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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93645D it is the complementary color #6C9BA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93645D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93645D shade: #986458, #A9766B, #BA887E, #CB9A91 and #DCACA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93645D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93645D shade: #93645D, #82524A, #714037, #602E24 and #4F1C11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93645D shade: #93635C and #935C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93645D shade: #93635C, #93725C, #93815C, #93905C and #88935C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93645D shade matches the following richer shades: #93635C, #A75549, #BA4736, #CE3822 and #E12A0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93645D shade: #93635C, #807270, #6D8083, #598F96 and #469DAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93645D shade: #935C73, #935C65, #93635C, #93715C and #93805C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93645D shade: #61413D, #7A524C, #93635C, #A77972 and #B7918C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93645D shade: #93645D, #82935C and #5C6C93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93645D shade: #93645D, #5C9363 and #635C93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93645D shade: #93645D, #82935C, #5C8D93 and #6E5C93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93645D shade: #93645D, #71935C, #5C8D93 and #7E5C93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 37 / 42

HEX #93645D

RGB 147 100 93

HSL 7.78, 0.23%, 0.47%

LAB 47.12, 18.06, 11.65

 

Complementary color

CMYK 33 / 4 / 0 / 36

HEX #6C9BA2

RGB 108 155 162

HSL 187.78, 0.23%, 0.53%

LAB 60.99, -13.97, -8.73

 

CMYK 0 / 34 / 42 / 40

HEX #986458

RGB 152 100 88

HSL 11.25, 0.27%, 0.47%

LAB 47.62, 19.51, 15.42

 

CMYK 0 / 30 / 37 / 34

HEX #A9766B

RGB 169 118 107

HSL 10.65, 0.26%, 0.54%

LAB 54.5, 18.56, 14.08

 

CMYK 0 / 27 / 32 / 27

HEX #BA887E

RGB 186 136 126

HSL 10, 0.3%, 0.61%

LAB 61.27, 17.73, 12.89

 

CMYK 0 / 24 / 29 / 20

HEX #CB9A91

RGB 203 154 145

HSL 9.31, 0.36%, 0.68%

LAB 67.91, 17.01, 11.82

 

CMYK 0 / 22 / 25 / 14

HEX #DCACA4

RGB 220 172 164

HSL 8.57, 0.44%, 0.75%

LAB 74.45, 16.37, 10.83

 

CMYK 0 / 32 / 37 / 42

HEX #93645D

RGB 147 100 93

HSL 7.78, 0.23%, 0.47%

LAB 47.12, 18.06, 11.65

 

CMYK 0 / 37 / 43 / 49

HEX #82524A

RGB 130 82 74

HSL 8.57, 0.27%, 0.4%

LAB 40.04, 19.06, 13.04

 

CMYK 0 / 43 / 51 / 56

HEX #714037

RGB 113 64 55

HSL 9.31, 0.35%, 0.33%

LAB 32.82, 20.25, 14.71

 

CMYK 0 / 52 / 63 / 62

HEX #602E24

RGB 96 46 36

HSL 10, 0.45%, 0.26%

LAB 25.47, 21.66, 16.79

 

CMYK 0 / 65 / 78 / 69

HEX #4F1C11

RGB 79 28 17

HSL 10.65, 0.65%, 0.19%

LAB 18.07, 23.23, 19.39

 

CMYK 0 / 33 / 37 / 42

HEX #93635C

RGB 147 99 92

HSL 7.64, 0.23%, 0.47%

LAB 46.84, 18.51, 11.87

 

CMYK 0 / 37 / 37 / 42

HEX #935C5C

RGB 147 92 92

HSL 0, 0.23%, 0.47%

LAB 45.12, 22.56, 9.47

 

CMYK 0 / 33 / 37 / 42

HEX #93635C

RGB 147 99 92

HSL 7.64, 0.23%, 0.47%

LAB 46.84, 18.51, 11.87

 

CMYK 0 / 22 / 37 / 42

HEX #93725C

RGB 147 114 92

HSL 24, 0.23%, 0.47%

LAB 50.7, 9.81, 17.17

 

CMYK 0 / 12 / 37 / 42

HEX #93815C

RGB 147 129 92

HSL 40.36, 0.23%, 0.47%

LAB 54.74, 1.23, 22.6

 

CMYK 0 / 2 / 37 / 42

HEX #93905C

RGB 147 144 92

HSL 56.73, 0.23%, 0.47%

LAB 58.9, -7.1, 28.05

 

CMYK 7 / 0 / 37 / 42

HEX #88935C

RGB 136 147 92

HSL 72, 0.23%, 0.47%

LAB 58.86, -13.27, 27.82

 

CMYK 0 / 33 / 37 / 42

HEX #93635C

RGB 147 99 92

HSL 7.64, 0.23%, 0.47%

LAB 46.84, 18.51, 11.87

 

CMYK 0 / 49 / 56 / 35

HEX #A75549

RGB 167 85 73

HSL 7.66, 0.39%, 0.47%

LAB 45.9, 32.5, 22.39

 

CMYK 0 / 62 / 71 / 27

HEX #BA4736

RGB 186 71 54

HSL 7.73, 0.55%, 0.47%

LAB 45.92, 45.43, 34.18

 

CMYK 0 / 73 / 83 / 19

HEX #CE3822

RGB 206 56 34

HSL 7.67, 0.72%, 0.47%

LAB 47.06, 57.51, 47.11

 

CMYK 0 / 81 / 93 / 12

HEX #E12A0F

RGB 225 42 15

HSL 7.71, 0.88%, 0.47%

LAB 49.13, 66.99, 57.95

 

CMYK 0 / 33 / 37 / 42

HEX #93635C

RGB 147 99 92

HSL 7.64, 0.23%, 0.47%

LAB 46.84, 18.51, 11.87

 

CMYK 0 / 11 / 13 / 50

HEX #807270

RGB 128 114 112

HSL 7.5, 0.07%, 0.47%

LAB 49.24, 5.07, 3.09

 

CMYK 17 / 2 / 0 / 49

HEX #6D8083

RGB 109 128 131

HSL 188.18, 0.09%, 0.47%

LAB 52.21, -6.21, -3.95

 

CMYK 41 / 5 / 0 / 41

HEX #598F96

RGB 89 143 150

HSL 186.89, 0.26%, 0.47%

LAB 56.06, -15.97, -9.36

 

CMYK 59 / 8 / 0 / 33

HEX #469DAA

RGB 70 157 170

HSL 187.8, 0.42%, 0.47%

LAB 60.18, -22.1, -14.65

 

CMYK 0 / 37 / 22 / 42

HEX #935C73

RGB 147 92 115

HSL 334.91, 0.23%, 0.47%

LAB 45.76, 25.89, -3.55

 

CMYK 0 / 37 / 31 / 42

HEX #935C65

RGB 147 92 101

HSL 350.18, 0.23%, 0.47%

LAB 45.35, 23.78, 4.34

 

CMYK 0 / 33 / 37 / 42

HEX #93635C

RGB 147 99 92

HSL 7.64, 0.23%, 0.47%

LAB 46.84, 18.51, 11.87

 

CMYK 0 / 23 / 37 / 42

HEX #93715C

RGB 147 113 92

HSL 22.91, 0.23%, 0.47%

LAB 50.44, 10.39, 16.82

 

CMYK 0 / 13 / 37 / 42

HEX #93805C

RGB 147 128 92

HSL 39.27, 0.23%, 0.47%

LAB 54.46, 1.79, 22.23

 

CMYK 0 / 33 / 37 / 62

HEX #61413D

RGB 97 65 61

HSL 6.67, 0.23%, 0.31%

LAB 31.02, 13.33, 8.06

 

CMYK 0 / 33 / 38 / 52

HEX #7A524C

RGB 122 82 76

HSL 7.83, 0.23%, 0.39%

LAB 39.06, 15.9, 10.3

 

CMYK 0 / 33 / 37 / 42

HEX #93635C

RGB 147 99 92

HSL 7.64, 0.23%, 0.47%

LAB 46.84, 18.51, 11.87

 

CMYK 0 / 28 / 32 / 35

HEX #A77972

RGB 167 121 114

HSL 7.92, 0.23%, 0.55%

LAB 55.18, 16.97, 10.93

 

CMYK 0 / 21 / 23 / 28

HEX #B7918C

RGB 183 145 140

HSL 6.98, 0.23%, 0.63%

LAB 63.52, 13.53, 8.1

 

CMYK 0 / 32 / 37 / 42

HEX #93645D

RGB 147 100 93

HSL 7.78, 0.23%, 0.47%

LAB 47.12, 18.06, 11.65

 

CMYK 12 / 0 / 37 / 42

HEX #82935C

RGB 130 147 92

HSL 78.55, 0.23%, 0.47%

LAB 58.4, -15.71, 27.14

 

CMYK 37 / 27 / 0 / 42

HEX #5C6C93

RGB 92 108 147

HSL 222.55, 0.23%, 0.47%

LAB 45.78, 4.16, -23.23

 

CMYK 0 / 32 / 37 / 42

HEX #93645D

RGB 147 100 93

HSL 7.78, 0.23%, 0.47%

LAB 47.12, 18.06, 11.65

 

CMYK 37 / 0 / 33 / 42

HEX #5C9363

RGB 92 147 99

HSL 127.64, 0.23%, 0.47%

LAB 56.13, -28.65, 19.84

 

CMYK 33 / 37 / 0 / 42

HEX #635C93

RGB 99 92 147

HSL 247.64, 0.23%, 0.47%

LAB 41.87, 16.13, -29.28

 

CMYK 0 / 32 / 37 / 42

HEX #93645D

RGB 147 100 93

HSL 7.78, 0.23%, 0.47%

LAB 47.12, 18.06, 11.65

 

CMYK 12 / 0 / 37 / 42

HEX #82935C

RGB 130 147 92

HSL 78.55, 0.23%, 0.47%

LAB 58.4, -15.71, 27.14

 

CMYK 37 / 4 / 0 / 42

HEX #5C8D93

RGB 92 141 147

HSL 186.55, 0.23%, 0.47%

LAB 55.51, -14.85, -8.43

 

CMYK 25 / 37 / 0 / 42

HEX #6E5C93

RGB 110 92 147

HSL 259.64, 0.23%, 0.47%

LAB 42.88, 19.53, -27.62

 

CMYK 0 / 32 / 37 / 42

HEX #93645D

RGB 147 100 93

HSL 7.78, 0.23%, 0.47%

LAB 47.12, 18.06, 11.65

 

CMYK 23 / 0 / 37 / 42

HEX #71935C

RGB 113 147 92

HSL 97.09, 0.23%, 0.47%

LAB 57.22, -22.36, 25.37

 

CMYK 37 / 4 / 0 / 42

HEX #5C8D93

RGB 92 141 147

HSL 186.55, 0.23%, 0.47%

LAB 55.51, -14.85, -8.43

 

CMYK 14 / 37 / 0 / 42

HEX #7E5C93

RGB 126 92 147

HSL 277.09, 0.23%, 0.47%

LAB 44.51, 24.68, -24.95

 

Description

Color code: HEX #93645D | qconv.com Color code: HEX #93645D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 100 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 100 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 37 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 37% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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