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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #923255 it is the complementary color #6DCDAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #923255. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #923255 shade: #973250, #A84463, #B95676, #CA6889 and #DB7A9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #923255. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #923255 shade: #923255, #812042, #700E2F, #5F001C and #4E0009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #923255 shade: #903154, #90313A and #903131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #923255 shade: #903154, #90316E, #903187, #803190 and #663190

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #923255 shade matches the following richer shades: #903154, #A02250, #B0124C and #BF0247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #923255 shade: #903154, #814158, #71515D, #616061 and #527065

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #923255 shade: #903187, #90316E, #903154, #90313B and #904131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #923255 shade: #531C30, #722742, #903154, #AF3C66 and #C3517B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #923255 shade: #923255, #908131 and #317A90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #923255 shade: #923255, #549031 and #315490

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #923255 shade: #923255, #908131, #31906E and #314190

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #923255 shade: #923255, #849031, #31906E and #3E3190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 42 / 43

HEX #923255

RGB 146 50 85

HSL 338.13, 0.49%, 0.38%

LAB 36.08, 43.52, 0.87

 

Complementary color

CMYK 47 / 0 / 17 / 20

HEX #6DCDAA

RGB 109 205 170

HSL 158.13, 0.49%, 0.62%

LAB 75.96, -36.64, 8.71

 

CMYK 0 / 67 / 47 / 41

HEX #973250

RGB 151 50 80

HSL 342.18, 0.5%, 0.39%

LAB 36.82, 44.63, 5.25

 

CMYK 0 / 60 / 41 / 34

HEX #A84463

RGB 168 68 99

HSL 341.4, 0.42%, 0.46%

LAB 43.3, 44.09, 3

 

CMYK 0 / 54 / 36 / 27

HEX #B95676

RGB 185 86 118

HSL 340.61, 0.41%, 0.53%

LAB 49.83, 43.32, 1.22

 

CMYK 0 / 49 / 32 / 21

HEX #CA6889

RGB 202 104 137

HSL 339.8, 0.48%, 0.6%

LAB 56.35, 42.46, -0.23

 

CMYK 0 / 44 / 29 / 14

HEX #DB7A9C

RGB 219 122 156

HSL 338.97, 0.57%, 0.67%

LAB 62.83, 41.59, -1.47

 

CMYK 0 / 66 / 42 / 43

HEX #923255

RGB 146 50 85

HSL 338.13, 0.49%, 0.38%

LAB 36.08, 43.52, 0.87

 

CMYK 0 / 75 / 49 / 49

HEX #812042

RGB 129 32 66

HSL 338.97, 0.6%, 0.32%

LAB 29.65, 43.56, 3.56

 

CMYK 0 / 88 / 58 / 56

HEX #700E2F

RGB 112 14 47

HSL 339.8, 0.78%, 0.25%

LAB 23.55, 42.56, 7.34

 

CMYK 0 / 100 / 71 / 63

HEX #5F001C

RGB 95 0 28

HSL 342.32, 1%, 0.19%

LAB 17.99, 39.93, 12.61

 

CMYK 0 / 100 / 88 / 69

HEX #4E0009

RGB 78 0 9

HSL 353.08, 1%, 0.15%

LAB 13.47, 34.28, 17.4

 

CMYK 0 / 66 / 42 / 44

HEX #903154

RGB 144 49 84

HSL 337.89, 0.49%, 0.38%

LAB 35.53, 43.2, 0.67

 

CMYK 0 / 66 / 60 / 44

HEX #90313A

RGB 144 49 58

HSL 354.32, 0.49%, 0.38%

LAB 34.87, 40.75, 16.43

 

CMYK 0 / 66 / 66 / 44

HEX #903131

RGB 144 49 49

HSL 0, 0.49%, 0.38%

LAB 34.7, 40.11, 21.91

 

CMYK 0 / 66 / 42 / 44

HEX #903154

RGB 144 49 84

HSL 337.89, 0.49%, 0.38%

LAB 35.53, 43.2, 0.67

 

CMYK 0 / 66 / 24 / 44

HEX #90316E

RGB 144 49 110

HSL 321.47, 0.49%, 0.38%

LAB 36.46, 46.53, -14.48

 

CMYK 0 / 66 / 6 / 44

HEX #903187

RGB 144 49 135

HSL 305.68, 0.49%, 0.38%

LAB 37.62, 50.45, -28.26

 

CMYK 11 / 66 / 0 / 44

HEX #803190

RGB 128 49 144

HSL 289.89, 0.49%, 0.38%

LAB 35.6, 48.01, -37.14

 

CMYK 29 / 66 / 0 / 44

HEX #663190

RGB 102 49 144

HSL 273.47, 0.49%, 0.38%

LAB 31.89, 41.69, -43.29

 

CMYK 0 / 66 / 42 / 44

HEX #903154

RGB 144 49 84

HSL 337.89, 0.49%, 0.38%

LAB 35.53, 43.2, 0.67

 

CMYK 0 / 79 / 50 / 37

HEX #A02250

RGB 160 34 80

HSL 338.1, 0.65%, 0.38%

LAB 36.36, 53.33, 4.82

 

CMYK 0 / 90 / 57 / 31

HEX #B0124C

RGB 176 18 76

HSL 337.97, 0.81%, 0.38%

LAB 38.17, 61.02, 10.41

 

CMYK 0 / 99 / 63 / 25

HEX #BF0247

RGB 191 2 71

HSL 338.1, 0.98%, 0.38%

LAB 40.53, 66.29, 17.34

 

CMYK 0 / 66 / 42 / 44

HEX #903154

RGB 144 49 84

HSL 337.89, 0.49%, 0.38%

LAB 35.53, 43.2, 0.67

 

CMYK 0 / 50 / 32 / 49

HEX #814158

RGB 129 65 88

HSL 338.44, 0.33%, 0.38%

LAB 36.28, 30.32, -1.08

 

CMYK 0 / 28 / 18 / 56

HEX #71515D

RGB 113 81 93

HSL 337.5, 0.16%, 0.38%

LAB 38.17, 15.42, -1.69

 

CMYK 0 / 1 / 0 / 62

HEX #616061

RGB 97 96 97

HSL 300, 0.01%, 0.38%

LAB 40.85, 0.61, -0.43

 

CMYK 27 / 0 / 10 / 56

HEX #527065

RGB 82 112 101

HSL 158, 0.15%, 0.38%

LAB 44.69, -13.42, 2.59

 

CMYK 0 / 66 / 6 / 44

HEX #903187

RGB 144 49 135

HSL 305.68, 0.49%, 0.38%

LAB 37.62, 50.45, -28.26

 

CMYK 0 / 66 / 24 / 44

HEX #90316E

RGB 144 49 110

HSL 321.47, 0.49%, 0.38%

LAB 36.46, 46.53, -14.48

 

CMYK 0 / 66 / 42 / 44

HEX #903154

RGB 144 49 84

HSL 337.89, 0.49%, 0.38%

LAB 35.53, 43.2, 0.67

 

CMYK 0 / 66 / 59 / 44

HEX #90313B

RGB 144 49 59

HSL 353.68, 0.49%, 0.38%

LAB 34.89, 40.82, 15.82

 

CMYK 0 / 55 / 66 / 44

HEX #904131

RGB 144 65 49

HSL 10.11, 0.49%, 0.38%

LAB 37.72, 32.17, 25.65

 

CMYK 0 / 66 / 42 / 67

HEX #531C30

RGB 83 28 48

HSL 338.18, 0.5%, 0.22%

LAB 19.57, 27.78, 0.16

 

CMYK 0 / 66 / 42 / 55

HEX #722742

RGB 114 39 66

HSL 338.4, 0.49%, 0.3%

LAB 27.9, 35.65, 0.68

 

CMYK 0 / 66 / 42 / 44

HEX #903154

RGB 144 49 84

HSL 337.89, 0.49%, 0.38%

LAB 35.53, 43.2, 0.67

 

CMYK 0 / 66 / 42 / 31

HEX #AF3C66

RGB 175 60 102

HSL 338.09, 0.49%, 0.46%

LAB 43.22, 50.31, 1.17

 

CMYK 0 / 58 / 37 / 24

HEX #C3517B

RGB 195 81 123

HSL 337.89, 0.49%, 0.54%

LAB 50.59, 49.67, -0.49

 

CMYK 0 / 66 / 42 / 43

HEX #923255

RGB 146 50 85

HSL 338.13, 0.49%, 0.38%

LAB 36.08, 43.52, 0.87

 

CMYK 0 / 10 / 66 / 44

HEX #908131

RGB 144 129 49

HSL 50.53, 0.49%, 0.38%

LAB 53.87, -4.23, 44.04

 

CMYK 66 / 15 / 0 / 44

HEX #317A90

RGB 49 122 144

HSL 193.89, 0.49%, 0.38%

LAB 47.73, -15.39, -18.63

 

CMYK 0 / 66 / 42 / 43

HEX #923255

RGB 146 50 85

HSL 338.13, 0.49%, 0.38%

LAB 36.08, 43.52, 0.87

 

CMYK 42 / 0 / 66 / 44

HEX #549031

RGB 84 144 49

HSL 97.89, 0.49%, 0.38%

LAB 54.08, -36.87, 43.01

 

CMYK 66 / 42 / 0 / 44

HEX #315490

RGB 49 84 144

HSL 217.89, 0.49%, 0.38%

LAB 36, 7.67, -36.96

 

CMYK 0 / 66 / 42 / 43

HEX #923255

RGB 146 50 85

HSL 338.13, 0.49%, 0.38%

LAB 36.08, 43.52, 0.87

 

CMYK 0 / 10 / 66 / 44

HEX #908131

RGB 144 129 49

HSL 50.53, 0.49%, 0.38%

LAB 53.87, -4.23, 44.04

 

CMYK 66 / 0 / 24 / 44

HEX #31906E

RGB 49 144 110

HSL 158.53, 0.49%, 0.38%

LAB 53.73, -36.18, 10.05

 

CMYK 66 / 55 / 0 / 44

HEX #314190

RGB 49 65 144

HSL 229.89, 0.49%, 0.38%

LAB 30.51, 20.36, -45.76

 

CMYK 0 / 66 / 42 / 43

HEX #923255

RGB 146 50 85

HSL 338.13, 0.49%, 0.38%

LAB 36.08, 43.52, 0.87

 

CMYK 8 / 0 / 66 / 44

HEX #849031

RGB 132 144 49

HSL 67.58, 0.49%, 0.38%

LAB 57.15, -17.68, 47.2

 

CMYK 66 / 0 / 24 / 44

HEX #31906E

RGB 49 144 110

HSL 158.53, 0.49%, 0.38%

LAB 53.73, -36.18, 10.05

 

CMYK 57 / 66 / 0 / 44

HEX #3E3190

RGB 62 49 144

HSL 248.21, 0.49%, 0.38%

LAB 27.39, 33.17, -50.79

 

Description

Color code: HEX #923255 | qconv.com Color code: HEX #923255 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 50 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 50 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 42 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 42% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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