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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92EE27 it is the complementary color #6D11D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92EE27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92EE27 shade: #97EE22, #A8FF35, #B9FF48, #CAFF5B and #DBFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92EE27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92EE27 shade: #92EE27, #81DC14, #70CA01, #5FB800 and #4EA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92EE27 shade: #91ED26, #C7ED26, #EDDE26, #EDA826 and #ED7326

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92EE27 shade: #91ED26, #5BED26, #26ED26, #26ED5C and #26ED92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92EE27 shade matches the following richer shades: #91ED26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92EE27 shade: #91ED26, #90DA39, #8EC74C, #8DB45F and #8BA172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92EE27 shade: #EDDD26, #C9ED26, #94ED26, #5EED26 and #29ED26

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92EE27 shade: #67B20E, #7DD912, #91ED26, #A5F04C and #B8F472

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92EE27 shade: #92EE27, #26EDA8 and #ED26E3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92EE27 shade: #92EE27, #2694ED and #ED2694

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92EE27 shade: #92EE27, #26EDA8, #8026ED and #ED266C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92EE27 shade: #92EE27, #26EDE3, #8026ED and #ED2630

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 84 / 7

HEX #92EE27

RGB 146 238 39

HSL 87.74, 0.85%, 0.54%

LAB 85.71, -55.17, 77.71

 

Complementary color

CMYK 50 / 92 / 0 / 15

HEX #6D11D8

RGB 109 17 216

HSL 267.74, 0.85%, 0.46%

LAB 35.22, 71.06, -80.63

 

CMYK 37 / 0 / 86 / 7

HEX #97EE22

RGB 151 238 34

HSL 85.59, 0.86%, 0.53%

LAB 85.93, -53.66, 79.03

 

CMYK 34 / 0 / 79 / 0

HEX #A8FF35

RGB 168 255 53

HSL 85.84, 1%, 0.6%

LAB 91.73, -53.98, 80.07

 

CMYK 27 / 0 / 72 / 0

HEX #B9FF48

RGB 185 255 72

HSL 82.95, 1%, 0.64%

LAB 92.71, -47.08, 75.63

 

CMYK 21 / 0 / 64 / 0

HEX #CAFF5B

RGB 202 255 91

HSL 79.39, 1%, 0.68%

LAB 93.81, -39.68, 70.21

 

CMYK 14 / 0 / 57 / 0

HEX #DBFF6E

RGB 219 255 110

HSL 74.9, 1%, 0.72%

LAB 95.04, -31.88, 64.1

 

CMYK 39 / 0 / 84 / 7

HEX #92EE27

RGB 146 238 39

HSL 87.74, 0.85%, 0.54%

LAB 85.71, -55.17, 77.71

 

CMYK 41 / 0 / 91 / 14

HEX #81DC14

RGB 129 220 20

HSL 87.3, 0.83%, 0.47%

LAB 79.56, -54.29, 75.68

 

CMYK 45 / 0 / 100 / 21

HEX #70CA01

RGB 112 202 1

HSL 86.87, 0.99%, 0.4%

LAB 73.34, -53.17, 72.49

 

CMYK 48 / 0 / 100 / 28

HEX #5FB800

RGB 95 184 0

HSL 89.02, 1%, 0.36%

LAB 67.06, -51.68, 67.38

 

CMYK 53 / 0 / 100 / 35

HEX #4EA600

RGB 78 166 0

HSL 91.81, 1%, 0.33%

LAB 60.69, -50.06, 62.1

 

CMYK 39 / 0 / 84 / 7

HEX #91ED26

RGB 145 237 38

HSL 87.74, 0.85%, 0.54%

LAB 85.37, -55.15, 77.61

 

CMYK 16 / 0 / 84 / 7

HEX #C7ED26

RGB 199 237 38

HSL 71.46, 0.85%, 0.54%

LAB 88.38, -35.3, 81.38

 

CMYK 0 / 6 / 84 / 7

HEX #EDDE26

RGB 237 222 38

HSL 55.48, 0.85%, 0.54%

LAB 87.19, -12.55, 81.53

 

CMYK 0 / 29 / 84 / 7

HEX #EDA826

RGB 237 168 38

HSL 39.2, 0.85%, 0.54%

LAB 73.64, 15.28, 70.29

 

CMYK 0 / 51 / 84 / 7

HEX #ED7326

RGB 237 115 38

HSL 23.22, 0.85%, 0.54%

LAB 62, 42.81, 60.47

 

CMYK 39 / 0 / 84 / 7

HEX #91ED26

RGB 145 237 38

HSL 87.74, 0.85%, 0.54%

LAB 85.37, -55.15, 77.61

 

CMYK 62 / 0 / 84 / 7

HEX #5BED26

RGB 91 237 38

HSL 104.02, 0.85%, 0.54%

LAB 83.41, -70.27, 75.13

 

CMYK 84 / 0 / 84 / 7

HEX #26ED26

RGB 38 237 38

HSL 120, 0.85%, 0.54%

LAB 82.44, -78.55, 73.91

 

CMYK 84 / 0 / 61 / 7

HEX #26ED5C

RGB 38 237 92

HSL 136.28, 0.85%, 0.54%

LAB 82.78, -74.31, 56.05

 

CMYK 84 / 0 / 38 / 7

HEX #26ED92

RGB 38 237 146

HSL 152.56, 0.85%, 0.54%

LAB 83.47, -66.09, 31.37

 

CMYK 39 / 0 / 84 / 7

HEX #91ED26

RGB 145 237 38

HSL 87.74, 0.85%, 0.54%

LAB 85.37, -55.15, 77.61

 

CMYK 39 / 0 / 84 / 7

HEX #91ED26

RGB 145 237 38

HSL 87.74, 0.85%, 0.54%

LAB 85.37, -55.15, 77.61

 

CMYK 34 / 0 / 74 / 15

HEX #90DA39

RGB 144 218 57

HSL 87.58, 0.69%, 0.54%

LAB 79.82, -46.92, 67.28

 

CMYK 29 / 0 / 62 / 22

HEX #8EC74C

RGB 142 199 76

HSL 87.8, 0.52%, 0.54%

LAB 74.27, -38.07, 54.21

 

CMYK 22 / 0 / 47 / 29

HEX #8DB45F

RGB 141 180 95

HSL 87.53, 0.36%, 0.54%

LAB 68.85, -27.68, 38.95

 

CMYK 14 / 0 / 29 / 37

HEX #8BA172

RGB 139 161 114

HSL 88.09, 0.2%, 0.54%

LAB 63.5, -16.33, 22

 

CMYK 0 / 7 / 84 / 7

HEX #EDDD26

RGB 237 221 38

HSL 55.18, 0.85%, 0.54%

LAB 86.93, -12.05, 81.32

 

CMYK 15 / 0 / 84 / 7

HEX #C9ED26

RGB 201 237 38

HSL 70.85, 0.85%, 0.54%

LAB 88.51, -34.51, 81.54

 

CMYK 38 / 0 / 84 / 7

HEX #94ED26

RGB 148 237 38

HSL 86.83, 0.85%, 0.54%

LAB 85.51, -54.15, 77.79

 

CMYK 60 / 0 / 84 / 7

HEX #5EED26

RGB 94 237 38

HSL 103.12, 0.85%, 0.54%

LAB 83.49, -69.6, 75.24

 

CMYK 83 / 0 / 84 / 7

HEX #29ED26

RGB 41 237 38

HSL 119.1, 0.85%, 0.54%

LAB 82.48, -78.27, 73.95

 

CMYK 42 / 0 / 92 / 30

HEX #67B20E

RGB 103 178 14

HSL 87.44, 0.85%, 0.38%

LAB 65.56, -46.45, 64.57

 

CMYK 42 / 0 / 92 / 15

HEX #7DD912

RGB 125 217 18

HSL 87.74, 0.85%, 0.46%

LAB 78.48, -54.47, 75

 

CMYK 39 / 0 / 84 / 7

HEX #91ED26

RGB 145 237 38

HSL 87.74, 0.85%, 0.54%

LAB 85.37, -55.15, 77.61

 

CMYK 31 / 0 / 68 / 6

HEX #A5F04C

RGB 165 240 76

HSL 87.44, 0.85%, 0.62%

LAB 87.41, -47.6, 68.56

 

CMYK 25 / 0 / 53 / 4

HEX #B8F472

RGB 184 244 114

HSL 87.69, 0.86%, 0.7%

LAB 89.91, -39.46, 55.87

 

CMYK 39 / 0 / 84 / 7

HEX #92EE27

RGB 146 238 39

HSL 87.74, 0.85%, 0.54%

LAB 85.71, -55.17, 77.71

 

CMYK 84 / 0 / 29 / 7

HEX #26EDA8

RGB 38 237 168

HSL 159.2, 0.85%, 0.54%

LAB 83.87, -61.62, 20.66

 

CMYK 0 / 84 / 4 / 7

HEX #ED26E3

RGB 237 38 227

HSL 303.02, 0.85%, 0.54%

LAB 57.01, 87.52, -50.65

 

CMYK 39 / 0 / 84 / 7

HEX #92EE27

RGB 146 238 39

HSL 87.74, 0.85%, 0.54%

LAB 85.71, -55.17, 77.71

 

CMYK 84 / 38 / 0 / 7

HEX #2694ED

RGB 38 148 237

HSL 206.83, 0.85%, 0.54%

LAB 59.62, 1.4, -53.09

 

CMYK 0 / 84 / 38 / 7

HEX #ED2694

RGB 237 38 148

HSL 326.83, 0.85%, 0.54%

LAB 53.52, 78.01, -10.29

 

CMYK 39 / 0 / 84 / 7

HEX #92EE27

RGB 146 238 39

HSL 87.74, 0.85%, 0.54%

LAB 85.71, -55.17, 77.71

 

CMYK 84 / 0 / 29 / 7

HEX #26EDA8

RGB 38 237 168

HSL 159.2, 0.85%, 0.54%

LAB 83.87, -61.62, 20.66

 

CMYK 46 / 84 / 0 / 7

HEX #8026ED

RGB 128 38 237

HSL 267.14, 0.85%, 0.54%

LAB 41.36, 72.62, -82.43

 

CMYK 0 / 84 / 54 / 7

HEX #ED266C

RGB 237 38 108

HSL 338.89, 0.85%, 0.54%

LAB 52.37, 74.7, 12.08

 

CMYK 39 / 0 / 84 / 7

HEX #92EE27

RGB 146 238 39

HSL 87.74, 0.85%, 0.54%

LAB 85.71, -55.17, 77.71

 

CMYK 84 / 0 / 4 / 7

HEX #26EDE3

RGB 38 237 227

HSL 176.98, 0.85%, 0.54%

LAB 85.26, -46.93, -8.21

 

CMYK 46 / 84 / 0 / 7

HEX #8026ED

RGB 128 38 237

HSL 267.14, 0.85%, 0.54%

LAB 41.36, 72.62, -82.43

 

CMYK 0 / 84 / 80 / 7

HEX #ED2630

RGB 237 38 48

HSL 356.98, 0.85%, 0.54%

LAB 51.39, 71.81, 46.15

 

Description

Color code: HEX #92EE27 | qconv.com Color code: HEX #92EE27 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 238 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 238 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 84 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 84% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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