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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #921DA7 it is the complementary color #6DE258. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #921DA7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #921DA7 shade: #971DA2, #A82FB5, #B941C8, #CA53DB and #DB65EE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #921DA7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #921DA7 shade: #921DA7, #810B94, #700081, #5F006E and #4E005B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #921DA7 shade: #901DA5, #A51D95, #A51D70, #A51D4C and #A51D27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #921DA7 shade: #901DA5, #6C1DA5, #471DA5, #221DA5 and #1D1DA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #921DA7 shade matches the following richer shades: #901DA5 and #9B0DB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #921DA7 shade: #901DA5, #852D95, #7A3C85, #6F4C76 and #645C66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #921DA7 shade: #461DA5, #6A1DA5, #8E1DA5, #A51D97 and #A51D73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #921DA7 shade: #53115F, #711782, #901DA5, #AF23C8 and #C338DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #921DA7 shade: #921DA7, #A5221D and #1DA558

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #921DA7 shade: #921DA7, #A58E1D and #1DA58E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #921DA7 shade: #921DA7, #A5221D, #34A51D and #1DA0A5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #921DA7 shade: #921DA7, #A54A1D, #34A51D and #1D78A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 83 / 0 / 35

HEX #921DA7

RGB 146 29 167

HSL 290.87, 0.7%, 0.38%

LAB 37.44, 63.36, -47.96

 

Complementary color

CMYK 52 / 0 / 61 / 11

HEX #6DE258

RGB 109 226 88

HSL 110.87, 0.7%, 0.62%

LAB 80.93, -58.53, 56.08

 

CMYK 7 / 82 / 0 / 36

HEX #971DA2

RGB 151 29 162

HSL 295.04, 0.7%, 0.37%

LAB 37.96, 63.42, -44.08

 

CMYK 7 / 74 / 0 / 29

HEX #A82FB5

RGB 168 47 181

HSL 294.18, 0.59%, 0.45%

LAB 43.79, 64.78, -45.9

 

CMYK 8 / 68 / 0 / 22

HEX #B941C8

RGB 185 65 200

HSL 293.33, 0.55%, 0.52%

LAB 49.82, 65.31, -47.21

 

CMYK 8 / 62 / 0 / 14

HEX #CA53DB

RGB 202 83 219

HSL 292.5, 0.65%, 0.59%

LAB 55.94, 65.32, -48.16

 

CMYK 8 / 58 / 0 / 7

HEX #DB65EE

RGB 219 101 238

HSL 291.68, 0.8%, 0.66%

LAB 62.12, 65.02, -48.88

 

CMYK 13 / 83 / 0 / 35

HEX #921DA7

RGB 146 29 167

HSL 290.87, 0.7%, 0.38%

LAB 37.44, 63.36, -47.96

 

CMYK 13 / 93 / 0 / 42

HEX #810B94

RGB 129 11 148

HSL 291.68, 0.86%, 0.31%

LAB 31.91, 60.78, -45.5

 

CMYK 13 / 100 / 0 / 49

HEX #700081

RGB 112 0 129

HSL 292.09, 1%, 0.25%

LAB 26.82, 56.44, -42.05

 

CMYK 14 / 100 / 0 / 57

HEX #5F006E

RGB 95 0 110

HSL 291.82, 1%, 0.22%

LAB 22.16, 50.32, -37.6

 

CMYK 14 / 100 / 0 / 64

HEX #4E005B

RGB 78 0 91

HSL 291.43, 1%, 0.18%

LAB 17.34, 44, -33.02

 

CMYK 13 / 82 / 0 / 35

HEX #901DA5

RGB 144 29 165

HSL 290.74, 0.7%, 0.38%

LAB 36.98, 62.63, -47.53

 

CMYK 0 / 82 / 10 / 35

HEX #A51D95

RGB 165 29 149

HSL 307.06, 0.7%, 0.38%

LAB 39.66, 64.17, -33.36

 

CMYK 0 / 82 / 32 / 35

HEX #A51D70

RGB 165 29 112

HSL 323.38, 0.7%, 0.38%

LAB 37.93, 59.29, -13.16

 

CMYK 0 / 82 / 54 / 35

HEX #A51D4C

RGB 165 29 76

HSL 339.26, 0.7%, 0.38%

LAB 36.74, 55.81, 8.08

 

CMYK 0 / 82 / 76 / 35

HEX #A51D27

RGB 165 29 39

HSL 355.59, 0.7%, 0.38%

LAB 36.03, 53.65, 30.67

 

CMYK 13 / 82 / 0 / 35

HEX #901DA5

RGB 144 29 165

HSL 290.74, 0.7%, 0.38%

LAB 36.98, 62.63, -47.53

 

CMYK 35 / 82 / 0 / 35

HEX #6C1DA5

RGB 108 29 165

HSL 274.85, 0.7%, 0.38%

LAB 31.31, 56.41, -56.98

 

CMYK 57 / 82 / 0 / 35

HEX #471DA5

RGB 71 29 165

HSL 258.53, 0.7%, 0.38%

LAB 26.55, 51.29, -64.98

 

CMYK 79 / 82 / 0 / 35

HEX #221DA5

RGB 34 29 165

HSL 242.21, 0.7%, 0.38%

LAB 23.46, 48.05, -70.19

 

CMYK 82 / 82 / 0 / 35

HEX #1D1DA5

RGB 29 29 165

HSL 240, 0.7%, 0.38%

LAB 23.19, 47.77, -70.64

 

CMYK 13 / 82 / 0 / 35

HEX #901DA5

RGB 144 29 165

HSL 290.74, 0.7%, 0.38%

LAB 36.98, 62.63, -47.53

 

CMYK 14 / 93 / 0 / 29

HEX #9B0DB4

RGB 155 13 180

HSL 291.02, 0.87%, 0.38%

LAB 38.81, 70.26, -53.42

 

CMYK 13 / 82 / 0 / 35

HEX #901DA5

RGB 144 29 165

HSL 290.74, 0.7%, 0.38%

LAB 36.98, 62.63, -47.53

 

CMYK 11 / 70 / 0 / 42

HEX #852D95

RGB 133 45 149

HSL 290.77, 0.54%, 0.38%

LAB 36.05, 51.94, -39.43

 

CMYK 8 / 55 / 0 / 48

HEX #7A3C85

RGB 122 60 133

HSL 290.96, 0.38%, 0.38%

LAB 36.1, 38.68, -29.63

 

CMYK 6 / 36 / 0 / 54

HEX #6F4C76

RGB 111 76 118

HSL 290, 0.22%, 0.38%

LAB 37.58, 22.69, -18.16

 

CMYK 2 / 10 / 0 / 60

HEX #645C66

RGB 100 92 102

HSL 288, 0.05%, 0.38%

LAB 40.12, 5.27, -4.55

 

CMYK 58 / 82 / 0 / 35

HEX #461DA5

RGB 70 29 165

HSL 258.09, 0.7%, 0.38%

LAB 26.44, 51.18, -65.16

 

CMYK 36 / 82 / 0 / 35

HEX #6A1DA5

RGB 106 29 165

HSL 273.97, 0.7%, 0.38%

LAB 31.02, 56.1, -57.47

 

CMYK 14 / 82 / 0 / 35

HEX #8E1DA5

RGB 142 29 165

HSL 289.85, 0.7%, 0.38%

LAB 36.64, 62.26, -48.09

 

CMYK 0 / 82 / 8 / 35

HEX #A51D97

RGB 165 29 151

HSL 306.18, 0.7%, 0.38%

LAB 39.77, 64.47, -34.4

 

CMYK 0 / 82 / 30 / 35

HEX #A51D73

RGB 165 29 115

HSL 322.06, 0.7%, 0.38%

LAB 38.05, 59.64, -14.86

 

CMYK 13 / 82 / 0 / 63

HEX #53115F

RGB 83 17 95

HSL 290.77, 0.7%, 0.22%

LAB 20.31, 40.73, -30.86

 

CMYK 13 / 82 / 0 / 49

HEX #711782

RGB 113 23 130

HSL 290.47, 0.7%, 0.3%

LAB 28.73, 51.91, -39.59

 

CMYK 13 / 82 / 0 / 35

HEX #901DA5

RGB 144 29 165

HSL 290.74, 0.7%, 0.38%

LAB 36.98, 62.63, -47.53

 

CMYK 13 / 83 / 0 / 22

HEX #AF23C8

RGB 175 35 200

HSL 290.91, 0.7%, 0.46%

LAB 44.92, 72.87, -55.13

 

CMYK 11 / 75 / 0 / 14

HEX #C338DC

RGB 195 56 220

HSL 290.85, 0.7%, 0.54%

LAB 51.38, 74.12, -56.07

 

CMYK 13 / 83 / 0 / 35

HEX #921DA7

RGB 146 29 167

HSL 290.87, 0.7%, 0.38%

LAB 37.44, 63.36, -47.96

 

CMYK 0 / 79 / 82 / 35

HEX #A5221D

RGB 165 34 29

HSL 2.21, 0.7%, 0.38%

LAB 36.43, 51.87, 36.89

 

CMYK 82 / 0 / 47 / 35

HEX #1DA558

RGB 29 165 88

HSL 146.03, 0.7%, 0.38%

LAB 59.78, -52.15, 30.22

 

CMYK 13 / 83 / 0 / 35

HEX #921DA7

RGB 146 29 167

HSL 290.87, 0.7%, 0.38%

LAB 37.44, 63.36, -47.96

 

CMYK 0 / 14 / 82 / 35

HEX #A58E1D

RGB 165 142 29

HSL 49.85, 0.7%, 0.38%

LAB 59.37, -2.78, 57.77

 

CMYK 82 / 0 / 14 / 35

HEX #1DA58E

RGB 29 165 142

HSL 169.85, 0.7%, 0.38%

LAB 60.89, -39.88, 2.11

 

CMYK 13 / 83 / 0 / 35

HEX #921DA7

RGB 146 29 167

HSL 290.87, 0.7%, 0.38%

LAB 37.44, 63.36, -47.96

 

CMYK 0 / 79 / 82 / 35

HEX #A5221D

RGB 165 34 29

HSL 2.21, 0.7%, 0.38%

LAB 36.43, 51.87, 36.89

 

CMYK 68 / 0 / 82 / 35

HEX #34A51D

RGB 52 165 29

HSL 109.85, 0.7%, 0.38%

LAB 59.64, -55.29, 55.52

 

CMYK 82 / 3 / 0 / 35

HEX #1DA0A5

RGB 29 160 165

HSL 182.21, 0.7%, 0.38%

LAB 60, -30.83, -12.18

 

CMYK 13 / 83 / 0 / 35

HEX #921DA7

RGB 146 29 167

HSL 290.87, 0.7%, 0.38%

LAB 37.44, 63.36, -47.96

 

CMYK 0 / 55 / 82 / 35

HEX #A54A1D

RGB 165 74 29

HSL 19.85, 0.7%, 0.38%

LAB 42.74, 34.93, 42.88

 

CMYK 68 / 0 / 82 / 35

HEX #34A51D

RGB 52 165 29

HSL 109.85, 0.7%, 0.38%

LAB 59.64, -55.29, 55.52

 

CMYK 82 / 27 / 0 / 35

HEX #1D78A5

RGB 29 120 165

HSL 199.85, 0.7%, 0.38%

LAB 47.51, -9.59, -31.35

 

Description

Color code: HEX #921DA7 | qconv.com Color code: HEX #921DA7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 29 green and 167 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 29 167 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 83 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 83% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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