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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9333AE it is the complementary color #6CCC51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9333AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9333AE shade: #9833A9, #A945BC, #BA57CF, #CB69E2 and #DC7BF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9333AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9333AE shade: #9333AE, #82219B, #710F88, #600075 and #4F0062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9333AE shade: #9332AE, #AE32A8, #AE3286, #AE3265 and #AE3244

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9333AE shade: #9332AE, #7232AE, #5032AE and #3232AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9333AE shade matches the following richer shades: #9332AE, #9D20C0 and #A70ED2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9333AE shade: #9332AE, #89459C, #7E578A, #746977 and #6A7B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9333AE shade: #4F32AE, #7032AE, #9132AE, #AE32AA and #AE3289

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9333AE shade: #5D206E, #78298E, #9332AE, #AB42C8 and #B962D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9333AE shade: #9333AE, #AE3237 and #32AE60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9333AE shade: #9333AE, #AE9132 and #32AE91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9333AE shade: #9333AE, #AE3237, #4FAE32 and #32AEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9333AE shade: #9333AE, #AE5332, #4FAE32 and #328DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 71 / 0 / 32

HEX #9333AE

RGB 147 51 174

HSL 286.83, 0.55%, 0.44%

LAB 40.62, 57.54, -47.03

 

Complementary color

CMYK 47 / 0 / 60 / 20

HEX #6CCC51

RGB 108 204 81

HSL 106.83, 0.55%, 0.56%

LAB 74.17, -51.04, 51.47

 

CMYK 10 / 70 / 0 / 34

HEX #9833A9

RGB 152 51 169

HSL 291.36, 0.54%, 0.43%

LAB 41.07, 57.69, -43.29

 

CMYK 10 / 63 / 0 / 26

HEX #A945BC

RGB 169 69 188

HSL 290.42, 0.47%, 0.5%

LAB 47.39, 57.72, -44.25

 

CMYK 10 / 58 / 0 / 19

HEX #BA57CF

RGB 186 87 207

HSL 289.5, 0.56%, 0.58%

LAB 53.77, 57.37, -44.93

 

CMYK 10 / 54 / 0 / 11

HEX #CB69E2

RGB 203 105 226

HSL 288.6, 0.68%, 0.65%

LAB 60.15, 56.81, -45.43

 

CMYK 10 / 50 / 0 / 4

HEX #DC7BF5

RGB 220 123 245

HSL 287.7, 0.86%, 0.72%

LAB 66.5, 56.15, -45.82

 

CMYK 16 / 71 / 0 / 32

HEX #9333AE

RGB 147 51 174

HSL 286.83, 0.55%, 0.44%

LAB 40.62, 57.54, -47.03

 

CMYK 16 / 79 / 0 / 39

HEX #82219B

RGB 130 33 155

HSL 287.7, 0.65%, 0.37%

LAB 34.4, 56.92, -45.76

 

CMYK 17 / 89 / 0 / 47

HEX #710F88

RGB 113 15 136

HSL 288.6, 0.8%, 0.3%

LAB 28.46, 55.13, -43.78

 

CMYK 18 / 100 / 0 / 54

HEX #600075

RGB 96 0 117

HSL 289.23, 1%, 0.23%

LAB 22.9, 51.77, -40.91

 

CMYK 19 / 100 / 0 / 62

HEX #4F0062

RGB 79 0 98

HSL 288.37, 1%, 0.19%

LAB 18.12, 45.5, -36.42

 

CMYK 16 / 71 / 0 / 32

HEX #9332AE

RGB 147 50 174

HSL 286.94, 0.55%, 0.44%

LAB 40.48, 57.94, -47.26

 

CMYK 0 / 71 / 3 / 32

HEX #AE32A8

RGB 174 50 168

HSL 302.9, 0.55%, 0.44%

LAB 44.39, 62.89, -37.21

 

CMYK 0 / 71 / 23 / 32

HEX #AE3286

RGB 174 50 134

HSL 319.35, 0.55%, 0.44%

LAB 42.76, 57.83, -19.25

 

CMYK 0 / 71 / 42 / 32

HEX #AE3265

RGB 174 50 101

HSL 335.32, 0.55%, 0.44%

LAB 41.56, 53.89, -0.65

 

CMYK 0 / 71 / 61 / 32

HEX #AE3244

RGB 174 50 68

HSL 351.29, 0.55%, 0.44%

LAB 40.73, 51.07, 18.89

 

CMYK 16 / 71 / 0 / 32

HEX #9332AE

RGB 147 50 174

HSL 286.94, 0.55%, 0.44%

LAB 40.48, 57.94, -47.26

 

CMYK 34 / 71 / 0 / 32

HEX #7232AE

RGB 114 50 174

HSL 270.97, 0.55%, 0.44%

LAB 35.82, 51.1, -55.01

 

CMYK 54 / 71 / 0 / 32

HEX #5032AE

RGB 80 50 174

HSL 254.52, 0.55%, 0.44%

LAB 31.9, 44.97, -61.56

 

CMYK 71 / 71 / 0 / 32

HEX #3232AE

RGB 50 50 174

HSL 240, 0.55%, 0.44%

LAB 29.45, 40.89, -65.68

 

CMYK 16 / 71 / 0 / 32

HEX #9332AE

RGB 147 50 174

HSL 286.94, 0.55%, 0.44%

LAB 40.48, 57.94, -47.26

 

CMYK 18 / 83 / 0 / 25

HEX #9D20C0

RGB 157 32 192

HSL 286.88, 0.71%, 0.44%

LAB 41.23, 69.08, -56.58

 

CMYK 20 / 93 / 0 / 18

HEX #A70ED2

RGB 167 14 210

HSL 286.84, 0.88%, 0.44%

LAB 43.04, 77.13, -64.03

 

CMYK 16 / 71 / 0 / 32

HEX #9332AE

RGB 147 50 174

HSL 286.94, 0.55%, 0.44%

LAB 40.48, 57.94, -47.26

 

CMYK 12 / 56 / 0 / 39

HEX #89459C

RGB 137 69 156

HSL 286.9, 0.39%, 0.44%

LAB 41.18, 43.03, -35.48

 

CMYK 9 / 37 / 0 / 46

HEX #7E578A

RGB 126 87 138

HSL 285.88, 0.23%, 0.44%

LAB 42.89, 25.63, -22.05

 

CMYK 3 / 12 / 0 / 53

HEX #746977

RGB 116 105 119

HSL 287.14, 0.06%, 0.44%

LAB 45.84, 7.13, -6.23

 

CMYK 14 / 0 / 18 / 52

HEX #6A7B65

RGB 106 123 101

HSL 106.36, 0.1%, 0.44%

LAB 49.7, -10.76, 9.96

 

CMYK 55 / 71 / 0 / 32

HEX #4F32AE

RGB 79 50 174

HSL 254.03, 0.55%, 0.44%

LAB 31.81, 44.81, -61.72

 

CMYK 36 / 71 / 0 / 32

HEX #7032AE

RGB 112 50 174

HSL 270, 0.55%, 0.44%

LAB 35.56, 50.71, -55.44

 

CMYK 17 / 71 / 0 / 32

HEX #9132AE

RGB 145 50 174

HSL 285.97, 0.55%, 0.44%

LAB 40.18, 57.51, -47.76

 

CMYK 0 / 71 / 2 / 32

HEX #AE32AA

RGB 174 50 170

HSL 301.94, 0.55%, 0.44%

LAB 44.49, 63.21, -38.23

 

CMYK 0 / 71 / 21 / 32

HEX #AE3289

RGB 174 50 137

HSL 317.9, 0.55%, 0.44%

LAB 42.89, 58.23, -20.89

 

CMYK 15 / 71 / 0 / 57

HEX #5D206E

RGB 93 32 110

HSL 286.92, 0.55%, 0.28%

LAB 25.22, 40.04, -32.7

 

CMYK 15 / 71 / 0 / 44

HEX #78298E

RGB 120 41 142

HSL 286.93, 0.55%, 0.36%

LAB 32.99, 49.21, -40.15

 

CMYK 16 / 71 / 0 / 32

HEX #9332AE

RGB 147 50 174

HSL 286.94, 0.55%, 0.44%

LAB 40.48, 57.94, -47.26

 

CMYK 15 / 67 / 0 / 22

HEX #AB42C8

RGB 171 66 200

HSL 287.01, 0.55%, 0.52%

LAB 47.91, 61.78, -50.37

 

CMYK 11 / 53 / 0 / 18

HEX #B962D1

RGB 185 98 209

HSL 287.03, 0.55%, 0.6%

LAB 55.74, 52.16, -42.97

 

CMYK 16 / 71 / 0 / 32

HEX #9333AE

RGB 147 51 174

HSL 286.83, 0.55%, 0.44%

LAB 40.62, 57.54, -47.03

 

CMYK 0 / 71 / 68 / 32

HEX #AE3237

RGB 174 50 55

HSL 357.58, 0.55%, 0.44%

LAB 40.5, 50.27, 26.62

 

CMYK 71 / 0 / 45 / 32

HEX #32AE60

RGB 50 174 96

HSL 142.26, 0.55%, 0.44%

LAB 63.17, -51.17, 30.47

 

CMYK 16 / 71 / 0 / 32

HEX #9333AE

RGB 147 51 174

HSL 286.83, 0.55%, 0.44%

LAB 40.62, 57.54, -47.03

 

CMYK 0 / 17 / 71 / 32

HEX #AE9132

RGB 174 145 50

HSL 45.97, 0.55%, 0.44%

LAB 61.2, 0.54, 52.14

 

CMYK 71 / 0 / 17 / 32

HEX #32AE91

RGB 50 174 145

HSL 165.97, 0.55%, 0.44%

LAB 64.16, -40.56, 5.2

 

CMYK 16 / 71 / 0 / 32

HEX #9333AE

RGB 147 51 174

HSL 286.83, 0.55%, 0.44%

LAB 40.62, 57.54, -47.03

 

CMYK 0 / 71 / 68 / 32

HEX #AE3237

RGB 174 50 55

HSL 357.58, 0.55%, 0.44%

LAB 40.5, 50.27, 26.62

 

CMYK 55 / 0 / 71 / 32

HEX #4FAE32

RGB 79 174 50

HSL 105.97, 0.55%, 0.44%

LAB 63.48, -50.55, 52.48

 

CMYK 71 / 0 / 2 / 32

HEX #32AEAA

RGB 50 174 170

HSL 178.06, 0.55%, 0.44%

LAB 64.85, -33.73, -7.7

 

CMYK 16 / 71 / 0 / 32

HEX #9333AE

RGB 147 51 174

HSL 286.83, 0.55%, 0.44%

LAB 40.62, 57.54, -47.03

 

CMYK 0 / 52 / 71 / 32

HEX #AE5332

RGB 174 83 50

HSL 15.97, 0.55%, 0.44%

LAB 46.2, 34.77, 36.2

 

CMYK 55 / 0 / 71 / 32

HEX #4FAE32

RGB 79 174 50

HSL 105.97, 0.55%, 0.44%

LAB 63.48, -50.55, 52.48

 

CMYK 71 / 19 / 0 / 32

HEX #328DAE

RGB 50 141 174

HSL 195.97, 0.55%, 0.44%

LAB 54.85, -15.72, -25.11

 

Description

Color code: HEX #9333AE | qconv.com Color code: HEX #9333AE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 51 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 51 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 71 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 71% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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