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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9242513F it is the complementary color #6DBDAE3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9242513F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9242513F shade: #97424C3F, #A8545F3F, #B966723F, #CA78853F and #DB8A983F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9242513F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9242513F shade: #9242513F, #81303E3F, #701E2B3F, #5F0C183F and #4E00053F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9242513F shade: #944252 and #944242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9242513F shade: #944252, #944268, #94427E, #944294 and #7E4294

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9242513F shade matches the following richer shades: #944252, #A53147, #B6203C and #C80E31

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9242513F shade: #944252, #82545C, #716567, #607672 and #4E887D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9242513F shade: #94427E, #944268, #944253, #944842 and #945E42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9242513F shade: #5B2932, #773642, #944252, #B04F62 and #BD6C7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9242513F shade: #924251, #949442 and #427394

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9242513F shade: #924251, #539442 and #425394

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9242513F shade: #924251, #949442, #429484 and #424294

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9242513F shade: #924251, #7B9442, #429484 and #5B4294

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 11 / 11

HEX #9242513F

RGBA 146 66 81 0.25

HSLA 348.75, 0.38%, 0.42%, 0.25

LABA 38.9, 35.27, 7.45, 0.25

 

Complementary color

CMYK 11 / 0 / 2 / 6

HEX #6DBDAE3F

RGBA 109 189 174 0.25

HSLA 168.75, 0.38%, 0.58%, 0.25

LABA 71.35, -28.16, -0.1, 0.25

 

CMYK 0 / 14 / 12 / 10

HEX #97424C3F

RGBA 151 66 76 0.25

HSLA 352.94, 0.39%, 0.43%, 0.25

LABA 39.58, 36.61, 11.65, 0.25

 

CMYK 0 / 13 / 11 / 9

HEX #A8545F3F

RGBA 168 84 95 0.25

HSLA 352.14, 0.33%, 0.49%, 0.25

LABA 46.3, 35.57, 9.72, 0.25

 

CMYK 0 / 11 / 10 / 7

HEX #B966723F

RGBA 185 102 114 0.25

HSLA 351.33, 0.37%, 0.56%, 0.25

LABA 52.98, 34.54, 8.14, 0.25

 

CMYK 0 / 10 / 9 / 5

HEX #CA78853F

RGBA 202 120 133 0.25

HSLA 350.49, 0.44%, 0.63%, 0.25

LABA 59.6, 33.56, 6.79, 0.25

 

CMYK 0 / 9 / 8 / 4

HEX #DB8A983F

RGBA 219 138 152 0.25

HSLA 349.63, 0.53%, 0.7%, 0.25

LABA 66.14, 32.65, 5.61, 0.25

 

CMYK 0 / 14 / 11 / 11

HEX #9242513F

RGBA 146 66 81 0.25

HSLA 348.75, 0.38%, 0.42%, 0.25

LABA 38.9, 35.27, 7.45, 0.25

 

CMYK 0 / 16 / 13 / 12

HEX #81303E3F

RGBA 129 48 62 0.25

HSLA 349.63, 0.46%, 0.35%, 0.25

LABA 32.1, 36.19, 9.65, 0.25

 

CMYK 0 / 18 / 15 / 14

HEX #701E2B3F

RGBA 112 30 43 0.25

HSLA 350.49, 0.58%, 0.28%, 0.25

LABA 25.41, 36.77, 12.61, 0.25

 

CMYK 0 / 22 / 19 / 16

HEX #5F0C183F

RGBA 95 12 24 0.25

HSLA 351.33, 0.78%, 0.21%, 0.25

LABA 19.06, 36.41, 16.79, 0.25

 

CMYK 0 / 25 / 23 / 17

HEX #4E00053F

RGBA 78 0 5 0.25

HSLA 356.15, 1%, 0.15%, 0.25

LABA 13.42, 34.14, 18.96, 0.25

 

CMYK 0 / 55 / 45 / 42

HEX #944252

RGB 148 66 82

HSL 348.29, 0.38%, 0.42%

LAB 39.24, 36.13, 7.36

 

CMYK 0 / 55 / 55 / 42

HEX #944242

RGB 148 66 66

HSL 0, 0.38%, 0.42%

LAB 38.87, 34.54, 16.85

 

CMYK 0 / 55 / 45 / 42

HEX #944252

RGB 148 66 82

HSL 348.29, 0.38%, 0.42%

LAB 39.24, 36.13, 7.36

 

CMYK 0 / 55 / 30 / 42

HEX #944268

RGB 148 66 104

HSL 332.2, 0.38%, 0.42%

LAB 39.9, 38.86, -5.47

 

CMYK 0 / 55 / 15 / 42

HEX #94427E

RGB 148 66 126

HSL 316.1, 0.38%, 0.42%

LAB 40.73, 42.2, -17.83

 

CMYK 0 / 55 / 0 / 42

HEX #944294

RGB 148 66 148

HSL 300, 0.38%, 0.42%

LAB 41.74, 46.06, -29.68

 

CMYK 15 / 55 / 0 / 42

HEX #7E4294

RGB 126 66 148

HSL 283.9, 0.38%, 0.42%

LAB 38.67, 39.83, -34.71

 

CMYK 0 / 55 / 45 / 42

HEX #944252

RGB 148 66 82

HSL 348.29, 0.38%, 0.42%

LAB 39.24, 36.13, 7.36

 

CMYK 0 / 70 / 57 / 35

HEX #A53147

RGB 165 49 71

HSL 348.62, 0.54%, 0.42%

LAB 38.99, 48.8, 14.37

 

CMYK 0 / 82 / 67 / 29

HEX #B6203C

RGB 182 32 60

HSL 348.8, 0.7%, 0.42%

LAB 40.09, 58.69, 23.36

 

CMYK 0 / 93 / 76 / 22

HEX #C80E31

RGB 200 14 49

HSL 348.71, 0.87%, 0.42%

LAB 42.48, 66.26, 33.87

 

CMYK 0 / 55 / 45 / 42

HEX #944252

RGB 148 66 82

HSL 348.29, 0.38%, 0.42%

LAB 39.24, 36.13, 7.36

 

CMYK 0 / 35 / 29 / 49

HEX #82545C

RGB 130 84 92

HSL 349.57, 0.21%, 0.42%

LAB 40.99, 20.33, 3.29

 

CMYK 0 / 11 / 9 / 56

HEX #716567

RGB 113 101 103

HSL 350, 0.06%, 0.42%

LAB 43.94, 5.14, 0.6

 

CMYK 19 / 0 / 3 / 54

HEX #607672

RGB 96 118 114

HSL 169.09, 0.1%, 0.42%

LAB 47.83, -8.94, -0.49

 

CMYK 43 / 0 / 8 / 47

HEX #4E887D

RGB 78 136 125

HSL 168.62, 0.27%, 0.42%

LAB 52.63, -21.78, -0.05

 

CMYK 0 / 55 / 15 / 42

HEX #94427E

RGB 148 66 126

HSL 316.1, 0.38%, 0.42%

LAB 40.73, 42.2, -17.83

 

CMYK 0 / 55 / 30 / 42

HEX #944268

RGB 148 66 104

HSL 332.2, 0.38%, 0.42%

LAB 39.9, 38.86, -5.47

 

CMYK 0 / 55 / 44 / 42

HEX #944253

RGB 148 66 83

HSL 347.56, 0.38%, 0.42%

LAB 39.27, 36.24, 6.77

 

CMYK 0 / 51 / 55 / 42

HEX #944842

RGB 148 72 66

HSL 4.39, 0.38%, 0.42%

LAB 40.12, 31.35, 18.51

 

CMYK 0 / 36 / 55 / 42

HEX #945E42

RGB 148 94 66

HSL 20.49, 0.38%, 0.42%

LAB 45.21, 18.96, 25.1

 

CMYK 0 / 55 / 45 / 64

HEX #5B2932

RGB 91 41 50

HSL 349.2, 0.38%, 0.26%

LAB 23.8, 23.95, 5.05

 

CMYK 0 / 55 / 45 / 53

HEX #773642

RGB 119 54 66

HSL 348.92, 0.38%, 0.34%

LAB 31.7, 29.73, 6.25

 

CMYK 0 / 55 / 45 / 42

HEX #944252

RGB 148 66 82

HSL 348.29, 0.38%, 0.42%

LAB 39.24, 36.13, 7.36

 

CMYK 0 / 55 / 44 / 31

HEX #B04F62

RGB 176 79 98

HSL 348.25, 0.38%, 0.5%

LAB 46.58, 41.39, 8.47

 

CMYK 0 / 43 / 35 / 26

HEX #BD6C7B

RGB 189 108 123

HSL 348.89, 0.38%, 0.58%

LAB 55.05, 33.91, 5.86

 

CMYK 0 / 55 / 45 / 43

HEX #924251

RGB 146 66 81

HSL 348.75, 0.38%, 0.42%

LAB 38.9, 35.27, 7.45

 

CMYK 0 / 0 / 55 / 42

HEX #949442

RGB 148 148 66

HSL 60, 0.38%, 0.42%

LAB 59.77, -11.51, 42.62

 

CMYK 55 / 22 / 0 / 42

HEX #427394

RGB 66 115 148

HSL 204.15, 0.38%, 0.42%

LAB 46.39, -6.61, -23

 

CMYK 0 / 55 / 45 / 43

HEX #924251

RGB 146 66 81

HSL 348.75, 0.38%, 0.42%

LAB 38.9, 35.27, 7.45

 

CMYK 44 / 0 / 55 / 42

HEX #539442

RGB 83 148 66

HSL 107.56, 0.38%, 0.42%

LAB 55.49, -37.12, 36.55

 

CMYK 55 / 44 / 0 / 42

HEX #425394

RGB 66 83 148

HSL 227.56, 0.38%, 0.42%

LAB 36.9, 13.31, -37.9

 

CMYK 0 / 55 / 45 / 43

HEX #924251

RGB 146 66 81

HSL 348.75, 0.38%, 0.42%

LAB 38.9, 35.27, 7.45

 

CMYK 0 / 0 / 55 / 42

HEX #949442

RGB 148 148 66

HSL 60, 0.38%, 0.42%

LAB 59.77, -11.51, 42.62

 

CMYK 55 / 0 / 11 / 42

HEX #429484

RGB 66 148 132

HSL 168.29, 0.38%, 0.42%

LAB 56.09, -29.02, 0.91

 

CMYK 55 / 55 / 0 / 42

HEX #424294

RGB 66 66 148

HSL 240, 0.38%, 0.42%

LAB 32.24, 24.43, -45.36

 

CMYK 0 / 55 / 45 / 43

HEX #924251

RGB 146 66 81

HSL 348.75, 0.38%, 0.42%

LAB 38.9, 35.27, 7.45

 

CMYK 17 / 0 / 55 / 42

HEX #7B9442

RGB 123 148 66

HSL 78.29, 0.38%, 0.42%

LAB 57.83, -22.13, 39.88

 

CMYK 55 / 0 / 11 / 42

HEX #429484

RGB 66 148 132

HSL 168.29, 0.38%, 0.42%

LAB 56.09, -29.02, 0.91

 

CMYK 39 / 55 / 0 / 42

HEX #5B4294

RGB 91 66 148

HSL 258.29, 0.38%, 0.42%

LAB 34.52, 30.33, -41.58

 

Description

Color code: HEX #9242513F | qconv.com Color code: HEX #9242513F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 66 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 66 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 11 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 11% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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