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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #92BECE it is the complementary color #6D4131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #92BECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #92BECE shade: #97BEC9, #A8D0DC, #B9E2EF, #CAF4FF and #DBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #92BECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #92BECE shade: #92BECE, #81ACBB, #709AA8, #5F8895 and #4E7682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #92BECE shade: #92BECE, #92AECE, #929ECE, #9692CE and #A792CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #92BECE shade: #92BECE, #92AECE, #929ECE and #9292CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #92BECE shade matches the following richer shades: #92BECE, #85C4DB, #78CAE8 and #6CD0F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #92BECE shade: #92BECE, #9FB8C1, #ABB2B4, #B8ACA8 and #C5A69B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #92BECE shade: #92CEBE, #92CECE, #92BECE, #92AECE and #929ECE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #92BECE shade: #599CB4, #75ADC1, #92BECE, #AECFDB and #CBE0E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #92BECE shade: #92BECE, #AE92CE and #CEC692

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #92BECE shade: #92BECE, #CE92BE and #BECE92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #92BECE shade: #92BECE, #AE92CE, #CEA292 and #B2CE92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #92BECE shade: #92BECE, #C092CE, #CEA292 and #A0CE92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

Complementary color

CMYK 0 / 40 / 55 / 57

HEX #6D4131

RGB 109 65 49

HSL 16, 0.38%, 0.31%

LAB 32.38, 17.26, 17.8

 

CMYK 25 / 5 / 0 / 21

HEX #97BEC9

RGB 151 190 201

HSL 193.2, 0.32%, 0.69%

LAB 74.59, -10.47, -9.81

 

CMYK 24 / 5 / 0 / 14

HEX #A8D0DC

RGB 168 208 220

HSL 193.85, 0.43%, 0.76%

LAB 81.07, -10.47, -10.28

 

CMYK 23 / 5 / 0 / 6

HEX #B9E2EF

RGB 185 226 239

HSL 194.44, 0.63%, 0.83%

LAB 87.46, -10.48, -10.74

 

CMYK 21 / 4 / 0 / 0

HEX #CAF4FF

RGB 202 244 255

HSL 192.45, 1%, 0.9%

LAB 93.66, -11.12, -9.76

 

CMYK 14 / 0 / 0 / 0

HEX #DBFFFF

RGB 219 255 255

HSL 180, 1%, 0.93%

LAB 97.55, -11.49, -3.89

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 31 / 8 / 0 / 27

HEX #81ACBB

RGB 129 172 187

HSL 195.52, 0.3%, 0.62%

LAB 67.84, -10.77, -12.35

 

CMYK 33 / 8 / 0 / 34

HEX #709AA8

RGB 112 154 168

HSL 195, 0.24%, 0.55%

LAB 61.12, -10.75, -11.91

 

CMYK 36 / 9 / 0 / 42

HEX #5F8895

RGB 95 136 149

HSL 194.44, 0.22%, 0.48%

LAB 54.25, -10.71, -11.46

 

CMYK 40 / 9 / 0 / 49

HEX #4E7682

RGB 78 118 130

HSL 193.85, 0.25%, 0.41%

LAB 47.22, -10.67, -11.01

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 29 / 16 / 0 / 19

HEX #92AECE

RGB 146 174 206

HSL 212, 0.38%, 0.69%

LAB 70.06, -2.2, -19.38

 

CMYK 29 / 23 / 0 / 19

HEX #929ECE

RGB 146 158 206

HSL 228, 0.38%, 0.69%

LAB 65.76, 6.7, -25.94

 

CMYK 27 / 29 / 0 / 19

HEX #9692CE

RGB 150 146 206

HSL 244, 0.38%, 0.69%

LAB 62.93, 14.73, -30.3

 

CMYK 19 / 29 / 0 / 19

HEX #A792CE

RGB 167 146 206

HSL 261, 0.38%, 0.69%

LAB 64.35, 19.93, -27.99

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 29 / 16 / 0 / 19

HEX #92AECE

RGB 146 174 206

HSL 212, 0.38%, 0.69%

LAB 70.06, -2.2, -19.38

 

CMYK 29 / 23 / 0 / 19

HEX #929ECE

RGB 146 158 206

HSL 228, 0.38%, 0.69%

LAB 65.76, 6.7, -25.94

 

CMYK 29 / 29 / 0 / 19

HEX #9292CE

RGB 146 146 206

HSL 240, 0.38%, 0.69%

LAB 62.61, 13.54, -30.81

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 39 / 11 / 0 / 14

HEX #85C4DB

RGB 133 196 219

HSL 196.05, 0.54%, 0.69%

LAB 75.81, -14.3, -17.83

 

CMYK 48 / 13 / 0 / 9

HEX #78CAE8

RGB 120 202 232

HSL 196.07, 0.71%, 0.69%

LAB 77.32, -17.11, -22.61

 

CMYK 56 / 15 / 0 / 4

HEX #6CD0F4

RGB 108 208 244

HSL 195.88, 0.86%, 0.69%

LAB 78.94, -19.34, -26.6

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 18 / 5 / 0 / 24

HEX #9FB8C1

RGB 159 184 193

HSL 195.88, 0.22%, 0.69%

LAB 73.22, -6.59, -7.43

 

CMYK 5 / 1 / 0 / 29

HEX #ABB2B4

RGB 171 178 180

HSL 193.33, 0.06%, 0.69%

LAB 72.09, -2.05, -1.88

 

CMYK 0 / 7 / 9 / 28

HEX #B8ACA8

RGB 184 172 168

HSL 15, 0.1%, 0.69%

LAB 71.23, 3.6, 3.59

 

CMYK 0 / 16 / 21 / 23

HEX #C5A69B

RGB 197 166 155

HSL 15.71, 0.27%, 0.69%

LAB 70.53, 9.6, 9.91

 

CMYK 29 / 0 / 8 / 19

HEX #92CEBE

RGB 146 206 190

HSL 164, 0.38%, 0.69%

LAB 78.45, -22.6, 1.78

 

CMYK 29 / 0 / 0 / 19

HEX #92CECE

RGB 146 206 206

HSL 180, 0.38%, 0.69%

LAB 78.87, -19.05, -6.18

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 29 / 16 / 0 / 19

HEX #92AECE

RGB 146 174 206

HSL 212, 0.38%, 0.69%

LAB 70.06, -2.2, -19.38

 

CMYK 29 / 23 / 0 / 19

HEX #929ECE

RGB 146 158 206

HSL 228, 0.38%, 0.69%

LAB 65.76, 6.7, -25.94

 

CMYK 51 / 13 / 0 / 29

HEX #599CB4

RGB 89 156 180

HSL 195.82, 0.38%, 0.53%

LAB 60.95, -14.59, -19.04

 

CMYK 39 / 10 / 0 / 24

HEX #75ADC1

RGB 117 173 193

HSL 195.79, 0.38%, 0.61%

LAB 67.66, -13.13, -16

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 21 / 5 / 0 / 14

HEX #AECFDB

RGB 174 207 219

HSL 196, 0.38%, 0.77%

LAB 81.15, -8.35, -9.59

 

CMYK 13 / 3 / 0 / 9

HEX #CBE0E8

RGB 203 224 232

HSL 196.55, 0.39%, 0.85%

LAB 87.89, -5.37, -6.28

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 16 / 29 / 0 / 19

HEX #AE92CE

RGB 174 146 206

HSL 268, 0.38%, 0.69%

LAB 64.97, 22.13, -26.97

 

CMYK 0 / 4 / 29 / 19

HEX #CEC692

RGB 206 198 146

HSL 52, 0.38%, 0.69%

LAB 79.38, -5.24, 27.12

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 0 / 29 / 8 / 19

HEX #CE92BE

RGB 206 146 190

HSL 316, 0.38%, 0.69%

LAB 67.57, 29.54, -13.79

 

CMYK 8 / 0 / 29 / 19

HEX #BECE92

RGB 190 206 146

HSL 76, 0.38%, 0.69%

LAB 80.27, -15.43, 28.11

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 16 / 29 / 0 / 19

HEX #AE92CE

RGB 174 146 206

HSL 268, 0.38%, 0.69%

LAB 64.97, 22.13, -26.97

 

CMYK 0 / 21 / 29 / 19

HEX #CEA292

RGB 206 162 146

HSL 16, 0.38%, 0.69%

LAB 70.2, 13.94, 14.53

 

CMYK 14 / 0 / 29 / 19

HEX #B2CE92

RGB 178 206 146

HSL 88, 0.38%, 0.69%

LAB 79.43, -19.87, 26.84

 

CMYK 29 / 8 / 0 / 19

HEX #92BECE

RGB 146 190 206

HSL 196, 0.38%, 0.69%

LAB 74.44, -10.79, -12.78

 

CMYK 7 / 29 / 0 / 19

HEX #C092CE

RGB 192 146 206

HSL 286, 0.38%, 0.69%

LAB 66.69, 27.89, -24.19

 

CMYK 0 / 21 / 29 / 19

HEX #CEA292

RGB 206 162 146

HSL 16, 0.38%, 0.69%

LAB 70.2, 13.94, 14.53

 

CMYK 22 / 0 / 29 / 19

HEX #A0CE92

RGB 160 206 146

HSL 106, 0.38%, 0.69%

LAB 78.28, -26.28, 25.09

 

Description

Color code: HEX #92BECE | qconv.com Color code: HEX #92BECE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 190 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 190 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 8 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 8% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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