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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #920596 it is the complementary color #6DFA69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #920596. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #920596 shade: #970591, #A817A4, #B929B7, #CA3BCA and #DB4DDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #920596. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #920596 shade: #920596, #810083, #700070, #5F005D and #4E004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #920596 shade: #900594, #940572, #94054B, #940524 and #940505

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #920596 shade: #900594, #6A0594, #430594, #1C0594 and #050594

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #920596 shade matches the following richer shades: #900594

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #920596 shade: #900594, #851188, #791D7C, #6D2A6F and #623663

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #920596 shade: #430594, #690594, #900594, #940573 and #94054D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #920596 shade: #430244, #69036C, #900594, #B706BC and #DE07E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #920596 shade: #920596, #941D05 and #059456

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #920596 shade: #920596, #949005 and #059490

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #920596 shade: #920596, #941D05, #099405 and #057C94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #920596 shade: #920596, #944805, #099405 and #055194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 97 / 0 / 41

HEX #920596

RGB 146 5 150

HSL 298.34, 0.94%, 0.3%

LAB 34.85, 64.81, -41.84

 

Complementary color

CMYK 56 / 0 / 58 / 2

HEX #6DFA69

RGB 109 250 105

HSL 118.34, 0.94%, 0.7%

LAB 88.28, -65.51, 57.13

 

CMYK 0 / 97 / 4 / 41

HEX #970591

RGB 151 5 145

HSL 302.47, 0.94%, 0.31%

LAB 35.46, 64.92, -37.74

 

CMYK 0 / 86 / 2 / 34

HEX #A817A4

RGB 168 23 164

HSL 301.66, 0.76%, 0.37%

LAB 40.6, 68.3, -40.89

 

CMYK 0 / 78 / 1 / 27

HEX #B929B7

RGB 185 41 183

HSL 300.83, 0.64%, 0.44%

LAB 46.07, 70.41, -43.28

 

CMYK 0 / 71 / 0 / 21

HEX #CA3BCA

RGB 202 59 202

HSL 300, 0.57%, 0.51%

LAB 51.78, 71.55, -45.08

 

CMYK 1 / 65 / 0 / 13

HEX #DB4DDD

RGB 219 77 221

HSL 299.17, 0.68%, 0.58%

LAB 57.64, 72.03, -46.44

 

CMYK 3 / 97 / 0 / 41

HEX #920596

RGB 146 5 150

HSL 298.34, 0.94%, 0.3%

LAB 34.85, 64.81, -41.84

 

CMYK 2 / 100 / 0 / 49

HEX #810083

RGB 129 0 131

HSL 299.08, 1%, 0.26%

LAB 30.17, 59.59, -37.75

 

CMYK 0 / 100 / 0 / 56

HEX #700070

RGB 112 0 112

HSL 300, 1%, 0.22%

LAB 25.61, 53.57, -33.17

 

CMYK 0 / 100 / 2 / 63

HEX #5F005D

RGB 95 0 93

HSL 301.26, 1%, 0.19%

LAB 20.92, 47.37, -28.43

 

CMYK 0 / 100 / 5 / 69

HEX #4E004A

RGB 78 0 74

HSL 303.08, 1%, 0.15%

LAB 16.08, 40.98, -23.48

 

CMYK 3 / 97 / 0 / 42

HEX #900594

RGB 144 5 148

HSL 298.32, 0.93%, 0.3%

LAB 34.35, 64.15, -41.44

 

CMYK 0 / 97 / 23 / 42

HEX #940572

RGB 148 5 114

HSL 314.27, 0.93%, 0.3%

LAB 33.18, 60.05, -22.02

 

CMYK 0 / 97 / 49 / 42

HEX #94054B

RGB 148 5 75

HSL 330.63, 0.93%, 0.3%

LAB 31.61, 55.91, 0.92

 

CMYK 0 / 97 / 76 / 42

HEX #940524

RGB 148 5 36

HSL 346.99, 0.93%, 0.3%

LAB 30.72, 53.48, 25.53

 

CMYK 0 / 97 / 97 / 42

HEX #940505

RGB 148 5 5

HSL 0, 0.93%, 0.3%

LAB 30.44, 52.71, 41.98

 

CMYK 3 / 97 / 0 / 42

HEX #900594

RGB 144 5 148

HSL 298.32, 0.93%, 0.3%

LAB 34.35, 64.15, -41.44

 

CMYK 28 / 97 / 0 / 42

HEX #6A0594

RGB 106 5 148

HSL 282.38, 0.93%, 0.3%

LAB 27.6, 58.23, -52.68

 

CMYK 55 / 97 / 0 / 42

HEX #430594

RGB 67 5 148

HSL 266.01, 0.93%, 0.3%

LAB 21.73, 53.87, -62.55

 

CMYK 81 / 97 / 0 / 42

HEX #1C0594

RGB 28 5 148

HSL 249.65, 0.93%, 0.3%

LAB 17.89, 51.66, -69.04

 

CMYK 97 / 97 / 0 / 42

HEX #050594

RGB 5 5 148

HSL 240, 0.93%, 0.3%

LAB 16.89, 51.19, -70.74

 

CMYK 3 / 97 / 0 / 42

HEX #900594

RGB 144 5 148

HSL 298.32, 0.93%, 0.3%

LAB 34.35, 64.15, -41.44

 

CMYK 3 / 97 / 0 / 42

HEX #900594

RGB 144 5 148

HSL 298.32, 0.93%, 0.3%

LAB 34.35, 64.15, -41.44

 

CMYK 2 / 88 / 0 / 47

HEX #851188

RGB 133 17 136

HSL 298.49, 0.78%, 0.3%

LAB 32.18, 58.37, -37.61

 

CMYK 2 / 77 / 0 / 51

HEX #791D7C

RGB 121 29 124

HSL 298.11, 0.62%, 0.3%

LAB 30.4, 50.58, -33.07

 

CMYK 2 / 62 / 0 / 56

HEX #6D2A6F

RGB 109 42 111

HSL 298.26, 0.45%, 0.3%

LAB 29.55, 39.74, -26.3

 

CMYK 1 / 45 / 0 / 61

HEX #623663

RGB 98 54 99

HSL 298.67, 0.29%, 0.3%

LAB 29.75, 27.33, -18.41

 

CMYK 55 / 97 / 0 / 42

HEX #430594

RGB 67 5 148

HSL 266.01, 0.93%, 0.3%

LAB 21.73, 53.87, -62.55

 

CMYK 29 / 97 / 0 / 42

HEX #690594

RGB 105 5 148

HSL 281.96, 0.93%, 0.3%

LAB 27.44, 58.09, -52.96

 

CMYK 3 / 97 / 0 / 42

HEX #900594

RGB 144 5 148

HSL 298.32, 0.93%, 0.3%

LAB 34.35, 64.15, -41.44

 

CMYK 0 / 97 / 22 / 42

HEX #940573

RGB 148 5 115

HSL 313.85, 0.93%, 0.3%

LAB 33.23, 60.17, -22.58

 

CMYK 0 / 97 / 48 / 42

HEX #94054D

RGB 148 5 77

HSL 329.79, 0.93%, 0.3%

LAB 31.67, 56.08, -0.31

 

CMYK 1 / 97 / 0 / 73

HEX #430244

RGB 67 2 68

HSL 299.09, 0.94%, 0.14%

LAB 13.56, 37.02, -23.46

 

CMYK 3 / 97 / 0 / 58

HEX #69036C

RGB 105 3 108

HSL 298.29, 0.95%, 0.22%

LAB 24.16, 51.04, -32.97

 

CMYK 3 / 97 / 0 / 42

HEX #900594

RGB 144 5 148

HSL 298.32, 0.93%, 0.3%

LAB 34.35, 64.15, -41.44

 

CMYK 3 / 97 / 0 / 26

HEX #B706BC

RGB 183 6 188

HSL 298.35, 0.94%, 0.38%

LAB 43.99, 76.77, -49.56

 

CMYK 3 / 97 / 0 / 11

HEX #DE07E4

RGB 222 7 228

HSL 298.37, 0.94%, 0.46%

LAB 53.26, 88.86, -57.36

 

CMYK 3 / 97 / 0 / 41

HEX #920596

RGB 146 5 150

HSL 298.34, 0.94%, 0.3%

LAB 34.85, 64.81, -41.84

 

CMYK 0 / 80 / 97 / 42

HEX #941D05

RGB 148 29 5

HSL 10.07, 0.93%, 0.3%

LAB 32.23, 47.61, 43.23

 

CMYK 97 / 0 / 42 / 42

HEX #059456

RGB 5 148 86

HSL 153.99, 0.93%, 0.3%

LAB 53.9, -48.18, 23.64

 

CMYK 3 / 97 / 0 / 41

HEX #920596

RGB 146 5 150

HSL 298.34, 0.94%, 0.3%

LAB 34.85, 64.81, -41.84

 

CMYK 0 / 3 / 97 / 42

HEX #949005

RGB 148 144 5

HSL 58.32, 0.93%, 0.3%

LAB 58.28, -12.17, 61.36

 

CMYK 97 / 0 / 3 / 42

HEX #059490

RGB 5 148 144

HSL 178.32, 0.93%, 0.3%

LAB 55.3, -33.08, -7.26

 

CMYK 3 / 97 / 0 / 41

HEX #920596

RGB 146 5 150

HSL 298.34, 0.94%, 0.3%

LAB 34.85, 64.81, -41.84

 

CMYK 0 / 80 / 97 / 42

HEX #941D05

RGB 148 29 5

HSL 10.07, 0.93%, 0.3%

LAB 32.23, 47.61, 43.23

 

CMYK 94 / 0 / 97 / 42

HEX #099405

RGB 9 148 5

HSL 118.32, 0.93%, 0.3%

LAB 53.22, -56.71, 54.69

 

CMYK 97 / 16 / 0 / 42

HEX #057C94

RGB 5 124 148

HSL 190.07, 0.93%, 0.3%

LAB 47.73, -19.66, -21.05

 

CMYK 3 / 97 / 0 / 41

HEX #920596

RGB 146 5 150

HSL 298.34, 0.94%, 0.3%

LAB 34.85, 64.81, -41.84

 

CMYK 0 / 51 / 97 / 42

HEX #944805

RGB 148 72 5

HSL 28.11, 0.93%, 0.3%

LAB 39.48, 28.37, 47.84

 

CMYK 94 / 0 / 97 / 42

HEX #099405

RGB 9 148 5

HSL 118.32, 0.93%, 0.3%

LAB 53.22, -56.71, 54.69

 

CMYK 97 / 45 / 0 / 42

HEX #055194

RGB 5 81 148

HSL 208.11, 0.93%, 0.3%

LAB 34.1, 6.34, -42.5

 

Description

Color code: HEX #920596 | qconv.com Color code: HEX #920596 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 5 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 5 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 97 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 97% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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