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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9368F0 it is the complementary color #6C970F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9368F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9368F0 shade: #9868EB, #A97AFE, #BA8CFF, #CB9EFF and #DCB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9368F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9368F0 shade: #9368F0, #8256DD, #7144CA, #6032B7 and #4F20A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9368F0 shade: #9166F0, #B766F0, #DC66F0, #F066DF and #F066B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9368F0 shade: #9166F0, #6C66F0 and #6666F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9368F0 shade matches the following richer shades: #9166F0 and #8C58FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9368F0 shade: #9166F0, #9673E2, #9B81D5, #A08FC7 and #A69CB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9368F0 shade: #6686F0, #6A66F0, #8F66F0, #B466F0 and #D966F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9368F0 shade: #5C1BE8, #7740EC, #9166F0, #AC8BF4 and #C7B1F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9368F0 shade: #9368F0, #F066AB and #74F066

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9368F0 shade: #9368F0, #F08F66 and #66F08F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9368F0 shade: #9368F0, #F066AB, #C6F066 and #66F0AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9368F0 shade: #9368F0, #F06681, #C6F066 and #66F0D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 57 / 0 / 6

HEX #9368F0

RGB 147 104 240

HSL 258.97, 0.82%, 0.67%

LAB 54.44, 46.76, -62.73

 

Complementary color

CMYK 28 / 0 / 90 / 41

HEX #6C970F

RGB 108 151 15

HSL 78.97, 0.82%, 0.33%

LAB 57.42, -32.9, 57.79

 

CMYK 35 / 56 / 0 / 8

HEX #9868EB

RGB 152 104 235

HSL 261.98, 0.77%, 0.66%

LAB 54.63, 46.6, -59.61

 

CMYK 33 / 52 / 0 / 0

HEX #A97AFE

RGB 169 122 254

HSL 261.36, 0.99%, 0.74%

LAB 61.23, 45.55, -59.48

 

CMYK 27 / 45 / 0 / 0

HEX #BA8CFF

RGB 186 140 255

HSL 264, 1%, 0.77%

LAB 66.84, 40.23, -51.02

 

CMYK 20 / 38 / 0 / 0

HEX #CB9EFF

RGB 203 158 255

HSL 267.84, 1%, 0.81%

LAB 72.48, 35.06, -42.04

 

CMYK 14 / 31 / 0 / 0

HEX #DCB0FF

RGB 220 176 255

HSL 273.42, 1%, 0.85%

LAB 78.16, 30.29, -33.09

 

CMYK 39 / 57 / 0 / 6

HEX #9368F0

RGB 147 104 240

HSL 258.97, 0.82%, 0.67%

LAB 54.44, 46.76, -62.73

 

CMYK 41 / 61 / 0 / 13

HEX #8256DD

RGB 130 86 221

HSL 259.56, 0.67%, 0.6%

LAB 47.78, 47.92, -62.87

 

CMYK 44 / 66 / 0 / 21

HEX #7144CA

RGB 113 68 202

HSL 260.15, 0.56%, 0.53%

LAB 41.07, 49.09, -62.93

 

CMYK 48 / 73 / 0 / 28

HEX #6032B7

RGB 96 50 183

HSL 260.75, 0.57%, 0.46%

LAB 34.37, 50.13, -62.81

 

CMYK 52 / 80 / 0 / 36

HEX #4F20A4

RGB 79 32 164

HSL 261.36, 0.67%, 0.38%

LAB 27.78, 50.77, -62.31

 

CMYK 40 / 58 / 0 / 6

HEX #9166F0

RGB 145 102 240

HSL 258.7, 0.82%, 0.67%

LAB 53.83, 47.42, -63.73

 

CMYK 24 / 58 / 0 / 6

HEX #B766F0

RGB 183 102 240

HSL 275.22, 0.82%, 0.67%

LAB 57.91, 56.16, -56.96

 

CMYK 8 / 58 / 0 / 6

HEX #DC66F0

RGB 220 102 240

HSL 291.3, 0.82%, 0.67%

LAB 62.52, 65.18, -49.35

 

CMYK 0 / 58 / 7 / 6

HEX #F066DF

RGB 240 102 223

HSL 307.39, 0.82%, 0.67%

LAB 64.45, 67.37, -36.66

 

CMYK 0 / 58 / 23 / 6

HEX #F066B9

RGB 240 102 185

HSL 323.91, 0.82%, 0.67%

LAB 62.95, 61.81, -17.53

 

CMYK 40 / 58 / 0 / 6

HEX #9166F0

RGB 145 102 240

HSL 258.7, 0.82%, 0.67%

LAB 53.83, 47.42, -63.73

 

CMYK 55 / 58 / 0 / 6

HEX #6C66F0

RGB 108 102 240

HSL 242.61, 0.82%, 0.67%

LAB 50.67, 39.96, -68.99

 

CMYK 58 / 58 / 0 / 6

HEX #6666F0

RGB 102 102 240

HSL 240, 0.82%, 0.67%

LAB 50.24, 38.89, -69.71

 

CMYK 40 / 58 / 0 / 6

HEX #9166F0

RGB 145 102 240

HSL 258.7, 0.82%, 0.67%

LAB 53.83, 47.42, -63.73

 

CMYK 45 / 65 / 0 / 1

HEX #8C58FD

RGB 140 88 253

HSL 258.91, 0.98%, 0.67%

LAB 51.44, 57.29, -74.86

 

CMYK 40 / 58 / 0 / 6

HEX #9166F0

RGB 145 102 240

HSL 258.7, 0.82%, 0.67%

LAB 53.83, 47.42, -63.73

 

CMYK 34 / 49 / 0 / 11

HEX #9673E2

RGB 150 115 226

HSL 258.92, 0.66%, 0.67%

LAB 56.32, 37.67, -51.87

 

CMYK 27 / 39 / 0 / 16

HEX #9B81D5

RGB 155 129 213

HSL 258.57, 0.5%, 0.67%

LAB 59.41, 27.72, -39.67

 

CMYK 20 / 28 / 0 / 22

HEX #A08FC7

RGB 160 143 199

HSL 258.21, 0.33%, 0.67%

LAB 62.71, 17.84, -26.64

 

CMYK 10 / 16 / 0 / 27

HEX #A69CB9

RGB 166 156 185

HSL 260.69, 0.17%, 0.67%

LAB 66.05, 9.35, -13.67

 

CMYK 58 / 44 / 0 / 6

HEX #6686F0

RGB 102 134 240

HSL 226.09, 0.82%, 0.67%

LAB 58.19, 19.61, -56.9

 

CMYK 56 / 58 / 0 / 6

HEX #6A66F0

RGB 106 102 240

HSL 241.74, 0.82%, 0.67%

LAB 50.52, 39.6, -69.24

 

CMYK 40 / 58 / 0 / 6

HEX #8F66F0

RGB 143 102 240

HSL 257.83, 0.82%, 0.67%

LAB 53.64, 46.98, -64.05

 

CMYK 25 / 58 / 0 / 6

HEX #B466F0

RGB 180 102 240

HSL 273.91, 0.82%, 0.67%

LAB 57.56, 55.45, -57.54

 

CMYK 10 / 58 / 0 / 6

HEX #D966F0

RGB 217 102 240

HSL 290, 0.82%, 0.67%

LAB 62.12, 64.44, -50

 

CMYK 60 / 88 / 0 / 9

HEX #5C1BE8

RGB 92 27 232

HSL 259.02, 0.82%, 0.51%

LAB 35.76, 71.13, -88.97

 

CMYK 50 / 73 / 0 / 7

HEX #7740EC

RGB 119 64 236

HSL 259.19, 0.82%, 0.59%

LAB 43.72, 61.15, -78.03

 

CMYK 40 / 58 / 0 / 6

HEX #9166F0

RGB 145 102 240

HSL 258.7, 0.82%, 0.67%

LAB 53.83, 47.42, -63.73

 

CMYK 30 / 43 / 0 / 4

HEX #AC8BF4

RGB 172 139 244

HSL 258.86, 0.83%, 0.75%

LAB 64.78, 34.39, -48.33

 

CMYK 19 / 28 / 0 / 3

HEX #C7B1F7

RGB 199 177 247

HSL 258.86, 0.81%, 0.83%

LAB 76.25, 21.68, -31.88

 

CMYK 39 / 57 / 0 / 6

HEX #9368F0

RGB 147 104 240

HSL 258.97, 0.82%, 0.67%

LAB 54.44, 46.76, -62.73

 

CMYK 0 / 58 / 29 / 6

HEX #F066AB

RGB 240 102 171

HSL 330, 0.82%, 0.67%

LAB 62.48, 60, -10.25

 

CMYK 52 / 0 / 58 / 6

HEX #74F066

RGB 116 240 102

HSL 113.91, 0.82%, 0.67%

LAB 85.5, -60.45, 55.28

 

CMYK 39 / 57 / 0 / 6

HEX #9368F0

RGB 147 104 240

HSL 258.97, 0.82%, 0.67%

LAB 54.44, 46.76, -62.73

 

CMYK 0 / 40 / 58 / 6

HEX #F08F66

RGB 240 143 102

HSL 17.83, 0.82%, 0.67%

LAB 68.84, 32.89, 37.37

 

CMYK 58 / 0 / 40 / 6

HEX #66F08F

RGB 102 240 143

HSL 137.83, 0.82%, 0.67%

LAB 85.57, -58.18, 35.87

 

CMYK 39 / 57 / 0 / 6

HEX #9368F0

RGB 147 104 240

HSL 258.97, 0.82%, 0.67%

LAB 54.44, 46.76, -62.73

 

CMYK 0 / 58 / 29 / 6

HEX #F066AB

RGB 240 102 171

HSL 330, 0.82%, 0.67%

LAB 62.48, 60, -10.25

 

CMYK 18 / 0 / 58 / 6

HEX #C6F066

RGB 198 240 102

HSL 78.26, 0.82%, 0.67%

LAB 89.53, -33.59, 60.95

 

CMYK 58 / 0 / 29 / 6

HEX #66F0AB

RGB 102 240 171

HSL 150, 0.82%, 0.67%

LAB 86.05, -53.11, 22.32

 

CMYK 39 / 57 / 0 / 6

HEX #9368F0

RGB 147 104 240

HSL 258.97, 0.82%, 0.67%

LAB 54.44, 46.76, -62.73

 

CMYK 0 / 58 / 46 / 6

HEX #F06681

RGB 240 102 129

HSL 348.26, 0.82%, 0.67%

LAB 61.32, 55.41, 12.28

 

CMYK 18 / 0 / 58 / 6

HEX #C6F066

RGB 198 240 102

HSL 78.26, 0.82%, 0.67%

LAB 89.53, -33.59, 60.95

 

CMYK 58 / 0 / 12 / 6

HEX #66F0D4

RGB 102 240 212

HSL 167.83, 0.82%, 0.67%

LAB 86.95, -44.12, 2.27

 

Description

Color code: HEX #9368F0 | qconv.com Color code: HEX #9368F0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 104 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 104 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 57 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 57% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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