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Color name
HEX #920F14

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #920F14 it is the complementary color #6DF0EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #920F14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #920F14 shade: #970F0F, #A82122, #B93335, #CA4548 and #DB575B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #920F14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #920F14 shade: #920F14, #810001, #700000, #5F0000 and #4E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #920F14 shade: #941015 and #941010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #920F14 shade: #941015, #941038, #94105C, #94107F and #841094

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #920F14 shade matches the following richer shades: #941015 and #A10208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #920F14 shade: #941015, #861D21, #792A2D, #6C3739 and #5F4445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #920F14 shade: #94105D, #941039, #941016, #942C10 and #944F10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #920F14 shade: #49080A, #6E0C0F, #941015, #B9131A and #DE171F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #920F14 shade: #920F14, #809410 and #104B94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #920F14 shade: #920F14, #169410 and #101694

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #920F14 shade: #920F14, #809410, #10948D and #231094

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #920F14 shade: #920F14, #589410, #10948D and #4B1094

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 86 / 43

HEX #920F14

RGB 146 15 20

HSL 357.71, 0.81%, 0.32%

LAB 30.65, 50.81, 34.99

 

Complementary color

CMYK 55 / 0 / 2 / 6

HEX #6DF0EB

RGB 109 240 235

HSL 177.71, 0.81%, 0.68%

LAB 87.76, -37.1, -8.55

 

CMYK 0 / 90 / 90 / 41

HEX #970F0F

RGB 151 15 15

HSL 0, 0.82%, 0.33%

LAB 31.71, 52.12, 38.91

 

CMYK 0 / 80 / 80 / 34

HEX #A82122

RGB 168 33 34

HSL 359.56, 0.67%, 0.39%

LAB 36.98, 53.24, 34.83

 

CMYK 0 / 72 / 71 / 27

HEX #B93335

RGB 185 51 53

HSL 359.1, 0.57%, 0.46%

LAB 42.67, 53.33, 30.93

 

CMYK 0 / 66 / 64 / 21

HEX #CA4548

RGB 202 69 72

HSL 358.65, 0.56%, 0.53%

LAB 48.61, 52.82, 27.6

 

CMYK 0 / 60 / 58 / 14

HEX #DB575B

RGB 219 87 91

HSL 358.18, 0.65%, 0.6%

LAB 54.69, 52, 24.82

 

CMYK 0 / 90 / 86 / 43

HEX #920F14

RGB 146 15 20

HSL 357.71, 0.81%, 0.32%

LAB 30.65, 50.81, 34.99

 

CMYK 0 / 100 / 99 / 49

HEX #810001

RGB 129 0 1

HSL 359.53, 1%, 0.25%

LAB 25.77, 48.34, 37.96

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 100 / 100 / 63

HEX #5F0000

RGB 95 0 0

HSL 0, 1%, 0.19%

LAB 17.61, 38.89, 27.21

 

CMYK 0 / 100 / 100 / 69

HEX #4E0000

RGB 78 0 0

HSL 0, 1%, 0.15%

LAB 13.35, 33.96, 20.91

 

CMYK 0 / 89 / 86 / 42

HEX #941015

RGB 148 16 21

HSL 357.73, 0.8%, 0.32%

LAB 31.16, 51.21, 35.07

 

CMYK 0 / 89 / 89 / 42

HEX #941010

RGB 148 16 16

HSL 0, 0.8%, 0.32%

LAB 31.12, 51.1, 37.68

 

CMYK 0 / 89 / 86 / 42

HEX #941015

RGB 148 16 21

HSL 357.73, 0.8%, 0.32%

LAB 31.16, 51.21, 35.07

 

CMYK 0 / 89 / 62 / 42

HEX #941038

RGB 148 16 56

HSL 341.82, 0.8%, 0.32%

LAB 31.7, 52.76, 13.65

 

CMYK 0 / 89 / 38 / 42

HEX #94105C

RGB 148 16 92

HSL 325.45, 0.8%, 0.32%

LAB 32.79, 55.83, -8.48

 

CMYK 0 / 89 / 14 / 42

HEX #94107F

RGB 148 16 127

HSL 309.55, 0.8%, 0.32%

LAB 34.39, 60.17, -28.31

 

CMYK 11 / 89 / 0 / 42

HEX #841094

RGB 132 16 148

HSL 292.73, 0.8%, 0.32%

LAB 32.73, 60.43, -44.15

 

CMYK 0 / 89 / 86 / 42

HEX #941015

RGB 148 16 21

HSL 357.73, 0.8%, 0.32%

LAB 31.16, 51.21, 35.07

 

CMYK 0 / 99 / 95 / 37

HEX #A10208

RGB 161 2 8

HSL 357.74, 0.98%, 0.32%

LAB 33.22, 56.63, 44.03

 

CMYK 0 / 89 / 86 / 42

HEX #941015

RGB 148 16 21

HSL 357.73, 0.8%, 0.32%

LAB 31.16, 51.21, 35.07

 

CMYK 0 / 78 / 75 / 47

HEX #861D21

RGB 134 29 33

HSL 357.71, 0.64%, 0.32%

LAB 29.56, 43.9, 25.32

 

CMYK 0 / 65 / 63 / 53

HEX #792A2D

RGB 121 42 45

HSL 357.72, 0.48%, 0.32%

LAB 29.19, 34.7, 16.58

 

CMYK 0 / 49 / 47 / 58

HEX #6C3739

RGB 108 55 57

HSL 357.74, 0.33%, 0.32%

LAB 29.95, 23.67, 9.4

 

CMYK 0 / 28 / 27 / 63

HEX #5F4445

RGB 95 68 69

HSL 357.78, 0.17%, 0.32%

LAB 31.8, 11.81, 3.98

 

CMYK 0 / 89 / 37 / 42

HEX #94105D

RGB 148 16 93

HSL 325, 0.8%, 0.32%

LAB 32.82, 55.94, -9.07

 

CMYK 0 / 89 / 61 / 42

HEX #941039

RGB 148 16 57

HSL 341.36, 0.8%, 0.32%

LAB 31.72, 52.82, 13.01

 

CMYK 0 / 89 / 85 / 42

HEX #941016

RGB 148 16 22

HSL 357.27, 0.8%, 0.32%

LAB 31.17, 51.24, 34.52

 

CMYK 0 / 70 / 89 / 42

HEX #942C10

RGB 148 44 16

HSL 12.73, 0.8%, 0.32%

LAB 34.26, 42.33, 40.21

 

CMYK 0 / 47 / 89 / 42

HEX #944F10

RGB 148 79 16

HSL 28.64, 0.8%, 0.32%

LAB 41.1, 24.71, 45.71

 

CMYK 0 / 89 / 86 / 71

HEX #49080A

RGB 73 8 10

HSL 358.15, 0.8%, 0.16%

LAB 13.3, 29.74, 16.56

 

CMYK 0 / 89 / 86 / 57

HEX #6E0C0F

RGB 110 12 15

HSL 358.16, 0.8%, 0.24%

LAB 22.35, 40.72, 27.1

 

CMYK 0 / 89 / 86 / 42

HEX #941015

RGB 148 16 21

HSL 357.73, 0.8%, 0.32%

LAB 31.16, 51.21, 35.07

 

CMYK 0 / 90 / 86 / 27

HEX #B9131A

RGB 185 19 26

HSL 357.47, 0.81%, 0.4%

LAB 39.33, 60.99, 42.67

 

CMYK 0 / 90 / 86 / 13

HEX #DE171F

RGB 222 23 31

HSL 357.59, 0.81%, 0.48%

LAB 47.29, 70.18, 49.99

 

CMYK 0 / 90 / 86 / 43

HEX #920F14

RGB 146 15 20

HSL 357.71, 0.81%, 0.32%

LAB 30.65, 50.81, 34.99

 

CMYK 14 / 0 / 89 / 42

HEX #809410

RGB 128 148 16

HSL 69.09, 0.8%, 0.32%

LAB 57.85, -23, 58.5

 

CMYK 89 / 49 / 0 / 42

HEX #104B94

RGB 16 75 148

HSL 213.18, 0.8%, 0.32%

LAB 32.44, 11.03, -45.16

 

CMYK 0 / 90 / 86 / 43

HEX #920F14

RGB 146 15 20

HSL 357.71, 0.81%, 0.32%

LAB 30.65, 50.81, 34.99

 

CMYK 85 / 0 / 89 / 42

HEX #169410

RGB 22 148 16

HSL 117.27, 0.8%, 0.32%

LAB 53.37, -55.25, 52.91

 

CMYK 89 / 85 / 0 / 42

HEX #101694

RGB 16 22 148

HSL 237.27, 0.8%, 0.32%

LAB 19.32, 45.14, -66.67

 

CMYK 0 / 90 / 86 / 43

HEX #920F14

RGB 146 15 20

HSL 357.71, 0.81%, 0.32%

LAB 30.65, 50.81, 34.99

 

CMYK 14 / 0 / 89 / 42

HEX #809410

RGB 128 148 16

HSL 69.09, 0.8%, 0.32%

LAB 57.85, -23, 58.5

 

CMYK 89 / 0 / 5 / 42

HEX #10948D

RGB 16 148 141

HSL 176.82, 0.8%, 0.32%

LAB 55.29, -33.47, -5.55

 

CMYK 76 / 89 / 0 / 42

HEX #231094

RGB 35 16 148

HSL 248.64, 0.8%, 0.32%

LAB 19.5, 48.52, -66.34

 

CMYK 0 / 90 / 86 / 43

HEX #920F14

RGB 146 15 20

HSL 357.71, 0.81%, 0.32%

LAB 30.65, 50.81, 34.99

 

CMYK 41 / 0 / 89 / 42

HEX #589410

RGB 88 148 16

HSL 87.27, 0.8%, 0.32%

LAB 55.37, -39.2, 55.42

 

CMYK 89 / 0 / 5 / 42

HEX #10948D

RGB 16 148 141

HSL 176.82, 0.8%, 0.32%

LAB 55.29, -33.47, -5.55

 

CMYK 49 / 89 / 0 / 42

HEX #4B1094

RGB 75 16 148

HSL 266.82, 0.8%, 0.32%

LAB 23.69, 51.94, -59.28

 

Description

Color code: HEX #920F14 | qconv.com Color code: HEX #920F14 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 15 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 15 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 86 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 86% 43% C M Y K

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Provide designers and agencies with accurate color values.

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