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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9209B9 it is the complementary color #6DF646. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9209B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9209B9 shade: #9709B4, #A81BC7, #B92DDA, #CA3FED and #DB51FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9209B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9209B9 shade: #9209B9, #8100A6, #700093, #5F0080 and #4E006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9209B9 shade: #9209B9, #B909B1, #B90981, #B90951 and #B90922

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9209B9 shade: #9209B9, #6209B9, #3309B9 and #0909B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9209B9 shade matches the following richer shades: #9209B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9209B9 shade: #9209B9, #8918A9, #81289A, #78388A and #6F477A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9209B9 shade: #3209B9, #6109B9, #9009B9, #B909B3 and #B90984

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9209B9 shade: #54056A, #730792, #9209B9, #B10BE0 and #C520F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9209B9 shade: #9209B9, #B9090F and #09B949

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9209B9 shade: #9209B9, #B99009 and #09B990

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9209B9 shade: #9209B9, #B9090F, #32B909 and #09B9B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9209B9 shade: #9209B9, #B93809, #32B909 and #098AB9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

Complementary color

CMYK 56 / 0 / 72 / 4

HEX #6DF646

RGB 109 246 70

HSL 106.7, 0.91%, 0.62%

LAB 86.8, -67.28, 69.34

 

CMYK 16 / 95 / 0 / 29

HEX #9709B4

RGB 151 9 180

HSL 289.82, 0.9%, 0.37%

LAB 37.97, 70.12, -54.83

 

CMYK 16 / 86 / 0 / 22

HEX #A81BC7

RGB 168 27 199

HSL 289.19, 0.76%, 0.44%

LAB 43.11, 73.28, -57.53

 

CMYK 15 / 79 / 0 / 15

HEX #B92DDA

RGB 185 45 218

HSL 288.55, 0.7%, 0.52%

LAB 48.58, 75.19, -59.52

 

CMYK 15 / 73 / 0 / 7

HEX #CA3FED

RGB 202 63 237

HSL 287.93, 0.83%, 0.59%

LAB 54.27, 76.21, -60.98

 

CMYK 14 / 68 / 0 / 0

HEX #DB51FF

RGB 219 81 255

HSL 287.59, 1%, 0.66%

LAB 60.04, 76.43, -61.61

 

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

CMYK 22 / 100 / 0 / 35

HEX #8100A6

RGB 129 0 166

HSL 286.63, 1%, 0.33%

LAB 32.75, 65.6, -55.1

 

CMYK 24 / 100 / 0 / 42

HEX #700093

RGB 112 0 147

HSL 285.71, 1%, 0.29%

LAB 28.25, 59.74, -50.96

 

CMYK 26 / 100 / 0 / 50

HEX #5F0080

RGB 95 0 128

HSL 284.53, 1%, 0.25%

LAB 23.64, 53.73, -46.72

 

CMYK 28 / 100 / 0 / 57

HEX #4E006D

RGB 78 0 109

HSL 282.94, 1%, 0.21%

LAB 18.9, 47.56, -42.38

 

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

CMYK 0 / 95 / 4 / 27

HEX #B909B1

RGB 185 9 177

HSL 302.73, 0.91%, 0.38%

LAB 43.78, 75.2, -43.4

 

CMYK 0 / 95 / 30 / 27

HEX #B90981

RGB 185 9 129

HSL 319.09, 0.91%, 0.38%

LAB 41.37, 69.06, -18.16

 

CMYK 0 / 95 / 56 / 27

HEX #B90951

RGB 185 9 81

HSL 335.45, 0.91%, 0.38%

LAB 39.75, 64.76, 9.69

 

CMYK 0 / 95 / 82 / 27

HEX #B90922

RGB 185 9 34

HSL 351.48, 0.91%, 0.38%

LAB 38.94, 62.52, 37.96

 

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

CMYK 47 / 95 / 0 / 27

HEX #6209B9

RGB 98 9 185

HSL 270.34, 0.91%, 0.38%

LAB 30.14, 64.48, -70.93

 

CMYK 72 / 95 / 0 / 27

HEX #3309B9

RGB 51 9 185

HSL 254.32, 0.91%, 0.38%

LAB 24.96, 61.22, -79.68

 

CMYK 95 / 95 / 0 / 27

HEX #0909B9

RGB 9 9 185

HSL 240, 0.91%, 0.38%

LAB 22.85, 60.17, -83.25

 

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

CMYK 19 / 86 / 0 / 34

HEX #8918A9

RGB 137 24 169

HSL 286.76, 0.75%, 0.38%

LAB 35.67, 63.39, -52.1

 

CMYK 16 / 74 / 0 / 40

HEX #81289A

RGB 129 40 154

HSL 286.84, 0.59%, 0.38%

LAB 35.04, 54.02, -44.13

 

CMYK 13 / 59 / 0 / 46

HEX #78388A

RGB 120 56 138

HSL 286.83, 0.42%, 0.38%

LAB 35.31, 41.28, -33.98

 

CMYK 9 / 42 / 0 / 52

HEX #6F477A

RGB 111 71 122

HSL 287.06, 0.26%, 0.38%

LAB 36.54, 26.59, -22.26

 

CMYK 73 / 95 / 0 / 27

HEX #3209B9

RGB 50 9 185

HSL 253.98, 0.91%, 0.38%

LAB 24.88, 61.17, -79.82

 

CMYK 48 / 95 / 0 / 27

HEX #6109B9

RGB 97 9 185

HSL 270, 0.91%, 0.38%

LAB 30.01, 64.38, -71.15

 

CMYK 22 / 95 / 0 / 27

HEX #9009B9

RGB 144 9 185

HSL 286.02, 0.91%, 0.38%

LAB 37.17, 69.99, -59.15

 

CMYK 0 / 95 / 3 / 27

HEX #B909B3

RGB 185 9 179

HSL 302.05, 0.91%, 0.38%

LAB 43.89, 75.49, -44.39

 

CMYK 0 / 95 / 29 / 27

HEX #B90984

RGB 185 9 132

HSL 318.07, 0.91%, 0.38%

LAB 41.49, 69.39, -19.81

 

CMYK 21 / 95 / 0 / 58

HEX #54056A

RGB 84 5 106

HSL 286.93, 0.91%, 0.22%

LAB 20.18, 46.53, -38.3

 

CMYK 21 / 95 / 0 / 43

HEX #730792

RGB 115 7 146

HSL 286.62, 0.91%, 0.3%

LAB 29.09, 58.8, -48.96

 

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

CMYK 21 / 95 / 0 / 12

HEX #B10BE0

RGB 177 11 224

HSL 286.76, 0.91%, 0.46%

LAB 45.59, 81.29, -67.84

 

CMYK 19 / 87 / 0 / 4

HEX #C520F4

RGB 197 32 244

HSL 286.7, 0.91%, 0.54%

LAB 51.19, 84.67, -69.91

 

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

CMYK 0 / 95 / 92 / 27

HEX #B9090F

RGB 185 9 15

HSL 357.95, 0.91%, 0.38%

LAB 38.8, 62.13, 47.38

 

CMYK 95 / 0 / 61 / 27

HEX #09B949

RGB 9 185 73

HSL 141.82, 0.91%, 0.38%

LAB 65.93, -62.54, 45.05

 

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

CMYK 0 / 22 / 95 / 27

HEX #B99009

RGB 185 144 9

HSL 46.02, 0.91%, 0.38%

LAB 61.9, 4.79, 65.05

 

CMYK 95 / 0 / 22 / 27

HEX #09B990

RGB 9 185 144

HSL 166.02, 0.91%, 0.38%

LAB 67.1, -48.92, 9.9

 

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

CMYK 0 / 95 / 92 / 27

HEX #B9090F

RGB 185 9 15

HSL 357.95, 0.91%, 0.38%

LAB 38.8, 62.13, 47.38

 

CMYK 73 / 0 / 95 / 27

HEX #32B909

RGB 50 185 9

HSL 106.02, 0.91%, 0.38%

LAB 66.06, -62.81, 64.93

 

CMYK 95 / 0 / 3 / 27

HEX #09B9B3

RGB 9 185 179

HSL 177.95, 0.91%, 0.38%

LAB 68.03, -39.3, -8.01

 

CMYK 21 / 95 / 0 / 27

HEX #9209B9

RGB 146 9 185

HSL 286.7, 0.91%, 0.38%

LAB 37.5, 70.27, -58.59

 

CMYK 0 / 70 / 95 / 27

HEX #B93809

RGB 185 56 9

HSL 16.02, 0.91%, 0.38%

LAB 43.01, 50.17, 52.07

 

CMYK 73 / 0 / 95 / 27

HEX #32B909

RGB 50 185 9

HSL 106.02, 0.91%, 0.38%

LAB 66.06, -62.81, 64.93

 

CMYK 95 / 25 / 0 / 27

HEX #098AB9

RGB 9 138 185

HSL 196.02, 0.91%, 0.38%

LAB 53.75, -13.73, -33.16

 

Description

Color code: HEX #9209B9 | qconv.com Color code: HEX #9209B9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 9 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 9 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 95 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 95% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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