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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9284B9 it is the complementary color #6D7B46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9284B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9284B9 shade: #9784B4, #A896C7, #B9A8DA, #CABAED and #DBCCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9284B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9284B9 shade: #9284B9, #8172A6, #706093, #5F4E80 and #4E3C6D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9284B9 shade: #9284B8, #A084B8, #AE84B8, #B884B4 and #B884A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9284B9 shade: #9284B8 and #8484B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9284B9 shade matches the following richer shades: #9284B8, #8A74C8, #8365D8, #7C55E7 and #7445F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9284B9 shade: #9284B8, #9994A9, #A1A399, #A8B389 and #AFC37A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9284B9 shade: #8493B8, #8485B8, #9184B8, #9F84B8 and #AD84B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9284B9 shade: #665594, #7B6AA9, #9284B8, #A99EC7 and #C0B8D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9284B9 shade: #9284B9, #B884A1 and #8CB884

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9284B9 shade: #9284B9, #B89184 and #84B891

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9284B9 shade: #9284B9, #B884A1, #ABB884 and #84B89B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9284B9 shade: #9284B9, #B88491, #ABB884 and #84B8AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 29 / 0 / 27

HEX #9284B9

RGB 146 132 185

HSL 255.85, 0.27%, 0.62%

LAB 58.15, 16.47, -25.86

 

Complementary color

CMYK 11 / 0 / 43 / 52

HEX #6D7B46

RGB 109 123 70

HSL 75.85, 0.27%, 0.38%

LAB 49.33, -14.44, 27.23

 

CMYK 16 / 27 / 0 / 29

HEX #9784B4

RGB 151 132 180

HSL 263.75, 0.24%, 0.61%

LAB 58.39, 16.92, -22.6

 

CMYK 16 / 25 / 0 / 22

HEX #A896C7

RGB 168 150 199

HSL 262.04, 0.3%, 0.68%

LAB 65.17, 16.41, -22.81

 

CMYK 15 / 23 / 0 / 15

HEX #B9A8DA

RGB 185 168 218

HSL 260.4, 0.4%, 0.76%

LAB 71.81, 15.94, -23.04

 

CMYK 15 / 22 / 0 / 7

HEX #CABAED

RGB 202 186 237

HSL 258.82, 0.59%, 0.83%

LAB 78.34, 15.51, -23.28

 

CMYK 14 / 20 / 0 / 0

HEX #DBCCFF

RGB 219 204 255

HSL 257.65, 1%, 0.9%

LAB 84.72, 14.91, -23.06

 

CMYK 21 / 29 / 0 / 27

HEX #9284B9

RGB 146 132 185

HSL 255.85, 0.27%, 0.62%

LAB 58.15, 16.47, -25.86

 

CMYK 22 / 31 / 0 / 35

HEX #8172A6

RGB 129 114 166

HSL 257.31, 0.23%, 0.55%

LAB 51.22, 17.06, -25.75

 

CMYK 24 / 35 / 0 / 42

HEX #706093

RGB 112 96 147

HSL 258.82, 0.21%, 0.48%

LAB 44.11, 17.72, -25.68

 

CMYK 26 / 39 / 0 / 50

HEX #5F4E80

RGB 95 78 128

HSL 260.4, 0.24%, 0.4%

LAB 36.82, 18.48, -25.66

 

CMYK 28 / 45 / 0 / 57

HEX #4E3C6D

RGB 78 60 109

HSL 262.04, 0.29%, 0.33%

LAB 29.3, 19.37, -25.7

 

CMYK 21 / 28 / 0 / 28

HEX #9284B8

RGB 146 132 184

HSL 256.15, 0.27%, 0.62%

LAB 58.11, 16.24, -25.35

 

CMYK 13 / 28 / 0 / 28

HEX #A084B8

RGB 160 132 184

HSL 272.31, 0.27%, 0.62%

LAB 59.38, 20.75, -23.29

 

CMYK 5 / 28 / 0 / 28

HEX #AE84B8

RGB 174 132 184

HSL 288.46, 0.27%, 0.62%

LAB 60.75, 25.37, -21.07

 

CMYK 0 / 28 / 2 / 28

HEX #B884B4

RGB 184 132 180

HSL 304.62, 0.27%, 0.62%

LAB 61.64, 27.95, -17.34

 

CMYK 0 / 28 / 10 / 28

HEX #B884A6

RGB 184 132 166

HSL 320.77, 0.27%, 0.62%

LAB 61.17, 25.4, -10.09

 

CMYK 21 / 28 / 0 / 28

HEX #9284B8

RGB 146 132 184

HSL 256.15, 0.27%, 0.62%

LAB 58.11, 16.24, -25.35

 

CMYK 28 / 28 / 0 / 28

HEX #8484B8

RGB 132 132 184

HSL 240, 0.27%, 0.62%

LAB 56.95, 11.88, -27.24

 

CMYK 21 / 28 / 0 / 28

HEX #9284B8

RGB 146 132 184

HSL 256.15, 0.27%, 0.62%

LAB 58.11, 16.24, -25.35

 

CMYK 31 / 42 / 0 / 22

HEX #8A74C8

RGB 138 116 200

HSL 255.71, 0.43%, 0.62%

LAB 54.1, 27.17, -40.78

 

CMYK 39 / 53 / 0 / 15

HEX #8365D8

RGB 131 101 216

HSL 255.65, 0.6%, 0.62%

LAB 50.79, 38.37, -55.17

 

CMYK 46 / 63 / 0 / 9

HEX #7C55E7

RGB 124 85 231

HSL 256.03, 0.75%, 0.62%

LAB 47.69, 49.98, -68.7

 

CMYK 53 / 72 / 0 / 3

HEX #7445F7

RGB 116 69 247

HSL 255.84, 0.92%, 0.62%

LAB 45.2, 61.28, -81.8

 

CMYK 21 / 28 / 0 / 28

HEX #9284B8

RGB 146 132 184

HSL 256.15, 0.27%, 0.62%

LAB 58.11, 16.24, -25.35

 

CMYK 9 / 12 / 0 / 34

HEX #9994A9

RGB 153 148 169

HSL 254.29, 0.11%, 0.62%

LAB 62.35, 6.03, -10.33

 

CMYK 1 / 0 / 6 / 36

HEX #A1A399

RGB 161 163 153

HSL 72, 0.05%, 0.62%

LAB 66.57, -2.58, 4.93

 

CMYK 6 / 0 / 23 / 30

HEX #A8B389

RGB 168 179 137

HSL 75.71, 0.22%, 0.62%

LAB 71.13, -11.17, 20.21

 

CMYK 10 / 0 / 37 / 24

HEX #AFC37A

RGB 175 195 122

HSL 76.44, 0.38%, 0.62%

LAB 75.79, -18.76, 34.45

 

CMYK 28 / 20 / 0 / 28

HEX #8493B8

RGB 132 147 184

HSL 222.69, 0.27%, 0.62%

LAB 60.99, 3.22, -21.03

 

CMYK 28 / 28 / 0 / 28

HEX #8485B8

RGB 132 133 184

HSL 238.85, 0.27%, 0.62%

LAB 57.21, 11.3, -26.83

 

CMYK 21 / 28 / 0 / 28

HEX #9184B8

RGB 145 132 184

HSL 255, 0.27%, 0.62%

LAB 58.02, 15.92, -25.49

 

CMYK 14 / 28 / 0 / 28

HEX #9F84B8

RGB 159 132 184

HSL 271.15, 0.27%, 0.62%

LAB 59.28, 20.42, -23.45

 

CMYK 6 / 28 / 0 / 28

HEX #AD84B8

RGB 173 132 184

HSL 287.31, 0.27%, 0.62%

LAB 60.65, 25.04, -21.24

 

CMYK 31 / 43 / 0 / 42

HEX #665594

RGB 102 85 148

HSL 256.19, 0.27%, 0.46%

LAB 40.34, 21.65, -32.25

 

CMYK 27 / 37 / 0 / 34

HEX #7B6AA9

RGB 123 106 169

HSL 256.19, 0.27%, 0.54%

LAB 48.74, 20.72, -31.39

 

CMYK 21 / 28 / 0 / 28

HEX #9284B8

RGB 146 132 184

HSL 256.15, 0.27%, 0.62%

LAB 58.11, 16.24, -25.35

 

CMYK 15 / 21 / 0 / 22

HEX #A99EC7

RGB 169 158 199

HSL 256.1, 0.27%, 0.7%

LAB 67.29, 12.23, -19.57

 

CMYK 10 / 14 / 0 / 16

HEX #C0B8D6

RGB 192 184 214

HSL 256, 0.27%, 0.78%

LAB 76.28, 8.59, -14.04

 

CMYK 21 / 29 / 0 / 27

HEX #9284B9

RGB 146 132 185

HSL 255.85, 0.27%, 0.62%

LAB 58.15, 16.47, -25.86

 

CMYK 0 / 28 / 13 / 28

HEX #B884A1

RGB 184 132 161

HSL 326.54, 0.27%, 0.62%

LAB 61.02, 24.54, -7.47

 

CMYK 24 / 0 / 28 / 28

HEX #8CB884

RGB 140 184 132

HSL 110.77, 0.27%, 0.62%

LAB 70.54, -24.75, 21.8

 

CMYK 21 / 29 / 0 / 27

HEX #9284B9

RGB 146 132 185

HSL 255.85, 0.27%, 0.62%

LAB 58.15, 16.47, -25.86

 

CMYK 0 / 21 / 28 / 28

HEX #B89184

RGB 184 145 132

HSL 15, 0.27%, 0.62%

LAB 63.43, 12.76, 12.5

 

CMYK 28 / 0 / 21 / 28

HEX #84B891

RGB 132 184 145

HSL 135, 0.27%, 0.62%

LAB 70.34, -25.15, 14.42

 

CMYK 21 / 29 / 0 / 27

HEX #9284B9

RGB 146 132 185

HSL 255.85, 0.27%, 0.62%

LAB 58.15, 16.47, -25.86

 

CMYK 0 / 28 / 13 / 28

HEX #B884A1

RGB 184 132 161

HSL 326.54, 0.27%, 0.62%

LAB 61.02, 24.54, -7.47

 

CMYK 7 / 0 / 28 / 28

HEX #ABB884

RGB 171 184 132

HSL 75, 0.27%, 0.62%

LAB 72.63, -13.36, 24.98

 

CMYK 28 / 0 / 16 / 28

HEX #84B89B

RGB 132 184 155

HSL 146.54, 0.27%, 0.62%

LAB 70.56, -23.21, 9.29

 

CMYK 21 / 29 / 0 / 27

HEX #9284B9

RGB 146 132 185

HSL 255.85, 0.27%, 0.62%

LAB 58.15, 16.47, -25.86

 

CMYK 0 / 28 / 21 / 28

HEX #B88491

RGB 184 132 145

HSL 345, 0.27%, 0.62%

LAB 60.55, 21.93, 0.99

 

CMYK 7 / 0 / 28 / 28

HEX #ABB884

RGB 171 184 132

HSL 75, 0.27%, 0.62%

LAB 72.63, -13.36, 24.98

 

CMYK 28 / 0 / 7 / 28

HEX #84B8AB

RGB 132 184 171

HSL 165, 0.27%, 0.62%

LAB 70.96, -19.86, 1.1

 

Description

Color code: HEX #9284B9 | qconv.com Color code: HEX #9284B9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 132 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 132 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 29 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 29% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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