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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #925670 it is the complementary color #6DA98F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #925670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #925670 shade: #97566B, #A8687E, #B97A91, #CA8CA4 and #DB9EB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #925670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #925670 shade: #925670, #81445D, #70324A, #5F2037 and #4E0E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #925670 shade: #91556F, #91555F and #915555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #925670 shade: #91556F, #91557F, #91558F, #825591 and #725591

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #925670 shade matches the following richer shades: #91556F, #A3426C, #B6306A, #C81D67 and #DB0B65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #925670 shade: #91556F, #7E6771, #6B7A74, #598D76 and #469F79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #925670 shade: #91558F, #91557F, #91556F, #91555F and #915B55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #925670 shade: #5D3647, #77465B, #91556F, #A66883 and #B68299

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #925670 shade: #925670, #918355 and #558791

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #925670 shade: #925670, #6F9155 and #556F91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #925670 shade: #925670, #918355, #559177 and #556391

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #925670 shade: #925670, #8D9155, #559177 and #595591

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 23 / 43

HEX #925670

RGB 146 86 112

HSL 334, 0.26%, 0.45%

LAB 44.14, 28.47, -4.14

 

Complementary color

CMYK 36 / 0 / 15 / 34

HEX #6DA98F

RGB 109 169 143

HSL 154, 0.26%, 0.55%

LAB 64.65, -25.36, 7.3

 

CMYK 0 / 43 / 29 / 41

HEX #97566B

RGB 151 86 107

HSL 340.62, 0.27%, 0.46%

LAB 44.66, 29.59, -0.26

 

CMYK 0 / 38 / 25 / 34

HEX #A8687E

RGB 168 104 126

HSL 339.38, 0.27%, 0.53%

LAB 51.53, 28.69, -1.34

 

CMYK 0 / 34 / 22 / 27

HEX #B97A91

RGB 185 122 145

HSL 338.1, 0.31%, 0.6%

LAB 58.3, 27.86, -2.28

 

CMYK 0 / 31 / 19 / 21

HEX #CA8CA4

RGB 202 140 164

HSL 336.77, 0.37%, 0.67%

LAB 64.96, 27.1, -3.12

 

CMYK 0 / 28 / 16 / 14

HEX #DB9EB7

RGB 219 158 183

HSL 335.41, 0.46%, 0.74%

LAB 71.51, 26.4, -3.89

 

CMYK 0 / 41 / 23 / 43

HEX #925670

RGB 146 86 112

HSL 334, 0.26%, 0.45%

LAB 44.14, 28.47, -4.14

 

CMYK 0 / 47 / 28 / 49

HEX #81445D

RGB 129 68 93

HSL 335.41, 0.31%, 0.39%

LAB 37.1, 29.37, -3.03

 

CMYK 0 / 55 / 34 / 56

HEX #70324A

RGB 112 50 74

HSL 336.77, 0.38%, 0.32%

LAB 29.96, 30.28, -1.64

 

CMYK 0 / 66 / 42 / 63

HEX #5F2037

RGB 95 32 55

HSL 338.1, 0.5%, 0.25%

LAB 22.8, 31.02, 0.27

 

CMYK 0 / 82 / 54 / 69

HEX #4E0E24

RGB 78 14 36

HSL 339.38, 0.7%, 0.18%

LAB 15.8, 31.09, 3.18

 

CMYK 0 / 41 / 23 / 43

HEX #91556F

RGB 145 85 111

HSL 334, 0.26%, 0.45%

LAB 43.75, 28.5, -4.13

 

CMYK 0 / 41 / 34 / 43

HEX #91555F

RGB 145 85 95

HSL 350, 0.26%, 0.45%

LAB 43.28, 26.17, 4.98

 

CMYK 0 / 41 / 41 / 43

HEX #915555

RGB 145 85 85

HSL 0, 0.26%, 0.45%

LAB 43.02, 24.88, 10.74

 

CMYK 0 / 41 / 23 / 43

HEX #91556F

RGB 145 85 111

HSL 334, 0.26%, 0.45%

LAB 43.75, 28.5, -4.13

 

CMYK 0 / 41 / 12 / 43

HEX #91557F

RGB 145 85 127

HSL 318, 0.26%, 0.45%

LAB 44.3, 31.17, -13.03

 

CMYK 0 / 41 / 1 / 43

HEX #91558F

RGB 145 85 143

HSL 302, 0.26%, 0.45%

LAB 44.94, 34.14, -21.71

 

CMYK 10 / 41 / 0 / 43

HEX #825591

RGB 130 85 145

HSL 285, 0.26%, 0.45%

LAB 43.19, 29.66, -25.77

 

CMYK 21 / 41 / 0 / 43

HEX #725591

RGB 114 85 145

HSL 269, 0.26%, 0.45%

LAB 41.4, 24.55, -28.69

 

CMYK 0 / 41 / 23 / 43

HEX #91556F

RGB 145 85 111

HSL 334, 0.26%, 0.45%

LAB 43.75, 28.5, -4.13

 

CMYK 0 / 60 / 34 / 36

HEX #A3426C

RGB 163 66 108

HSL 334.02, 0.42%, 0.45%

LAB 42.41, 44.44, -3.97

 

CMYK 0 / 74 / 42 / 29

HEX #B6306A

RGB 182 48 106

HSL 334.03, 0.58%, 0.45%

LAB 42.91, 57.42, -1.62

 

CMYK 0 / 86 / 49 / 22

HEX #C81D67

RGB 200 29 103

HSL 334.04, 0.75%, 0.45%

LAB 44.43, 67.02, 2.88

 

CMYK 0 / 95 / 54 / 14

HEX #DB0B65

RGB 219 11 101

HSL 334.04, 0.9%, 0.45%

LAB 47.29, 73.89, 8.71

 

CMYK 0 / 41 / 23 / 43

HEX #91556F

RGB 145 85 111

HSL 334, 0.26%, 0.45%

LAB 43.75, 28.5, -4.13

 

CMYK 0 / 18 / 10 / 51

HEX #7E6771

RGB 126 103 113

HSL 333.91, 0.1%, 0.45%

LAB 46.08, 10.97, -2.15

 

CMYK 12 / 0 / 5 / 52

HEX #6B7A74

RGB 107 122 116

HSL 156, 0.07%, 0.45%

LAB 49.86, -6.82, 1.4

 

CMYK 37 / 0 / 16 / 45

HEX #598D76

RGB 89 141 118

HSL 153.46, 0.23%, 0.45%

LAB 54.53, -22.79, 6.82

 

CMYK 56 / 0 / 24 / 38

HEX #469F79

RGB 70 159 121

HSL 154.38, 0.39%, 0.45%

LAB 59.41, -35.95, 11.92

 

CMYK 0 / 41 / 1 / 43

HEX #91558F

RGB 145 85 143

HSL 302, 0.26%, 0.45%

LAB 44.94, 34.14, -21.71

 

CMYK 0 / 41 / 12 / 43

HEX #91557F

RGB 145 85 127

HSL 318, 0.26%, 0.45%

LAB 44.3, 31.17, -13.03

 

CMYK 0 / 41 / 23 / 43

HEX #91556F

RGB 145 85 111

HSL 334, 0.26%, 0.45%

LAB 43.75, 28.5, -4.13

 

CMYK 0 / 41 / 34 / 43

HEX #91555F

RGB 145 85 95

HSL 350, 0.26%, 0.45%

LAB 43.28, 26.17, 4.98

 

CMYK 0 / 37 / 41 / 43

HEX #915B55

RGB 145 91 85

HSL 6, 0.26%, 0.45%

LAB 44.46, 21.44, 12.73

 

CMYK 0 / 42 / 24 / 64

HEX #5D3647

RGB 93 54 71

HSL 333.85, 0.27%, 0.29%

LAB 27.9, 20.06, -3.03

 

CMYK 0 / 41 / 24 / 53

HEX #77465B

RGB 119 70 91

HSL 334.29, 0.26%, 0.37%

LAB 36.09, 24.08, -3.41

 

CMYK 0 / 41 / 23 / 43

HEX #91556F

RGB 145 85 111

HSL 334, 0.26%, 0.45%

LAB 43.75, 28.5, -4.13

 

CMYK 0 / 37 / 21 / 35

HEX #A66883

RGB 166 104 131

HSL 333.87, 0.26%, 0.53%

LAB 51.43, 28.72, -4.48

 

CMYK 0 / 29 / 16 / 29

HEX #B68299

RGB 182 130 153

HSL 333.46, 0.26%, 0.61%

LAB 60.08, 23.58, -4.31

 

CMYK 0 / 41 / 23 / 43

HEX #925670

RGB 146 86 112

HSL 334, 0.26%, 0.45%

LAB 44.14, 28.47, -4.14

 

CMYK 0 / 10 / 41 / 43

HEX #918355

RGB 145 131 85

HSL 46, 0.26%, 0.45%

LAB 54.98, -1.6, 26.79

 

CMYK 41 / 7 / 0 / 43

HEX #558791

RGB 85 135 145

HSL 190, 0.26%, 0.45%

LAB 53.28, -14.06, -10.66

 

CMYK 0 / 41 / 23 / 43

HEX #925670

RGB 146 86 112

HSL 334, 0.26%, 0.45%

LAB 44.14, 28.47, -4.14

 

CMYK 23 / 0 / 41 / 43

HEX #6F9155

RGB 111 145 85

HSL 94, 0.26%, 0.45%

LAB 56.37, -23.13, 28.06

 

CMYK 41 / 23 / 0 / 43

HEX #556F91

RGB 85 111 145

HSL 214, 0.26%, 0.45%

LAB 46.1, -0.26, -21.58

 

CMYK 0 / 41 / 23 / 43

HEX #925670

RGB 146 86 112

HSL 334, 0.26%, 0.45%

LAB 44.14, 28.47, -4.14

 

CMYK 0 / 10 / 41 / 43

HEX #918355

RGB 145 131 85

HSL 46, 0.26%, 0.45%

LAB 54.98, -1.6, 26.79

 

CMYK 41 / 0 / 18 / 43

HEX #559177

RGB 85 145 119

HSL 154, 0.26%, 0.45%

LAB 55.6, -25.79, 7.74

 

CMYK 41 / 32 / 0 / 43

HEX #556391

RGB 85 99 145

HSL 226, 0.26%, 0.45%

LAB 42.61, 7.07, -27

 

CMYK 0 / 41 / 23 / 43

HEX #925670

RGB 146 86 112

HSL 334, 0.26%, 0.45%

LAB 44.14, 28.47, -4.14

 

CMYK 3 / 0 / 41 / 43

HEX #8D9155

RGB 141 145 85

HSL 64, 0.26%, 0.45%

LAB 58.57, -11, 31.31

 

CMYK 41 / 0 / 18 / 43

HEX #559177

RGB 85 145 119

HSL 154, 0.26%, 0.45%

LAB 55.6, -25.79, 7.74

 

CMYK 39 / 41 / 0 / 43

HEX #595591

RGB 89 85 145

HSL 244, 0.26%, 0.45%

LAB 39.01, 17.01, -32.62

 

Description

Color code: HEX #925670 | qconv.com Color code: HEX #925670 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 86 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 86 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 23 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 23% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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