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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #923151 it is the complementary color #6DCEAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #923151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #923151 shade: #97314C, #A8435F, #B95572, #CA6785 and #DB7998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #923151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #923151 shade: #923151, #811F3E, #700D2B, #5F0018 and #4E0005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #923151 shade: #913050, #913036 and #913030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #923151 shade: #913050, #91306B, #913085, #843091 and #6A3091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #923151 shade matches the following richer shades: #913050, #A1214B, #B11146 and #C00140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #923151 shade: #913050, #824056, #72505B, #625F60 and #536F66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #923151 shade: #913084, #91306B, #913051, #913037 and #914430

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #923151 shade: #531C2E, #72263F, #913050, #B03B62 and #C55076

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #923151 shade: #923151, #918430 and #307891

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #923151 shade: #923151, #519130 and #305191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #923151 shade: #923151, #918430, #309171 and #303D91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #923151 shade: #923151, #819130, #309171 and #413091

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 45 / 43

HEX #923151

RGB 146 49 81

HSL 340.21, 0.5%, 0.38%

LAB 35.79, 43.53, 3.02

 

Complementary color

CMYK 47 / 0 / 16 / 19

HEX #6DCEAE

RGB 109 206 174

HSL 160.21, 0.5%, 0.62%

LAB 76.34, -36.21, 7.12

 

CMYK 0 / 68 / 50 / 41

HEX #97314C

RGB 151 49 76

HSL 344.12, 0.51%, 0.39%

LAB 36.55, 44.68, 7.43

 

CMYK 0 / 60 / 43 / 34

HEX #A8435F

RGB 168 67 95

HSL 343.37, 0.43%, 0.46%

LAB 43.01, 44.13, 5.06

 

CMYK 0 / 54 / 38 / 27

HEX #B95572

RGB 185 85 114

HSL 342.6, 0.42%, 0.53%

LAB 49.53, 43.34, 3.19

 

CMYK 0 / 49 / 34 / 21

HEX #CA6785

RGB 202 103 133

HSL 341.82, 0.48%, 0.6%

LAB 56.04, 42.47, 1.65

 

CMYK 0 / 45 / 31 / 14

HEX #DB7998

RGB 219 121 152

HSL 341.02, 0.58%, 0.67%

LAB 62.51, 41.58, 0.35

 

CMYK 0 / 66 / 45 / 43

HEX #923151

RGB 146 49 81

HSL 340.21, 0.5%, 0.38%

LAB 35.79, 43.53, 3.02

 

CMYK 0 / 76 / 52 / 49

HEX #811F3E

RGB 129 31 62

HSL 341.02, 0.61%, 0.31%

LAB 29.4, 43.56, 5.87

 

CMYK 0 / 88 / 62 / 56

HEX #700D2B

RGB 112 13 43

HSL 341.82, 0.79%, 0.25%

LAB 23.36, 42.5, 9.86

 

CMYK 0 / 100 / 75 / 63

HEX #5F0018

RGB 95 0 24

HSL 344.84, 1%, 0.19%

LAB 17.91, 39.71, 15.38

 

CMYK 0 / 100 / 94 / 69

HEX #4E0005

RGB 78 0 5

HSL 356.15, 1%, 0.15%

LAB 13.42, 34.14, 18.96

 

CMYK 0 / 67 / 45 / 43

HEX #913050

RGB 145 48 80

HSL 340.21, 0.5%, 0.38%

LAB 35.43, 43.54, 3.11

 

CMYK 0 / 67 / 63 / 43

HEX #913036

RGB 145 48 54

HSL 356.29, 0.5%, 0.38%

LAB 34.8, 41.25, 18.93

 

CMYK 0 / 67 / 67 / 43

HEX #913030

RGB 145 48 48

HSL 0, 0.5%, 0.38%

LAB 34.7, 40.86, 22.58

 

CMYK 0 / 67 / 45 / 43

HEX #913050

RGB 145 48 80

HSL 340.21, 0.5%, 0.38%

LAB 35.43, 43.54, 3.11

 

CMYK 0 / 67 / 26 / 43

HEX #91306B

RGB 145 48 107

HSL 323.51, 0.5%, 0.38%

LAB 36.36, 46.83, -12.73

 

CMYK 0 / 67 / 8 / 43

HEX #913085

RGB 145 48 133

HSL 307.42, 0.5%, 0.38%

LAB 37.53, 50.8, -27.15

 

CMYK 9 / 67 / 0 / 43

HEX #843091

RGB 132 48 145

HSL 291.96, 0.5%, 0.38%

LAB 36.11, 49.65, -36.9

 

CMYK 27 / 67 / 0 / 43

HEX #6A3091

RGB 106 48 145

HSL 275.88, 0.5%, 0.38%

LAB 32.31, 43.38, -43.2

 

CMYK 0 / 67 / 45 / 43

HEX #913050

RGB 145 48 80

HSL 340.21, 0.5%, 0.38%

LAB 35.43, 43.54, 3.11

 

CMYK 0 / 80 / 53 / 37

HEX #A1214B

RGB 161 33 75

HSL 340.31, 0.66%, 0.38%

LAB 36.31, 53.49, 8.01

 

CMYK 0 / 90 / 60 / 31

HEX #B11146

RGB 177 17 70

HSL 340.13, 0.82%, 0.38%

LAB 38.18, 61.04, 14.31

 

CMYK 0 / 99 / 67 / 25

HEX #C00140

RGB 192 1 64

HSL 340.21, 0.99%, 0.38%

LAB 40.57, 66.26, 21.88

 

CMYK 0 / 67 / 45 / 43

HEX #913050

RGB 145 48 80

HSL 340.21, 0.5%, 0.38%

LAB 35.43, 43.54, 3.11

 

CMYK 0 / 51 / 34 / 49

HEX #824056

RGB 130 64 86

HSL 340, 0.34%, 0.38%

LAB 36.15, 30.98, 0.01

 

CMYK 0 / 30 / 20 / 55

HEX #72505B

RGB 114 80 91

HSL 340.59, 0.18%, 0.38%

LAB 37.97, 16.08, -0.73

 

CMYK 0 / 3 / 2 / 62

HEX #625F60

RGB 98 95 96

HSL 340, 0.02%, 0.38%

LAB 40.61, 1.4, -0.15

 

CMYK 25 / 0 / 8 / 56

HEX #536F66

RGB 83 111 102

HSL 160.71, 0.14%, 0.38%

LAB 44.47, -12.28, 1.68

 

CMYK 0 / 67 / 9 / 43

HEX #913084

RGB 145 48 132

HSL 308.04, 0.5%, 0.38%

LAB 37.48, 50.63, -26.61

 

CMYK 0 / 67 / 26 / 43

HEX #91306B

RGB 145 48 107

HSL 323.51, 0.5%, 0.38%

LAB 36.36, 46.83, -12.73

 

CMYK 0 / 67 / 44 / 43

HEX #913051

RGB 145 48 81

HSL 339.59, 0.5%, 0.38%

LAB 35.45, 43.64, 2.51

 

CMYK 0 / 67 / 62 / 43

HEX #913037

RGB 145 48 55

HSL 355.67, 0.5%, 0.38%

LAB 34.82, 41.33, 18.32

 

CMYK 0 / 53 / 67 / 43

HEX #914430

RGB 145 68 48

HSL 12.37, 0.5%, 0.38%

LAB 38.49, 30.91, 27.22

 

CMYK 0 / 66 / 45 / 67

HEX #531C2E

RGB 83 28 46

HSL 340.36, 0.5%, 0.22%

LAB 19.5, 27.53, 1.47

 

CMYK 0 / 67 / 45 / 55

HEX #72263F

RGB 114 38 63

HSL 340.26, 0.5%, 0.3%

LAB 27.63, 35.78, 2.3

 

CMYK 0 / 67 / 45 / 43

HEX #913050

RGB 145 48 80

HSL 340.21, 0.5%, 0.38%

LAB 35.43, 43.54, 3.11

 

CMYK 0 / 66 / 44 / 31

HEX #B03B62

RGB 176 59 98

HSL 340, 0.5%, 0.46%

LAB 43.12, 50.63, 3.53

 

CMYK 0 / 59 / 40 / 23

HEX #C55076

RGB 197 80 118

HSL 340.51, 0.5%, 0.54%

LAB 50.59, 50.22, 2.55

 

CMYK 0 / 66 / 45 / 43

HEX #923151

RGB 146 49 81

HSL 340.21, 0.5%, 0.38%

LAB 35.79, 43.53, 3.02

 

CMYK 0 / 9 / 67 / 43

HEX #918430

RGB 145 132 48

HSL 51.96, 0.5%, 0.38%

LAB 54.8, -5.5, 45.51

 

CMYK 67 / 17 / 0 / 43

HEX #307891

RGB 48 120 145

HSL 195.46, 0.5%, 0.38%

LAB 47.11, -14.12, -20.17

 

CMYK 0 / 66 / 45 / 43

HEX #923151

RGB 146 49 81

HSL 340.21, 0.5%, 0.38%

LAB 35.79, 43.53, 3.02

 

CMYK 44 / 0 / 67 / 43

HEX #519130

RGB 81 145 48

HSL 99.59, 0.5%, 0.38%

LAB 54.25, -38.43, 43.59

 

CMYK 67 / 44 / 0 / 43

HEX #305191

RGB 48 81 145

HSL 219.59, 0.5%, 0.38%

LAB 35.12, 9.83, -38.97

 

CMYK 0 / 66 / 45 / 43

HEX #923151

RGB 146 49 81

HSL 340.21, 0.5%, 0.38%

LAB 35.79, 43.53, 3.02

 

CMYK 0 / 9 / 67 / 43

HEX #918430

RGB 145 132 48

HSL 51.96, 0.5%, 0.38%

LAB 54.8, -5.5, 45.51

 

CMYK 67 / 0 / 22 / 43

HEX #309171

RGB 48 145 113

HSL 160.21, 0.5%, 0.38%

LAB 54.1, -36.08, 8.85

 

CMYK 67 / 58 / 0 / 43

HEX #303D91

RGB 48 61 145

HSL 231.96, 0.5%, 0.38%

LAB 29.44, 23.25, -48.12

 

CMYK 0 / 66 / 45 / 43

HEX #923151

RGB 146 49 81

HSL 340.21, 0.5%, 0.38%

LAB 35.79, 43.53, 3.02

 

CMYK 11 / 0 / 67 / 43

HEX #819130

RGB 129 145 48

HSL 69.9, 0.5%, 0.38%

LAB 57.2, -19.57, 47.62

 

CMYK 67 / 0 / 22 / 43

HEX #309171

RGB 48 145 113

HSL 160.21, 0.5%, 0.38%

LAB 54.1, -36.08, 8.85

 

CMYK 55 / 67 / 0 / 43

HEX #413091

RGB 65 48 145

HSL 250.52, 0.5%, 0.38%

LAB 27.52, 34.65, -51.18

 

Description

Color code: HEX #923151 | qconv.com Color code: HEX #923151 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 49 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 49 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 45 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 45% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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