9381FCCE shade: #9381FC, #FC83AF, #ECFC83 and #83FCCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 40 / 0 / 1

HEX #9381FCCE

RGBA 147 129 252 0.81

HSLA 248.78, 0.95%, 0.75%, 0.81

LABA 60.72, 35.87, -59.3, 0.81

 

Complementary color

CMYK 12 / 0 / 79 / 41

HEX #6C7E03CE

RGBA 108 126 3 0.81

HSLA 68.78, 0.95%, 0.25%, 0.81

LABA 49.64, -21, 53.7, 0.81

 

CMYK 31 / 39 / 0 / 3

HEX #9881F7CE

RGBA 152 129 247 0.81

HSLA 251.69, 0.88%, 0.74%, 0.81

LABA 60.86, 35.7, -56.3, 0.81

 

CMYK 27 / 34 / 0 / 0

HEX #A993FFCE

RGBA 169 147 255 0.81

HSLA 252.22, 1%, 0.79%, 0.81

LABA 66.92, 31.85, -50.99, 0.81

 

CMYK 22 / 29 / 0 / 0

HEX #BAA5FFCE

RGBA 186 165 255 0.81

HSLA 254, 1%, 0.82%, 0.81

LABA 72.61, 26.37, -41.95, 0.81

 

CMYK 17 / 23 / 0 / 0

HEX #CBB7FFCE

RGBA 203 183 255 0.81

HSLA 256.67, 1%, 0.86%, 0.81

LABA 78.34, 21.37, -32.95, 0.81

 

CMYK 11 / 17 / 0 / 0

HEX #DCC9FFCE

RGBA 220 201 255 0.81

HSLA 261.11, 1%, 0.89%, 0.81

LABA 84.07, 16.82, -24.04, 0.81

 

CMYK 34 / 40 / 0 / 1

HEX #9381FCCE

RGBA 147 129 252 0.81

HSLA 248.78, 0.95%, 0.75%, 0.81

LABA 60.72, 35.87, -59.3, 0.81

 

CMYK 36 / 42 / 0 / 7

HEX #826FE9CE

RGBA 130 111 233 0.81

HSLA 249.34, 0.73%, 0.67%, 0.81

LABA 54.02, 37.08, -59.57, 0.81

 

CMYK 38 / 46 / 0 / 13

HEX #715DD6CE

RGBA 113 93 214 0.81

HSLA 249.92, 0.6%, 0.6%, 0.81

LABA 47.23, 38.42, -59.85, 0.81

 

CMYK 41 / 50 / 0 / 19

HEX #604BC3CE

RGBA 96 75 195 0.81

HSLA 250.5, 0.5%, 0.53%, 0.81

LABA 40.34, 39.9, -60.12, 0.81

 

CMYK 45 / 55 / 0 / 25

HEX #4F39B0CE

RGBA 79 57 176 0.81

HSLA 251.09, 0.51%, 0.46%, 0.81

LABA 33.4, 41.5, -60.31, 0.81

 

CMYK 41 / 48 / 0 / 1

HEX #9483FC

RGB 148 131 252

HSL 248.43, 0.95%, 0.75%

LAB 61.27, 34.96, -58.42

 

CMYK 28 / 48 / 0 / 1

HEX #B583FC

RGB 181 131 252

HSL 264.79, 0.95%, 0.75%

LAB 64.23, 43.14, -53.53

 

CMYK 15 / 48 / 0 / 1

HEX #D683FC

RGB 214 131 252

HSL 281.16, 0.95%, 0.75%

LAB 67.69, 51.88, -47.83

 

CMYK 2 / 48 / 0 / 1

HEX #F683FC

RGB 246 131 252

HSL 297.02, 0.95%, 0.75%

LAB 71.46, 60.58, -41.66

 

CMYK 0 / 48 / 11 / 1

HEX #FC83E1

RGB 252 131 225

HSL 313.39, 0.95%, 0.75%

LAB 71.12, 57.76, -27.32

 

CMYK 41 / 48 / 0 / 1

HEX #9483FC

RGB 148 131 252

HSL 248.43, 0.95%, 0.75%

LAB 61.27, 34.96, -58.42

 

CMYK 48 / 48 / 0 / 1

HEX #8383FC

RGB 131 131 252

HSL 240, 0.95%, 0.75%

LAB 59.97, 31.1, -60.58

 

CMYK 41 / 48 / 0 / 1

HEX #9483FC

RGB 148 131 252

HSL 248.43, 0.95%, 0.75%

LAB 61.27, 34.96, -58.42

 

CMYK 41 / 48 / 0 / 1

HEX #9483FC

RGB 148 131 252

HSL 248.43, 0.95%, 0.75%

LAB 61.27, 34.96, -58.42

 

CMYK 35 / 41 / 0 / 5

HEX #9C8DF1

RGB 156 141 241

HSL 249, 0.78%, 0.75%

LAB 63.73, 28.25, -48.43

 

CMYK 29 / 35 / 0 / 9

HEX #A397E7

RGB 163 151 231

HSL 249, 0.63%, 0.75%

LAB 66.28, 21.88, -38.87

 

CMYK 23 / 27 / 0 / 13

HEX #AAA2DD

RGB 170 162 221

HSL 248.14, 0.46%, 0.75%

LAB 69.19, 15.3, -28.81

 

CMYK 16 / 18 / 0 / 17

HEX #B2ACD3

RGB 178 172 211

HSL 249.23, 0.31%, 0.75%

LAB 72.01, 9.97, -18.96

 

CMYK 48 / 29 / 0 / 1

HEX #83B3FC

RGB 131 179 252

HSL 216.2, 0.95%, 0.75%

LAB 72.29, 3.42, -41.1

 

CMYK 48 / 42 / 0 / 1

HEX #8393FC

RGB 131 147 252

HSL 232.07, 0.95%, 0.75%

LAB 63.93, 21.73, -54.25

 

CMYK 42 / 48 / 0 / 1

HEX #9383FC

RGB 147 131 252

HSL 247.93, 0.95%, 0.75%

LAB 61.19, 34.72, -58.56

 

CMYK 29 / 48 / 0 / 1

HEX #B383FC

RGB 179 131 252

HSL 263.8, 0.95%, 0.75%

LAB 64.03, 42.62, -53.86

 

CMYK 16 / 48 / 0 / 1

HEX #D383FC

RGB 211 131 252

HSL 279.67, 0.95%, 0.75%

LAB 67.36, 51.07, -48.38

 

CMYK 68 / 80 / 0 / 2

HEX #4F32FA

RGB 79 50 250

HSL 248.7, 0.95%, 0.59%

LAB 39.32, 66.77, -93.28

 

CMYK 55 / 64 / 0 / 2

HEX #725AFB

RGB 114 90 251

HSL 248.94, 0.95%, 0.67%

LAB 49.32, 51.18, -77.3

 

CMYK 41 / 48 / 0 / 1

HEX #9483FC

RGB 148 131 252

HSL 248.43, 0.95%, 0.75%

LAB 61.27, 34.96, -58.42

 

CMYK 28 / 32 / 0 / 1

HEX #B7ABFD

RGB 183 171 253

HSL 248.78, 0.95%, 0.83%

LAB 73.73, 21.7, -39.13

 

CMYK 15 / 17 / 0 / 0

HEX #D9D3FE

RGB 217 211 254

HSL 248.37, 0.96%, 0.91%

LAB 86.25, 10.35, -20.23

 

CMYK 42 / 49 / 0 / 1

HEX #9381FC

RGB 147 129 252

HSL 248.78, 0.95%, 0.75%

LAB 60.72, 35.87, -59.3

 

CMYK 0 / 48 / 16 / 1

HEX #FC83D3

RGB 252 131 211

HSL 320.33, 0.95%, 0.75%

LAB 70.62, 55.62, -20.35

 

CMYK 35 / 0 / 48 / 1

HEX #A3FC83

RGB 163 252 131

HSL 104.13, 0.95%, 0.75%

LAB 91.26, -48.16, 49.39

 

CMYK 42 / 49 / 0 / 1

HEX #9381FC

RGB 147 129 252

HSL 248.78, 0.95%, 0.75%

LAB 60.72, 35.87, -59.3

 

CMYK 0 / 42 / 48 / 1

HEX #FC9383

RGB 252 147 131

HSL 7.93, 0.95%, 0.75%

LAB 71.69, 37.85, 25.65

 

CMYK 48 / 0 / 42 / 1

HEX #83FC93

RGB 131 252 147

HSL 127.93, 0.95%, 0.75%

LAB 90.12, -55.29, 39.99

 

CMYK 42 / 49 / 0 / 1

HEX #9381FC

RGB 147 129 252

HSL 248.78, 0.95%, 0.75%

LAB 60.72, 35.87, -59.3

 

CMYK 0 / 48 / 16 / 1

HEX #FC83D3

RGB 252 131 211

HSL 320.33, 0.95%, 0.75%

LAB 70.62, 55.62, -20.35

 

CMYK 6 / 0 / 48 / 1

HEX #ECFC83

RGB 236 252 131

HSL 67.93, 0.95%, 0.75%

LAB 95.62, -22.18, 55.71

 

CMYK 48 / 0 / 32 / 1

HEX #83FCAB

RGB 131 252 171

HSL 139.83, 0.95%, 0.75%

LAB 90.5, -51.37, 28.55

 

CMYK 42 / 49 / 0 / 1

HEX #9381FC

RGB 147 129 252

HSL 248.78, 0.95%, 0.75%

LAB 60.72, 35.87, -59.3

 

CMYK 0 / 48 / 31 / 1

HEX #FC83AF

RGB 252 131 175

HSL 338.18, 0.95%, 0.75%

LAB 69.49, 50.69, -1.95

 

CMYK 6 / 0 / 48 / 1

HEX #ECFC83

RGB 236 252 131

HSL 67.93, 0.95%, 0.75%

LAB 95.62, -22.18, 55.71

 

CMYK 48 / 0 / 18 / 1

HEX #83FCCF

RGB 131 252 207

HSL 157.69, 0.95%, 0.75%

LAB 91.21, -44.37, 11.13

 

Description

Color code: HEX #9381FCCE | qconv.com Color code: HEX #9381FCCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 129 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 129 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 40 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 40% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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