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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #93394ACE it is the complementary color #6CC6B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #93394ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #93394ACE shade: #983945CE, #A94B58CE, #BA5D6BCE, #CB6F7ECE and #DC8191CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #93394ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #93394ACE shade: #93394ACE, #822737CE, #711524CE, #600311CE and #4F0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #93394ACE shade: #93394A and #933939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #93394ACE shade: #93394A, #933962, #93397A, #933993 and #7B3993

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #93394ACE shade matches the following richer shades: #93394A, #A32940, #B41836 and #C4082B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #93394ACE shade: #93394A, #824A54, #725A5F, #616B69 and #517B73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #93394ACE shade: #93397B, #933963, #93394B, #933F39 and #935739

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #93394ACE shade: #57222C, #752E3B, #93394A, #B14559 and #C05E71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #93394ACE shade: #93394A, #939339 and #396F93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #93394ACE shade: #93394A, #4B9339 and #394B93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #93394ACE shade: #93394A, #939339, #399381 and #393993

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #93394ACE shade: #93394A, #789339, #399381 and #543993

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 40 / 34

HEX #93394ACE

RGBA 147 57 74 0.81

HSLA 348.67, 0.44%, 0.4%, 0.81

LABA 37.16, 39.45, 9.45, 0.81

 

Complementary color

CMYK 37 / 0 / 7 / 18

HEX #6CC6B5CE

RGBA 108 198 181 0.81

HSLA 168.67, 0.44%, 0.6%, 0.81

LABA 74.13, -31.09, 0.14, 0.81

 

CMYK 0 / 51 / 44 / 33

HEX #983945CE

RGBA 152 57 69 0.81

HSLA 352.42, 0.45%, 0.41%, 0.81

LABA 37.9, 40.77, 13.77, 0.81

 

CMYK 0 / 45 / 39 / 27

HEX #A94B58CE

RGBA 169 75 88 0.81

HSLA 351.7, 0.39%, 0.48%, 0.81

LABA 44.48, 39.85, 11.46, 0.81

 

CMYK 0 / 41 / 34 / 22

HEX #BA5D6BCE

RGBA 186 93 107 0.81

HSLA 350.97, 0.4%, 0.55%, 0.81

LABA 51.07, 38.85, 9.6, 0.81

 

CMYK 0 / 37 / 31 / 17

HEX #CB6F7ECE

RGBA 203 111 126 0.81

HSLA 350.22, 0.47%, 0.62%, 0.81

LABA 57.63, 37.85, 8.04, 0.81

 

CMYK 0 / 34 / 28 / 11

HEX #DC8191CE

RGBA 220 129 145 0.81

HSLA 349.45, 0.57%, 0.68%, 0.81

LABA 64.13, 36.89, 6.71, 0.81

 

CMYK 0 / 50 / 40 / 34

HEX #93394ACE

RGBA 147 57 74 0.81

HSLA 348.67, 0.44%, 0.4%, 0.81

LABA 37.16, 39.45, 9.45, 0.81

 

CMYK 0 / 57 / 47 / 40

HEX #822737CE

RGBA 130 39 55 0.81

HSLA 349.45, 0.54%, 0.33%, 0.81

LABA 30.58, 40.08, 12.17, 0.81

 

CMYK 0 / 66 / 55 / 45

HEX #711524CE

RGBA 113 21 36 0.81

HSLA 350.22, 0.69%, 0.26%, 0.81

LABA 24.24, 40.02, 15.87, 0.81

 

CMYK 0 / 78 / 67 / 51

HEX #600311CE

RGBA 96 3 17 0.81

HSLA 350.97, 0.94%, 0.19%, 0.81

LABA 18.33, 38.84, 20.6, 0.81

 

CMYK 0 / 81 / 81 / 56

HEX #4F0000CE

RGBA 79 0 0 0.81

HSLA 0, 1%, 0.15%, 0.81

LABA 13.6, 34.26, 21.3, 0.81

 

CMYK 0 / 61 / 50 / 42

HEX #93394A

RGB 147 57 74

HSL 348.67, 0.44%, 0.4%

LAB 37.16, 39.45, 9.45

 

CMYK 0 / 61 / 61 / 42

HEX #933939

RGB 147 57 57

HSL 0, 0.44%, 0.4%

LAB 36.79, 37.98, 19.69

 

CMYK 0 / 61 / 50 / 42

HEX #93394A

RGB 147 57 74

HSL 348.67, 0.44%, 0.4%

LAB 37.16, 39.45, 9.45

 

CMYK 0 / 61 / 33 / 42

HEX #933962

RGB 147 57 98

HSL 332.67, 0.44%, 0.4%

LAB 37.86, 42.18, -4.75

 

CMYK 0 / 61 / 17 / 42

HEX #93397A

RGB 147 57 122

HSL 316.67, 0.44%, 0.4%

LAB 38.79, 45.62, -18.37

 

CMYK 0 / 61 / 0 / 42

HEX #933993

RGB 147 57 147

HSL 300, 0.44%, 0.4%

LAB 39.97, 49.86, -31.85

 

CMYK 16 / 61 / 0 / 42

HEX #7B3993

RGB 123 57 147

HSL 284, 0.44%, 0.4%

LAB 36.45, 43.51, -37.66

 

CMYK 0 / 61 / 50 / 42

HEX #93394A

RGB 147 57 74

HSL 348.67, 0.44%, 0.4%

LAB 37.16, 39.45, 9.45

 

CMYK 0 / 75 / 61 / 36

HEX #A32940

RGB 163 41 64

HSL 348.69, 0.6%, 0.4%

LAB 37.38, 50.66, 16.58

 

CMYK 0 / 87 / 70 / 29

HEX #B41836

RGB 180 24 54

HSL 348.46, 0.76%, 0.4%

LAB 38.94, 59.67, 25.59

 

CMYK 0 / 96 / 78 / 23

HEX #C4082B

RGB 196 8 43

HSL 348.83, 0.92%, 0.4%

LAB 41.35, 65.68, 35.96

 

CMYK 0 / 61 / 50 / 42

HEX #93394A

RGB 147 57 74

HSL 348.67, 0.44%, 0.4%

LAB 37.16, 39.45, 9.45

 

CMYK 0 / 43 / 35 / 49

HEX #824A54

RGB 130 74 84

HSL 349.29, 0.27%, 0.4%

LAB 38.35, 25.04, 4.46

 

CMYK 0 / 21 / 17 / 55

HEX #725A5F

RGB 114 90 95

HSL 347.5, 0.12%, 0.4%

LAB 40.76, 10.7, 0.87

 

CMYK 9 / 0 / 2 / 58

HEX #616B69

RGB 97 107 105

HSL 168, 0.05%, 0.4%

LAB 44.34, -4.23, -0.19

 

CMYK 34 / 0 / 7 / 52

HEX #517B73

RGB 81 123 115

HSL 168.57, 0.21%, 0.4%

LAB 48.45, -16.48, -0.27

 

CMYK 0 / 61 / 16 / 42

HEX #93397B

RGB 147 57 123

HSL 316, 0.44%, 0.4%

LAB 38.83, 45.78, -18.93

 

CMYK 0 / 61 / 33 / 42

HEX #933963

RGB 147 57 99

HSL 332, 0.44%, 0.4%

LAB 37.9, 42.31, -5.33

 

CMYK 0 / 61 / 49 / 42

HEX #93394B

RGB 147 57 75

HSL 348, 0.44%, 0.4%

LAB 37.18, 39.55, 8.85

 

CMYK 0 / 57 / 61 / 42

HEX #933F39

RGB 147 63 57

HSL 4, 0.44%, 0.4%

LAB 37.94, 34.97, 21.16

 

CMYK 0 / 41 / 61 / 42

HEX #935739

RGB 147 87 57

HSL 20, 0.44%, 0.4%

LAB 43.23, 21.79, 27.8

 

CMYK 0 / 61 / 49 / 66

HEX #57222C

RGB 87 34 44

HSL 348.68, 0.44%, 0.24%

LAB 21.4, 25.59, 5.67

 

CMYK 0 / 61 / 50 / 54

HEX #752E3B

RGB 117 46 59

HSL 349.01, 0.44%, 0.32%

LAB 29.54, 32.46, 7.74

 

CMYK 0 / 61 / 50 / 42

HEX #93394A

RGB 147 57 74

HSL 348.67, 0.44%, 0.4%

LAB 37.16, 39.45, 9.45

 

CMYK 0 / 61 / 50 / 31

HEX #B14559

RGB 177 69 89

HSL 348.89, 0.44%, 0.48%

LAB 44.69, 45.67, 11.35

 

CMYK 0 / 51 / 41 / 25

HEX #C05E71

RGB 192 94 113

HSL 348.37, 0.44%, 0.56%

LAB 52.29, 41.17, 7.88

 

CMYK 0 / 61 / 50 / 42

HEX #93394A

RGB 147 57 74

HSL 348.67, 0.44%, 0.4%

LAB 37.16, 39.45, 9.45

 

CMYK 0 / 0 / 61 / 42

HEX #939339

RGB 147 147 57

HSL 60, 0.44%, 0.4%

LAB 59.31, -12.12, 46.33

 

CMYK 61 / 24 / 0 / 42

HEX #396F93

RGB 57 111 147

HSL 204, 0.44%, 0.4%

LAB 44.72, -6.54, -25.02

 

CMYK 0 / 61 / 50 / 42

HEX #93394A

RGB 147 57 74

HSL 348.67, 0.44%, 0.4%

LAB 37.16, 39.45, 9.45

 

CMYK 49 / 0 / 61 / 42

HEX #4B9339

RGB 75 147 57

HSL 108, 0.44%, 0.4%

LAB 54.72, -40.3, 39.94

 

CMYK 61 / 49 / 0 / 42

HEX #394B93

RGB 57 75 147

HSL 228, 0.44%, 0.4%

LAB 34, 16.28, -41.95

 

CMYK 0 / 61 / 50 / 42

HEX #93394A

RGB 147 57 74

HSL 348.67, 0.44%, 0.4%

LAB 37.16, 39.45, 9.45

 

CMYK 0 / 0 / 61 / 42

HEX #939339

RGB 147 147 57

HSL 60, 0.44%, 0.4%

LAB 59.31, -12.12, 46.33

 

CMYK 61 / 0 / 12 / 42

HEX #399381

RGB 57 147 129

HSL 168, 0.44%, 0.4%

LAB 55.4, -31.21, 1.59

 

CMYK 61 / 61 / 0 / 42

HEX #393993

RGB 57 57 147

HSL 240, 0.44%, 0.4%

LAB 29.17, 28.19, -49.76

 

CMYK 0 / 61 / 50 / 42

HEX #93394A

RGB 147 57 74

HSL 348.67, 0.44%, 0.4%

LAB 37.16, 39.45, 9.45

 

CMYK 18 / 0 / 61 / 42

HEX #789339

RGB 120 147 57

HSL 78, 0.44%, 0.4%

LAB 57.23, -23.7, 43.44

 

CMYK 61 / 0 / 12 / 42

HEX #399381

RGB 57 147 129

HSL 168, 0.44%, 0.4%

LAB 55.4, -31.21, 1.59

 

CMYK 43 / 61 / 0 / 42

HEX #543993

RGB 84 57 147

HSL 258, 0.44%, 0.4%

LAB 31.62, 33.79, -45.67

 

Description

Color code: HEX #93394ACE | qconv.com Color code: HEX #93394ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 57 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 57 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 40 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 40% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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