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Color name
HEX #920D52

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #920D52 it is the complementary color #6DF2AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #920D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #920D52 shade: #970D4D, #A81F60, #B93173, #CA4386 and #DB5599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #920D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #920D52 shade: #920D52, #81003F, #70002C, #5F0019 and #4E0006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #920D52 shade: #910D52, #910D2E and #910D0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #920D52 shade: #910D52, #910D75, #8A0D91, #660D91 and #420D91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #920D52 shade matches the following richer shades: #910D52

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #920D52 shade: #910D52, #851951, #782651, #6B3350 and #5E4050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #920D52 shade: #890D91, #910D77, #910D53, #910D30 and #910D0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #920D52 shade: #460627, #6B093C, #910D52, #B71067 and #DD137C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #920D52 shade: #920D52, #91650D and #0D8991

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #920D52 shade: #920D52, #53910D and #0D5391

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #920D52 shade: #920D52, #91650D, #0D914B and #0D3991

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #920D52 shade: #920D52, #918D0D, #0D914B and #0D1191

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 44 / 43

HEX #920D52

RGB 146 13 82

HSL 328.87, 0.84%, 0.31%

LAB 31.83, 54.87, -3.43

 

Complementary color

CMYK 55 / 0 / 29 / 5

HEX #6DF2AD

RGB 109 242 173

HSL 148.87, 0.84%, 0.69%

LAB 86.89, -52.04, 22.47

 

CMYK 0 / 91 / 49 / 41

HEX #970D4D

RGB 151 13 77

HSL 332.17, 0.84%, 0.32%

LAB 32.71, 55.65, 1.27

 

CMYK 0 / 82 / 43 / 34

HEX #A81F60

RGB 168 31 96

HSL 331.53, 0.69%, 0.39%

LAB 38.11, 57.84, -2.7

 

CMYK 0 / 74 / 38 / 27

HEX #B93173

RGB 185 49 115

HSL 330.88, 0.58%, 0.46%

LAB 43.87, 58.84, -5.72

 

CMYK 0 / 67 / 34 / 21

HEX #CA4386

RGB 202 67 134

HSL 330.22, 0.56%, 0.53%

LAB 49.85, 59.11, -8.06

 

CMYK 0 / 61 / 30 / 14

HEX #DB5599

RGB 219 85 153

HSL 329.55, 0.65%, 0.6%

LAB 55.94, 58.92, -9.93

 

CMYK 0 / 91 / 44 / 43

HEX #920D52

RGB 146 13 82

HSL 328.87, 0.84%, 0.31%

LAB 31.83, 54.87, -3.43

 

CMYK 0 / 100 / 51 / 49

HEX #81003F

RGB 129 0 63

HSL 330.7, 1%, 0.25%

LAB 26.81, 51.13, 1.49

 

CMYK 0 / 100 / 61 / 56

HEX #70002C

RGB 112 0 44

HSL 336.43, 1%, 0.22%

LAB 22.4, 45.44, 7.83

 

CMYK 0 / 100 / 74 / 63

HEX #5F0019

RGB 95 0 25

HSL 344.21, 1%, 0.19%

LAB 17.93, 39.76, 14.69

 

CMYK 0 / 100 / 92 / 69

HEX #4E0006

RGB 78 0 6

HSL 355.38, 1%, 0.15%

LAB 13.43, 34.18, 18.57

 

CMYK 0 / 91 / 43 / 43

HEX #910D52

RGB 145 13 82

HSL 328.64, 0.84%, 0.31%

LAB 31.62, 54.62, -3.76

 

CMYK 0 / 91 / 68 / 43

HEX #910D2E

RGB 145 13 46

HSL 345, 0.84%, 0.31%

LAB 30.65, 51.92, 18.77

 

CMYK 0 / 91 / 91 / 43

HEX #910D0D

RGB 145 13 13

HSL 0, 0.84%, 0.31%

LAB 30.25, 50.75, 38.18

 

CMYK 0 / 91 / 43 / 43

HEX #910D52

RGB 145 13 82

HSL 328.64, 0.84%, 0.31%

LAB 31.62, 54.62, -3.76

 

CMYK 0 / 91 / 19 / 43

HEX #910D75

RGB 145 13 117

HSL 312.73, 0.84%, 0.31%

LAB 33.12, 58.68, -24.06

 

CMYK 5 / 91 / 0 / 43

HEX #8A0D91

RGB 138 13 145

HSL 296.82, 0.84%, 0.31%

LAB 33.43, 61.51, -41.13

 

CMYK 30 / 91 / 0 / 43

HEX #660D91

RGB 102 13 145

HSL 280.45, 0.84%, 0.31%

LAB 27.18, 55.57, -51.54

 

CMYK 54 / 91 / 0 / 43

HEX #420D91

RGB 66 13 145

HSL 264.09, 0.84%, 0.31%

LAB 21.91, 51.07, -60.39

 

CMYK 0 / 91 / 43 / 43

HEX #910D52

RGB 145 13 82

HSL 328.64, 0.84%, 0.31%

LAB 31.62, 54.62, -3.76

 

CMYK 0 / 91 / 43 / 43

HEX #910D52

RGB 145 13 82

HSL 328.64, 0.84%, 0.31%

LAB 31.62, 54.62, -3.76

 

CMYK 0 / 81 / 39 / 48

HEX #851951

RGB 133 25 81

HSL 328.89, 0.68%, 0.31%

LAB 30.1, 48.64, -5.63

 

CMYK 0 / 68 / 33 / 53

HEX #782651

RGB 120 38 81

HSL 328.54, 0.52%, 0.31%

LAB 29.35, 39.99, -7.01

 

CMYK 0 / 52 / 25 / 58

HEX #6B3350

RGB 107 51 80

HSL 328.93, 0.35%, 0.31%

LAB 29.59, 28.76, -6.2

 

CMYK 0 / 32 / 15 / 63

HEX #5E4050

RGB 94 64 80

HSL 328, 0.19%, 0.31%

LAB 30.94, 15.86, -4.39

 

CMYK 6 / 91 / 0 / 43

HEX #890D91

RGB 137 13 145

HSL 296.36, 0.84%, 0.31%

LAB 33.24, 61.33, -41.43

 

CMYK 0 / 91 / 18 / 43

HEX #910D77

RGB 145 13 119

HSL 311.82, 0.84%, 0.31%

LAB 33.22, 58.95, -25.16

 

CMYK 0 / 91 / 43 / 43

HEX #910D53

RGB 145 13 83

HSL 328.18, 0.84%, 0.31%

LAB 31.65, 54.72, -4.37

 

CMYK 0 / 91 / 67 / 43

HEX #910D30

RGB 145 13 48

HSL 344.09, 0.84%, 0.31%

LAB 30.69, 52.03, 17.5

 

CMYK 0 / 91 / 91 / 43

HEX #910D0D

RGB 145 13 13

HSL 0, 0.84%, 0.31%

LAB 30.25, 50.75, 38.18

 

CMYK 0 / 91 / 44 / 73

HEX #460627

RGB 70 6 39

HSL 329.06, 0.84%, 0.15%

LAB 13.1, 31.82, -3.19

 

CMYK 0 / 92 / 44 / 58

HEX #6B093C

RGB 107 9 60

HSL 328.78, 0.84%, 0.23%

LAB 22.47, 43.53, -3.39

 

CMYK 0 / 91 / 43 / 43

HEX #910D52

RGB 145 13 82

HSL 328.64, 0.84%, 0.31%

LAB 31.62, 54.62, -3.76

 

CMYK 0 / 91 / 44 / 28

HEX #B71067

RGB 183 16 103

HSL 328.74, 0.84%, 0.39%

LAB 40.27, 65.18, -3.6

 

CMYK 0 / 91 / 44 / 13

HEX #DD137C

RGB 221 19 124

HSL 328.81, 0.84%, 0.47%

LAB 48.63, 75.29, -3.45

 

CMYK 0 / 91 / 44 / 43

HEX #920D52

RGB 146 13 82

HSL 328.87, 0.84%, 0.31%

LAB 31.83, 54.87, -3.43

 

CMYK 0 / 30 / 91 / 43

HEX #91650D

RGB 145 101 13

HSL 40, 0.84%, 0.31%

LAB 46.12, 10.63, 50.41

 

CMYK 91 / 6 / 0 / 43

HEX #0D8991

RGB 13 137 145

HSL 183.64, 0.84%, 0.31%

LAB 51.86, -27.06, -13

 

CMYK 0 / 91 / 44 / 43

HEX #920D52

RGB 146 13 82

HSL 328.87, 0.84%, 0.31%

LAB 31.83, 54.87, -3.43

 

CMYK 43 / 0 / 91 / 43

HEX #53910D

RGB 83 145 13

HSL 88.18, 0.84%, 0.31%

LAB 54.15, -39.81, 54.89

 

CMYK 91 / 43 / 0 / 43

HEX #0D5391

RGB 13 83 145

HSL 208.18, 0.84%, 0.31%

LAB 34.63, 4.2, -39.81

 

CMYK 0 / 91 / 44 / 43

HEX #920D52

RGB 146 13 82

HSL 328.87, 0.84%, 0.31%

LAB 31.83, 54.87, -3.43

 

CMYK 0 / 30 / 91 / 43

HEX #91650D

RGB 145 101 13

HSL 40, 0.84%, 0.31%

LAB 46.12, 10.63, 50.41

 

CMYK 91 / 0 / 48 / 43

HEX #0D914B

RGB 13 145 75

HSL 148.18, 0.84%, 0.31%

LAB 52.78, -48.72, 28.14

 

CMYK 91 / 61 / 0 / 43

HEX #0D3991

RGB 13 57 145

HSL 220, 0.84%, 0.31%

LAB 26.89, 22.07, -52.33

 

CMYK 0 / 91 / 44 / 43

HEX #920D52

RGB 146 13 82

HSL 328.87, 0.84%, 0.31%

LAB 31.83, 54.87, -3.43

 

CMYK 0 / 3 / 91 / 43

HEX #918D0D

RGB 145 141 13

HSL 58.18, 0.84%, 0.31%

LAB 57.17, -11.81, 59.1

 

CMYK 91 / 0 / 48 / 43

HEX #0D914B

RGB 13 145 75

HSL 148.18, 0.84%, 0.31%

LAB 52.78, -48.72, 28.14

 

CMYK 91 / 88 / 0 / 43

HEX #0D1191

RGB 13 17 145

HSL 238.18, 0.84%, 0.31%

LAB 18.06, 46.33, -66.91

 

Description

Color code: HEX #920D52 | qconv.com Color code: HEX #920D52 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 13 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 13 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 44 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 44% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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