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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9320D4 it is the complementary color #6CDF2B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9320D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9320D4 shade: #9820CF, #A932E2, #BA44F5, #CB56FF and #DC68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9320D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9320D4 shade: #9320D4, #820EC1, #7100AE, #60009B and #4F0088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9320D4 shade: #9420D5, #C420D5, #D520B5, #D52084 and #D52053

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9320D4 shade: #9420D5, #6320D5, #3220D5 and #2020D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9320D4 shade matches the following richer shades: #9420D5 and #990CE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9320D4 shade: #9420D5, #8E34C1, #8947AD, #835B9A and #7E6F86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9320D4 shade: #3220D5, #6220D5, #9320D5, #C320D5 and #D520B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9320D4 shade: #62158D, #7B1AB1, #9420D5, #A63CE2 and #B660E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9320D4 shade: #9320D4, #D5203E and #20D54A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9320D4 shade: #9320D4, #D59320 and #20D593

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9320D4 shade: #9320D4, #D5203E, #62D520 and #20D5B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9320D4 shade: #9320D4, #D53820, #62D520 and #20BDD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 85 / 0 / 17

HEX #9320D4

RGB 147 32 212

HSL 278.33, 0.74%, 0.48%

LAB 41.2, 71.37, -68.31

 

Complementary color

CMYK 52 / 0 / 81 / 13

HEX #6CDF2B

RGB 108 223 43

HSL 98.33, 0.74%, 0.52%

LAB 79.69, -61.02, 70.77

 

CMYK 27 / 85 / 0 / 19

HEX #9820CF

RGB 152 32 207

HSL 281.14, 0.73%, 0.47%

LAB 41.55, 71.12, -64.82

 

CMYK 25 / 78 / 0 / 11

HEX #A932E2

RGB 169 50 226

HSL 280.57, 0.75%, 0.54%

LAB 47.25, 72.42, -66.35

 

CMYK 24 / 72 / 0 / 4

HEX #BA44F5

RGB 186 68 245

HSL 280, 0.9%, 0.61%

LAB 53.13, 72.93, -67.41

 

CMYK 20 / 66 / 0 / 0

HEX #CB56FF

RGB 203 86 255

HSL 281.54, 1%, 0.67%

LAB 58.58, 71.13, -64.07

 

CMYK 14 / 59 / 0 / 0

HEX #DC68FF

RGB 220 104 255

HSL 286.09, 1%, 0.7%

LAB 63.62, 67.1, -55.88

 

CMYK 31 / 85 / 0 / 17

HEX #9320D4

RGB 147 32 212

HSL 278.33, 0.74%, 0.48%

LAB 41.2, 71.37, -68.31

 

CMYK 33 / 93 / 0 / 24

HEX #820EC1

RGB 130 14 193

HSL 278.88, 0.86%, 0.41%

LAB 35.81, 68.97, -66.17

 

CMYK 35 / 100 / 0 / 32

HEX #7100AE

RGB 113 0 174

HSL 278.97, 1%, 0.34%

LAB 30.8, 65.14, -63.2

 

CMYK 38 / 100 / 0 / 39

HEX #60009B

RGB 96 0 155

HSL 277.16, 1%, 0.3%

LAB 26.31, 59.35, -59.16

 

CMYK 42 / 100 / 0 / 47

HEX #4F0088

RGB 79 0 136

HSL 274.85, 1%, 0.27%

LAB 21.73, 53.44, -55.01

 

CMYK 31 / 85 / 0 / 16

HEX #9420D5

RGB 148 32 213

HSL 278.45, 0.74%, 0.48%

LAB 41.43, 71.71, -68.51

 

CMYK 8 / 85 / 0 / 16

HEX #C420D5

RGB 196 32 213

HSL 294.36, 0.74%, 0.48%

LAB 48.97, 79.32, -55.93

 

CMYK 0 / 85 / 15 / 16

HEX #D520B5

RGB 213 32 181

HSL 310.61, 0.74%, 0.48%

LAB 50.12, 77.78, -35.4

 

CMYK 0 / 85 / 38 / 16

HEX #D52084

RGB 213 32 132

HSL 326.85, 0.74%, 0.48%

LAB 48.06, 72.14, -9.32

 

CMYK 0 / 85 / 61 / 16

HEX #D52053

RGB 213 32 83

HSL 343.09, 0.74%, 0.48%

LAB 46.72, 68.27, 18.87

 

CMYK 31 / 85 / 0 / 16

HEX #9420D5

RGB 148 32 213

HSL 278.45, 0.74%, 0.48%

LAB 41.43, 71.71, -68.51

 

CMYK 54 / 85 / 0 / 16

HEX #6320D5

RGB 99 32 213

HSL 262.21, 0.74%, 0.48%

LAB 34.98, 65.63, -79.33

 

CMYK 77 / 85 / 0 / 16

HEX #3220D5

RGB 50 32 213

HSL 245.97, 0.74%, 0.48%

LAB 30.68, 61.87, -86.6

 

CMYK 85 / 85 / 0 / 16

HEX #2020D5

RGB 32 32 213

HSL 240, 0.74%, 0.48%

LAB 29.77, 61.12, -88.13

 

CMYK 31 / 85 / 0 / 16

HEX #9420D5

RGB 148 32 213

HSL 278.45, 0.74%, 0.48%

LAB 41.43, 71.71, -68.51

 

CMYK 34 / 95 / 0 / 9

HEX #990CE9

RGB 153 12 233

HSL 278.28, 0.9%, 0.48%

LAB 42.64, 79.84, -77.93

 

CMYK 31 / 85 / 0 / 16

HEX #9420D5

RGB 148 32 213

HSL 278.45, 0.74%, 0.48%

LAB 41.43, 71.71, -68.51

 

CMYK 26 / 73 / 0 / 24

HEX #8E34C1

RGB 142 52 193

HSL 278.3, 0.58%, 0.48%

LAB 41.31, 60.03, -57.14

 

CMYK 21 / 59 / 0 / 32

HEX #8947AD

RGB 137 71 173

HSL 278.82, 0.42%, 0.48%

LAB 42.52, 45.69, -43.47

 

CMYK 15 / 41 / 0 / 40

HEX #835B9A

RGB 131 91 154

HSL 278.1, 0.26%, 0.48%

LAB 45.14, 28.49, -28.11

 

CMYK 6 / 17 / 0 / 47

HEX #7E6F86

RGB 126 111 134

HSL 279.13, 0.09%, 0.48%

LAB 48.92, 10.43, -10.47

 

CMYK 77 / 85 / 0 / 16

HEX #3220D5

RGB 50 32 213

HSL 245.97, 0.74%, 0.48%

LAB 30.68, 61.87, -86.6

 

CMYK 54 / 85 / 0 / 16

HEX #6220D5

RGB 98 32 213

HSL 261.88, 0.74%, 0.48%

LAB 34.87, 65.52, -79.52

 

CMYK 31 / 85 / 0 / 16

HEX #9320D5

RGB 147 32 213

HSL 278.12, 0.74%, 0.48%

LAB 41.28, 71.57, -68.76

 

CMYK 8 / 85 / 0 / 16

HEX #C320D5

RGB 195 32 213

HSL 294.03, 0.74%, 0.48%

LAB 48.81, 79.14, -56.2

 

CMYK 0 / 85 / 14 / 16

HEX #D520B7

RGB 213 32 183

HSL 309.94, 0.74%, 0.48%

LAB 50.21, 78.04, -36.41

 

CMYK 30 / 85 / 0 / 45

HEX #62158D

RGB 98 21 141

HSL 278.5, 0.74%, 0.32%

LAB 26.89, 52.04, -49.55

 

CMYK 31 / 85 / 0 / 31

HEX #7B1AB1

RGB 123 26 177

HSL 278.54, 0.74%, 0.4%

LAB 34.24, 62.22, -59.31

 

CMYK 31 / 85 / 0 / 16

HEX #9420D5

RGB 148 32 213

HSL 278.45, 0.74%, 0.48%

LAB 41.43, 71.71, -68.51

 

CMYK 27 / 73 / 0 / 11

HEX #A63CE2

RGB 166 60 226

HSL 278.31, 0.74%, 0.56%

LAB 48.04, 68.37, -65.07

 

CMYK 21 / 58 / 0 / 9

HEX #B660E7

RGB 182 96 231

HSL 278.22, 0.74%, 0.64%

LAB 56.17, 56.94, -54.72

 

CMYK 31 / 85 / 0 / 17

HEX #9320D4

RGB 147 32 212

HSL 278.33, 0.74%, 0.48%

LAB 41.2, 71.37, -68.31

 

CMYK 0 / 85 / 71 / 16

HEX #D5203E

RGB 213 32 62

HSL 350.06, 0.74%, 0.48%

LAB 46.35, 67.19, 31.24

 

CMYK 85 / 0 / 65 / 16

HEX #20D54A

RGB 32 213 74

HSL 133.92, 0.74%, 0.48%

LAB 75.07, -69.53, 54.96

 

CMYK 31 / 85 / 0 / 17

HEX #9320D4

RGB 147 32 212

HSL 278.33, 0.74%, 0.48%

LAB 41.2, 71.37, -68.31

 

CMYK 0 / 31 / 85 / 16

HEX #D59320

RGB 213 147 32

HSL 38.12, 0.74%, 0.48%

LAB 65.84, 16.02, 64.43

 

CMYK 85 / 0 / 31 / 16

HEX #20D593

RGB 32 213 147

HSL 158.12, 0.74%, 0.48%

LAB 76.07, -57.73, 20.84

 

CMYK 31 / 85 / 0 / 17

HEX #9320D4

RGB 147 32 212

HSL 278.33, 0.74%, 0.48%

LAB 41.2, 71.37, -68.31

 

CMYK 0 / 85 / 71 / 16

HEX #D5203E

RGB 213 32 62

HSL 350.06, 0.74%, 0.48%

LAB 46.35, 67.19, 31.24

 

CMYK 54 / 0 / 85 / 16

HEX #62D520

RGB 98 213 32

HSL 98.12, 0.74%, 0.48%

LAB 76.25, -60.65, 70.22

 

CMYK 85 / 0 / 14 / 16

HEX #20D5B7

RGB 32 213 183

HSL 170.06, 0.74%, 0.48%

LAB 76.87, -49.1, 2.82

 

CMYK 31 / 85 / 0 / 17

HEX #9320D4

RGB 147 32 212

HSL 278.33, 0.74%, 0.48%

LAB 41.2, 71.37, -68.31

 

CMYK 0 / 74 / 85 / 16

HEX #D53820

RGB 213 56 32

HSL 7.96, 0.74%, 0.48%

LAB 48.36, 59.64, 49.71

 

CMYK 54 / 0 / 85 / 16

HEX #62D520

RGB 98 213 32

HSL 98.12, 0.74%, 0.48%

LAB 76.25, -60.65, 70.22

 

CMYK 85 / 11 / 0 / 16

HEX #20BDD5

RGB 32 189 213

HSL 187.96, 0.74%, 0.48%

LAB 70.53, -29.53, -22.88

 

Description

Color code: HEX #9320D4 | qconv.com Color code: HEX #9320D4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 147 red, 32 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
147 32 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 85 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 85% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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