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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92CB19 it is the complementary color #6D34E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92CB19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92CB19 shade: #97CB14, #A8DD27, #B9EF3A, #CAFF4D and #DBFF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92CB19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92CB19 shade: #92CB19, #81B906, #70A700, #5F9500 and #4E8300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92CB19 shade: #93CC19, #C3CC19, #CCA519, #CC7519 and #CC4419

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92CB19 shade: #93CC19, #63CC19, #32CC19, #19CC30 and #19CC61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92CB19 shade matches the following richer shades: #93CC19 and #9ADF07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92CB19 shade: #93CC19, #8CBA2C, #86A73E, #7F9551 and #788264

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92CB19 shade: #CCA519, #C3CC19, #94CC19, #64CC19 and #34CC19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92CB19 shade: #5E8310, #79A815, #93CC19, #A9E52A and #B8E94F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92CB19 shade: #92CB19, #19CC76 and #BD19CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92CB19 shade: #92CB19, #1994CC and #CC1994

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92CB19 shade: #92CB19, #19CC76, #5219CC and #CC1970

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92CB19 shade: #92CB19, #19CCAB, #5219CC and #CC193A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 88 / 20

HEX #92CB19

RGB 146 203 25

HSL 79.21, 0.78%, 0.45%

LAB 75.38, -41.12, 71.76

 

Complementary color

CMYK 53 / 77 / 0 / 10

HEX #6D34E6

RGB 109 52 230

HSL 259.21, 0.78%, 0.55%

LAB 40.28, 63.56, -80.31

 

CMYK 26 / 0 / 90 / 20

HEX #97CB14

RGB 151 203 20

HSL 77.05, 0.82%, 0.44%

LAB 75.66, -39.32, 72.96

 

CMYK 24 / 0 / 82 / 13

HEX #A8DD27

RGB 168 221 39

HSL 77.47, 0.73%, 0.51%

LAB 81.94, -40.19, 74.86

 

CMYK 23 / 0 / 76 / 6

HEX #B9EF3A

RGB 185 239 58

HSL 77.9, 0.85%, 0.58%

LAB 88.14, -40.88, 75.69

 

CMYK 21 / 0 / 70 / 0

HEX #CAFF4D

RGB 202 255 77

HSL 77.87, 1%, 0.65%

LAB 93.72, -40.55, 75.26

 

CMYK 14 / 0 / 62 / 0

HEX #DBFF60

RGB 219 255 96

HSL 73.58, 1%, 0.69%

LAB 94.92, -32.92, 69.75

 

CMYK 28 / 0 / 88 / 20

HEX #92CB19

RGB 146 203 25

HSL 79.21, 0.78%, 0.45%

LAB 75.38, -41.12, 71.76

 

CMYK 30 / 0 / 97 / 27

HEX #81B906

RGB 129 185 6

HSL 78.77, 0.94%, 0.37%

LAB 69.02, -40.11, 68.91

 

CMYK 33 / 0 / 100 / 35

HEX #70A700

RGB 112 167 0

HSL 79.76, 1%, 0.33%

LAB 62.58, -38.84, 64.25

 

CMYK 36 / 0 / 100 / 42

HEX #5F9500

RGB 95 149 0

HSL 81.74, 1%, 0.29%

LAB 56.02, -37.44, 58.79

 

CMYK 40 / 0 / 100 / 49

HEX #4E8300

RGB 78 131 0

HSL 84.27, 1%, 0.26%

LAB 49.32, -35.98, 53.21

 

CMYK 28 / 0 / 88 / 20

HEX #93CC19

RGB 147 204 25

HSL 79.11, 0.78%, 0.45%

LAB 75.74, -41.17, 72.07

 

CMYK 4 / 0 / 88 / 20

HEX #C3CC19

RGB 195 204 25

HSL 63.02, 0.78%, 0.45%

LAB 78.96, -21.72, 76.04

 

CMYK 0 / 19 / 88 / 20

HEX #CCA519

RGB 204 165 25

HSL 46.93, 0.78%, 0.45%

LAB 69.34, 2.21, 68.67

 

CMYK 0 / 43 / 88 / 20

HEX #CC7519

RGB 204 117 25

HSL 30.84, 0.78%, 0.45%

LAB 57.68, 28.18, 59.41

 

CMYK 0 / 67 / 88 / 20

HEX #CC4419

RGB 204 68 25

HSL 14.41, 0.78%, 0.45%

LAB 48.31, 52.06, 52

 

CMYK 28 / 0 / 88 / 20

HEX #93CC19

RGB 147 204 25

HSL 79.11, 0.78%, 0.45%

LAB 75.74, -41.17, 72.07

 

CMYK 51 / 0 / 88 / 20

HEX #63CC19

RGB 99 204 25

HSL 95.2, 0.78%, 0.45%

LAB 73.49, -57.38, 69.27

 

CMYK 75 / 0 / 88 / 20

HEX #32CC19

RGB 50 204 25

HSL 111.62, 0.78%, 0.45%

LAB 72.18, -68.15, 67.64

 

CMYK 88 / 0 / 76 / 20

HEX #19CC30

RGB 25 204 48

HSL 127.71, 0.78%, 0.45%

LAB 71.96, -69.73, 61.35

 

CMYK 88 / 0 / 52 / 20

HEX #19CC61

RGB 25 204 97

HSL 144.13, 0.78%, 0.45%

LAB 72.4, -64.34, 41.48

 

CMYK 28 / 0 / 88 / 20

HEX #93CC19

RGB 147 204 25

HSL 79.11, 0.78%, 0.45%

LAB 75.74, -41.17, 72.07

 

CMYK 31 / 0 / 97 / 13

HEX #9ADF07

RGB 154 223 7

HSL 79.17, 0.94%, 0.45%

LAB 81.65, -47, 79.29

 

CMYK 28 / 0 / 88 / 20

HEX #93CC19

RGB 147 204 25

HSL 79.11, 0.78%, 0.45%

LAB 75.74, -41.17, 72.07

 

CMYK 25 / 0 / 76 / 27

HEX #8CBA2C

RGB 140 186 44

HSL 79.44, 0.62%, 0.45%

LAB 70.09, -35.13, 62.11

 

CMYK 20 / 0 / 63 / 35

HEX #86A73E

RGB 134 167 62

HSL 78.86, 0.46%, 0.45%

LAB 64.2, -27.41, 49.13

 

CMYK 15 / 0 / 46 / 42

HEX #7F9551

RGB 127 149 81

HSL 79.41, 0.3%, 0.45%

LAB 58.6, -19.37, 33.24

 

CMYK 8 / 0 / 23 / 49

HEX #788264

RGB 120 130 100

HSL 80, 0.13%, 0.45%

LAB 52.82, -9.34, 15.04

 

CMYK 0 / 19 / 88 / 20

HEX #CCA519

RGB 204 165 25

HSL 46.93, 0.78%, 0.45%

LAB 69.34, 2.21, 68.67

 

CMYK 4 / 0 / 88 / 20

HEX #C3CC19

RGB 195 204 25

HSL 63.02, 0.78%, 0.45%

LAB 78.96, -21.72, 76.04

 

CMYK 27 / 0 / 88 / 20

HEX #94CC19

RGB 148 204 25

HSL 78.77, 0.78%, 0.45%

LAB 75.79, -40.79, 72.14

 

CMYK 51 / 0 / 88 / 20

HEX #64CC19

RGB 100 204 25

HSL 94.86, 0.78%, 0.45%

LAB 73.52, -57.09, 69.32

 

CMYK 75 / 0 / 88 / 20

HEX #34CC19

RGB 52 204 25

HSL 110.95, 0.78%, 0.45%

LAB 72.22, -67.85, 67.68

 

CMYK 28 / 0 / 88 / 49

HEX #5E8310

RGB 94 131 16

HSL 79.3, 0.78%, 0.29%

LAB 50.27, -29.21, 51.2

 

CMYK 28 / 0 / 88 / 34

HEX #79A815

RGB 121 168 21

HSL 79.18, 0.78%, 0.37%

LAB 63.45, -35.33, 61.94

 

CMYK 28 / 0 / 88 / 20

HEX #93CC19

RGB 147 204 25

HSL 79.11, 0.78%, 0.45%

LAB 75.74, -41.17, 72.07

 

CMYK 26 / 0 / 82 / 10

HEX #A9E52A

RGB 169 229 42

HSL 79.25, 0.78%, 0.53%

LAB 84.3, -43.2, 76.23

 

CMYK 21 / 0 / 66 / 9

HEX #B8E94F

RGB 184 233 79

HSL 79.09, 0.78%, 0.61%

LAB 86.52, -37.42, 66.85

 

CMYK 28 / 0 / 88 / 20

HEX #92CB19

RGB 146 203 25

HSL 79.21, 0.78%, 0.45%

LAB 75.38, -41.12, 71.76

 

CMYK 88 / 0 / 42 / 20

HEX #19CC76

RGB 25 204 118

HSL 151.17, 0.78%, 0.45%

LAB 72.69, -60.82, 31.38

 

CMYK 7 / 88 / 0 / 20

HEX #BD19CC

RGB 189 25 204

HSL 294.97, 0.78%, 0.45%

LAB 46.81, 77.95, -54.29

 

CMYK 28 / 0 / 88 / 20

HEX #92CB19

RGB 146 203 25

HSL 79.21, 0.78%, 0.45%

LAB 75.38, -41.12, 71.76

 

CMYK 88 / 27 / 0 / 20

HEX #1994CC

RGB 25 148 204

HSL 198.77, 0.78%, 0.45%

LAB 57.8, -11.6, -37.59

 

CMYK 0 / 88 / 27 / 20

HEX #CC1994

RGB 204 25 148

HSL 318.77, 0.78%, 0.45%

LAB 46.54, 73.1, -21.48

 

CMYK 28 / 0 / 88 / 20

HEX #92CB19

RGB 146 203 25

HSL 79.21, 0.78%, 0.45%

LAB 75.38, -41.12, 71.76

 

CMYK 88 / 0 / 42 / 20

HEX #19CC76

RGB 25 204 118

HSL 151.17, 0.78%, 0.45%

LAB 72.69, -60.82, 31.38

 

CMYK 60 / 88 / 0 / 20

HEX #5219CC

RGB 82 25 204

HSL 259.11, 0.78%, 0.45%

LAB 31.46, 63.98, -79.99

 

CMYK 0 / 88 / 45 / 20

HEX #CC1970

RGB 204 25 112

HSL 330.84, 0.78%, 0.45%

LAB 45.22, 69.48, -1.46

 

CMYK 28 / 0 / 88 / 20

HEX #92CB19

RGB 146 203 25

HSL 79.21, 0.78%, 0.45%

LAB 75.38, -41.12, 71.76

 

CMYK 88 / 0 / 16 / 20

HEX #19CCAB

RGB 25 204 171

HSL 168.94, 0.78%, 0.45%

LAB 73.76, -48.97, 4.77

 

CMYK 60 / 88 / 0 / 20

HEX #5219CC

RGB 82 25 204

HSL 259.11, 0.78%, 0.45%

LAB 31.46, 63.98, -79.99

 

CMYK 0 / 88 / 72 / 20

HEX #CC193A

RGB 204 25 58

HSL 348.94, 0.78%, 0.45%

LAB 44, 66.01, 30.41

 

Description

Color code: HEX #92CB19 | qconv.com Color code: HEX #92CB19 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 203 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 203 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 88 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 88% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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