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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9261C0 it is the complementary color #6D9E3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9261C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9261C0 shade: #9761BB, #A873CE, #B985E1, #CA97F4 and #DBA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9261C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9261C0 shade: #9261C0, #814FAD, #703D9A, #5F2B87 and #4E1974

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9261C0 shade: #9262C0, #AC62C0, #C062BB, #C062A1 and #C06288

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9261C0 shade: #9262C0, #7962C0 and #6262C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9261C0 shade matches the following richer shades: #9262C0, #9350D2, #933EE3 and #942CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9261C0 shade: #9262C0, #9273AE, #91859D, #91978B and #90A979

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9261C0 shade: #6265C0, #7862C0, #9162C0, #AA62C0 and #C062BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9261C0 shade: #693B94, #7E47B2, #9262C0, #A77FCC and #BB9DD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9261C0 shade: #9261C0, #C0627E and #62C06B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9261C0 shade: #9261C0, #C09162 and #62C091

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9261C0 shade: #9261C0, #C0627E, #91C062 and #62C0A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9261C0 shade: #9261C0, #C06262, #91C062 and #62C0C0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 49 / 0 / 25

HEX #9261C0

RGB 146 97 192

HSL 270.95, 0.43%, 0.57%

LAB 50.06, 38.36, -42.52

 

Complementary color

CMYK 31 / 0 / 60 / 38

HEX #6D9E3F

RGB 109 158 63

HSL 90.95, 0.43%, 0.43%

LAB 59.95, -32.81, 43.51

 

CMYK 19 / 48 / 0 / 27

HEX #9761BB

RGB 151 97 187

HSL 276, 0.4%, 0.56%

LAB 50.35, 38.6, -39.13

 

CMYK 18 / 44 / 0 / 19

HEX #A873CE

RGB 168 115 206

HSL 274.95, 0.48%, 0.63%

LAB 57.12, 37.75, -39.23

 

CMYK 18 / 41 / 0 / 12

HEX #B985E1

RGB 185 133 225

HSL 273.91, 0.61%, 0.7%

LAB 63.77, 36.94, -39.32

 

CMYK 17 / 38 / 0 / 4

HEX #CA97F4

RGB 202 151 244

HSL 272.9, 0.81%, 0.77%

LAB 70.33, 36.17, -39.42

 

CMYK 14 / 34 / 0 / 0

HEX #DBA9FF

RGB 219 169 255

HSL 274.88, 1%, 0.83%

LAB 76.47, 33.77, -35.71

 

CMYK 24 / 49 / 0 / 25

HEX #9261C0

RGB 146 97 192

HSL 270.95, 0.43%, 0.57%

LAB 50.06, 38.36, -42.52

 

CMYK 25 / 54 / 0 / 32

HEX #814FAD

RGB 129 79 173

HSL 271.91, 0.37%, 0.49%

LAB 43.18, 39.28, -42.48

 

CMYK 27 / 60 / 0 / 40

HEX #703D9A

RGB 112 61 154

HSL 272.9, 0.43%, 0.42%

LAB 36.21, 40.18, -42.38

 

CMYK 30 / 68 / 0 / 47

HEX #5F2B87

RGB 95 43 135

HSL 273.91, 0.52%, 0.35%

LAB 29.18, 40.94, -42.13

 

CMYK 33 / 78 / 0 / 55

HEX #4E1974

RGB 78 25 116

HSL 274.95, 0.65%, 0.28%

LAB 22.22, 41.22, -41.51

 

CMYK 24 / 49 / 0 / 25

HEX #9262C0

RGB 146 98 192

HSL 270.64, 0.43%, 0.57%

LAB 50.28, 37.79, -42.17

 

CMYK 10 / 49 / 0 / 25

HEX #AC62C0

RGB 172 98 192

HSL 287.23, 0.43%, 0.57%

LAB 53.29, 45.13, -37.22

 

CMYK 0 / 49 / 3 / 25

HEX #C062BB

RGB 192 98 187

HSL 303.19, 0.43%, 0.57%

LAB 55.61, 49.96, -30.53

 

CMYK 0 / 49 / 16 / 25

HEX #C062A1

RGB 192 98 161

HSL 319.79, 0.43%, 0.57%

LAB 54.57, 45.6, -17.07

 

CMYK 0 / 49 / 29 / 25

HEX #C06288

RGB 192 98 136

HSL 335.74, 0.43%, 0.57%

LAB 53.73, 41.95, -3.66

 

CMYK 24 / 49 / 0 / 25

HEX #9262C0

RGB 146 98 192

HSL 270.64, 0.43%, 0.57%

LAB 50.28, 37.79, -42.17

 

CMYK 37 / 49 / 0 / 25

HEX #7962C0

RGB 121 98 192

HSL 254.68, 0.43%, 0.57%

LAB 47.76, 31.08, -46.33

 

CMYK 49 / 49 / 0 / 25

HEX #6262C0

RGB 98 98 192

HSL 240, 0.43%, 0.57%

LAB 45.82, 25.46, -49.53

 

CMYK 24 / 49 / 0 / 25

HEX #9262C0

RGB 146 98 192

HSL 270.64, 0.43%, 0.57%

LAB 50.28, 37.79, -42.17

 

CMYK 30 / 62 / 0 / 18

HEX #9350D2

RGB 147 80 210

HSL 270.92, 0.59%, 0.57%

LAB 47.74, 52.03, -56.56

 

CMYK 35 / 73 / 0 / 11

HEX #933EE3

RGB 147 62 227

HSL 270.91, 0.75%, 0.57%

LAB 45.9, 64.38, -69.24

 

CMYK 40 / 82 / 0 / 4

HEX #942CF5

RGB 148 44 245

HSL 271.04, 0.91%, 0.57%

LAB 45.21, 75.07, -80.53

 

CMYK 24 / 49 / 0 / 25

HEX #9262C0

RGB 146 98 192

HSL 270.64, 0.43%, 0.57%

LAB 50.28, 37.79, -42.17

 

CMYK 16 / 34 / 0 / 32

HEX #9273AE

RGB 146 115 174

HSL 271.53, 0.27%, 0.57%

LAB 53.42, 23.8, -26.86

 

CMYK 8 / 15 / 0 / 38

HEX #91859D

RGB 145 133 157

HSL 270, 0.11%, 0.57%

LAB 57.3, 9.26, -11.13

 

CMYK 4 / 0 / 8 / 41

HEX #91978B

RGB 145 151 139

HSL 90, 0.05%, 0.57%

LAB 61.67, -4.47, 5.57

 

CMYK 15 / 0 / 28 / 34

HEX #90A979

RGB 144 169 121

HSL 91.25, 0.22%, 0.57%

LAB 66.28, -17.5, 21.99

 

CMYK 49 / 47 / 0 / 25

HEX #6265C0

RGB 98 101 192

HSL 238.09, 0.43%, 0.57%

LAB 46.59, 23.61, -48.3

 

CMYK 38 / 49 / 0 / 25

HEX #7862C0

RGB 120 98 192

HSL 254.04, 0.43%, 0.57%

LAB 47.67, 30.82, -46.48

 

CMYK 24 / 49 / 0 / 25

HEX #9162C0

RGB 145 98 192

HSL 270, 0.43%, 0.57%

LAB 50.17, 37.52, -42.35

 

CMYK 11 / 49 / 0 / 25

HEX #AA62C0

RGB 170 98 192

HSL 285.96, 0.43%, 0.57%

LAB 53.04, 44.56, -37.62

 

CMYK 0 / 49 / 2 / 25

HEX #C062BD

RGB 192 98 189

HSL 301.91, 0.43%, 0.57%

LAB 55.7, 50.32, -31.54

 

CMYK 29 / 60 / 0 / 42

HEX #693B94

RGB 105 59 148

HSL 271.01, 0.43%, 0.41%

LAB 34.54, 38.02, -41.46

 

CMYK 29 / 60 / 0 / 30

HEX #7E47B2

RGB 126 71 178

HSL 270.84, 0.43%, 0.49%

LAB 41.46, 44.12, -48.19

 

CMYK 24 / 49 / 0 / 25

HEX #9262C0

RGB 146 98 192

HSL 270.64, 0.43%, 0.57%

LAB 50.28, 37.79, -42.17

 

CMYK 18 / 38 / 0 / 20

HEX #A77FCC

RGB 167 127 204

HSL 271.17, 0.43%, 0.65%

LAB 59.67, 30.26, -34.12

 

CMYK 13 / 27 / 0 / 15

HEX #BB9DD8

RGB 187 157 216

HSL 270.51, 0.43%, 0.73%

LAB 69.21, 22.26, -25.9

 

CMYK 24 / 49 / 0 / 25

HEX #9261C0

RGB 146 97 192

HSL 270.95, 0.43%, 0.57%

LAB 50.06, 38.36, -42.52

 

CMYK 0 / 49 / 34 / 25

HEX #C0627E

RGB 192 98 126

HSL 342.13, 0.43%, 0.57%

LAB 53.44, 40.65, 1.82

 

CMYK 49 / 0 / 44 / 25

HEX #62C06B

RGB 98 192 107

HSL 125.74, 0.43%, 0.57%

LAB 70.43, -45.72, 34.39

 

CMYK 24 / 49 / 0 / 25

HEX #9261C0

RGB 146 97 192

HSL 270.95, 0.43%, 0.57%

LAB 50.06, 38.36, -42.52

 

CMYK 0 / 24 / 49 / 25

HEX #C09162

RGB 192 145 98

HSL 30, 0.43%, 0.57%

LAB 63.62, 11.97, 31.74

 

CMYK 49 / 0 / 24 / 25

HEX #62C091

RGB 98 192 145

HSL 150, 0.43%, 0.57%

LAB 71.1, -38.85, 15.25

 

CMYK 24 / 49 / 0 / 25

HEX #9261C0

RGB 146 97 192

HSL 270.95, 0.43%, 0.57%

LAB 50.06, 38.36, -42.52

 

CMYK 0 / 49 / 34 / 25

HEX #C0627E

RGB 192 98 126

HSL 342.13, 0.43%, 0.57%

LAB 53.44, 40.65, 1.82

 

CMYK 24 / 0 / 49 / 25

HEX #91C062

RGB 145 192 98

HSL 90, 0.43%, 0.57%

LAB 72.63, -31.55, 42.16

 

CMYK 49 / 0 / 15 / 25

HEX #62C0A4

RGB 98 192 164

HSL 162.13, 0.43%, 0.57%

LAB 71.54, -34.68, 5.57

 

CMYK 24 / 49 / 0 / 25

HEX #9261C0

RGB 146 97 192

HSL 270.95, 0.43%, 0.57%

LAB 50.06, 38.36, -42.52

 

CMYK 0 / 49 / 49 / 25

HEX #C06262

RGB 192 98 98

HSL 0, 0.43%, 0.57%

LAB 52.76, 37.56, 17.4

 

CMYK 24 / 0 / 49 / 25

HEX #91C062

RGB 145 192 98

HSL 90, 0.43%, 0.57%

LAB 72.63, -31.55, 42.16

 

CMYK 49 / 0 / 0 / 25

HEX #62C0C0

RGB 98 192 192

HSL 180, 0.43%, 0.57%

LAB 72.3, -27.75, -8.6

 

Description

Color code: HEX #9261C0 | qconv.com Color code: HEX #9261C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 97 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 97 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 49 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 49% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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