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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9366C3 it is the complementary color #6C993C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9366C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9366C3 shade: #9866BE, #A978D1, #BA8AE4, #CB9CF7 and #DCAEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9366C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9366C3 shade: #9366C3, #8254B0, #71429D, #60308A and #4F1E77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9366C3 shade: #9265C3, #AC65C3, #C365C1, #C365A7 and #C3658E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9366C3 shade: #9265C3, #7965C3 and #6565C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9366C3 shade matches the following richer shades: #9265C3, #9253D4, #9142E6 and #9131F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9366C3 shade: #9265C3, #9376B2, #9387A0, #94998F and #95AA7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9366C3 shade: #6569C3, #7965C3, #9265C3, #AB65C3 and #C365C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9366C3 shade: #693C9A, #7D47B7, #9265C3, #A782CF and #BCA0DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9366C3 shade: #9366C3, #C36583 and #65C36D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9366C3 shade: #9366C3, #C39265 and #65C392

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9366C3 shade: #9366C3, #C36583, #95C365 and #65C3A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9366C3 shade: #9366C3, #C36566, #95C365 and #65C3C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 48 / 0 / 24

HEX #9366C3

RGB 147 102 195

HSL 269.03, 0.44%, 0.58%

LAB 51.43, 36.53, -42.06

 

Complementary color

CMYK 29 / 0 / 61 / 40

HEX #6C993C

RGB 108 153 60

HSL 89.03, 0.44%, 0.42%

LAB 58.32, -31.14, 43.06

 

CMYK 20 / 46 / 0 / 25

HEX #9866BE

RGB 152 102 190

HSL 274.09, 0.4%, 0.57%

LAB 51.72, 36.77, -38.7

 

CMYK 19 / 43 / 0 / 18

HEX #A978D1

RGB 169 120 209

HSL 273.03, 0.49%, 0.65%

LAB 58.48, 35.93, -38.77

 

CMYK 18 / 39 / 0 / 11

HEX #BA8AE4

RGB 186 138 228

HSL 272, 0.63%, 0.72%

LAB 65.13, 35.13, -38.85

 

CMYK 18 / 37 / 0 / 3

HEX #CB9CF7

RGB 203 156 247

HSL 270.99, 0.85%, 0.79%

LAB 71.68, 34.39, -38.94

 

CMYK 14 / 32 / 0 / 0

HEX #DCAEFF

RGB 220 174 255

HSL 274.07, 1%, 0.84%

LAB 77.7, 31.37, -33.8

 

CMYK 25 / 48 / 0 / 24

HEX #9366C3

RGB 147 102 195

HSL 269.03, 0.44%, 0.58%

LAB 51.43, 36.53, -42.06

 

CMYK 26 / 52 / 0 / 31

HEX #8254B0

RGB 130 84 176

HSL 270, 0.37%, 0.51%

LAB 44.55, 37.46, -42.06

 

CMYK 28 / 58 / 0 / 38

HEX #71429D

RGB 113 66 157

HSL 270.99, 0.41%, 0.44%

LAB 37.56, 38.42, -42.03

 

CMYK 30 / 65 / 0 / 46

HEX #60308A

RGB 96 48 138

HSL 272, 0.48%, 0.36%

LAB 30.49, 39.3, -41.89

 

CMYK 34 / 75 / 0 / 53

HEX #4F1E77

RGB 79 30 119

HSL 273.03, 0.6%, 0.29%

LAB 23.41, 39.88, -41.48

 

CMYK 25 / 48 / 0 / 24

HEX #9265C3

RGB 146 101 195

HSL 268.72, 0.44%, 0.58%

LAB 51.1, 36.82, -42.59

 

CMYK 12 / 48 / 0 / 24

HEX #AC65C3

RGB 172 101 195

HSL 285.32, 0.44%, 0.58%

LAB 54.05, 44.15, -37.75

 

CMYK 0 / 48 / 1 / 24

HEX #C365C1

RGB 195 101 193

HSL 301.28, 0.44%, 0.58%

LAB 56.84, 50.41, -32.03

 

CMYK 0 / 48 / 14 / 24

HEX #C365A7

RGB 195 101 167

HSL 317.87, 0.44%, 0.58%

LAB 55.79, 45.98, -18.67

 

CMYK 0 / 48 / 27 / 24

HEX #C3658E

RGB 195 101 142

HSL 333.83, 0.44%, 0.58%

LAB 54.93, 42.25, -5.36

 

CMYK 25 / 48 / 0 / 24

HEX #9265C3

RGB 146 101 195

HSL 268.72, 0.44%, 0.58%

LAB 51.1, 36.82, -42.59

 

CMYK 38 / 48 / 0 / 24

HEX #7965C3

RGB 121 101 195

HSL 252.77, 0.44%, 0.58%

LAB 48.65, 30.13, -46.64

 

CMYK 48 / 48 / 0 / 24

HEX #6565C3

RGB 101 101 195

HSL 240, 0.44%, 0.58%

LAB 46.99, 25.23, -49.38

 

CMYK 25 / 48 / 0 / 24

HEX #9265C3

RGB 146 101 195

HSL 268.72, 0.44%, 0.58%

LAB 51.1, 36.82, -42.59

 

CMYK 31 / 61 / 0 / 17

HEX #9253D4

RGB 146 83 212

HSL 269.3, 0.6%, 0.58%

LAB 48.32, 50.74, -56.77

 

CMYK 37 / 71 / 0 / 10

HEX #9142E6

RGB 145 66 230

HSL 268.9, 0.77%, 0.58%

LAB 46.48, 63, -70

 

CMYK 41 / 80 / 0 / 3

HEX #9131F7

RGB 145 49 247

HSL 269.09, 0.93%, 0.58%

LAB 45.54, 73.51, -81.12

 

CMYK 25 / 48 / 0 / 24

HEX #9265C3

RGB 146 101 195

HSL 268.72, 0.44%, 0.58%

LAB 51.1, 36.82, -42.59

 

CMYK 17 / 34 / 0 / 30

HEX #9376B2

RGB 147 118 178

HSL 269, 0.28%, 0.58%

LAB 54.42, 23.29, -27.6

 

CMYK 8 / 16 / 0 / 37

HEX #9387A0

RGB 147 135 160

HSL 268.8, 0.12%, 0.58%

LAB 58.1, 9.45, -11.63

 

CMYK 3 / 0 / 7 / 40

HEX #94998F

RGB 148 153 143

HSL 90, 0.05%, 0.58%

LAB 62.56, -3.72, 4.62

 

CMYK 12 / 0 / 26 / 33

HEX #95AA7E

RGB 149 170 126

HSL 88.64, 0.21%, 0.58%

LAB 67.01, -15.36, 20.32

 

CMYK 48 / 46 / 0 / 24

HEX #6569C3

RGB 101 105 195

HSL 237.45, 0.44%, 0.58%

LAB 48.02, 22.77, -47.74

 

CMYK 38 / 48 / 0 / 24

HEX #7965C3

RGB 121 101 195

HSL 252.77, 0.44%, 0.58%

LAB 48.65, 30.13, -46.64

 

CMYK 25 / 48 / 0 / 24

HEX #9265C3

RGB 146 101 195

HSL 268.72, 0.44%, 0.58%

LAB 51.1, 36.82, -42.59

 

CMYK 12 / 48 / 0 / 24

HEX #AB65C3

RGB 171 101 195

HSL 284.68, 0.44%, 0.58%

LAB 53.93, 43.87, -37.95

 

CMYK 0 / 48 / 1 / 24

HEX #C365C1

RGB 195 101 193

HSL 301.28, 0.44%, 0.58%

LAB 56.84, 50.41, -32.03

 

CMYK 32 / 61 / 0 / 40

HEX #693C9A

RGB 105 60 154

HSL 268.72, 0.44%, 0.42%

LAB 35.14, 38.99, -44.14

 

CMYK 32 / 61 / 0 / 28

HEX #7D47B7

RGB 125 71 183

HSL 268.93, 0.44%, 0.5%

LAB 41.67, 45.11, -50.82

 

CMYK 25 / 48 / 0 / 24

HEX #9265C3

RGB 146 101 195

HSL 268.72, 0.44%, 0.58%

LAB 51.1, 36.82, -42.59

 

CMYK 19 / 37 / 0 / 19

HEX #A782CF

RGB 167 130 207

HSL 268.83, 0.45%, 0.66%

LAB 60.5, 29.25, -34.5

 

CMYK 14 / 27 / 0 / 15

HEX #BCA0DA

RGB 188 160 218

HSL 268.97, 0.44%, 0.74%

LAB 70.1, 21.33, -25.63

 

CMYK 25 / 48 / 0 / 24

HEX #9366C3

RGB 147 102 195

HSL 269.03, 0.44%, 0.58%

LAB 51.43, 36.53, -42.06

 

CMYK 0 / 48 / 33 / 24

HEX #C36583

RGB 195 101 131

HSL 340.85, 0.44%, 0.58%

LAB 54.6, 40.79, 0.62

 

CMYK 48 / 0 / 44 / 24

HEX #65C36D

RGB 101 195 109

HSL 125.11, 0.44%, 0.58%

LAB 71.49, -45.83, 34.75

 

CMYK 25 / 48 / 0 / 24

HEX #9366C3

RGB 147 102 195

HSL 269.03, 0.44%, 0.58%

LAB 51.43, 36.53, -42.06

 

CMYK 0 / 25 / 48 / 24

HEX #C39265

RGB 195 146 101

HSL 28.72, 0.44%, 0.58%

LAB 64.24, 12.97, 30.97

 

CMYK 48 / 0 / 25 / 24

HEX #65C392

RGB 101 195 146

HSL 148.72, 0.44%, 0.58%

LAB 72.14, -39.23, 16.18

 

CMYK 25 / 48 / 0 / 24

HEX #9366C3

RGB 147 102 195

HSL 269.03, 0.44%, 0.58%

LAB 51.43, 36.53, -42.06

 

CMYK 0 / 48 / 33 / 24

HEX #C36583

RGB 195 101 131

HSL 340.85, 0.44%, 0.58%

LAB 54.6, 40.79, 0.62

 

CMYK 24 / 0 / 48 / 24

HEX #95C365

RGB 149 195 101

HSL 89.36, 0.44%, 0.58%

LAB 73.78, -31.14, 42.14

 

CMYK 48 / 0 / 15 / 24

HEX #65C3A5

RGB 101 195 165

HSL 160.85, 0.44%, 0.58%

LAB 72.57, -35.12, 6.52

 

CMYK 25 / 48 / 0 / 24

HEX #9366C3

RGB 147 102 195

HSL 269.03, 0.44%, 0.58%

LAB 51.43, 36.53, -42.06

 

CMYK 0 / 48 / 48 / 24

HEX #C36566

RGB 195 101 102

HSL 359.36, 0.44%, 0.58%

LAB 53.89, 37.51, 16.67

 

CMYK 24 / 0 / 48 / 24

HEX #95C365

RGB 149 195 101

HSL 89.36, 0.44%, 0.58%

LAB 73.78, -31.14, 42.14

 

CMYK 48 / 0 / 1 / 24

HEX #65C3C1

RGB 101 195 193

HSL 178.72, 0.44%, 0.58%

LAB 73.32, -28.29, -7.61

 

Description

Color code: HEX #9366C3 | qconv.com Color code: HEX #9366C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 102 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 102 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 48 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 48% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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