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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91E638 it is the complementary color #6E19C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91E638. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91E638 shade: #96E633, #A7F846, #B8FF59, #C9FF6C and #DAFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91E638. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91E638 shade: #91E638, #80D425, #6FC212, #5EB000 and #4D9E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91E638 shade: #91E637, #C0E637, #E6DD37, #E6AE37 and #E67F37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91E638 shade: #91E637, #62E637, #37E63C, #37E66B and #37E69B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91E638 shade matches the following richer shades: #91E637 and #91F825

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91E638 shade: #91E637, #90D449, #90C25C, #90B06E and #8F9E80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91E638 shade: #E6DE37, #C0E637, #92E637, #63E637 and #37E63A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91E638 shade: #67B516, #7CD91B, #91E637, #A5EB5C and #B9EF81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91E638 shade: #91E638, #37E6AF and #E637D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91E638 shade: #91E638, #3792E6 and #E63792

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91E638 shade: #91E638, #37E6AF, #8C37E6 and #E6376F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91E638 shade: #91E638, #37E6E3, #8C37E6 and #E6373A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 76 / 10

HEX #91E638

RGB 145 230 56

HSL 89.31, 0.78%, 0.56%

LAB 83.39, -51.57, 71.05

 

Complementary color

CMYK 45 / 87 / 0 / 22

HEX #6E19C7

RGB 110 25 199

HSL 269.31, 0.78%, 0.44%

LAB 34.26, 65.55, -72.34

 

CMYK 35 / 0 / 78 / 10

HEX #96E633

RGB 150 230 51

HSL 86.82, 0.78%, 0.55%

LAB 83.61, -50.11, 72.84

 

CMYK 33 / 0 / 72 / 3

HEX #A7F846

RGB 167 248 70

HSL 87.3, 0.93%, 0.62%

LAB 89.76, -50.61, 73.08

 

CMYK 28 / 0 / 65 / 0

HEX #B8FF59

RGB 184 255 89

HSL 85.66, 1%, 0.67%

LAB 92.77, -46.35, 69.56

 

CMYK 21 / 0 / 58 / 0

HEX #C9FF6C

RGB 201 255 108

HSL 82.04, 1%, 0.71%

LAB 93.89, -38.75, 63.35

 

CMYK 15 / 0 / 50 / 0

HEX #DAFF7F

RGB 218 255 127

HSL 77.34, 1%, 0.75%

LAB 95.14, -30.77, 56.68

 

CMYK 37 / 0 / 76 / 10

HEX #91E638

RGB 145 230 56

HSL 89.31, 0.78%, 0.56%

LAB 83.39, -51.57, 71.05

 

CMYK 40 / 0 / 83 / 17

HEX #80D425

RGB 128 212 37

HSL 88.8, 0.7%, 0.49%

LAB 77.17, -50.94, 70.33

 

CMYK 43 / 0 / 91 / 24

HEX #6FC212

RGB 111 194 18

HSL 88.3, 0.83%, 0.42%

LAB 70.88, -50.07, 68.49

 

CMYK 47 / 0 / 100 / 31

HEX #5EB000

RGB 94 176 0

HSL 87.95, 1%, 0.35%

LAB 64.51, -48.92, 65.37

 

CMYK 51 / 0 / 100 / 38

HEX #4D9E00

RGB 77 158 0

HSL 90.76, 1%, 0.31%

LAB 58.07, -47.34, 60.02

 

CMYK 37 / 0 / 76 / 10

HEX #91E637

RGB 145 230 55

HSL 89.14, 0.78%, 0.56%

LAB 83.38, -51.62, 71.35

 

CMYK 17 / 0 / 76 / 10

HEX #C0E637

RGB 192 230 55

HSL 73.03, 0.78%, 0.56%

LAB 86.04, -34.28, 74.8

 

CMYK 0 / 4 / 76 / 10

HEX #E6DD37

RGB 230 221 55

HSL 56.91, 0.78%, 0.56%

LAB 86.41, -14.47, 76.16

 

CMYK 0 / 24 / 76 / 10

HEX #E6AE37

RGB 230 174 55

HSL 40.8, 0.78%, 0.56%

LAB 74.43, 9.67, 65.06

 

CMYK 0 / 45 / 76 / 10

HEX #E67F37

RGB 230 127 55

HSL 24.69, 0.78%, 0.56%

LAB 63.57, 34.54, 54.53

 

CMYK 37 / 0 / 76 / 10

HEX #91E637

RGB 145 230 55

HSL 89.14, 0.78%, 0.56%

LAB 83.38, -51.62, 71.35

 

CMYK 57 / 0 / 76 / 10

HEX #62E637

RGB 98 230 55

HSL 105.26, 0.78%, 0.56%

LAB 81.55, -65.44, 68.95

 

CMYK 76 / 0 / 74 / 10

HEX #37E63C

RGB 55 230 60

HSL 121.71, 0.78%, 0.56%

LAB 80.59, -73.32, 66.07

 

CMYK 76 / 0 / 53 / 10

HEX #37E66B

RGB 55 230 107

HSL 137.83, 0.78%, 0.56%

LAB 81, -68.36, 47.3

 

CMYK 76 / 0 / 33 / 10

HEX #37E69B

RGB 55 230 155

HSL 154.29, 0.78%, 0.56%

LAB 81.71, -60.13, 24.45

 

CMYK 37 / 0 / 76 / 10

HEX #91E637

RGB 145 230 55

HSL 89.14, 0.78%, 0.56%

LAB 83.38, -51.62, 71.35

 

CMYK 42 / 0 / 85 / 3

HEX #91F825

RGB 145 248 37

HSL 89.29, 0.94%, 0.56%

LAB 88.58, -59.44, 80.6

 

CMYK 37 / 0 / 76 / 10

HEX #91E637

RGB 145 230 55

HSL 89.14, 0.78%, 0.56%

LAB 83.38, -51.62, 71.35

 

CMYK 32 / 0 / 66 / 17

HEX #90D449

RGB 144 212 73

HSL 89.35, 0.62%, 0.56%

LAB 78.17, -43.3, 59.71

 

CMYK 26 / 0 / 53 / 24

HEX #90C25C

RGB 144 194 92

HSL 89.41, 0.46%, 0.56%

LAB 73.08, -33.52, 45.59

 

CMYK 18 / 0 / 38 / 31

HEX #90B06E

RGB 144 176 110

HSL 89.09, 0.29%, 0.56%

LAB 68.1, -22.66, 30.3

 

CMYK 9 / 0 / 19 / 38

HEX #8F9E80

RGB 143 158 128

HSL 90, 0.13%, 0.56%

LAB 63.22, -10.96, 13.92

 

CMYK 0 / 3 / 76 / 10

HEX #E6DE37

RGB 230 222 55

HSL 57.26, 0.78%, 0.56%

LAB 86.67, -14.97, 76.4

 

CMYK 17 / 0 / 76 / 10

HEX #C0E637

RGB 192 230 55

HSL 73.03, 0.78%, 0.56%

LAB 86.04, -34.28, 74.8

 

CMYK 37 / 0 / 76 / 10

HEX #92E637

RGB 146 230 55

HSL 88.8, 0.78%, 0.56%

LAB 83.43, -51.29, 71.42

 

CMYK 57 / 0 / 76 / 10

HEX #63E637

RGB 99 230 55

HSL 104.91, 0.78%, 0.56%

LAB 81.58, -65.2, 68.99

 

CMYK 76 / 0 / 75 / 10

HEX #37E63A

RGB 55 230 58

HSL 121.03, 0.78%, 0.56%

LAB 80.58, -73.46, 66.72

 

CMYK 43 / 0 / 88 / 29

HEX #67B516

RGB 103 181 22

HSL 89.43, 0.78%, 0.4%

LAB 66.51, -47.44, 63.97

 

CMYK 43 / 0 / 88 / 15

HEX #7CD91B

RGB 124 217 27

HSL 89.37, 0.78%, 0.48%

LAB 78.46, -54.57, 73.53

 

CMYK 37 / 0 / 76 / 10

HEX #91E637

RGB 145 230 55

HSL 89.14, 0.78%, 0.56%

LAB 83.38, -51.62, 71.35

 

CMYK 30 / 0 / 61 / 8

HEX #A5EB5C

RGB 165 235 92

HSL 89.37, 0.78%, 0.64%

LAB 86.1, -44.26, 60.85

 

CMYK 23 / 0 / 46 / 6

HEX #B9EF81

RGB 185 239 129

HSL 89.45, 0.77%, 0.72%

LAB 88.75, -35.26, 47.5

 

CMYK 37 / 0 / 76 / 10

HEX #91E638

RGB 145 230 56

HSL 89.31, 0.78%, 0.56%

LAB 83.39, -51.57, 71.05

 

CMYK 76 / 0 / 24 / 10

HEX #37E6AF

RGB 55 230 175

HSL 161.14, 0.78%, 0.56%

LAB 82.11, -55.81, 14.59

 

CMYK 0 / 76 / 6 / 10

HEX #E637D8

RGB 230 55 216

HSL 304.8, 0.78%, 0.56%

LAB 56.6, 80.76, -45.16

 

CMYK 37 / 0 / 76 / 10

HEX #91E638

RGB 145 230 56

HSL 89.31, 0.78%, 0.56%

LAB 83.39, -51.57, 71.05

 

CMYK 76 / 37 / 0 / 10

HEX #3792E6

RGB 55 146 230

HSL 208.8, 0.78%, 0.56%

LAB 59.05, 1.65, -50.1

 

CMYK 0 / 76 / 37 / 10

HEX #E63792

RGB 230 55 146

HSL 328.8, 0.78%, 0.56%

LAB 53.63, 72, -9.07

 

CMYK 37 / 0 / 76 / 10

HEX #91E638

RGB 145 230 56

HSL 89.31, 0.78%, 0.56%

LAB 83.39, -51.57, 71.05

 

CMYK 76 / 0 / 24 / 10

HEX #37E6AF

RGB 55 230 175

HSL 161.14, 0.78%, 0.56%

LAB 82.11, -55.81, 14.59

 

CMYK 39 / 76 / 0 / 10

HEX #8C37E6

RGB 140 55 230

HSL 269.14, 0.78%, 0.56%

LAB 44.26, 66.74, -73.65

 

CMYK 0 / 76 / 52 / 10

HEX #E6376F

RGB 230 55 111

HSL 340.8, 0.78%, 0.56%

LAB 52.62, 68.86, 10.43

 

CMYK 37 / 0 / 76 / 10

HEX #91E638

RGB 145 230 56

HSL 89.31, 0.78%, 0.56%

LAB 83.39, -51.57, 71.05

 

CMYK 76 / 0 / 1 / 10

HEX #37E6E3

RGB 55 230 227

HSL 178.97, 0.78%, 0.56%

LAB 83.42, -42.5, -10.94

 

CMYK 39 / 76 / 0 / 10

HEX #8C37E6

RGB 140 55 230

HSL 269.14, 0.78%, 0.56%

LAB 44.26, 66.74, -73.65

 

CMYK 0 / 76 / 75 / 10

HEX #E6373A

RGB 230 55 58

HSL 358.97, 0.78%, 0.56%

LAB 51.68, 65.85, 40.56

 

Description

Color code: HEX #91E638 | qconv.com Color code: HEX #91E638 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 230 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 230 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 76 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 76% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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