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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92C2DB it is the complementary color #6D3D24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92C2DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92C2DB shade: #97C2D6, #A8D4E9, #B9E6FC, #CAF8FF and #DBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92C2DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92C2DB shade: #92C2DB, #81B0C8, #709EB5, #5F8CA2 and #4E7A8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92C2DB shade: #94C3DB, #94B0DB, #949CDB, #9F94DB and #B294DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92C2DB shade: #94C3DB, #94B0DB, #949CDB and #9494DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92C2DB shade matches the following richer shades: #94C3DB, #88C6E7, #7DCAF2 and #71CEFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92C2DB shade: #94C3DB, #9FBFD0, #ABBCC4, #B7B8B9 and #C2B4AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92C2DB shade: #94DBCD, #94D7DB, #94C4DB, #94B0DB and #949DDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92C2DB shade: #56A0C7, #75B1D1, #94C3DB, #B3D4E6 and #D2E6F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92C2DB shade: #92C2DB, #BA94DB and #DBD794

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92C2DB shade: #92C2DB, #DB94C4 and #C4DB94

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92C2DB shade: #92C2DB, #BA94DB, #DBAC94 and #B5DB94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92C2DB shade: #92C2DB, #CF94DB, #DBAC94 and #A0DB94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 11 / 0 / 14

HEX #92C2DB

RGB 146 194 219

HSL 200.55, 0.5%, 0.72%

LAB 75.95, -9.75, -17.55

 

Complementary color

CMYK 0 / 44 / 67 / 57

HEX #6D3D24

RGB 109 61 36

HSL 20.55, 0.5%, 0.28%

LAB 31.15, 18.53, 24.24

 

CMYK 29 / 9 / 0 / 16

HEX #97C2D6

RGB 151 194 214

HSL 199.05, 0.43%, 0.72%

LAB 76.08, -9.55, -14.63

 

CMYK 28 / 9 / 0 / 9

HEX #A8D4E9

RGB 168 212 233

HSL 199.38, 0.6%, 0.79%

LAB 82.54, -9.59, -15.02

 

CMYK 27 / 9 / 0 / 1

HEX #B9E6FC

RGB 185 230 252

HSL 199.7, 0.92%, 0.86%

LAB 88.89, -9.64, -15.42

 

CMYK 21 / 3 / 0 / 0

HEX #CAF8FF

RGB 202 248 255

HSL 187.92, 1%, 0.9%

LAB 94.7, -13.13, -8.21

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 33 / 11 / 0 / 14

HEX #92C2DB

RGB 146 194 219

HSL 200.55, 0.5%, 0.72%

LAB 75.95, -9.75, -17.55

 

CMYK 36 / 12 / 0 / 22

HEX #81B0C8

RGB 129 176 200

HSL 200.28, 0.39%, 0.65%

LAB 69.39, -9.66, -17.2

 

CMYK 38 / 13 / 0 / 29

HEX #709EB5

RGB 112 158 181

HSL 200, 0.32%, 0.57%

LAB 62.71, -9.55, -16.84

 

CMYK 41 / 14 / 0 / 36

HEX #5F8CA2

RGB 95 140 162

HSL 199.7, 0.26%, 0.5%

LAB 55.88, -9.42, -16.49

 

CMYK 45 / 15 / 0 / 44

HEX #4E7A8F

RGB 78 122 143

HSL 199.38, 0.29%, 0.43%

LAB 48.91, -9.23, -16.13

 

CMYK 32 / 11 / 0 / 14

HEX #94C3DB

RGB 148 195 219

HSL 200.28, 0.5%, 0.72%

LAB 76.34, -9.72, -16.96

 

CMYK 32 / 20 / 0 / 14

HEX #94B0DB

RGB 148 176 219

HSL 216.34, 0.5%, 0.72%

LAB 71.19, 0.52, -24.78

 

CMYK 32 / 29 / 0 / 14

HEX #949CDB

RGB 148 156 219

HSL 233.24, 0.5%, 0.72%

LAB 65.89, 11.72, -32.94

 

CMYK 27 / 32 / 0 / 14

HEX #9F94DB

RGB 159 148 219

HSL 249.3, 0.5%, 0.72%

LAB 64.7, 19.46, -34.73

 

CMYK 19 / 32 / 0 / 14

HEX #B294DB

RGB 178 148 219

HSL 265.35, 0.5%, 0.72%

LAB 66.34, 25.14, -32.06

 

CMYK 32 / 11 / 0 / 14

HEX #94C3DB

RGB 148 195 219

HSL 200.28, 0.5%, 0.72%

LAB 76.34, -9.72, -16.96

 

CMYK 32 / 20 / 0 / 14

HEX #94B0DB

RGB 148 176 219

HSL 216.34, 0.5%, 0.72%

LAB 71.19, 0.52, -24.78

 

CMYK 32 / 29 / 0 / 14

HEX #949CDB

RGB 148 156 219

HSL 233.24, 0.5%, 0.72%

LAB 65.89, 11.72, -32.94

 

CMYK 32 / 32 / 0 / 14

HEX #9494DB

RGB 148 148 219

HSL 240, 0.5%, 0.72%

LAB 63.83, 16.3, -36.15

 

CMYK 32 / 11 / 0 / 14

HEX #94C3DB

RGB 148 195 219

HSL 200.28, 0.5%, 0.72%

LAB 76.34, -9.72, -16.96

 

CMYK 41 / 14 / 0 / 9

HEX #88C6E7

RGB 136 198 231

HSL 200.84, 0.66%, 0.72%

LAB 76.92, -11.46, -22.62

 

CMYK 48 / 17 / 0 / 5

HEX #7DCAF2

RGB 125 202 242

HSL 200.51, 0.82%, 0.72%

LAB 77.88, -13.23, -27.1

 

CMYK 56 / 19 / 0 / 0

HEX #71CEFE

RGB 113 206 254

HSL 200.43, 0.99%, 0.72%

LAB 78.93, -14.44, -31.94

 

CMYK 32 / 11 / 0 / 14

HEX #94C3DB

RGB 148 195 219

HSL 200.28, 0.5%, 0.72%

LAB 76.34, -9.72, -16.96

 

CMYK 24 / 8 / 0 / 18

HEX #9FBFD0

RGB 159 191 208

HSL 200.82, 0.34%, 0.72%

LAB 75.57, -6.98, -12.1

 

CMYK 13 / 4 / 0 / 23

HEX #ABBCC4

RGB 171 188 196

HSL 199.2, 0.17%, 0.72%

LAB 75.21, -4.19, -6.03

 

CMYK 1 / 1 / 0 / 27

HEX #B7B8B9

RGB 183 184 185

HSL 210, 0.01%, 0.72%

LAB 74.73, -0.16, -0.64

 

CMYK 0 / 7 / 11 / 24

HEX #C2B4AD

RGB 194 180 173

HSL 20, 0.15%, 0.72%

LAB 74.27, 3.78, 5.35

 

CMYK 32 / 0 / 6 / 14

HEX #94DBCD

RGB 148 219 205

HSL 168.17, 0.5%, 0.72%

LAB 82.58, -25.17, -0.19

 

CMYK 32 / 2 / 0 / 14

HEX #94D7DB

RGB 148 215 219

HSL 183.38, 0.5%, 0.72%

LAB 81.84, -20.01, -8.72

 

CMYK 32 / 11 / 0 / 14

HEX #94C4DB

RGB 148 196 219

HSL 199.44, 0.5%, 0.72%

LAB 76.61, -10.25, -16.55

 

CMYK 32 / 20 / 0 / 14

HEX #94B0DB

RGB 148 176 219

HSL 216.34, 0.5%, 0.72%

LAB 71.19, 0.52, -24.78

 

CMYK 32 / 28 / 0 / 14

HEX #949DDB

RGB 148 157 219

HSL 232.39, 0.5%, 0.72%

LAB 66.15, 11.15, -32.53

 

CMYK 57 / 20 / 0 / 22

HEX #56A0C7

RGB 86 160 199

HSL 200.71, 0.5%, 0.56%

LAB 62.71, -11.75, -27.02

 

CMYK 44 / 15 / 0 / 18

HEX #75B1D1

RGB 117 177 209

HSL 200.87, 0.5%, 0.64%

LAB 69.35, -10.98, -22.27

 

CMYK 32 / 11 / 0 / 14

HEX #94C3DB

RGB 148 195 219

HSL 200.28, 0.5%, 0.72%

LAB 76.34, -9.72, -16.96

 

CMYK 22 / 8 / 0 / 10

HEX #B3D4E6

RGB 179 212 230

HSL 201.18, 0.5%, 0.8%

LAB 83.12, -7.03, -12.49

 

CMYK 13 / 4 / 0 / 6

HEX #D2E6F0

RGB 210 230 240

HSL 200, 0.5%, 0.88%

LAB 90.13, -4.63, -7.11

 

CMYK 33 / 11 / 0 / 14

HEX #92C2DB

RGB 146 194 219

HSL 200.55, 0.5%, 0.72%

LAB 75.95, -9.75, -17.55

 

CMYK 15 / 32 / 0 / 14

HEX #BA94DB

RGB 186 148 219

HSL 272.11, 0.5%, 0.72%

LAB 67.08, 27.6, -30.85

 

CMYK 0 / 2 / 32 / 14

HEX #DBD794

RGB 219 215 148

HSL 56.62, 0.5%, 0.72%

LAB 84.89, -8.71, 33.62

 

CMYK 33 / 11 / 0 / 14

HEX #92C2DB

RGB 146 194 219

HSL 200.55, 0.5%, 0.72%

LAB 75.95, -9.75, -17.55

 

CMYK 0 / 32 / 11 / 14

HEX #DB94C4

RGB 219 148 196

HSL 319.44, 0.5%, 0.72%

LAB 69.63, 33.91, -13.9

 

CMYK 11 / 0 / 32 / 14

HEX #C4DB94

RGB 196 219 148

HSL 79.44, 0.5%, 0.72%

LAB 84.24, -19.4, 32.45

 

CMYK 33 / 11 / 0 / 14

HEX #92C2DB

RGB 146 194 219

HSL 200.55, 0.5%, 0.72%

LAB 75.95, -9.75, -17.55

 

CMYK 15 / 32 / 0 / 14

HEX #BA94DB

RGB 186 148 219

HSL 272.11, 0.5%, 0.72%

LAB 67.08, 27.6, -30.85

 

CMYK 0 / 21 / 32 / 14

HEX #DBAC94

RGB 219 172 148

HSL 20.28, 0.5%, 0.72%

LAB 74, 13.84, 18.91

 

CMYK 17 / 0 / 32 / 14

HEX #B5DB94

RGB 181 219 148

HSL 92.11, 0.5%, 0.72%

LAB 83.24, -24.87, 30.94

 

CMYK 33 / 11 / 0 / 14

HEX #92C2DB

RGB 146 194 219

HSL 200.55, 0.5%, 0.72%

LAB 75.95, -9.75, -17.55

 

CMYK 5 / 32 / 0 / 14

HEX #CF94DB

RGB 207 148 219

HSL 289.86, 0.5%, 0.72%

LAB 69.15, 34.17, -27.48

 

CMYK 0 / 21 / 32 / 14

HEX #DBAC94

RGB 219 172 148

HSL 20.28, 0.5%, 0.72%

LAB 74, 13.84, 18.91

 

CMYK 27 / 0 / 32 / 14

HEX #A0DB94

RGB 160 219 148

HSL 109.86, 0.5%, 0.72%

LAB 81.99, -32.16, 29.04

 

Description

Color code: HEX #92C2DB | qconv.com Color code: HEX #92C2DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 194 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 194 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 11 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 11% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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