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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91DF97 it is the complementary color #6E2068. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91DF97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91DF97 shade: #96DF92, #A7F1A5, #B8FFB8, #C9FFCB and #DAFFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91DF97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91DF97 shade: #91DF97, #80CD84, #6FBB71, #5EA95E and #4D974B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91DF97 shade: #90DF96, #9FDF90, #B5DF90, #CADF90 and #DFDF90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91DF97 shade: #90DF96, #90DFAC, #90DFC1, #90DFD6 and #90D3DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91DF97 shade matches the following richer shades: #90DF96, #85EA8D and #79F683

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91DF97 shade: #90DF96, #9CD3A0, #A7C8AA, #B3BCB4 and #BFB1BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91DF97 shade: #B5DF90, #A0DF90, #90DF96, #90DFAB and #90DFBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91DF97 shade: #50CC5A, #70D678, #90DF96, #B0E8B5 and #D0F1D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91DF97 shade: #91DF97, #90CADF and #DF90AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91DF97 shade: #91DF97, #9690DF and #DF9690

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91DF97 shade: #91DF97, #90CADF, #DF90DA and #DFA590

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91DF97 shade: #91DF97, #90B2DF, #DF90DA and #DFBD90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 32 / 13

HEX #91DF97

RGB 145 223 151

HSL 124.62, 0.55%, 0.72%

LAB 82.39, -38.35, 27.91

 

Complementary color

CMYK 0 / 71 / 5 / 57

HEX #6E2068

RGB 110 32 104

HSL 304.62, 0.55%, 0.28%

LAB 27.7, 43.22, -24.7

 

CMYK 33 / 0 / 35 / 13

HEX #96DF92

RGB 150 223 146

HSL 116.88, 0.55%, 0.72%

LAB 82.56, -37.58, 30.73

 

CMYK 31 / 0 / 32 / 5

HEX #A7F1A5

RGB 167 241 165

HSL 118.42, 0.73%, 0.8%

LAB 88.85, -37.35, 29.63

 

CMYK 28 / 0 / 28 / 0

HEX #B8FFB8

RGB 184 255 184

HSL 120, 1%, 0.86%

LAB 93.96, -35.3, 27.08

 

CMYK 21 / 0 / 20 / 0

HEX #C9FFCB

RGB 201 255 203

HSL 122.22, 1%, 0.89%

LAB 95.27, -26.72, 19.38

 

CMYK 15 / 0 / 13 / 0

HEX #DAFFDE

RGB 218 255 222

HSL 126.49, 1%, 0.93%

LAB 96.7, -17.93, 11.82

 

CMYK 35 / 0 / 32 / 13

HEX #91DF97

RGB 145 223 151

HSL 124.62, 0.55%, 0.72%

LAB 82.39, -38.35, 27.91

 

CMYK 38 / 0 / 36 / 20

HEX #80CD84

RGB 128 205 132

HSL 123.12, 0.44%, 0.65%

LAB 76.02, -38.6, 29.05

 

CMYK 41 / 0 / 40 / 27

HEX #6FBB71

RGB 111 187 113

HSL 121.58, 0.36%, 0.58%

LAB 69.55, -38.82, 30.27

 

CMYK 44 / 0 / 44 / 34

HEX #5EA95E

RGB 94 169 94

HSL 120, 0.3%, 0.52%

LAB 62.98, -39.01, 31.56

 

CMYK 49 / 0 / 50 / 41

HEX #4D974B

RGB 77 151 75

HSL 118.42, 0.34%, 0.44%

LAB 56.31, -39.1, 32.89

 

CMYK 35 / 0 / 33 / 13

HEX #90DF96

RGB 144 223 150

HSL 124.56, 0.55%, 0.72%

LAB 82.33, -38.82, 28.32

 

CMYK 29 / 0 / 35 / 13

HEX #9FDF90

RGB 159 223 144

HSL 108.61, 0.55%, 0.72%

LAB 83, -34.95, 32.42

 

CMYK 19 / 0 / 35 / 13

HEX #B5DF90

RGB 181 223 144

HSL 91.9, 0.55%, 0.72%

LAB 84.28, -27.35, 34.36

 

CMYK 9 / 0 / 35 / 13

HEX #CADF90

RGB 202 223 144

HSL 75.95, 0.55%, 0.72%

LAB 85.68, -19.65, 36.44

 

CMYK 0 / 0 / 35 / 13

HEX #DFDF90

RGB 223 223 144

HSL 60, 0.55%, 0.72%

LAB 87.23, -11.67, 38.76

 

CMYK 35 / 0 / 33 / 13

HEX #90DF96

RGB 144 223 150

HSL 124.56, 0.55%, 0.72%

LAB 82.33, -38.82, 28.32

 

CMYK 35 / 0 / 23 / 13

HEX #90DFAC

RGB 144 223 172

HSL 141.27, 0.55%, 0.72%

LAB 82.74, -34.96, 17.46

 

CMYK 35 / 0 / 13 / 13

HEX #90DFC1

RGB 144 223 193

HSL 157.22, 0.55%, 0.72%

LAB 83.21, -30.79, 7.06

 

CMYK 35 / 0 / 4 / 13

HEX #90DFD6

RGB 144 223 214

HSL 173.16, 0.55%, 0.72%

LAB 83.74, -26.2, -3.29

 

CMYK 35 / 5 / 0 / 13

HEX #90D3DF

RGB 144 211 223

HSL 189.11, 0.55%, 0.72%

LAB 80.65, -18.12, -12.65

 

CMYK 35 / 0 / 33 / 13

HEX #90DF96

RGB 144 223 150

HSL 124.56, 0.55%, 0.72%

LAB 82.33, -38.82, 28.32

 

CMYK 43 / 0 / 40 / 8

HEX #85EA8D

RGB 133 234 141

HSL 124.75, 0.71%, 0.72%

LAB 84.87, -48.28, 36.16

 

CMYK 51 / 0 / 47 / 4

HEX #79F683

RGB 121 246 131

HSL 124.8, 0.87%, 0.72%

LAB 87.78, -57.82, 44.69

 

CMYK 35 / 0 / 33 / 13

HEX #90DF96

RGB 144 223 150

HSL 124.56, 0.55%, 0.72%

LAB 82.33, -38.82, 28.32

 

CMYK 26 / 0 / 24 / 17

HEX #9CD3A0

RGB 156 211 160

HSL 124.36, 0.38%, 0.72%

LAB 79.72, -27.73, 19.66

 

CMYK 17 / 0 / 15 / 22

HEX #A7C8AA

RGB 167 200 170

HSL 125.45, 0.23%, 0.72%

LAB 77.54, -16.83, 11.37

 

CMYK 5 / 0 / 4 / 26

HEX #B3BCB4

RGB 179 188 180

HSL 126.67, 0.06%, 0.72%

LAB 75.36, -4.62, 2.96

 

CMYK 0 / 7 / 1 / 25

HEX #BFB1BD

RGB 191 177 189

HSL 308.57, 0.1%, 0.72%

LAB 73.67, 7.16, -4.3

 

CMYK 19 / 0 / 35 / 13

HEX #B5DF90

RGB 181 223 144

HSL 91.9, 0.55%, 0.72%

LAB 84.28, -27.35, 34.36

 

CMYK 28 / 0 / 35 / 13

HEX #A0DF90

RGB 160 223 144

HSL 107.85, 0.55%, 0.72%

LAB 83.05, -34.62, 32.51

 

CMYK 35 / 0 / 33 / 13

HEX #90DF96

RGB 144 223 150

HSL 124.56, 0.55%, 0.72%

LAB 82.33, -38.82, 28.32

 

CMYK 35 / 0 / 23 / 13

HEX #90DFAB

RGB 144 223 171

HSL 140.51, 0.55%, 0.72%

LAB 82.72, -35.15, 17.95

 

CMYK 35 / 0 / 14 / 13

HEX #90DFBF

RGB 144 223 191

HSL 155.7, 0.55%, 0.72%

LAB 83.16, -31.21, 8.05

 

CMYK 61 / 0 / 56 / 20

HEX #50CC5A

RGB 80 204 90

HSL 124.84, 0.55%, 0.56%

LAB 73.3, -57.28, 46.13

 

CMYK 48 / 0 / 44 / 16

HEX #70D678

RGB 112 214 120

HSL 124.71, 0.55%, 0.64%

LAB 77.81, -49.01, 37.38

 

CMYK 35 / 0 / 33 / 13

HEX #90DF96

RGB 144 223 150

HSL 124.56, 0.55%, 0.72%

LAB 82.33, -38.82, 28.32

 

CMYK 24 / 0 / 22 / 9

HEX #B0E8B5

RGB 176 232 181

HSL 125.36, 0.55%, 0.8%

LAB 87.13, -27.63, 19.14

 

CMYK 14 / 0 / 12 / 5

HEX #D0F1D3

RGB 208 241 211

HSL 125.45, 0.54%, 0.88%

LAB 92.14, -16.27, 10.91

 

CMYK 35 / 0 / 32 / 13

HEX #91DF97

RGB 145 223 151

HSL 124.62, 0.55%, 0.72%

LAB 82.39, -38.35, 27.91

 

CMYK 35 / 9 / 0 / 13

HEX #90CADF

RGB 144 202 223

HSL 195.95, 0.55%, 0.72%

LAB 78.17, -13.5, -16.38

 

CMYK 0 / 35 / 23 / 13

HEX #DF90AB

RGB 223 144 171

HSL 339.49, 0.55%, 0.72%

LAB 68.44, 33.52, -1.66

 

CMYK 35 / 0 / 32 / 13

HEX #91DF97

RGB 145 223 151

HSL 124.62, 0.55%, 0.72%

LAB 82.39, -38.35, 27.91

 

CMYK 33 / 35 / 0 / 13

HEX #9690DF

RGB 150 144 223

HSL 244.56, 0.55%, 0.72%

LAB 63.14, 20.2, -39.43

 

CMYK 0 / 33 / 35 / 13

HEX #DF9690

RGB 223 150 144

HSL 4.56, 0.55%, 0.72%

LAB 69.12, 26.71, 14.39

 

CMYK 35 / 0 / 32 / 13

HEX #91DF97

RGB 145 223 151

HSL 124.62, 0.55%, 0.72%

LAB 82.39, -38.35, 27.91

 

CMYK 35 / 9 / 0 / 13

HEX #90CADF

RGB 144 202 223

HSL 195.95, 0.55%, 0.72%

LAB 78.17, -13.5, -16.38

 

CMYK 0 / 35 / 2 / 13

HEX #DF90DA

RGB 223 144 218

HSL 303.8, 0.55%, 0.72%

LAB 69.96, 41.17, -25.54

 

CMYK 0 / 26 / 35 / 13

HEX #DFA590

RGB 223 165 144

HSL 15.95, 0.55%, 0.72%

LAB 72.64, 18.65, 19.27

 

CMYK 35 / 0 / 32 / 13

HEX #91DF97

RGB 145 223 151

HSL 124.62, 0.55%, 0.72%

LAB 82.39, -38.35, 27.91

 

CMYK 35 / 20 / 0 / 13

HEX #90B2DF

RGB 144 178 223

HSL 214.18, 0.55%, 0.72%

LAB 71.62, -0.68, -26.33

 

CMYK 0 / 35 / 2 / 13

HEX #DF90DA

RGB 223 144 218

HSL 303.8, 0.55%, 0.72%

LAB 69.96, 41.17, -25.54

 

CMYK 0 / 15 / 35 / 13

HEX #DFBD90

RGB 223 189 144

HSL 34.18, 0.55%, 0.72%

LAB 78.52, 5.85, 27.28

 

Description

Color code: HEX #91DF97 | qconv.com Color code: HEX #91DF97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 223 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 223 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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