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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91F57D it is the complementary color #6E0A82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91F57D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91F57D shade: #96F578, #A7FF8B, #B8FF9E, #C9FFB1 and #DAFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91F57D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91F57D shade: #91F57D, #80E36A, #6FD157, #5EBF44 and #4DAD31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91F57D shade: #93F57F, #B3F57F, #D3F57F, #F2F57F and #F5D87F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91F57D shade: #93F57F, #7FF58B, #7FF5AB, #7FF5CB and #7FF5EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91F57D shade matches the following richer shades: #93F57F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91F57D shade: #93F57F, #9AEA8A, #A2DF95, #A9D4A0 and #B0C9AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91F57D shade: #D2F57F, #B2F57F, #93F57F, #7FF58B and #7FF5AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91F57D shade: #52F032, #72F259, #93F57F, #B3F8A5 and #D4FBCC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91F57D shade: #91F57D, #7FF1F5 and #F57FC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91F57D shade: #91F57D, #7F93F5 and #F57F93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91F57D shade: #91F57D, #7FF1F5, #E27FF5 and #F5837F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91F57D shade: #91F57D, #7FCEF5, #E27FF5 and #F5A67F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 49 / 4

HEX #91F57D

RGB 145 245 125

HSL 110, 0.86%, 0.73%

LAB 88.35, -51.55, 48.46

 

Complementary color

CMYK 15 / 92 / 0 / 49

HEX #6E0A82

RGB 110 10 130

HSL 290, 0.86%, 0.27%

LAB 27.14, 54.48, -42.18

 

CMYK 39 / 0 / 51 / 4

HEX #96F578

RGB 150 245 120

HSL 105.6, 0.86%, 0.72%

LAB 88.52, -50.62, 51.04

 

CMYK 35 / 0 / 45 / 0

HEX #A7FF8B

RGB 167 255 139

HSL 105.52, 1%, 0.77%

LAB 92.4, -47.18, 47.07

 

CMYK 28 / 0 / 38 / 0

HEX #B8FF9E

RGB 184 255 158

HSL 103.92, 1%, 0.81%

LAB 93.53, -39.18, 39.49

 

CMYK 21 / 0 / 31 / 0

HEX #C9FFB1

RGB 201 255 177

HSL 101.54, 1%, 0.85%

LAB 94.79, -30.81, 31.89

 

CMYK 15 / 0 / 23 / 0

HEX #DAFFC4

RGB 218 255 196

HSL 97.63, 1%, 0.88%

LAB 96.17, -22.19, 24.35

 

CMYK 41 / 0 / 49 / 4

HEX #91F57D

RGB 145 245 125

HSL 110, 0.86%, 0.73%

LAB 88.35, -51.55, 48.46

 

CMYK 44 / 0 / 53 / 11

HEX #80E36A

RGB 128 227 106

HSL 109.09, 0.68%, 0.65%

LAB 82.15, -51.58, 49.64

 

CMYK 47 / 0 / 58 / 18

HEX #6FD157

RGB 111 209 87

HSL 108.2, 0.57%, 0.58%

LAB 75.87, -51.52, 50.77

 

CMYK 51 / 0 / 64 / 25

HEX #5EBF44

RGB 94 191 68

HSL 107.32, 0.49%, 0.51%

LAB 69.51, -51.28, 51.76

 

CMYK 55 / 0 / 72 / 32

HEX #4DAD31

RGB 77 173 49

HSL 106.45, 0.56%, 0.44%

LAB 63.08, -50.8, 52.43

 

CMYK 40 / 0 / 48 / 4

HEX #93F57F

RGB 147 245 127

HSL 109.83, 0.86%, 0.73%

LAB 88.47, -50.69, 47.67

 

CMYK 27 / 0 / 48 / 4

HEX #B3F57F

RGB 179 245 127

HSL 93.56, 0.86%, 0.73%

LAB 90.05, -40.29, 49.98

 

CMYK 14 / 0 / 48 / 4

HEX #D3F57F

RGB 211 245 127

HSL 77.29, 0.86%, 0.73%

LAB 91.99, -28.73, 52.79

 

CMYK 1 / 0 / 48 / 4

HEX #F2F57F

RGB 242 245 127

HSL 61.53, 0.86%, 0.73%

LAB 94.19, -16.85, 55.95

 

CMYK 0 / 12 / 48 / 4

HEX #F5D87F

RGB 245 216 127

HSL 45.25, 0.86%, 0.73%

LAB 87.02, -1.21, 47.31

 

CMYK 40 / 0 / 48 / 4

HEX #93F57F

RGB 147 245 127

HSL 109.83, 0.86%, 0.73%

LAB 88.47, -50.69, 47.67

 

CMYK 48 / 0 / 43 / 4

HEX #7FF58B

RGB 127 245 139

HSL 126.1, 0.86%, 0.73%

LAB 87.81, -54.73, 40.91

 

CMYK 48 / 0 / 30 / 4

HEX #7FF5AB

RGB 127 245 171

HSL 142.37, 0.86%, 0.73%

LAB 88.33, -49.46, 25.58

 

CMYK 48 / 0 / 17 / 4

HEX #7FF5CB

RGB 127 245 203

HSL 158.64, 0.86%, 0.73%

LAB 88.98, -43.09, 10

 

CMYK 48 / 0 / 4 / 4

HEX #7FF5EB

RGB 127 245 235

HSL 174.92, 0.86%, 0.73%

LAB 89.77, -35.76, -5.51

 

CMYK 40 / 0 / 48 / 4

HEX #93F57F

RGB 147 245 127

HSL 109.83, 0.86%, 0.73%

LAB 88.47, -50.69, 47.67

 

CMYK 40 / 0 / 48 / 4

HEX #93F57F

RGB 147 245 127

HSL 109.83, 0.86%, 0.73%

LAB 88.47, -50.69, 47.67

 

CMYK 34 / 0 / 41 / 8

HEX #9AEA8A

RGB 154 234 138

HSL 110, 0.7%, 0.73%

LAB 85.78, -42.38, 39.02

 

CMYK 27 / 0 / 33 / 13

HEX #A2DF95

RGB 162 223 149

HSL 109.46, 0.54%, 0.73%

LAB 83.25, -33.2, 30.23

 

CMYK 20 / 0 / 25 / 17

HEX #A9D4A0

RGB 169 212 160

HSL 109.62, 0.38%, 0.73%

LAB 80.77, -23.85, 21.23

 

CMYK 12 / 0 / 15 / 21

HEX #B0C9AB

RGB 176 201 171

HSL 110, 0.22%, 0.73%

LAB 78.43, -14.05, 12.19

 

CMYK 14 / 0 / 48 / 4

HEX #D2F57F

RGB 210 245 127

HSL 77.8, 0.86%, 0.73%

LAB 91.93, -29.11, 52.69

 

CMYK 27 / 0 / 48 / 4

HEX #B2F57F

RGB 178 245 127

HSL 94.07, 0.86%, 0.73%

LAB 90, -40.63, 49.9

 

CMYK 40 / 0 / 48 / 4

HEX #93F57F

RGB 147 245 127

HSL 109.83, 0.86%, 0.73%

LAB 88.47, -50.69, 47.67

 

CMYK 48 / 0 / 43 / 4

HEX #7FF58B

RGB 127 245 139

HSL 126.1, 0.86%, 0.73%

LAB 87.81, -54.73, 40.91

 

CMYK 48 / 0 / 31 / 4

HEX #7FF5AA

RGB 127 245 170

HSL 141.86, 0.86%, 0.73%

LAB 88.31, -49.64, 26.07

 

CMYK 66 / 0 / 79 / 6

HEX #52F032

RGB 82 240 50

HSL 109.89, 0.86%, 0.57%

LAB 84.14, -72.54, 72.73

 

CMYK 53 / 0 / 63 / 5

HEX #72F259

RGB 114 242 89

HSL 110.2, 0.85%, 0.65%

LAB 85.91, -63.02, 61.25

 

CMYK 40 / 0 / 48 / 4

HEX #93F57F

RGB 147 245 127

HSL 109.83, 0.86%, 0.73%

LAB 88.47, -50.69, 47.67

 

CMYK 28 / 0 / 33 / 3

HEX #B3F8A5

RGB 179 248 165

HSL 109.88, 0.86%, 0.81%

LAB 91.43, -36.66, 33.2

 

CMYK 16 / 0 / 19 / 2

HEX #D4FBCC

RGB 212 251 204

HSL 109.79, 0.85%, 0.89%

LAB 94.89, -21.02, 18.44

 

CMYK 41 / 0 / 49 / 4

HEX #91F57D

RGB 145 245 125

HSL 110, 0.86%, 0.73%

LAB 88.35, -51.55, 48.46

 

CMYK 48 / 2 / 0 / 4

HEX #7FF1F5

RGB 127 241 245

HSL 182.03, 0.86%, 0.73%

LAB 88.93, -31.4, -11.98

 

CMYK 0 / 48 / 21 / 4

HEX #F57FC2

RGB 245 127 194

HSL 325.93, 0.86%, 0.73%

LAB 68.38, 52.92, -14.35

 

CMYK 41 / 0 / 49 / 4

HEX #91F57D

RGB 145 245 125

HSL 110, 0.86%, 0.73%

LAB 88.35, -51.55, 48.46

 

CMYK 48 / 40 / 0 / 4

HEX #7F93F5

RGB 127 147 245

HSL 229.83, 0.86%, 0.73%

LAB 63.32, 18.75, -51.41

 

CMYK 0 / 48 / 40 / 4

HEX #F57F93

RGB 245 127 147

HSL 349.83, 0.86%, 0.73%

LAB 67.05, 47.03, 10.18

 

CMYK 41 / 0 / 49 / 4

HEX #91F57D

RGB 145 245 125

HSL 110, 0.86%, 0.73%

LAB 88.35, -51.55, 48.46

 

CMYK 48 / 2 / 0 / 4

HEX #7FF1F5

RGB 127 241 245

HSL 182.03, 0.86%, 0.73%

LAB 88.93, -31.4, -11.98

 

CMYK 8 / 48 / 0 / 4

HEX #E27FF5

RGB 226 127 245

HSL 290.34, 0.86%, 0.73%

LAB 67.98, 55.78, -43.46

 

CMYK 0 / 47 / 48 / 4

HEX #F5837F

RGB 245 131 127

HSL 2.03, 0.86%, 0.73%

LAB 67.41, 43.03, 21.93

 

CMYK 41 / 0 / 49 / 4

HEX #91F57D

RGB 145 245 125

HSL 110, 0.86%, 0.73%

LAB 88.35, -51.55, 48.46

 

CMYK 48 / 16 / 0 / 4

HEX #7FCEF5

RGB 127 206 245

HSL 199.83, 0.86%, 0.73%

LAB 79.18, -14.03, -26.7

 

CMYK 8 / 48 / 0 / 4

HEX #E27FF5

RGB 226 127 245

HSL 290.34, 0.86%, 0.73%

LAB 67.98, 55.78, -43.46

 

CMYK 0 / 32 / 48 / 4

HEX #F5A67F

RGB 245 166 127

HSL 19.83, 0.86%, 0.73%

LAB 74.96, 24.89, 31.99

 

Description

Color code: HEX #91F57D | qconv.com Color code: HEX #91F57D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 245 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 245 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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