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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92EFCE it is the complementary color #6D1031. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92EFCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92EFCE shade: #97EFC9, #A8FFDC, #B9FFEF, #CAFFFF and #DBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92EFCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92EFCE shade: #92EFCE, #81DDBB, #70CBA8, #5FB995 and #4EA782

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92EFCE shade: #90EECD, #90EEB4, #90EE9A, #A0EE90 and #B9EE90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92EFCE shade: #90EECD, #90EEE6, #90DDEE, #90C4EE and #90AAEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92EFCE shade matches the following richer shades: #90EECD and #86F9D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92EFCE shade: #90EECD, #9AE4CA, #A5DAC7, #AFCFC4 and #B9C5C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92EFCE shade: #90EE9A, #90EEB3, #90EECC, #90EEE5 and #90DFEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92EFCE shade: #48E4AD, #6CE9BD, #90EECD, #B4F4DD and #D8F9ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92EFCE shade: #92EFCE, #90A0EE and #EEA690

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92EFCE shade: #92EFCE, #CC90EE and #EECC90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92EFCE shade: #92EFCE, #90A0EE, #EE90B3 and #EEDF90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92EFCE shade: #92EFCE, #9D90EE, #EE90B3 and #E2EE90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 14 / 6

HEX #92EFCE

RGB 146 239 206

HSL 158.71, 0.74%, 0.75%

LAB 88.11, -35, 7.3

 

Complementary color

CMYK 0 / 85 / 55 / 57

HEX #6D1031

RGB 109 16 49

HSL 338.71, 0.74%, 0.25%

LAB 23.15, 41.31, 5.29

 

CMYK 37 / 0 / 16 / 6

HEX #97EFC9

RGB 151 239 201

HSL 154.09, 0.73%, 0.76%

LAB 88.22, -34.68, 10.09

 

CMYK 34 / 0 / 14 / 0

HEX #A8FFDC

RGB 168 255 220

HSL 155.86, 1%, 0.83%

LAB 93.89, -33.53, 8.47

 

CMYK 27 / 0 / 6 / 0

HEX #B9FFEF

RGB 185 255 239

HSL 166.29, 1%, 0.86%

LAB 95.19, -24.85, 0.66

 

CMYK 21 / 0 / 0 / 0

HEX #CAFFFF

RGB 202 255 255

HSL 180, 1%, 0.9%

LAB 96.53, -16.6, -5.5

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 39 / 0 / 14 / 6

HEX #92EFCE

RGB 146 239 206

HSL 158.71, 0.74%, 0.75%

LAB 88.11, -35, 7.3

 

CMYK 42 / 0 / 15 / 13

HEX #81DDBB

RGB 129 221 187

HSL 157.83, 0.58%, 0.69%

LAB 81.82, -35.21, 8.15

 

CMYK 45 / 0 / 17 / 20

HEX #70CBA8

RGB 112 203 168

HSL 156.92, 0.47%, 0.62%

LAB 75.44, -35.4, 9.07

 

CMYK 49 / 0 / 19 / 27

HEX #5FB995

RGB 95 185 149

HSL 156, 0.39%, 0.55%

LAB 68.97, -35.57, 10.06

 

CMYK 53 / 0 / 22 / 35

HEX #4EA782

RGB 78 167 130

HSL 155.06, 0.36%, 0.48%

LAB 62.4, -35.69, 11.13

 

CMYK 39 / 0 / 14 / 7

HEX #90EECD

RGB 144 238 205

HSL 158.94, 0.73%, 0.75%

LAB 87.72, -35.28, 7.24

 

CMYK 39 / 0 / 24 / 7

HEX #90EEB4

RGB 144 238 180

HSL 142.98, 0.73%, 0.75%

LAB 87.18, -40.27, 19.48

 

CMYK 39 / 0 / 35 / 7

HEX #90EE9A

RGB 144 238 154

HSL 126.38, 0.73%, 0.75%

LAB 86.71, -44.78, 32.14

 

CMYK 33 / 0 / 39 / 7

HEX #A0EE90

RGB 160 238 144

HSL 109.79, 0.73%, 0.75%

LAB 87.31, -41.38, 38.08

 

CMYK 22 / 0 / 39 / 7

HEX #B9EE90

RGB 185 238 144

HSL 93.83, 0.73%, 0.75%

LAB 88.67, -32.98, 40.11

 

CMYK 39 / 0 / 14 / 7

HEX #90EECD

RGB 144 238 205

HSL 158.94, 0.73%, 0.75%

LAB 87.72, -35.28, 7.24

 

CMYK 39 / 0 / 3 / 7

HEX #90EEE6

RGB 144 238 230

HSL 174.89, 0.73%, 0.75%

LAB 88.35, -29.72, -4.92

 

CMYK 39 / 7 / 0 / 7

HEX #90DDEE

RGB 144 221 238

HSL 190.85, 0.73%, 0.75%

LAB 83.87, -19.47, -15.8

 

CMYK 39 / 18 / 0 / 7

HEX #90C4EE

RGB 144 196 238

HSL 206.81, 0.73%, 0.75%

LAB 77.03, -6.52, -26.17

 

CMYK 39 / 29 / 0 / 7

HEX #90AAEE

RGB 144 170 238

HSL 223.4, 0.73%, 0.75%

LAB 70.07, 7.74, -36.9

 

CMYK 39 / 0 / 14 / 7

HEX #90EECD

RGB 144 238 205

HSL 158.94, 0.73%, 0.75%

LAB 87.72, -35.28, 7.24

 

CMYK 46 / 0 / 16 / 2

HEX #86F9D0

RGB 134 249 208

HSL 158.61, 0.91%, 0.75%

LAB 90.49, -42.13, 9.6

 

CMYK 39 / 0 / 14 / 7

HEX #90EECD

RGB 144 238 205

HSL 158.94, 0.73%, 0.75%

LAB 87.72, -35.28, 7.24

 

CMYK 32 / 0 / 11 / 11

HEX #9AE4CA

RGB 154 228 202

HSL 158.92, 0.58%, 0.75%

LAB 85.31, -28.46, 5.41

 

CMYK 24 / 0 / 9 / 15

HEX #A5DAC7

RGB 165 218 199

HSL 158.49, 0.42%, 0.75%

LAB 83.05, -20.93, 3.8

 

CMYK 15 / 0 / 5 / 19

HEX #AFCFC4

RGB 175 207 196

HSL 159.38, 0.25%, 0.75%

LAB 80.59, -12.81, 1.89

 

CMYK 6 / 0 / 2 / 23

HEX #B9C5C1

RGB 185 197 193

HSL 160, 0.09%, 0.75%

LAB 78.52, -4.86, 0.58

 

CMYK 39 / 0 / 35 / 7

HEX #90EE9A

RGB 144 238 154

HSL 126.38, 0.73%, 0.75%

LAB 86.71, -44.78, 32.14

 

CMYK 39 / 0 / 25 / 7

HEX #90EEB3

RGB 144 238 179

HSL 142.34, 0.73%, 0.75%

LAB 87.16, -40.46, 19.97

 

CMYK 39 / 0 / 14 / 7

HEX #90EECC

RGB 144 238 204

HSL 158.3, 0.73%, 0.75%

LAB 87.7, -35.49, 7.73

 

CMYK 39 / 0 / 4 / 7

HEX #90EEE5

RGB 144 238 229

HSL 174.26, 0.73%, 0.75%

LAB 88.32, -29.95, -4.44

 

CMYK 39 / 6 / 0 / 7

HEX #90DFEE

RGB 144 223 238

HSL 189.57, 0.73%, 0.75%

LAB 84.42, -20.47, -14.97

 

CMYK 68 / 0 / 24 / 11

HEX #48E4AD

RGB 72 228 173

HSL 158.85, 0.74%, 0.59%

LAB 81.77, -53.23, 15.21

 

CMYK 54 / 0 / 19 / 9

HEX #6CE9BD

RGB 108 233 189

HSL 158.88, 0.74%, 0.67%

LAB 84.56, -45.16, 10.9

 

CMYK 39 / 0 / 14 / 7

HEX #90EECD

RGB 144 238 205

HSL 158.94, 0.73%, 0.75%

LAB 87.72, -35.28, 7.24

 

CMYK 26 / 0 / 9 / 4

HEX #B4F4DD

RGB 180 244 221

HSL 158.44, 0.74%, 0.83%

LAB 91.52, -24.68, 4.61

 

CMYK 13 / 0 / 5 / 2

HEX #D8F9ED

RGB 216 249 237

HSL 158.18, 0.73%, 0.91%

LAB 95.36, -12.91, 2.16

 

CMYK 39 / 0 / 14 / 6

HEX #92EFCE

RGB 146 239 206

HSL 158.71, 0.74%, 0.75%

LAB 88.11, -35, 7.3

 

CMYK 39 / 33 / 0 / 7

HEX #90A0EE

RGB 144 160 238

HSL 229.79, 0.73%, 0.75%

LAB 67.46, 13.4, -40.98

 

CMYK 0 / 30 / 39 / 7

HEX #EEA690

RGB 238 166 144

HSL 14.04, 0.73%, 0.75%

LAB 74.49, 23.92, 22.07

 

CMYK 39 / 0 / 14 / 6

HEX #92EFCE

RGB 146 239 206

HSL 158.71, 0.74%, 0.75%

LAB 88.11, -35, 7.3

 

CMYK 14 / 39 / 0 / 7

HEX #CC90EE

RGB 204 144 238

HSL 278.3, 0.73%, 0.75%

LAB 68.72, 39.28, -38.63

 

CMYK 0 / 14 / 39 / 7

HEX #EECC90

RGB 238 204 144

HSL 38.3, 0.73%, 0.75%

LAB 83.64, 3.88, 34.33

 

CMYK 39 / 0 / 14 / 6

HEX #92EFCE

RGB 146 239 206

HSL 158.71, 0.74%, 0.75%

LAB 88.11, -35, 7.3

 

CMYK 39 / 33 / 0 / 7

HEX #90A0EE

RGB 144 160 238

HSL 229.79, 0.73%, 0.75%

LAB 67.46, 13.4, -40.98

 

CMYK 0 / 39 / 25 / 7

HEX #EE90B3

RGB 238 144 179

HSL 337.66, 0.73%, 0.75%

LAB 70.44, 39.91, -2.99

 

CMYK 0 / 6 / 39 / 7

HEX #EEDF90

RGB 238 223 144

HSL 50.43, 0.73%, 0.75%

LAB 88.43, -5.85, 40.55

 

CMYK 39 / 0 / 14 / 6

HEX #92EFCE

RGB 146 239 206

HSL 158.71, 0.74%, 0.75%

LAB 88.11, -35, 7.3

 

CMYK 34 / 39 / 0 / 7

HEX #9D90EE

RGB 157 144 238

HSL 248.3, 0.73%, 0.75%

LAB 64.39, 26.01, -45.72

 

CMYK 0 / 39 / 25 / 7

HEX #EE90B3

RGB 238 144 179

HSL 337.66, 0.73%, 0.75%

LAB 70.44, 39.91, -2.99

 

CMYK 5 / 0 / 39 / 7

HEX #E2EE90

RGB 226 238 144

HSL 67.66, 0.73%, 0.75%

LAB 91.38, -17.93, 44.13

 

Description

Color code: HEX #92EFCE | qconv.com Color code: HEX #92EFCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 239 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 239 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 14 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 14% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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