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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91DB1A it is the complementary color #6E24E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91DB1A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91DB1A shade: #96DB15, #A7ED28, #B8FF3B, #C9FF4E and #DAFF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91DB1A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91DB1A shade: #91DB1A, #80C907, #6FB700, #5EA500 and #4D9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91DB1A shade: #91DB1A, #C5DB1A, #DBBD1A, #DB891A and #DB551A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91DB1A shade: #91DB1A, #5DDB1A, #29DB1A, #1ADB3F and #1ADB73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91DB1A shade matches the following richer shades: #91DB1A and #96EF06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91DB1A shade: #91DB1A, #8CC72E, #88B341, #83A055 and #7E8C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91DB1A shade: #DBBE1A, #C5DB1A, #91DB1A, #5DDB1A and #2ADB1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91DB1A shade: #609111, #79B615, #91DB1A, #A4E737 and #B4EC5B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91DB1A shade: #91DB1A, #1ADB8B and #D81ADB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91DB1A shade: #91DB1A, #1A91DB and #DB1A91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91DB1A shade: #91DB1A, #1ADB8B, #641ADB and #DB1A6A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91DB1A shade: #91DB1A, #1ADBC5, #641ADB and #DB1A30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

Complementary color

CMYK 52 / 84 / 0 / 10

HEX #6E24E5

RGB 110 36 229

HSL 263.01, 0.79%, 0.52%

LAB 38.26, 69.37, -83.07

 

CMYK 32 / 0 / 90 / 14

HEX #96DB15

RGB 150 219 21

HSL 80.91, 0.83%, 0.47%

LAB 80.29, -46.57, 76.56

 

CMYK 30 / 0 / 83 / 7

HEX #A7ED28

RGB 167 237 40

HSL 81.32, 0.85%, 0.54%

LAB 86.47, -47.42, 78.56

 

CMYK 28 / 0 / 77 / 0

HEX #B8FF3B

RGB 184 255 59

HSL 81.73, 1%, 0.62%

LAB 92.59, -48.09, 79.52

 

CMYK 21 / 0 / 69 / 0

HEX #C9FF4E

RGB 201 255 78

HSL 78.31, 1%, 0.65%

LAB 93.66, -40.87, 74.84

 

CMYK 15 / 0 / 62 / 0

HEX #DAFF61

RGB 218 255 97

HSL 74.05, 1%, 0.69%

LAB 94.86, -33.23, 69.27

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 36 / 0 / 97 / 21

HEX #80C907

RGB 128 201 7

HSL 82.58, 0.93%, 0.41%

LAB 73.79, -47.25, 72.53

 

CMYK 39 / 0 / 100 / 28

HEX #6FB700

RGB 111 183 0

HSL 83.61, 1%, 0.36%

LAB 67.46, -45.98, 68

 

CMYK 43 / 0 / 100 / 35

HEX #5EA500

RGB 94 165 0

HSL 85.82, 1%, 0.32%

LAB 61.04, -44.54, 62.66

 

CMYK 48 / 0 / 100 / 42

HEX #4D9300

RGB 77 147 0

HSL 88.57, 1%, 0.29%

LAB 54.5, -43.02, 57.23

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 10 / 0 / 88 / 14

HEX #C5DB1A

RGB 197 219 26

HSL 66.84, 0.79%, 0.48%

LAB 83.24, -28.07, 79.37

 

CMYK 0 / 14 / 88 / 14

HEX #DBBD1A

RGB 219 189 26

HSL 50.67, 0.79%, 0.48%

LAB 77, -3.8, 75.15

 

CMYK 0 / 37 / 88 / 14

HEX #DB891A

RGB 219 137 26

HSL 34.51, 0.79%, 0.48%

LAB 64.18, 23.84, 65.08

 

CMYK 0 / 61 / 88 / 14

HEX #DB551A

RGB 219 85 26

HSL 18.34, 0.79%, 0.48%

LAB 53.63, 50.02, 56.88

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 58 / 0 / 88 / 14

HEX #5DDB1A

RGB 93 219 26

HSL 99.17, 0.79%, 0.48%

LAB 77.91, -64.24, 72.79

 

CMYK 81 / 0 / 88 / 14

HEX #29DB1A

RGB 41 219 26

HSL 115.34, 0.79%, 0.48%

LAB 76.81, -73.66, 71.4

 

CMYK 88 / 0 / 71 / 14

HEX #1ADB3F

RGB 26 219 63

HSL 131.5, 0.79%, 0.48%

LAB 76.83, -72.83, 61.09

 

CMYK 88 / 0 / 47 / 14

HEX #1ADB73

RGB 26 219 115

HSL 147.67, 0.79%, 0.48%

LAB 77.35, -66.35, 38.88

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 37 / 0 / 97 / 6

HEX #96EF06

RGB 150 239 6

HSL 82.92, 0.95%, 0.48%

LAB 86.12, -54.93, 82.78

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 30 / 0 / 77 / 22

HEX #8CC72E

RGB 140 199 46

HSL 83.14, 0.62%, 0.48%

LAB 73.95, -40.84, 65.11

 

CMYK 24 / 0 / 64 / 30

HEX #88B341

RGB 136 179 65

HSL 82.63, 0.47%, 0.48%

LAB 67.91, -32.1, 51.89

 

CMYK 18 / 0 / 47 / 37

HEX #83A055

RGB 131 160 85

HSL 83.2, 0.31%, 0.48%

LAB 62.19, -22.88, 35.67

 

CMYK 10 / 0 / 25 / 45

HEX #7E8C69

RGB 126 140 105

HSL 84, 0.14%, 0.48%

LAB 56.3, -11.62, 17.05

 

CMYK 0 / 13 / 88 / 14

HEX #DBBE1A

RGB 219 190 26

HSL 50.98, 0.79%, 0.48%

LAB 77.26, -4.32, 75.36

 

CMYK 10 / 0 / 88 / 14

HEX #C5DB1A

RGB 197 219 26

HSL 66.84, 0.79%, 0.48%

LAB 83.24, -28.07, 79.37

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 58 / 0 / 88 / 14

HEX #5DDB1A

RGB 93 219 26

HSL 99.17, 0.79%, 0.48%

LAB 77.91, -64.24, 72.79

 

CMYK 81 / 0 / 88 / 14

HEX #2ADB1A

RGB 42 219 26

HSL 115.03, 0.79%, 0.48%

LAB 76.82, -73.55, 71.42

 

CMYK 34 / 0 / 88 / 43

HEX #609111

RGB 96 145 17

HSL 82.97, 0.79%, 0.32%

LAB 54.84, -34.85, 54.92

 

CMYK 34 / 0 / 88 / 29

HEX #79B615

RGB 121 182 21

HSL 82.73, 0.79%, 0.4%

LAB 67.71, -41.52, 65.53

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 29 / 0 / 76 / 9

HEX #A4E737

RGB 164 231 55

HSL 82.84, 0.79%, 0.56%

LAB 84.65, -45.36, 72.89

 

CMYK 24 / 0 / 61 / 7

HEX #B4EC5B

RGB 180 236 91

HSL 83.17, 0.79%, 0.64%

LAB 87.22, -39.38, 62.73

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 88 / 0 / 37 / 14

HEX #1ADB8B

RGB 26 219 139

HSL 155.13, 0.79%, 0.48%

LAB 77.73, -61.98, 27.25

 

CMYK 1 / 88 / 0 / 14

HEX #D81ADB

RGB 216 26 219

HSL 299.07, 0.79%, 0.48%

LAB 52.34, 84.65, -53.77

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 88 / 34 / 0 / 14

HEX #1A91DB

RGB 26 145 219

HSL 203.01, 0.79%, 0.48%

LAB 57.64, -4.32, -46.24

 

CMYK 0 / 88 / 34 / 14

HEX #DB1A91

RGB 219 26 145

HSL 323.01, 0.79%, 0.48%

LAB 49.31, 75.84, -15.2

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 88 / 0 / 37 / 14

HEX #1ADB8B

RGB 26 219 139

HSL 155.13, 0.79%, 0.48%

LAB 77.73, -61.98, 27.25

 

CMYK 54 / 88 / 0 / 14

HEX #641ADB

RGB 100 26 219

HSL 263.01, 0.79%, 0.48%

LAB 35.13, 68.92, -82.55

 

CMYK 0 / 88 / 52 / 14

HEX #DB1A6A

RGB 219 26 106

HSL 335.13, 0.79%, 0.48%

LAB 48.06, 72.39, 6.72

 

CMYK 34 / 0 / 88 / 14

HEX #91DB1A

RGB 145 219 26

HSL 83.01, 0.79%, 0.48%

LAB 80.04, -48.26, 75.44

 

CMYK 88 / 0 / 10 / 14

HEX #1ADBC5

RGB 26 219 197

HSL 173.16, 0.79%, 0.48%

LAB 78.99, -48.23, -1.58

 

CMYK 54 / 88 / 0 / 14

HEX #641ADB

RGB 100 26 219

HSL 263.01, 0.79%, 0.48%

LAB 35.13, 68.92, -82.55

 

CMYK 0 / 88 / 78 / 14

HEX #DB1A30

RGB 219 26 48

HSL 353.16, 0.79%, 0.48%

LAB 46.99, 69.36, 40.5

 

Description

Color code: HEX #91DB1A | qconv.com Color code: HEX #91DB1A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 219 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 219 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 88 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 88% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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