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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93542B it is the complementary color #6CABD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93542B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93542B shade: #985426, #A96639, #BA784C, #CB8A5F and #DC9C72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93542B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93542B shade: #93542B, #824218, #713005, #601E00 and #4F0C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93542B shade: #92532A, #92372A and #922A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93542B shade: #92532A, #926F2A, #928B2A, #7D922A and #61922A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93542B shade matches the following richer shades: #92532A, #A2501B and #B14D0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93542B shade: #92532A, #83573A, #745A49, #645D58 and #556068

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93542B shade: #922A3A, #92372A, #92522A, #926E2A and #928A2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93542B shade: #522F18, #724121, #92532A, #B26634 and #C97A46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93542B shade: #93542B, #56922A and #2A2C92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93542B shade: #93542B, #2A9252 and #522A92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93542B shade: #93542B, #56922A, #2A6A92 and #672A92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93542B shade: #93542B, #37922A, #2A6A92 and #862A92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 71 / 42

HEX #93542B

RGB 147 84 43

HSL 23.65, 0.55%, 0.37%

LAB 42.34, 22.54, 34.56

 

Complementary color

CMYK 49 / 19 / 0 / 17

HEX #6CABD4

RGB 108 171 212

HSL 203.65, 0.55%, 0.63%

LAB 67.33, -9.06, -27.05

 

CMYK 0 / 45 / 75 / 40

HEX #985426

RGB 152 84 38

HSL 24.21, 0.6%, 0.37%

LAB 43, 24.45, 38.1

 

CMYK 0 / 40 / 66 / 34

HEX #A96639

RGB 169 102 57

HSL 24.11, 0.5%, 0.44%

LAB 49.78, 22.78, 36.31

 

CMYK 0 / 35 / 59 / 27

HEX #BA784C

RGB 186 120 76

HSL 24, 0.44%, 0.51%

LAB 56.48, 21.35, 34.56

 

CMYK 0 / 32 / 53 / 20

HEX #CB8A5F

RGB 203 138 95

HSL 23.89, 0.51%, 0.58%

LAB 63.09, 20.11, 32.94

 

CMYK 0 / 29 / 48 / 14

HEX #DC9C72

RGB 220 156 114

HSL 23.77, 0.6%, 0.65%

LAB 69.62, 19.04, 31.45

 

CMYK 0 / 43 / 71 / 42

HEX #93542B

RGB 147 84 43

HSL 23.65, 0.55%, 0.37%

LAB 42.34, 22.54, 34.56

 

CMYK 0 / 49 / 82 / 49

HEX #824218

RGB 130 66 24

HSL 23.77, 0.69%, 0.3%

LAB 35.42, 24.37, 36.34

 

CMYK 0 / 58 / 96 / 56

HEX #713005

RGB 113 48 5

HSL 23.89, 0.92%, 0.23%

LAB 28.47, 26.46, 37.43

 

CMYK 0 / 69 / 100 / 62

HEX #601E00

RGB 96 30 0

HSL 18.75, 1%, 0.19%

LAB 21.64, 28.66, 31.86

 

CMYK 0 / 85 / 100 / 69

HEX #4F0C00

RGB 79 12 0

HSL 9.11, 1%, 0.15%

LAB 15.09, 30.02, 23.23

 

CMYK 0 / 43 / 71 / 43

HEX #92532A

RGB 146 83 42

HSL 23.65, 0.55%, 0.37%

LAB 41.95, 22.61, 34.62

 

CMYK 0 / 62 / 71 / 43

HEX #92372A

RGB 146 55 42

HSL 7.5, 0.55%, 0.37%

LAB 36, 37.61, 27.87

 

CMYK 0 / 71 / 71 / 43

HEX #922A2A

RGB 146 42 42

HSL 0, 0.55%, 0.37%

LAB 33.85, 43.42, 25.32

 

CMYK 0 / 43 / 71 / 43

HEX #92532A

RGB 146 83 42

HSL 23.65, 0.55%, 0.37%

LAB 41.95, 22.61, 34.62

 

CMYK 0 / 24 / 71 / 43

HEX #926F2A

RGB 146 111 42

HSL 39.81, 0.55%, 0.37%

LAB 49.07, 6.45, 42.27

 

CMYK 0 / 5 / 71 / 43

HEX #928B2A

RGB 146 139 42

HSL 55.96, 0.55%, 0.37%

LAB 56.82, -9.23, 50.16

 

CMYK 14 / 0 / 71 / 43

HEX #7D922A

RGB 125 146 42

HSL 72.12, 0.55%, 0.37%

LAB 57.16, -22.19, 49.93

 

CMYK 34 / 0 / 71 / 43

HEX #61922A

RGB 97 146 42

HSL 88.27, 0.55%, 0.37%

LAB 55.35, -33.61, 47.51

 

CMYK 0 / 43 / 71 / 43

HEX #92532A

RGB 146 83 42

HSL 23.65, 0.55%, 0.37%

LAB 41.95, 22.61, 34.62

 

CMYK 0 / 51 / 83 / 36

HEX #A2501B

RGB 162 80 27

HSL 23.56, 0.71%, 0.37%

LAB 43.5, 30.47, 44.31

 

CMYK 0 / 56 / 93 / 31

HEX #B14D0C

RGB 177 77 12

HSL 23.64, 0.87%, 0.37%

LAB 45.19, 37.79, 52.02

 

CMYK 0 / 43 / 71 / 43

HEX #92532A

RGB 146 83 42

HSL 23.65, 0.55%, 0.37%

LAB 41.95, 22.61, 34.62

 

CMYK 0 / 34 / 56 / 49

HEX #83573A

RGB 131 87 58

HSL 23.84, 0.39%, 0.37%

LAB 41.13, 14.82, 24.14

 

CMYK 0 / 22 / 37 / 55

HEX #745A49

RGB 116 90 73

HSL 23.72, 0.23%, 0.37%

LAB 40.42, 8.07, 13.9

 

CMYK 0 / 7 / 12 / 61

HEX #645D58

RGB 100 93 88

HSL 25, 0.06%, 0.37%

LAB 39.99, 1.83, 3.87

 

CMYK 18 / 8 / 0 / 59

HEX #556068

RGB 85 96 104

HSL 205.26, 0.1%, 0.37%

LAB 40.08, -2.34, -5.98

 

CMYK 0 / 71 / 60 / 43

HEX #922A3A

RGB 146 42 58

HSL 350.77, 0.55%, 0.37%

LAB 34.13, 44.44, 15.53

 

CMYK 0 / 62 / 71 / 43

HEX #92372A

RGB 146 55 42

HSL 7.5, 0.55%, 0.37%

LAB 36, 37.61, 27.87

 

CMYK 0 / 44 / 71 / 43

HEX #92522A

RGB 146 82 42

HSL 23.08, 0.55%, 0.37%

LAB 41.71, 23.18, 34.36

 

CMYK 0 / 25 / 71 / 43

HEX #926E2A

RGB 146 110 42

HSL 39.23, 0.55%, 0.37%

LAB 48.8, 7.02, 41.99

 

CMYK 0 / 5 / 71 / 43

HEX #928A2A

RGB 146 138 42

HSL 55.38, 0.55%, 0.37%

LAB 56.54, -8.68, 49.88

 

CMYK 0 / 43 / 71 / 68

HEX #522F18

RGB 82 47 24

HSL 23.79, 0.55%, 0.21%

LAB 23.31, 13.56, 21.27

 

CMYK 0 / 43 / 71 / 55

HEX #724121

RGB 114 65 33

HSL 23.7, 0.55%, 0.29%

LAB 32.85, 18.22, 28.14

 

CMYK 0 / 43 / 71 / 43

HEX #92532A

RGB 146 83 42

HSL 23.65, 0.55%, 0.37%

LAB 41.95, 22.61, 34.62

 

CMYK 0 / 43 / 71 / 30

HEX #B26634

RGB 178 102 52

HSL 23.81, 0.55%, 0.45%

LAB 50.94, 26.32, 40.56

 

CMYK 0 / 39 / 65 / 21

HEX #C97A46

RGB 201 122 70

HSL 23.82, 0.55%, 0.53%

LAB 58.77, 26.11, 40.93

 

CMYK 0 / 43 / 71 / 42

HEX #93542B

RGB 147 84 43

HSL 23.65, 0.55%, 0.37%

LAB 42.34, 22.54, 34.56

 

CMYK 41 / 0 / 71 / 43

HEX #56922A

RGB 86 146 42

HSL 94.62, 0.55%, 0.37%

LAB 54.77, -37.65, 46.73

 

CMYK 71 / 70 / 0 / 43

HEX #2A2C92

RGB 42 44 146

HSL 238.85, 0.55%, 0.37%

LAB 24.86, 33.92, -56.24

 

CMYK 0 / 43 / 71 / 42

HEX #93542B

RGB 147 84 43

HSL 23.65, 0.55%, 0.37%

LAB 42.34, 22.54, 34.56

 

CMYK 71 / 0 / 44 / 43

HEX #2A9252

RGB 42 146 82

HSL 143.08, 0.55%, 0.37%

LAB 53.66, -44.28, 25.6

 

CMYK 44 / 71 / 0 / 43

HEX #522A92

RGB 82 42 146

HSL 263.08, 0.55%, 0.37%

LAB 28.18, 41.57, -50.64

 

CMYK 0 / 43 / 71 / 42

HEX #93542B

RGB 147 84 43

HSL 23.65, 0.55%, 0.37%

LAB 42.34, 22.54, 34.56

 

CMYK 41 / 0 / 71 / 43

HEX #56922A

RGB 86 146 42

HSL 94.62, 0.55%, 0.37%

LAB 54.77, -37.65, 46.73

 

CMYK 71 / 27 / 0 / 43

HEX #2A6A92

RGB 42 106 146

HSL 203.08, 0.55%, 0.37%

LAB 42.58, -6.64, -27.81

 

CMYK 29 / 71 / 0 / 43

HEX #672A92

RGB 103 42 146

HSL 275.19, 0.55%, 0.37%

LAB 30.91, 45.87, -46.08

 

CMYK 0 / 43 / 71 / 42

HEX #93542B

RGB 147 84 43

HSL 23.65, 0.55%, 0.37%

LAB 42.34, 22.54, 34.56

 

CMYK 62 / 0 / 71 / 43

HEX #37922A

RGB 55 146 42

HSL 112.5, 0.55%, 0.37%

LAB 53.53, -46.99, 45.06

 

CMYK 71 / 27 / 0 / 43

HEX #2A6A92

RGB 42 106 146

HSL 203.08, 0.55%, 0.37%

LAB 42.58, -6.64, -27.81

 

CMYK 8 / 71 / 0 / 43

HEX #862A92

RGB 134 42 146

HSL 293.08, 0.55%, 0.37%

LAB 35.6, 52.8, -38.31

 

Description

Color code: HEX #93542B | qconv.com Color code: HEX #93542B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 84 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 84 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 71 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 71% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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