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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92E15D it is the complementary color #6D1EA2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92E15D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92E15D shade: #97E158, #A8F36B, #B9FF7E, #CAFF91 and #DBFFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92E15D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92E15D shade: #92E15D, #81CF4A, #70BD37, #5FAB24 and #4E9911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92E15D shade: #91E15B, #B5E15B, #D9E15B, #E1C55B and #E1A15B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92E15D shade: #91E15B, #6DE15B, #5BE16E, #5BE192 and #5BE1B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92E15D shade matches the following richer shades: #91E15B and #8EF14C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92E15D shade: #91E15B, #94D16B, #97C27B, #9AB28A and #9DA29A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92E15D shade: #DAE15B, #B7E15B, #93E15B, #6FE15B and #5BE16B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92E15D shade: #65C524, #79DB38, #91E15B, #A8E77E and #C0EEA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92E15D shade: #92E15D, #5BE1C4 and #E15BC8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92E15D shade: #92E15D, #5B93E1 and #E15B93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92E15D shade: #92E15D, #5BE1C4, #A95BE1 and #E15B78

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92E15D shade: #92E15D, #5BD6E1, #A95BE1 and #E1665B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 59 / 12

HEX #92E15D

RGB 146 225 93

HSL 95.91, 0.69%, 0.62%

LAB 82.25, -46.43, 55.82

 

Complementary color

CMYK 33 / 81 / 0 / 36

HEX #6D1EA2

RGB 109 30 162

HSL 275.91, 0.69%, 0.38%

LAB 31.32, 55.57, -55.15

 

CMYK 33 / 0 / 61 / 12

HEX #97E158

RGB 151 225 88

HSL 92.41, 0.7%, 0.61%

LAB 82.45, -45.19, 58.28

 

CMYK 31 / 0 / 56 / 5

HEX #A8F36B

RGB 168 243 107

HSL 93.09, 0.85%, 0.69%

LAB 88.68, -45.3, 57.34

 

CMYK 27 / 0 / 51 / 0

HEX #B9FF7E

RGB 185 255 126

HSL 92.56, 1%, 0.75%

LAB 93.16, -42.73, 54.3

 

CMYK 21 / 0 / 43 / 0

HEX #CAFF91

RGB 202 255 145

HSL 88.91, 1%, 0.78%

LAB 94.36, -34.68, 47.08

 

CMYK 14 / 0 / 36 / 0

HEX #DBFFA4

RGB 219 255 164

HSL 83.74, 1%, 0.82%

LAB 95.69, -26.31, 39.75

 

CMYK 35 / 0 / 59 / 12

HEX #92E15D

RGB 146 225 93

HSL 95.91, 0.69%, 0.62%

LAB 82.25, -46.43, 55.82

 

CMYK 38 / 0 / 64 / 19

HEX #81CF4A

RGB 129 207 74

HSL 95.19, 0.58%, 0.55%

LAB 75.94, -46.28, 56.69

 

CMYK 41 / 0 / 71 / 26

HEX #70BD37

RGB 112 189 55

HSL 94.48, 0.55%, 0.48%

LAB 69.55, -45.99, 57.24

 

CMYK 44 / 0 / 79 / 33

HEX #5FAB24

RGB 95 171 36

HSL 93.78, 0.65%, 0.41%

LAB 63.08, -45.47, 57.19

 

CMYK 49 / 0 / 89 / 40

HEX #4E9911

RGB 78 153 17

HSL 93.09, 0.8%, 0.33%

LAB 56.53, -44.63, 56.02

 

CMYK 36 / 0 / 60 / 12

HEX #91E15B

RGB 145 225 91

HSL 95.82, 0.69%, 0.62%

LAB 82.18, -46.96, 56.6

 

CMYK 20 / 0 / 60 / 12

HEX #B5E15B

RGB 181 225 91

HSL 79.7, 0.69%, 0.62%

LAB 84.19, -34.04, 59.41

 

CMYK 4 / 0 / 60 / 12

HEX #D9E15B

RGB 217 225 91

HSL 63.58, 0.69%, 0.62%

LAB 86.68, -19.89, 62.86

 

CMYK 0 / 12 / 60 / 12

HEX #E1C55B

RGB 225 197 91

HSL 47.46, 0.69%, 0.62%

LAB 80.01, -2.53, 55.66

 

CMYK 0 / 28 / 60 / 12

HEX #E1A15B

RGB 225 161 91

HSL 31.34, 0.69%, 0.62%

LAB 71.04, 16.47, 45.32

 

CMYK 36 / 0 / 60 / 12

HEX #91E15B

RGB 145 225 91

HSL 95.82, 0.69%, 0.62%

LAB 82.18, -46.96, 56.6

 

CMYK 52 / 0 / 60 / 12

HEX #6DE15B

RGB 109 225 91

HSL 111.94, 0.69%, 0.62%

LAB 80.66, -57.84, 54.47

 

CMYK 60 / 0 / 51 / 12

HEX #5BE16E

RGB 91 225 110

HSL 128.51, 0.69%, 0.62%

LAB 80.29, -59.93, 45.21

 

CMYK 60 / 0 / 35 / 12

HEX #5BE192

RGB 91 225 146

HSL 144.63, 0.69%, 0.62%

LAB 80.82, -54.15, 28

 

CMYK 60 / 0 / 19 / 12

HEX #5BE1B6

RGB 91 225 182

HSL 160.75, 0.69%, 0.62%

LAB 81.54, -46.73, 10.21

 

CMYK 36 / 0 / 60 / 12

HEX #91E15B

RGB 145 225 91

HSL 95.82, 0.69%, 0.62%

LAB 82.18, -46.96, 56.6

 

CMYK 41 / 0 / 68 / 5

HEX #8EF14C

RGB 142 241 76

HSL 96, 0.85%, 0.62%

LAB 86.59, -55.68, 67.37

 

CMYK 36 / 0 / 60 / 12

HEX #91E15B

RGB 145 225 91

HSL 95.82, 0.69%, 0.62%

LAB 82.18, -46.96, 56.6

 

CMYK 29 / 0 / 49 / 18

HEX #94D16B

RGB 148 209 107

HSL 95.88, 0.53%, 0.62%

LAB 77.85, -37.26, 44.19

 

CMYK 22 / 0 / 37 / 24

HEX #97C27B

RGB 151 194 123

HSL 96.34, 0.37%, 0.62%

LAB 73.93, -27.11, 31.2

 

CMYK 13 / 0 / 22 / 30

HEX #9AB28A

RGB 154 178 138

HSL 96, 0.21%, 0.62%

LAB 69.86, -15.71, 17.76

 

CMYK 3 / 0 / 5 / 36

HEX #9DA29A

RGB 157 162 154

HSL 97.5, 0.04%, 0.62%

LAB 66.01, -3.31, 3.53

 

CMYK 3 / 0 / 60 / 12

HEX #DAE15B

RGB 218 225 91

HSL 63.13, 0.69%, 0.62%

LAB 86.76, -19.48, 62.96

 

CMYK 19 / 0 / 60 / 12

HEX #B7E15B

RGB 183 225 91

HSL 78.81, 0.69%, 0.62%

LAB 84.31, -33.28, 59.59

 

CMYK 35 / 0 / 60 / 12

HEX #93E15B

RGB 147 225 91

HSL 94.93, 0.69%, 0.62%

LAB 82.28, -46.28, 56.74

 

CMYK 51 / 0 / 60 / 12

HEX #6FE15B

RGB 111 225 91

HSL 111.04, 0.69%, 0.62%

LAB 80.73, -57.3, 54.57

 

CMYK 60 / 0 / 52 / 12

HEX #5BE16B

RGB 91 225 107

HSL 127.16, 0.69%, 0.62%

LAB 80.26, -60.33, 46.59

 

CMYK 49 / 0 / 82 / 23

HEX #65C524

RGB 101 197 36

HSL 95.78, 0.69%, 0.46%

LAB 71.44, -53.77, 65

 

CMYK 45 / 0 / 74 / 14

HEX #79DB38

RGB 121 219 56

HSL 96.07, 0.69%, 0.54%

LAB 79.05, -55, 66.49

 

CMYK 36 / 0 / 60 / 12

HEX #91E15B

RGB 145 225 91

HSL 95.82, 0.69%, 0.62%

LAB 82.18, -46.96, 56.6

 

CMYK 27 / 0 / 45 / 9

HEX #A8E77E

RGB 168 231 126

HSL 96, 0.69%, 0.7%

LAB 85.5, -37.96, 44.69

 

CMYK 19 / 0 / 32 / 7

HEX #C0EEA1

RGB 192 238 161

HSL 95.84, 0.69%, 0.78%

LAB 89.36, -28.23, 32.59

 

CMYK 35 / 0 / 59 / 12

HEX #92E15D

RGB 146 225 93

HSL 95.91, 0.69%, 0.62%

LAB 82.25, -46.43, 55.82

 

CMYK 60 / 0 / 13 / 12

HEX #5BE1C4

RGB 91 225 196

HSL 167.01, 0.69%, 0.62%

LAB 81.87, -43.44, 3.29

 

CMYK 0 / 60 / 11 / 12

HEX #E15BC8

RGB 225 91 200

HSL 311.19, 0.69%, 0.62%

LAB 59.58, 64.55, -31.44

 

CMYK 35 / 0 / 59 / 12

HEX #92E15D

RGB 146 225 93

HSL 95.91, 0.69%, 0.62%

LAB 82.25, -46.43, 55.82

 

CMYK 60 / 35 / 0 / 12

HEX #5B93E1

RGB 91 147 225

HSL 214.93, 0.69%, 0.62%

LAB 60.36, 4.88, -45.16

 

CMYK 0 / 60 / 35 / 12

HEX #E15B93

RGB 225 91 147

HSL 334.93, 0.69%, 0.62%

LAB 57.65, 57.41, -3.78

 

CMYK 35 / 0 / 59 / 12

HEX #92E15D

RGB 146 225 93

HSL 95.91, 0.69%, 0.62%

LAB 82.25, -46.43, 55.82

 

CMYK 60 / 0 / 13 / 12

HEX #5BE1C4

RGB 91 225 196

HSL 167.01, 0.69%, 0.62%

LAB 81.87, -43.44, 3.29

 

CMYK 25 / 60 / 0 / 12

HEX #A95BE1

RGB 169 91 225

HSL 274.93, 0.69%, 0.62%

LAB 53.33, 55.01, -55.97

 

CMYK 0 / 60 / 47 / 12

HEX #E15B78

RGB 225 91 120

HSL 347.01, 0.69%, 0.62%

LAB 56.92, 54.6, 11.01

 

CMYK 35 / 0 / 59 / 12

HEX #92E15D

RGB 146 225 93

HSL 95.91, 0.69%, 0.62%

LAB 82.25, -46.43, 55.82

 

CMYK 60 / 5 / 0 / 12

HEX #5BD6E1

RGB 91 214 225

HSL 184.93, 0.69%, 0.62%

LAB 79.47, -30.83, -15.7

 

CMYK 25 / 60 / 0 / 12

HEX #A95BE1

RGB 169 91 225

HSL 274.93, 0.69%, 0.62%

LAB 53.33, 55.01, -55.97

 

CMYK 0 / 55 / 60 / 12

HEX #E1665B

RGB 225 102 91

HSL 4.93, 0.69%, 0.62%

LAB 58.29, 47.13, 29.65

 

Description

Color code: HEX #92E15D | qconv.com Color code: HEX #92E15D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 225 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 225 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 59 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 59% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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