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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9370C3 it is the complementary color #6C8F3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9370C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9370C3 shade: #9870BE, #A982D1, #BA94E4, #CBA6F7 and #DCB8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9370C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9370C3 shade: #9370C3, #825EB0, #714C9D, #603A8A and #4F2877

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9370C3 shade: #926FC3, #A96FC3, #C06FC3, #C36FB0 and #C36F99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9370C3 shade: #926FC3, #7C6FC3 and #6F6FC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9370C3 shade matches the following richer shades: #926FC3, #905FD3, #8D4EE4 and #8B3EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9370C3 shade: #926FC3, #9580B2, #9890A2, #9AA191 and #9DB181

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9370C3 shade: #6F79C3, #7C6FC3, #926FC3, #A86FC3 and #BF6FC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9370C3 shade: #69429E, #7C52B7, #926FC3, #A88CCF and #BEA9DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9370C3 shade: #9370C3, #C36F8F and #6FC371

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9370C3 shade: #9370C3, #C3926F and #6FC392

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9370C3 shade: #9370C3, #C36F8F, #A0C36F and #6FC3A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9370C3 shade: #9370C3, #C36F76, #A0C36F and #6FC3BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 43 / 0 / 24

HEX #9370C3

RGB 147 112 195

HSL 265.3, 0.41%, 0.6%

LAB 53.74, 30.8, -38.42

 

Complementary color

CMYK 24 / 0 / 58 / 44

HEX #6C8F3C

RGB 108 143 60

HSL 85.3, 0.41%, 0.4%

LAB 55.24, -26.32, 39.55

 

CMYK 20 / 41 / 0 / 25

HEX #9870BE

RGB 152 112 190

HSL 270.77, 0.38%, 0.59%

LAB 54.01, 31.08, -35.11

 

CMYK 19 / 38 / 0 / 18

HEX #A982D1

RGB 169 130 209

HSL 269.62, 0.46%, 0.66%

LAB 60.78, 30.3, -35.17

 

CMYK 18 / 35 / 0 / 11

HEX #BA94E4

RGB 186 148 228

HSL 268.5, 0.6%, 0.74%

LAB 67.44, 29.58, -35.26

 

CMYK 18 / 33 / 0 / 3

HEX #CBA6F7

RGB 203 166 247

HSL 267.41, 0.84%, 0.81%

LAB 73.99, 28.91, -35.36

 

CMYK 14 / 28 / 0 / 0

HEX #DCB8FF

RGB 220 184 255

HSL 270.42, 1%, 0.86%

LAB 80.02, 25.97, -30.23

 

CMYK 25 / 43 / 0 / 24

HEX #9370C3

RGB 147 112 195

HSL 265.3, 0.41%, 0.6%

LAB 53.74, 30.8, -38.42

 

CMYK 26 / 47 / 0 / 31

HEX #825EB0

RGB 130 94 176

HSL 266.34, 0.34%, 0.53%

LAB 46.82, 31.69, -38.45

 

CMYK 28 / 52 / 0 / 38

HEX #714C9D

RGB 113 76 157

HSL 267.41, 0.35%, 0.46%

LAB 39.77, 32.66, -38.49

 

CMYK 30 / 58 / 0 / 46

HEX #603A8A

RGB 96 58 138

HSL 268.5, 0.41%, 0.38%

LAB 32.59, 33.68, -38.51

 

CMYK 34 / 66 / 0 / 53

HEX #4F2877

RGB 79 40 119

HSL 269.62, 0.5%, 0.31%

LAB 25.3, 34.66, -38.44

 

CMYK 25 / 43 / 0 / 24

HEX #926FC3

RGB 146 111 195

HSL 265, 0.41%, 0.6%

LAB 53.41, 31.09, -38.96

 

CMYK 13 / 43 / 0 / 24

HEX #A96FC3

RGB 169 111 195

HSL 281.43, 0.41%, 0.6%

LAB 55.83, 37.85, -34.98

 

CMYK 2 / 43 / 0 / 24

HEX #C06FC3

RGB 192 111 195

HSL 297.86, 0.41%, 0.6%

LAB 58.52, 44.76, -30.58

 

CMYK 0 / 43 / 10 / 24

HEX #C36FB0

RGB 195 111 176

HSL 313.57, 0.41%, 0.6%

LAB 58.14, 42.3, -20.28

 

CMYK 0 / 43 / 22 / 24

HEX #C36F99

RGB 195 111 153

HSL 330, 0.41%, 0.6%

LAB 57.34, 38.61, -8.2

 

CMYK 25 / 43 / 0 / 24

HEX #926FC3

RGB 146 111 195

HSL 265, 0.41%, 0.6%

LAB 53.41, 31.09, -38.96

 

CMYK 36 / 43 / 0 / 24

HEX #7C6FC3

RGB 124 111 195

HSL 249.29, 0.41%, 0.6%

LAB 51.38, 24.95, -42.3

 

CMYK 43 / 43 / 0 / 24

HEX #6F6FC3

RGB 111 111 195

HSL 240, 0.41%, 0.6%

LAB 50.32, 21.55, -44.03

 

CMYK 25 / 43 / 0 / 24

HEX #926FC3

RGB 146 111 195

HSL 265, 0.41%, 0.6%

LAB 53.41, 31.09, -38.96

 

CMYK 32 / 55 / 0 / 17

HEX #905FD3

RGB 144 95 211

HSL 265.34, 0.57%, 0.6%

LAB 50.47, 43.59, -52.77

 

CMYK 38 / 66 / 0 / 11

HEX #8D4EE4

RGB 141 78 228

HSL 265.2, 0.74%, 0.6%

LAB 47.9, 56.14, -66.59

 

CMYK 43 / 75 / 0 / 4

HEX #8B3EF4

RGB 139 62 244

HSL 265.38, 0.89%, 0.6%

LAB 46.27, 67.05, -78.28

 

CMYK 25 / 43 / 0 / 24

HEX #926FC3

RGB 146 111 195

HSL 265, 0.41%, 0.6%

LAB 53.41, 31.09, -38.96

 

CMYK 16 / 28 / 0 / 30

HEX #9580B2

RGB 149 128 178

HSL 265.2, 0.25%, 0.6%

LAB 57.12, 18.13, -23.43

 

CMYK 6 / 11 / 0 / 36

HEX #9890A2

RGB 152 144 162

HSL 266.67, 0.09%, 0.6%

LAB 60.98, 6.49, -8.42

 

CMYK 4 / 0 / 10 / 37

HEX #9AA191

RGB 154 161 145

HSL 86.25, 0.08%, 0.6%

LAB 65.28, -5.51, 7.47

 

CMYK 11 / 0 / 27 / 31

HEX #9DB181

RGB 157 177 129

HSL 85, 0.24%, 0.6%

LAB 69.61, -15.51, 22.33

 

CMYK 43 / 38 / 0 / 24

HEX #6F79C3

RGB 111 121 195

HSL 232.86, 0.41%, 0.6%

LAB 52.94, 15.5, -39.89

 

CMYK 36 / 43 / 0 / 24

HEX #7C6FC3

RGB 124 111 195

HSL 249.29, 0.41%, 0.6%

LAB 51.38, 24.95, -42.3

 

CMYK 25 / 43 / 0 / 24

HEX #926FC3

RGB 146 111 195

HSL 265, 0.41%, 0.6%

LAB 53.41, 31.09, -38.96

 

CMYK 14 / 43 / 0 / 24

HEX #A86FC3

RGB 168 111 195

HSL 280.71, 0.41%, 0.6%

LAB 55.72, 37.55, -35.16

 

CMYK 2 / 43 / 0 / 24

HEX #BF6FC3

RGB 191 111 195

HSL 297.14, 0.41%, 0.6%

LAB 58.4, 44.46, -30.78

 

CMYK 34 / 58 / 0 / 38

HEX #69429E

RGB 105 66 158

HSL 265.43, 0.41%, 0.44%

LAB 36.68, 36.63, -44.08

 

CMYK 32 / 55 / 0 / 28

HEX #7C52B7

RGB 124 82 183

HSL 264.95, 0.41%, 0.52%

LAB 43.86, 38.78, -47.31

 

CMYK 25 / 43 / 0 / 24

HEX #926FC3

RGB 146 111 195

HSL 265, 0.41%, 0.6%

LAB 53.41, 31.09, -38.96

 

CMYK 19 / 32 / 0 / 19

HEX #A88CCF

RGB 168 140 207

HSL 265.07, 0.41%, 0.68%

LAB 63, 23.87, -30.62

 

CMYK 13 / 23 / 0 / 14

HEX #BEA9DB

RGB 190 169 219

HSL 265.2, 0.41%, 0.76%

LAB 72.52, 17.2, -22.47

 

CMYK 25 / 43 / 0 / 24

HEX #9370C3

RGB 147 112 195

HSL 265.3, 0.41%, 0.6%

LAB 53.74, 30.8, -38.42

 

CMYK 0 / 43 / 27 / 24

HEX #C36F8F

RGB 195 111 143

HSL 337.14, 0.41%, 0.6%

LAB 57.03, 37.16, -2.85

 

CMYK 43 / 0 / 42 / 24

HEX #6FC371

RGB 111 195 113

HSL 121.43, 0.41%, 0.6%

LAB 71.96, -42.34, 33.4

 

CMYK 25 / 43 / 0 / 24

HEX #9370C3

RGB 147 112 195

HSL 265.3, 0.41%, 0.6%

LAB 53.74, 30.8, -38.42

 

CMYK 0 / 25 / 43 / 24

HEX #C3926F

RGB 195 146 111

HSL 25, 0.41%, 0.6%

LAB 64.41, 14.01, 25.73

 

CMYK 43 / 0 / 25 / 24

HEX #6FC392

RGB 111 195 146

HSL 145, 0.41%, 0.6%

LAB 72.55, -36.56, 16.81

 

CMYK 25 / 43 / 0 / 24

HEX #9370C3

RGB 147 112 195

HSL 265.3, 0.41%, 0.6%

LAB 53.74, 30.8, -38.42

 

CMYK 0 / 43 / 27 / 24

HEX #C36F8F

RGB 195 111 143

HSL 337.14, 0.41%, 0.6%

LAB 57.03, 37.16, -2.85

 

CMYK 18 / 0 / 43 / 24

HEX #A0C36F

RGB 160 195 111

HSL 85, 0.41%, 0.6%

LAB 74.6, -25.84, 38.34

 

CMYK 43 / 0 / 16 / 24

HEX #6FC3A3

RGB 111 195 163

HSL 157.14, 0.41%, 0.6%

LAB 72.93, -33.02, 8.17

 

CMYK 25 / 43 / 0 / 24

HEX #9370C3

RGB 147 112 195

HSL 265.3, 0.41%, 0.6%

LAB 53.74, 30.8, -38.42

 

CMYK 0 / 43 / 39 / 24

HEX #C36F76

RGB 195 111 118

HSL 355, 0.41%, 0.6%

LAB 56.37, 33.95, 10.76

 

CMYK 18 / 0 / 43 / 24

HEX #A0C36F

RGB 160 195 111

HSL 85, 0.41%, 0.6%

LAB 74.6, -25.84, 38.34

 

CMYK 43 / 0 / 4 / 24

HEX #6FC3BC

RGB 111 195 188

HSL 175, 0.41%, 0.6%

LAB 73.57, -27.2, -4.47

 

Description

Color code: HEX #9370C3 | qconv.com Color code: HEX #9370C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 112 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 112 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 43 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 43% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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