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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9242D0 it is the complementary color #6DBD2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9242D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9242D0 shade: #9742CB, #A854DE, #B966F1, #CA78FF and #DB8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9242D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9242D0 shade: #9242D0, #8130BD, #701EAA, #5F0C97 and #4E0084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9242D0 shade: #9343D0, #B943D0, #D043C2, #D0439C and #D04376

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9242D0 shade: #9343D0, #6D43D0, #4743D0 and #4343D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9242D0 shade matches the following richer shades: #9343D0, #9530E3 and #971DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9242D0 shade: #9343D0, #9056BD, #8E69AA, #8B7C97 and #898F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9242D0 shade: #4643D0, #6B43D0, #9143D0, #B643D0 and #D043C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9242D0 shade: #68279A, #7E2FBB, #9343D0, #A664D8 and #B985E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9242D0 shade: #9242D0, #D04367 and #43D058

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9242D0 shade: #9242D0, #D09143 and #43D091

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9242D0 shade: #9242D0, #D04367, #83D043 and #43D0AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9242D0 shade: #9242D0, #D04A43, #83D043 and #43C9D0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 68 / 0 / 18

HEX #9242D0

RGB 146 66 208

HSL 273.8, 0.6%, 0.54%

LAB 45.03, 58.11, -59.8

 

Complementary color

CMYK 42 / 0 / 75 / 26

HEX #6DBD2F

RGB 109 189 47

HSL 93.8, 0.6%, 0.46%

LAB 69.36, -47.51, 59.86

 

CMYK 26 / 67 / 0 / 20

HEX #9742CB

RGB 151 66 203

HSL 277.23, 0.57%, 0.53%

LAB 45.34, 58.04, -56.37

 

CMYK 24 / 62 / 0 / 13

HEX #A854DE

RGB 168 84 222

HSL 276.52, 0.68%, 0.6%

LAB 51.77, 57.54, -56.79

 

CMYK 23 / 58 / 0 / 5

HEX #B966F1

RGB 185 102 241

HSL 275.83, 0.83%, 0.67%

LAB 58.2, 56.86, -57.04

 

CMYK 21 / 53 / 0 / 0

HEX #CA78FF

RGB 202 120 255

HSL 276.44, 1%, 0.74%

LAB 64.33, 55, -54.88

 

CMYK 14 / 46 / 0 / 0

HEX #DB8AFF

RGB 219 138 255

HSL 281.54, 1%, 0.77%

LAB 69.79, 50.24, -46.13

 

CMYK 30 / 68 / 0 / 18

HEX #9242D0

RGB 146 66 208

HSL 273.8, 0.6%, 0.54%

LAB 45.03, 58.11, -59.8

 

CMYK 32 / 75 / 0 / 26

HEX #8130BD

RGB 129 48 189

HSL 274.47, 0.59%, 0.46%

LAB 38.65, 58.31, -59.2

 

CMYK 34 / 82 / 0 / 33

HEX #701EAA

RGB 112 30 170

HSL 275.14, 0.7%, 0.39%

LAB 32.43, 57.83, -58.15

 

CMYK 37 / 92 / 0 / 41

HEX #5F0C97

RGB 95 12 151

HSL 275.83, 0.85%, 0.32%

LAB 26.53, 56.09, -56.34

 

CMYK 41 / 100 / 0 / 48

HEX #4E0084

RGB 78 0 132

HSL 275.45, 1%, 0.26%

LAB 21.15, 52.46, -53.44

 

CMYK 29 / 68 / 0 / 18

HEX #9343D0

RGB 147 67 208

HSL 274.04, 0.6%, 0.54%

LAB 45.32, 57.86, -59.32

 

CMYK 11 / 68 / 0 / 18

HEX #B943D0

RGB 185 67 208

HSL 290.21, 0.6%, 0.54%

LAB 50.55, 65.98, -50.64

 

CMYK 0 / 68 / 7 / 18

HEX #D043C2

RGB 208 67 194

HSL 305.96, 0.6%, 0.54%

LAB 53.3, 68.86, -38.01

 

CMYK 0 / 68 / 25 / 18

HEX #D0439C

RGB 208 67 156

HSL 322.13, 0.6%, 0.54%

LAB 51.64, 63.46, -18.38

 

CMYK 0 / 68 / 43 / 18

HEX #D04376

RGB 208 67 118

HSL 338.3, 0.6%, 0.54%

LAB 50.37, 59.15, 2.47

 

CMYK 29 / 68 / 0 / 18

HEX #9343D0

RGB 147 67 208

HSL 274.04, 0.6%, 0.54%

LAB 45.32, 57.86, -59.32

 

CMYK 48 / 68 / 0 / 18

HEX #6D43D0

RGB 109 67 208

HSL 257.87, 0.6%, 0.54%

LAB 40.93, 50.52, -66.65

 

CMYK 66 / 68 / 0 / 18

HEX #4743D0

RGB 71 67 208

HSL 241.7, 0.6%, 0.54%

LAB 37.68, 44.66, -72.1

 

CMYK 68 / 68 / 0 / 18

HEX #4343D0

RGB 67 67 208

HSL 240, 0.6%, 0.54%

LAB 37.41, 44.16, -72.54

 

CMYK 29 / 68 / 0 / 18

HEX #9343D0

RGB 147 67 208

HSL 274.04, 0.6%, 0.54%

LAB 45.32, 57.86, -59.32

 

CMYK 34 / 79 / 0 / 11

HEX #9530E3

RGB 149 48 227

HSL 273.85, 0.76%, 0.54%

LAB 44.3, 70.03, -71.83

 

CMYK 39 / 88 / 0 / 4

HEX #971DF6

RGB 151 29 246

HSL 273.73, 0.92%, 0.54%

LAB 44.39, 79.5, -82.41

 

CMYK 29 / 68 / 0 / 18

HEX #9343D0

RGB 147 67 208

HSL 274.04, 0.6%, 0.54%

LAB 45.32, 57.86, -59.32

 

CMYK 24 / 54 / 0 / 26

HEX #9056BD

RGB 144 86 189

HSL 273.79, 0.44%, 0.54%

LAB 47.31, 43.2, -45.16

 

CMYK 16 / 38 / 0 / 33

HEX #8E69AA

RGB 142 105 170

HSL 274.15, 0.28%, 0.54%

LAB 50.4, 27.44, -29.25

 

CMYK 8 / 18 / 0 / 41

HEX #8B7C97

RGB 139 124 151

HSL 273.33, 0.11%, 0.54%

LAB 54.17, 11.08, -12.42

 

CMYK 4 / 0 / 8 / 44

HEX #898F84

RGB 137 143 132

HSL 92.73, 0.05%, 0.54%

LAB 58.63, -4.32, 5.09

 

CMYK 66 / 68 / 0 / 18

HEX #4643D0

RGB 70 67 208

HSL 241.28, 0.6%, 0.54%

LAB 37.61, 44.53, -72.21

 

CMYK 49 / 68 / 0 / 18

HEX #6B43D0

RGB 107 67 208

HSL 257.02, 0.6%, 0.54%

LAB 40.73, 50.16, -66.99

 

CMYK 30 / 68 / 0 / 18

HEX #9143D0

RGB 145 67 208

HSL 273.19, 0.6%, 0.54%

LAB 45.06, 57.44, -59.74

 

CMYK 13 / 68 / 0 / 18

HEX #B643D0

RGB 182 67 208

HSL 288.94, 0.6%, 0.54%

LAB 50.11, 65.33, -51.36

 

CMYK 0 / 68 / 6 / 18

HEX #D043C4

RGB 208 67 196

HSL 305.11, 0.6%, 0.54%

LAB 53.4, 69.17, -39.01

 

CMYK 32 / 75 / 0 / 40

HEX #68279A

RGB 104 39 154

HSL 273.91, 0.6%, 0.38%

LAB 31.18, 49.33, -50.55

 

CMYK 33 / 75 / 0 / 27

HEX #7E2FBB

RGB 126 47 187

HSL 273.86, 0.6%, 0.46%

LAB 37.94, 57.72, -59.18

 

CMYK 29 / 68 / 0 / 18

HEX #9343D0

RGB 147 67 208

HSL 274.04, 0.6%, 0.54%

LAB 45.32, 57.86, -59.32

 

CMYK 23 / 54 / 0 / 15

HEX #A664D8

RGB 166 100 216

HSL 274.14, 0.6%, 0.62%

LAB 54.22, 47.62, -49.49

 

CMYK 18 / 41 / 0 / 12

HEX #B985E1

RGB 185 133 225

HSL 273.91, 0.61%, 0.7%

LAB 63.77, 36.94, -39.32

 

CMYK 30 / 68 / 0 / 18

HEX #9242D0

RGB 146 66 208

HSL 273.8, 0.6%, 0.54%

LAB 45.03, 58.11, -59.8

 

CMYK 0 / 68 / 50 / 18

HEX #D04367

RGB 208 67 103

HSL 344.68, 0.6%, 0.54%

LAB 49.98, 57.79, 10.98

 

CMYK 68 / 0 / 58 / 18

HEX #43D058

RGB 67 208 88

HSL 128.94, 0.6%, 0.54%

LAB 74.2, -61.59, 48.02

 

CMYK 30 / 68 / 0 / 18

HEX #9242D0

RGB 146 66 208

HSL 273.8, 0.6%, 0.54%

LAB 45.03, 58.11, -59.8

 

CMYK 0 / 30 / 68 / 18

HEX #D09143

RGB 208 145 67

HSL 33.19, 0.6%, 0.54%

LAB 65.01, 16.38, 49.66

 

CMYK 68 / 0 / 30 / 18

HEX #43D091

RGB 67 208 145

HSL 153.19, 0.6%, 0.54%

LAB 75.04, -52.07, 20.57

 

CMYK 30 / 68 / 0 / 18

HEX #9242D0

RGB 146 66 208

HSL 273.8, 0.6%, 0.54%

LAB 45.03, 58.11, -59.8

 

CMYK 0 / 68 / 50 / 18

HEX #D04367

RGB 208 67 103

HSL 344.68, 0.6%, 0.54%

LAB 49.98, 57.79, 10.98

 

CMYK 37 / 0 / 68 / 18

HEX #83D043

RGB 131 208 67

HSL 92.77, 0.6%, 0.54%

LAB 76.28, -46.58, 59.89

 

CMYK 68 / 0 / 17 / 18

HEX #43D0AD

RGB 67 208 173

HSL 165.11, 0.6%, 0.54%

LAB 75.65, -45.72, 6.5

 

CMYK 30 / 68 / 0 / 18

HEX #9242D0

RGB 146 66 208

HSL 273.8, 0.6%, 0.54%

LAB 45.03, 58.11, -59.8

 

CMYK 0 / 64 / 68 / 18

HEX #D04A43

RGB 208 74 67

HSL 2.98, 0.6%, 0.54%

LAB 50.35, 52.44, 32.89

 

CMYK 37 / 0 / 68 / 18

HEX #83D043

RGB 131 208 67

HSL 92.77, 0.6%, 0.54%

LAB 76.28, -46.58, 59.89

 

CMYK 68 / 3 / 0 / 18

HEX #43C9D0

RGB 67 201 208

HSL 182.98, 0.6%, 0.54%

LAB 74.52, -33.21, -14.06

 

Description

Color code: HEX #9242D0 | qconv.com Color code: HEX #9242D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 66 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 66 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 68 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 68% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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