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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92F001 it is the complementary color #6D0FFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92F001. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92F001 shade: #97F000, #A8FF0F, #B9FF22, #CAFF35 and #DBFF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92F001. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92F001 shade: #92F001, #81DE00, #70CC00, #5FBA00 and #4EA800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92F001 shade: #91EF01, #D1EF01, #EFCC01, #EF8C01 and #EF4C01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92F001 shade: #91EF01, #51EF01, #11EF01, #01EF31 and #01EF71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92F001 shade matches the following richer shades: #91EF01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92F001 shade: #91EF01, #8DDB15, #89C828, #85B43B and #81A14F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92F001 shade: #EFCB01, #D3EF01, #94EF01, #54EF01 and #15EF01

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92F001 shade: #5F9C01, #78C501, #91EF01, #A5FE1B and #B5FE44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92F001 shade: #92F001, #01EF8C and #EB01EF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92F001 shade: #92F001, #0194EF and #EF0194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92F001 shade: #92F001, #01EF8C, #5C01EF and #EF0164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92F001 shade: #92F001, #01EFD3, #5C01EF and #EF011D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 100 / 6

HEX #92F001

RGB 146 240 1

HSL 83.6, 0.99%, 0.47%

LAB 86.22, -56.72, 83.18

 

Complementary color

CMYK 57 / 94 / 0 / 0

HEX #6D0FFE

RGB 109 15 254

HSL 263.6, 0.99%, 0.53%

LAB 39.15, 79.9, -95.72

 

CMYK 37 / 0 / 100 / 6

HEX #97F000

RGB 151 240 0

HSL 82.25, 1%, 0.47%

LAB 86.45, -55.05, 83.54

 

CMYK 34 / 0 / 94 / 0

HEX #A8FF0F

RGB 168 255 15

HSL 81.75, 1%, 0.53%

LAB 91.63, -55, 86.76

 

CMYK 27 / 0 / 87 / 0

HEX #B9FF22

RGB 185 255 34

HSL 79, 1%, 0.57%

LAB 92.55, -48.59, 85.32

 

CMYK 21 / 0 / 79 / 0

HEX #CAFF35

RGB 202 255 53

HSL 75.74, 1%, 0.6%

LAB 93.6, -41.67, 82.45

 

CMYK 14 / 0 / 72 / 0

HEX #DBFF48

RGB 219 255 72

HSL 71.8, 1%, 0.64%

LAB 94.76, -34.32, 78.33

 

CMYK 39 / 0 / 100 / 6

HEX #92F001

RGB 146 240 1

HSL 83.6, 0.99%, 0.47%

LAB 86.22, -56.72, 83.18

 

CMYK 42 / 0 / 100 / 13

HEX #81DE00

RGB 129 222 0

HSL 85.14, 1%, 0.44%

LAB 80.13, -55.37, 78.2

 

CMYK 45 / 0 / 100 / 20

HEX #70CC00

RGB 112 204 0

HSL 87.06, 1%, 0.4%

LAB 73.95, -53.95, 73.07

 

CMYK 49 / 0 / 100 / 27

HEX #5FBA00

RGB 95 186 0

HSL 89.35, 1%, 0.36%

LAB 67.69, -52.44, 67.87

 

CMYK 54 / 0 / 100 / 34

HEX #4EA800

RGB 78 168 0

HSL 92.14, 1%, 0.33%

LAB 61.33, -50.81, 62.6

 

CMYK 39 / 0 / 100 / 6

HEX #91EF01

RGB 145 239 1

HSL 83.7, 0.99%, 0.47%

LAB 85.88, -56.66, 82.9

 

CMYK 13 / 0 / 100 / 6

HEX #D1EF01

RGB 209 239 1

HSL 67.56, 0.99%, 0.47%

LAB 89.53, -32.81, 87.28

 

CMYK 0 / 15 / 100 / 6

HEX #EFCC01

RGB 239 204 1

HSL 51.18, 0.99%, 0.47%

LAB 82.67, -3.16, 83.34

 

CMYK 0 / 41 / 100 / 6

HEX #EF8C01

RGB 239 140 1

HSL 35.04, 0.99%, 0.47%

LAB 67.36, 30.34, 72.97

 

CMYK 0 / 68 / 100 / 6

HEX #EF4C01

RGB 239 76 1

HSL 18.91, 0.99%, 0.47%

LAB 55.61, 60.3, 66.19

 

CMYK 39 / 0 / 100 / 6

HEX #91EF01

RGB 145 239 1

HSL 83.7, 0.99%, 0.47%

LAB 85.88, -56.66, 82.9

 

CMYK 66 / 0 / 100 / 6

HEX #51EF01

RGB 81 239 1

HSL 99.83, 0.99%, 0.47%

LAB 83.7, -73.87, 80.24

 

CMYK 93 / 0 / 100 / 6

HEX #11EF01

RGB 17 239 1

HSL 115.97, 0.99%, 0.47%

LAB 82.84, -81.46, 79.19

 

CMYK 100 / 0 / 79 / 6

HEX #01EF31

RGB 1 239 49

HSL 132.1, 0.99%, 0.47%

LAB 82.89, -80.49, 71.5

 

CMYK 100 / 0 / 53 / 6

HEX #01EF71

RGB 1 239 113

HSL 148.24, 0.99%, 0.47%

LAB 83.41, -74.03, 47.33

 

CMYK 39 / 0 / 100 / 6

HEX #91EF01

RGB 145 239 1

HSL 83.7, 0.99%, 0.47%

LAB 85.88, -56.66, 82.9

 

CMYK 39 / 0 / 100 / 6

HEX #91EF01

RGB 145 239 1

HSL 83.7, 0.99%, 0.47%

LAB 85.88, -56.66, 82.9

 

CMYK 36 / 0 / 90 / 14

HEX #8DDB15

RGB 141 219 21

HSL 83.64, 0.83%, 0.47%

LAB 79.83, -49.79, 75.99

 

CMYK 32 / 0 / 80 / 22

HEX #89C828

RGB 137 200 40

HSL 83.63, 0.67%, 0.47%

LAB 74.05, -42.66, 66.91

 

CMYK 26 / 0 / 67 / 29

HEX #85B43B

RGB 133 180 59

HSL 83.31, 0.51%, 0.47%

LAB 67.98, -34.18, 54.41

 

CMYK 20 / 0 / 51 / 37

HEX #81A14F

RGB 129 161 79

HSL 83.41, 0.34%, 0.47%

LAB 62.27, -24.86, 38.79

 

CMYK 0 / 15 / 100 / 6

HEX #EFCB01

RGB 239 203 1

HSL 50.92, 0.99%, 0.47%

LAB 82.41, -2.65, 83.16

 

CMYK 12 / 0 / 100 / 6

HEX #D3EF01

RGB 211 239 1

HSL 67.06, 0.99%, 0.47%

LAB 89.67, -32, 87.44

 

CMYK 38 / 0 / 100 / 6

HEX #94EF01

RGB 148 239 1

HSL 82.94, 0.99%, 0.47%

LAB 86.02, -55.66, 83.07

 

CMYK 65 / 0 / 100 / 6

HEX #54EF01

RGB 84 239 1

HSL 99.08, 0.99%, 0.47%

LAB 83.77, -73.27, 80.33

 

CMYK 91 / 0 / 100 / 6

HEX #15EF01

RGB 21 239 1

HSL 114.96, 0.99%, 0.47%

LAB 82.86, -81.27, 79.22

 

CMYK 39 / 0 / 99 / 39

HEX #5F9C01

RGB 95 156 1

HSL 83.61, 0.99%, 0.31%

LAB 58.24, -40.43, 60.35

 

CMYK 39 / 0 / 99 / 23

HEX #78C501

RGB 120 197 1

HSL 83.57, 0.99%, 0.39%

LAB 72.18, -48.52, 71.74

 

CMYK 39 / 0 / 100 / 6

HEX #91EF01

RGB 145 239 1

HSL 83.7, 0.99%, 0.47%

LAB 85.88, -56.66, 82.9

 

CMYK 35 / 0 / 89 / 0

HEX #A5FE1B

RGB 165 254 27

HSL 83.52, 0.99%, 0.55%

LAB 91.22, -55.43, 84.93

 

CMYK 29 / 0 / 73 / 0

HEX #B5FE44

RGB 181 254 68

HSL 83.55, 0.99%, 0.63%

LAB 92.19, -48.31, 76.36

 

CMYK 39 / 0 / 100 / 6

HEX #92F001

RGB 146 240 1

HSL 83.6, 0.99%, 0.47%

LAB 86.22, -56.72, 83.18

 

CMYK 100 / 0 / 41 / 6

HEX #01EF8C

RGB 1 239 140

HSL 155.04, 0.99%, 0.47%

LAB 83.77, -69.6, 34.74

 

CMYK 2 / 100 / 0 / 6

HEX #EB01EF

RGB 235 1 239

HSL 298.99, 0.99%, 0.47%

LAB 56, 92.87, -59.03

 

CMYK 39 / 0 / 100 / 6

HEX #92F001

RGB 146 240 1

HSL 83.6, 0.99%, 0.47%

LAB 86.22, -56.72, 83.18

 

CMYK 100 / 38 / 0 / 6

HEX #0194EF

RGB 1 148 239

HSL 202.94, 0.99%, 0.47%

LAB 59.36, 0.51, -54.64

 

CMYK 0 / 100 / 38 / 6

HEX #EF0194

RGB 239 1 148

HSL 322.94, 0.99%, 0.47%

LAB 52.41, 82.78, -11.93

 

CMYK 39 / 0 / 100 / 6

HEX #92F001

RGB 146 240 1

HSL 83.6, 0.99%, 0.47%

LAB 86.22, -56.72, 83.18

 

CMYK 100 / 0 / 41 / 6

HEX #01EF8C

RGB 1 239 140

HSL 155.04, 0.99%, 0.47%

LAB 83.77, -69.6, 34.74

 

CMYK 62 / 100 / 0 / 6

HEX #5C01EF

RGB 92 1 239

HSL 262.94, 0.99%, 0.47%

LAB 35.06, 77.33, -94.11

 

CMYK 0 / 100 / 58 / 6

HEX #EF0164

RGB 239 1 100

HSL 335.04, 0.99%, 0.47%

LAB 51.03, 79.13, 15.15

 

CMYK 39 / 0 / 100 / 6

HEX #92F001

RGB 146 240 1

HSL 83.6, 0.99%, 0.47%

LAB 86.22, -56.72, 83.18

 

CMYK 100 / 0 / 12 / 6

HEX #01EFD3

RGB 1 239 211

HSL 172.94, 0.99%, 0.47%

LAB 85.22, -53.55, 0.11

 

CMYK 62 / 100 / 0 / 6

HEX #5C01EF

RGB 92 1 239

HSL 262.94, 0.99%, 0.47%

LAB 35.06, 77.33, -94.11

 

CMYK 0 / 100 / 88 / 6

HEX #EF011D

RGB 239 1 29

HSL 352.94, 0.99%, 0.47%

LAB 50.05, 76.49, 54.59

 

Description

Color code: HEX #92F001 | qconv.com Color code: HEX #92F001 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 240 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 240 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 100 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 100% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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