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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #935A31 it is the complementary color #6CA5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #935A31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #935A31 shade: #985A2C, #A96C3F, #BA7E52, #CB9065 and #DCA278

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #935A31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #935A31 shade: #935A31, #82481E, #71360B, #602400 and #4F1200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #935A31 shade: #915930, #913F30 and #913030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #935A31 shade: #915930, #917330, #918D30, #7B9130 and #619130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #935A31 shade matches the following richer shades: #915930, #A15621, #B15411 and #C05101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #935A31 shade: #915930, #825C40, #725E50, #62615F and #53636F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #935A31 shade: #91303C, #913F30, #915930, #917330 and #918D30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #935A31 shade: #53331C, #724626, #915930, #B06C3B and #C58150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #935A31 shade: #935A31, #569130 and #323091

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #935A31 shade: #935A31, #309159 and #593091

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #935A31 shade: #935A31, #569130, #306991 and #6C3091

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #935A31 shade: #935A31, #399130, #306991 and #893091

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 67 / 42

HEX #935A31

RGB 147 90 49

HSL 25.1, 0.5%, 0.38%

LAB 43.85, 19.48, 33.03

 

Complementary color

CMYK 48 / 20 / 0 / 19

HEX #6CA5CE

RGB 108 165 206

HSL 205.1, 0.5%, 0.62%

LAB 65.4, -7.51, -26.7

 

CMYK 0 / 41 / 71 / 40

HEX #985A2C

RGB 152 90 44

HSL 25.56, 0.55%, 0.38%

LAB 44.48, 21.37, 36.59

 

CMYK 0 / 36 / 63 / 34

HEX #A96C3F

RGB 169 108 63

HSL 25.47, 0.46%, 0.45%

LAB 51.29, 19.82, 34.85

 

CMYK 0 / 32 / 56 / 27

HEX #BA7E52

RGB 186 126 82

HSL 25.38, 0.43%, 0.53%

LAB 58.01, 18.51, 33.19

 

CMYK 0 / 29 / 50 / 20

HEX #CB9065

RGB 203 144 101

HSL 25.29, 0.5%, 0.6%

LAB 64.63, 17.38, 31.65

 

CMYK 0 / 26 / 45 / 14

HEX #DCA278

RGB 220 162 120

HSL 25.2, 0.59%, 0.67%

LAB 71.15, 16.4, 30.23

 

CMYK 0 / 39 / 67 / 42

HEX #935A31

RGB 147 90 49

HSL 25.1, 0.5%, 0.38%

LAB 43.85, 19.48, 33.03

 

CMYK 0 / 45 / 77 / 49

HEX #82481E

RGB 130 72 30

HSL 25.2, 0.63%, 0.31%

LAB 36.88, 21.19, 34.81

 

CMYK 0 / 52 / 90 / 56

HEX #71360B

RGB 113 54 11

HSL 25.29, 0.82%, 0.24%

LAB 29.85, 23.23, 36.12

 

CMYK 0 / 63 / 100 / 62

HEX #602400

RGB 96 36 0

HSL 22.5, 1%, 0.19%

LAB 22.82, 25.53, 33.11

 

CMYK 0 / 77 / 100 / 69

HEX #4F1200

RGB 79 18 0

HSL 13.67, 1%, 0.15%

LAB 15.98, 27.57, 24.36

 

CMYK 0 / 39 / 67 / 43

HEX #915930

RGB 145 89 48

HSL 25.36, 0.5%, 0.38%

LAB 43.33, 19.1, 32.9

 

CMYK 0 / 57 / 67 / 43

HEX #913F30

RGB 145 63 48

HSL 9.28, 0.5%, 0.38%

LAB 37.46, 33.55, 25.97

 

CMYK 0 / 67 / 67 / 43

HEX #913030

RGB 145 48 48

HSL 0, 0.5%, 0.38%

LAB 34.7, 40.86, 22.58

 

CMYK 0 / 39 / 67 / 43

HEX #915930

RGB 145 89 48

HSL 25.36, 0.5%, 0.38%

LAB 43.33, 19.1, 32.9

 

CMYK 0 / 21 / 67 / 43

HEX #917330

RGB 145 115 48

HSL 41.44, 0.5%, 0.38%

LAB 50.09, 4.06, 40.47

 

CMYK 0 / 3 / 67 / 43

HEX #918D30

RGB 145 141 48

HSL 57.53, 0.5%, 0.38%

LAB 57.35, -10.4, 48.18

 

CMYK 15 / 0 / 67 / 43

HEX #7B9130

RGB 123 145 48

HSL 73.61, 0.5%, 0.38%

LAB 56.76, -22.15, 47.01

 

CMYK 33 / 0 / 67 / 43

HEX #619130

RGB 97 145 48

HSL 89.69, 0.5%, 0.38%

LAB 55.08, -32.68, 44.72

 

CMYK 0 / 39 / 67 / 43

HEX #915930

RGB 145 89 48

HSL 25.36, 0.5%, 0.38%

LAB 43.33, 19.1, 32.9

 

CMYK 0 / 47 / 80 / 37

HEX #A15621

RGB 161 86 33

HSL 24.84, 0.66%, 0.38%

LAB 44.72, 26.99, 42.7

 

CMYK 0 / 53 / 90 / 31

HEX #B15411

RGB 177 84 17

HSL 25.13, 0.82%, 0.38%

LAB 46.62, 34.3, 51.59

 

CMYK 0 / 58 / 99 / 25

HEX #C05101

RGB 192 81 1

HSL 25.13, 0.99%, 0.38%

LAB 48.38, 41.52, 57.99

 

CMYK 0 / 39 / 67 / 43

HEX #915930

RGB 145 89 48

HSL 25.36, 0.5%, 0.38%

LAB 43.33, 19.1, 32.9

 

CMYK 0 / 29 / 51 / 49

HEX #825C40

RGB 130 92 64

HSL 25.45, 0.34%, 0.38%

LAB 42.42, 12.01, 22.23

 

CMYK 0 / 18 / 30 / 55

HEX #725E50

RGB 114 94 80

HSL 24.71, 0.18%, 0.38%

LAB 41.47, 5.8, 11.06

 

CMYK 0 / 1 / 3 / 62

HEX #62615F

RGB 98 97 95

HSL 40, 0.02%, 0.38%

LAB 41.17, -0.01, 1.27

 

CMYK 25 / 11 / 0 / 56

HEX #53636F

RGB 83 99 111

HSL 205.71, 0.14%, 0.38%

LAB 41.07, -3.1, -8.79

 

CMYK 0 / 67 / 59 / 43

HEX #91303C

RGB 145 48 60

HSL 352.58, 0.5%, 0.38%

LAB 34.92, 41.7, 15.26

 

CMYK 0 / 57 / 67 / 43

HEX #913F30

RGB 145 63 48

HSL 9.28, 0.5%, 0.38%

LAB 37.46, 33.55, 25.97

 

CMYK 0 / 39 / 67 / 43

HEX #915930

RGB 145 89 48

HSL 25.36, 0.5%, 0.38%

LAB 43.33, 19.1, 32.9

 

CMYK 0 / 21 / 67 / 43

HEX #917330

RGB 145 115 48

HSL 41.44, 0.5%, 0.38%

LAB 50.09, 4.06, 40.47

 

CMYK 0 / 3 / 67 / 43

HEX #918D30

RGB 145 141 48

HSL 57.53, 0.5%, 0.38%

LAB 57.35, -10.4, 48.18

 

CMYK 0 / 39 / 66 / 67

HEX #53331C

RGB 83 51 28

HSL 25.09, 0.5%, 0.22%

LAB 24.61, 11.81, 20.37

 

CMYK 0 / 39 / 67 / 55

HEX #724626

RGB 114 70 38

HSL 25.26, 0.5%, 0.3%

LAB 34.19, 15.56, 26.82

 

CMYK 0 / 39 / 67 / 43

HEX #915930

RGB 145 89 48

HSL 25.36, 0.5%, 0.38%

LAB 43.33, 19.1, 32.9

 

CMYK 0 / 39 / 66 / 31

HEX #B06C3B

RGB 176 108 59

HSL 25.13, 0.5%, 0.46%

LAB 52.14, 22.56, 38.21

 

CMYK 0 / 35 / 59 / 23

HEX #C58150

RGB 197 129 80

HSL 25.13, 0.5%, 0.54%

LAB 60.02, 21.32, 37.04

 

CMYK 0 / 39 / 67 / 42

HEX #935A31

RGB 147 90 49

HSL 25.1, 0.5%, 0.38%

LAB 43.85, 19.48, 33.03

 

CMYK 41 / 0 / 67 / 43

HEX #569130

RGB 86 145 48

HSL 96.49, 0.5%, 0.38%

LAB 54.49, -36.71, 43.92

 

CMYK 66 / 67 / 0 / 43

HEX #323091

RGB 50 48 145

HSL 241.24, 0.5%, 0.38%

LAB 26.26, 32.13, -53.29

 

CMYK 0 / 39 / 67 / 42

HEX #935A31

RGB 147 90 49

HSL 25.1, 0.5%, 0.38%

LAB 43.85, 19.48, 33.03

 

CMYK 67 / 0 / 39 / 43

HEX #309159

RGB 48 145 89

HSL 145.36, 0.5%, 0.38%

LAB 53.6, -41.42, 21.7

 

CMYK 39 / 67 / 0 / 43

HEX #593091

RGB 89 48 145

HSL 265.36, 0.5%, 0.38%

LAB 30.11, 39.52, -46.85

 

CMYK 0 / 39 / 67 / 42

HEX #935A31

RGB 147 90 49

HSL 25.1, 0.5%, 0.38%

LAB 43.85, 19.48, 33.03

 

CMYK 41 / 0 / 67 / 43

HEX #569130

RGB 86 145 48

HSL 96.49, 0.5%, 0.38%

LAB 54.49, -36.71, 43.92

 

CMYK 67 / 28 / 0 / 43

HEX #306991

RGB 48 105 145

HSL 204.74, 0.5%, 0.38%

LAB 42.42, -5.38, -27.44

 

CMYK 26 / 67 / 0 / 43

HEX #6C3091

RGB 108 48 145

HSL 277.11, 0.5%, 0.38%

LAB 32.58, 43.85, -42.74

 

CMYK 0 / 39 / 67 / 42

HEX #935A31

RGB 147 90 49

HSL 25.1, 0.5%, 0.38%

LAB 43.85, 19.48, 33.03

 

CMYK 61 / 0 / 67 / 43

HEX #399130

RGB 57 145 48

HSL 114.43, 0.5%, 0.38%

LAB 53.31, -45.54, 42.3

 

CMYK 67 / 28 / 0 / 43

HEX #306991

RGB 48 105 145

HSL 204.74, 0.5%, 0.38%

LAB 42.42, -5.38, -27.44

 

CMYK 6 / 67 / 0 / 43

HEX #893091

RGB 137 48 145

HSL 295.05, 0.5%, 0.38%

LAB 36.89, 50.88, -35.62

 

Description

Color code: HEX #935A31 | qconv.com Color code: HEX #935A31 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 90 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 90 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 67 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 67% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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