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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #920488 it is the complementary color #6DFB77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #920488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #920488 shade: #970483, #A81696, #B928A9, #CA3ABC and #DB4CCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #920488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #920488 shade: #920488, #810075, #700062, #5F004F and #4E003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #920488 shade: #900486, #900460, #90043B, #900415 and #900404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #920488 shade: #900486, #740490, #4E0490, #280490 and #040490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #920488 shade matches the following richer shades: #900486

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #920488 shade: #900486, #84107C, #781C72, #6C2867 and #60345D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #920488 shade: #4F0490, #740490, #900487, #900461 and #90043C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #920488 shade: #40023B, #680361, #900486, #B805AC and #E106D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #920488 shade: #920488, #902904 and #049061

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #920488 shade: #920488, #879004 and #048790

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #920488 shade: #920488, #902904, #04900D and #046B90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #920488 shade: #920488, #905304, #04900D and #044190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 7 / 43

HEX #920488

RGB 146 4 136

HSL 304.23, 0.95%, 0.29%

LAB 33.93, 62.8, -34.67

 

Complementary color

CMYK 57 / 0 / 53 / 2

HEX #6DFB77

RGB 109 251 119

HSL 124.23, 0.95%, 0.71%

LAB 88.72, -64.21, 51.39

 

CMYK 0 / 97 / 13 / 41

HEX #970483

RGB 151 4 131

HSL 308.16, 0.95%, 0.3%

LAB 34.61, 63.03, -30.43

 

CMYK 0 / 87 / 11 / 34

HEX #A81696

RGB 168 22 150

HSL 307.4, 0.77%, 0.37%

LAB 39.75, 66.42, -33.79

 

CMYK 0 / 78 / 9 / 27

HEX #B928A9

RGB 185 40 169

HSL 306.62, 0.64%, 0.44%

LAB 45.22, 68.55, -36.37

 

CMYK 0 / 71 / 7 / 21

HEX #CA3ABC

RGB 202 58 188

HSL 305.83, 0.58%, 0.51%

LAB 50.94, 69.68, -38.32

 

CMYK 0 / 65 / 5 / 14

HEX #DB4CCF

RGB 219 76 207

HSL 305.03, 0.67%, 0.58%

LAB 56.82, 70.16, -39.81

 

CMYK 0 / 97 / 7 / 43

HEX #920488

RGB 146 4 136

HSL 304.23, 0.95%, 0.29%

LAB 33.93, 62.8, -34.67

 

CMYK 0 / 100 / 9 / 49

HEX #810075

RGB 129 0 117

HSL 305.58, 1%, 0.25%

LAB 29.29, 57.45, -30.31

 

CMYK 0 / 100 / 13 / 56

HEX #700062

RGB 112 0 98

HSL 307.5, 1%, 0.22%

LAB 24.72, 51.41, -25.47

 

CMYK 0 / 100 / 17 / 63

HEX #5F004F

RGB 95 0 79

HSL 310.11, 1%, 0.19%

LAB 20.03, 45.2, -20.41

 

CMYK 0 / 100 / 23 / 69

HEX #4E003C

RGB 78 0 60

HSL 313.85, 1%, 0.15%

LAB 15.2, 38.81, -15.05

 

CMYK 0 / 97 / 7 / 44

HEX #900486

RGB 144 4 134

HSL 304.29, 0.95%, 0.29%

LAB 33.43, 62.14, -34.25

 

CMYK 0 / 97 / 33 / 44

HEX #900460

RGB 144 4 96

HSL 320.57, 0.95%, 0.29%

LAB 31.49, 57.19, -13.13

 

CMYK 0 / 97 / 59 / 44

HEX #90043B

RGB 144 4 59

HSL 336.43, 0.95%, 0.29%

LAB 30.23, 53.85, 9.51

 

CMYK 0 / 97 / 85 / 44

HEX #900415

RGB 144 4 21

HSL 352.71, 0.95%, 0.29%

LAB 29.59, 52.08, 33.3

 

CMYK 0 / 97 / 97 / 44

HEX #900404

RGB 144 4 4

HSL 0, 0.95%, 0.29%

LAB 29.48, 51.76, 41.26

 

CMYK 0 / 97 / 7 / 44

HEX #900486

RGB 144 4 134

HSL 304.29, 0.95%, 0.29%

LAB 33.43, 62.14, -34.25

 

CMYK 19 / 97 / 0 / 44

HEX #740490

RGB 116 4 144

HSL 288, 0.95%, 0.29%

LAB 28.94, 59.07, -47.96

 

CMYK 46 / 97 / 0 / 44

HEX #4E0490

RGB 78 4 144

HSL 271.71, 0.95%, 0.29%

LAB 22.72, 54.19, -58.37

 

CMYK 72 / 97 / 0 / 44

HEX #280490

RGB 40 4 144

HSL 255.43, 0.95%, 0.29%

LAB 18.15, 51.36, -66.09

 

CMYK 97 / 97 / 0 / 44

HEX #040490

RGB 4 4 144

HSL 240, 0.95%, 0.29%

LAB 16.14, 50.41, -69.5

 

CMYK 0 / 97 / 7 / 44

HEX #900486

RGB 144 4 134

HSL 304.29, 0.95%, 0.29%

LAB 33.43, 62.14, -34.25

 

CMYK 0 / 97 / 7 / 44

HEX #900486

RGB 144 4 134

HSL 304.29, 0.95%, 0.29%

LAB 33.43, 62.14, -34.25

 

CMYK 0 / 88 / 6 / 48

HEX #84107C

RGB 132 16 124

HSL 304.14, 0.78%, 0.29%

LAB 31.19, 56.44, -31.69

 

CMYK 0 / 77 / 5 / 53

HEX #781C72

RGB 120 28 114

HSL 303.91, 0.62%, 0.29%

LAB 29.51, 48.96, -28.15

 

CMYK 0 / 63 / 5 / 58

HEX #6C2867

RGB 108 40 103

HSL 304.41, 0.46%, 0.29%

LAB 28.6, 38.9, -22.66

 

CMYK 0 / 46 / 3 / 62

HEX #60345D

RGB 96 52 93

HSL 304.09, 0.3%, 0.29%

LAB 28.73, 26.58, -16.14

 

CMYK 45 / 97 / 0 / 44

HEX #4F0490

RGB 79 4 144

HSL 272.14, 0.95%, 0.29%

LAB 22.87, 54.3, -58.12

 

CMYK 19 / 97 / 0 / 44

HEX #740490

RGB 116 4 144

HSL 288, 0.95%, 0.29%

LAB 28.94, 59.07, -47.96

 

CMYK 0 / 97 / 6 / 44

HEX #900487

RGB 144 4 135

HSL 303.86, 0.95%, 0.29%

LAB 33.49, 62.29, -34.78

 

CMYK 0 / 97 / 33 / 44

HEX #900461

RGB 144 4 97

HSL 320.14, 0.95%, 0.29%

LAB 31.53, 57.3, -13.71

 

CMYK 0 / 97 / 58 / 44

HEX #90043C

RGB 144 4 60

HSL 336, 0.95%, 0.29%

LAB 30.26, 53.92, 8.87

 

CMYK 0 / 97 / 8 / 75

HEX #40023B

RGB 64 2 59

HSL 304.84, 0.94%, 0.13%

LAB 12.28, 34.79, -19.15

 

CMYK 0 / 97 / 7 / 59

HEX #680361

RGB 104 3 97

HSL 304.16, 0.94%, 0.21%

LAB 23.24, 49.06, -27.26

 

CMYK 0 / 97 / 7 / 44

HEX #900486

RGB 144 4 134

HSL 304.29, 0.95%, 0.29%

LAB 33.43, 62.14, -34.25

 

CMYK 0 / 97 / 7 / 28

HEX #B805AC

RGB 184 5 172

HSL 304.02, 0.95%, 0.37%

LAB 43.18, 74.69, -41.39

 

CMYK 0 / 97 / 7 / 12

HEX #E106D1

RGB 225 6 209

HSL 304.38, 0.95%, 0.45%

LAB 52.67, 86.75, -47.45

 

CMYK 0 / 97 / 7 / 43

HEX #920488

RGB 146 4 136

HSL 304.23, 0.95%, 0.29%

LAB 33.93, 62.8, -34.67

 

CMYK 0 / 72 / 97 / 44

HEX #902904

RGB 144 41 4

HSL 15.86, 0.95%, 0.29%

LAB 32.97, 41.94, 43.72

 

CMYK 97 / 0 / 33 / 44

HEX #049061

RGB 4 144 97

HSL 159.86, 0.95%, 0.29%

LAB 52.77, -44.33, 15.99

 

CMYK 0 / 97 / 7 / 43

HEX #920488

RGB 146 4 136

HSL 304.23, 0.95%, 0.29%

LAB 33.93, 62.8, -34.67

 

CMYK 6 / 0 / 97 / 44

HEX #879004

RGB 135 144 4

HSL 63.86, 0.95%, 0.29%

LAB 57.18, -18.1, 60.2

 

CMYK 97 / 6 / 0 / 44

HEX #048790

RGB 4 135 144

HSL 183.86, 0.95%, 0.29%

LAB 51.11, -26.82, -13.55

 

CMYK 0 / 97 / 7 / 43

HEX #920488

RGB 146 4 136

HSL 304.23, 0.95%, 0.29%

LAB 33.93, 62.8, -34.67

 

CMYK 0 / 72 / 97 / 44

HEX #902904

RGB 144 41 4

HSL 15.86, 0.95%, 0.29%

LAB 32.97, 41.94, 43.72

 

CMYK 97 / 0 / 91 / 44

HEX #04900D

RGB 4 144 13

HSL 123.86, 0.95%, 0.29%

LAB 51.84, -55.61, 52.13

 

CMYK 97 / 26 / 0 / 44

HEX #046B90

RGB 4 107 144

HSL 195.86, 0.95%, 0.29%

LAB 42.08, -11.66, -27.44

 

CMYK 0 / 97 / 7 / 43

HEX #920488

RGB 146 4 136

HSL 304.23, 0.95%, 0.29%

LAB 33.93, 62.8, -34.67

 

CMYK 0 / 42 / 97 / 44

HEX #905304

RGB 144 83 4

HSL 33.86, 0.95%, 0.29%

LAB 41.41, 20.41, 49.15

 

CMYK 97 / 0 / 91 / 44

HEX #04900D

RGB 4 144 13

HSL 123.86, 0.95%, 0.29%

LAB 51.84, -55.61, 52.13

 

CMYK 97 / 55 / 0 / 44

HEX #044190

RGB 4 65 144

HSL 213.86, 0.95%, 0.29%

LAB 28.95, 15.56, -48.36

 

Description

Color code: HEX #920488 | qconv.com Color code: HEX #920488 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 4 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 4 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 7 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 7% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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