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Color name
HEX #91D829

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91D829 it is the complementary color #6E27D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91D829. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91D829 shade: #96D824, #A7EA37, #B8FC4A, #C9FF5D and #DAFF70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91D829. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91D829 shade: #91D829, #80C616, #6FB403, #5EA200 and #4D9000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91D829 shade: #90D728, #C0D728, #D7C028, #D79128 and #D76128

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91D829 shade: #90D728, #61D728, #31D728, #28D74D and #28D77D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91D829 shade matches the following richer shades: #90D728 and #94EC13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91D829 shade: #90D728, #8CC33C, #88AE51, #849A65 and #81857A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91D829 shade: #D7C028, #C0D728, #91D728, #62D728 and #33D728

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91D829 shade: #61921B, #79B521, #90D728, #A2DE4A and #B4E46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91D829 shade: #91D829, #28D791 and #D728D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91D829 shade: #91D829, #2891D7 and #D72891

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91D829 shade: #91D829, #28D791, #6E28D7 and #D7286E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91D829 shade: #91D829, #28D7C6, #6E28D7 and #D72839

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 81 / 15

HEX #91D829

RGB 145 216 41

HSL 84.34, 0.69%, 0.5%

LAB 79.21, -46.51, 71.46

 

Complementary color

CMYK 49 / 82 / 0 / 16

HEX #6E27D6

RGB 110 39 214

HSL 264.34, 0.69%, 0.5%

LAB 37.15, 64.74, -76.29

 

CMYK 31 / 0 / 83 / 15

HEX #96D824

RGB 150 216 36

HSL 82, 0.71%, 0.49%

LAB 79.46, -44.89, 73.01

 

CMYK 29 / 0 / 76 / 8

HEX #A7EA37

RGB 167 234 55

HSL 82.46, 0.81%, 0.57%

LAB 85.67, -45.55, 73.91

 

CMYK 27 / 0 / 71 / 1

HEX #B8FC4A

RGB 184 252 74

HSL 82.92, 0.97%, 0.64%

LAB 91.82, -46.05, 74.06

 

CMYK 21 / 0 / 64 / 0

HEX #C9FF5D

RGB 201 255 93

HSL 80, 1%, 0.68%

LAB 93.77, -39.91, 69.37

 

CMYK 15 / 0 / 56 / 0

HEX #DAFF70

RGB 218 255 112

HSL 75.52, 1%, 0.72%

LAB 94.99, -32.1, 63.17

 

CMYK 33 / 0 / 81 / 15

HEX #91D829

RGB 145 216 41

HSL 84.34, 0.69%, 0.5%

LAB 79.21, -46.51, 71.46

 

CMYK 35 / 0 / 89 / 22

HEX #80C616

RGB 128 198 22

HSL 83.86, 0.8%, 0.43%

LAB 72.92, -45.72, 69.85

 

CMYK 38 / 0 / 98 / 29

HEX #6FB403

RGB 111 180 3

HSL 83.39, 0.97%, 0.36%

LAB 66.54, -44.69, 66.92

 

CMYK 42 / 0 / 100 / 36

HEX #5EA200

RGB 94 162 0

HSL 85.19, 1%, 0.32%

LAB 60.09, -43.32, 61.92

 

CMYK 47 / 0 / 100 / 44

HEX #4D9000

RGB 77 144 0

HSL 87.92, 1%, 0.28%

LAB 53.52, -41.81, 56.46

 

CMYK 33 / 0 / 81 / 16

HEX #90D728

RGB 144 215 40

HSL 84.34, 0.69%, 0.5%

LAB 78.86, -46.49, 71.38

 

CMYK 11 / 0 / 81 / 16

HEX #C0D728

RGB 192 215 40

HSL 67.89, 0.69%, 0.5%

LAB 81.82, -27.86, 75.12

 

CMYK 0 / 11 / 81 / 16

HEX #D7C028

RGB 215 192 40

HSL 52.11, 0.69%, 0.5%

LAB 77.46, -6.74, 72.09

 

CMYK 0 / 33 / 81 / 16

HEX #D79128

RGB 215 145 40

HSL 36, 0.69%, 0.5%

LAB 65.63, 18.19, 61.77

 

CMYK 0 / 55 / 81 / 16

HEX #D76128

RGB 215 97 40

HSL 19.54, 0.69%, 0.5%

LAB 55.23, 43.28, 52.38

 

CMYK 33 / 0 / 81 / 16

HEX #90D728

RGB 144 215 40

HSL 84.34, 0.69%, 0.5%

LAB 78.86, -46.49, 71.38

 

CMYK 55 / 0 / 81 / 16

HEX #61D728

RGB 97 215 40

HSL 100.46, 0.69%, 0.5%

LAB 76.86, -61.29, 68.83

 

CMYK 77 / 0 / 81 / 16

HEX #31D728

RGB 49 215 40

HSL 116.91, 0.69%, 0.5%

LAB 75.7, -70.91, 67.35

 

CMYK 81 / 0 / 64 / 16

HEX #28D74D

RGB 40 215 77

HSL 132.69, 0.69%, 0.5%

LAB 75.82, -69.05, 54.56

 

CMYK 81 / 0 / 42 / 16

HEX #28D77D

RGB 40 215 125

HSL 149.14, 0.69%, 0.5%

LAB 76.4, -62.12, 32.68

 

CMYK 33 / 0 / 81 / 16

HEX #90D728

RGB 144 215 40

HSL 84.34, 0.69%, 0.5%

LAB 78.86, -46.49, 71.38

 

CMYK 37 / 0 / 92 / 7

HEX #94EC13

RGB 148 236 19

HSL 84.33, 0.85%, 0.5%

LAB 85.17, -54.24, 80.75

 

CMYK 33 / 0 / 81 / 16

HEX #90D728

RGB 144 215 40

HSL 84.34, 0.69%, 0.5%

LAB 78.86, -46.49, 71.38

 

CMYK 28 / 0 / 69 / 24

HEX #8CC33C

RGB 140 195 60

HSL 84.44, 0.53%, 0.5%

LAB 72.85, -38.25, 59.18

 

CMYK 22 / 0 / 53 / 32

HEX #88AE51

RGB 136 174 81

HSL 84.52, 0.36%, 0.5%

LAB 66.6, -28.25, 43.07

 

CMYK 14 / 0 / 34 / 40

HEX #849A65

RGB 132 154 101

HSL 84.91, 0.21%, 0.5%

LAB 60.74, -17.32, 25.33

 

CMYK 3 / 0 / 8 / 48

HEX #81857A

RGB 129 133 122

HSL 81.82, 0.04%, 0.5%

LAB 54.91, -3.62, 5.41

 

CMYK 0 / 11 / 81 / 16

HEX #D7C028

RGB 215 192 40

HSL 52.11, 0.69%, 0.5%

LAB 77.46, -6.74, 72.09

 

CMYK 11 / 0 / 81 / 16

HEX #C0D728

RGB 192 215 40

HSL 67.89, 0.69%, 0.5%

LAB 81.82, -27.86, 75.12

 

CMYK 33 / 0 / 81 / 16

HEX #91D728

RGB 145 215 40

HSL 84, 0.69%, 0.5%

LAB 78.91, -46.13, 71.45

 

CMYK 54 / 0 / 81 / 16

HEX #62D728

RGB 98 215 40

HSL 100.11, 0.69%, 0.5%

LAB 76.89, -61.02, 68.87

 

CMYK 76 / 0 / 81 / 16

HEX #33D728

RGB 51 215 40

HSL 116.23, 0.69%, 0.5%

LAB 75.74, -70.63, 67.39

 

CMYK 34 / 0 / 82 / 43

HEX #61921B

RGB 97 146 27

HSL 84.71, 0.69%, 0.34%

LAB 55.26, -34.52, 52.7

 

CMYK 33 / 0 / 82 / 29

HEX #79B521

RGB 121 181 33

HSL 84.32, 0.69%, 0.42%

LAB 67.44, -40.67, 62.54

 

CMYK 33 / 0 / 81 / 16

HEX #90D728

RGB 144 215 40

HSL 84.34, 0.69%, 0.5%

LAB 78.86, -46.49, 71.38

 

CMYK 27 / 0 / 67 / 13

HEX #A2DE4A

RGB 162 222 74

HSL 84.32, 0.69%, 0.58%

LAB 82.07, -41.08, 63.73

 

CMYK 21 / 0 / 52 / 11

HEX #B4E46D

RGB 180 228 109

HSL 84.2, 0.69%, 0.66%

LAB 85.15, -34.17, 52.47

 

CMYK 33 / 0 / 81 / 15

HEX #91D829

RGB 145 216 41

HSL 84.34, 0.69%, 0.5%

LAB 79.21, -46.51, 71.46

 

CMYK 81 / 0 / 33 / 16

HEX #28D791

RGB 40 215 145

HSL 156, 0.69%, 0.5%

LAB 76.74, -58.22, 22.82

 

CMYK 0 / 81 / 0 / 16

HEX #D728D7

RGB 215 40 215

HSL 300, 0.69%, 0.5%

LAB 52.81, 81.36, -50.76

 

CMYK 33 / 0 / 81 / 15

HEX #91D829

RGB 145 216 41

HSL 84.34, 0.69%, 0.5%

LAB 79.21, -46.51, 71.46

 

CMYK 81 / 33 / 0 / 16

HEX #2891D7

RGB 40 145 215

HSL 204, 0.69%, 0.5%

LAB 57.66, -4.74, -43.95

 

CMYK 0 / 81 / 33 / 16

HEX #D72891

RGB 215 40 145

HSL 324, 0.69%, 0.5%

LAB 49.51, 72.21, -14.96

 

CMYK 33 / 0 / 81 / 15

HEX #91D829

RGB 145 216 41

HSL 84.34, 0.69%, 0.5%

LAB 79.21, -46.51, 71.46

 

CMYK 81 / 0 / 33 / 16

HEX #28D791

RGB 40 215 145

HSL 156, 0.69%, 0.5%

LAB 76.74, -58.22, 22.82

 

CMYK 49 / 81 / 0 / 16

HEX #6E28D7

RGB 110 40 215

HSL 264, 0.69%, 0.5%

LAB 37.37, 64.63, -76.51

 

CMYK 0 / 81 / 49 / 16

HEX #D7286E

RGB 215 40 110

HSL 336, 0.69%, 0.5%

LAB 48.37, 68.9, 4.61

 

CMYK 33 / 0 / 81 / 15

HEX #91D829

RGB 145 216 41

HSL 84.34, 0.69%, 0.5%

LAB 79.21, -46.51, 71.46

 

CMYK 81 / 0 / 8 / 16

HEX #28D7C6

RGB 40 215 198

HSL 174.17, 0.69%, 0.5%

LAB 77.95, -45.33, -3.62

 

CMYK 49 / 81 / 0 / 16

HEX #6E28D7

RGB 110 40 215

HSL 264, 0.69%, 0.5%

LAB 37.37, 64.63, -76.51

 

CMYK 0 / 81 / 73 / 16

HEX #D72839

RGB 215 40 57

HSL 354.17, 0.69%, 0.5%

LAB 47.31, 65.71, 35.44

 

Description

Color code: HEX #91D829 | qconv.com Color code: HEX #91D829 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 216 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 216 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 81 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 81% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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