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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91C424 it is the complementary color #6E3BDB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91C424. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91C424 shade: #96C41F, #A7D632, #B8E845, #C9FA58 and #DAFF6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91C424. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91C424 shade: #91C424, #80B211, #6FA000, #5E8E00 and #4D7C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91C424 shade: #8FC224, #BAC224, #C29F24, #C27424 and #C24A24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91C424 shade: #8FC224, #65C224, #3AC224, #24C238 and #24C263

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91C424 shade matches the following richer shades: #8FC224 and #96D411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91C424 shade: #8FC224, #89AF36, #829D49, #7B8A5B and #75786E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91C424 shade: #C2A024, #BAC224, #90C224, #66C224 and #3BC224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91C424 shade: #5C7C17, #769F1D, #8FC224, #A5DA35 and #B5E058

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91C424 shade: #91C424, #24C275 and #B524C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91C424 shade: #91C424, #2490C2 and #C22490

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91C424 shade: #91C424, #24C275, #5624C2 and #C22470

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91C424 shade: #91C424, #24C2A5, #5624C2 and #C22441

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 82 / 23

HEX #91C424

RGB 145 196 36

HSL 79.13, 0.69%, 0.45%

LAB 73.3, -38.05, 67.49

 

Complementary color

CMYK 50 / 73 / 0 / 14

HEX #6E3BDB

RGB 110 59 219

HSL 259.13, 0.69%, 0.55%

LAB 40.5, 57.66, -73.66

 

CMYK 23 / 0 / 84 / 23

HEX #96C41F

RGB 150 196 31

HSL 76.73, 0.73%, 0.45%

LAB 73.59, -36.28, 69.08

 

CMYK 22 / 0 / 77 / 16

HEX #A7D632

RGB 167 214 50

HSL 77.2, 0.67%, 0.52%

LAB 79.92, -37.02, 70.04

 

CMYK 21 / 0 / 70 / 9

HEX #B8E845

RGB 184 232 69

HSL 77.67, 0.78%, 0.59%

LAB 86.17, -37.59, 70.18

 

CMYK 20 / 0 / 65 / 2

HEX #C9FA58

RGB 201 250 88

HSL 78.15, 0.94%, 0.66%

LAB 92.35, -38.03, 69.81

 

CMYK 15 / 0 / 58 / 0

HEX #DAFF6B

RGB 218 255 107

HSL 75, 1%, 0.71%

LAB 94.94, -32.5, 65.25

 

CMYK 26 / 0 / 82 / 23

HEX #91C424

RGB 145 196 36

HSL 79.13, 0.69%, 0.45%

LAB 73.3, -38.05, 67.49

 

CMYK 28 / 0 / 90 / 30

HEX #80B211

RGB 128 178 17

HSL 78.63, 0.83%, 0.38%

LAB 66.88, -37.2, 65.72

 

CMYK 31 / 0 / 100 / 37

HEX #6FA000

RGB 111 160 0

HSL 78.38, 1%, 0.31%

LAB 60.36, -36.12, 62.52

 

CMYK 34 / 0 / 100 / 44

HEX #5E8E00

RGB 94 142 0

HSL 80.28, 1%, 0.28%

LAB 53.73, -34.72, 57

 

CMYK 38 / 0 / 100 / 51

HEX #4D7C00

RGB 77 124 0

HSL 82.74, 1%, 0.24%

LAB 46.97, -33.27, 51.37

 

CMYK 26 / 0 / 81 / 24

HEX #8FC224

RGB 143 194 36

HSL 79.37, 0.69%, 0.45%

LAB 72.59, -37.93, 66.81

 

CMYK 4 / 0 / 81 / 24

HEX #BAC224

RGB 186 194 36

HSL 63.04, 0.69%, 0.45%

LAB 75.54, -20.33, 70.54

 

CMYK 0 / 18 / 81 / 24

HEX #C29F24

RGB 194 159 36

HSL 46.71, 0.69%, 0.45%

LAB 66.82, 1.28, 63.24

 

CMYK 0 / 40 / 81 / 24

HEX #C27424

RGB 194 116 36

HSL 30.38, 0.69%, 0.45%

LAB 56.18, 24.78, 53.79

 

CMYK 0 / 62 / 81 / 24

HEX #C24A24

RGB 194 74 36

HSL 14.43, 0.69%, 0.45%

LAB 47.62, 46.22, 45.88

 

CMYK 26 / 0 / 81 / 24

HEX #8FC224

RGB 143 194 36

HSL 79.37, 0.69%, 0.45%

LAB 72.59, -37.93, 66.81

 

CMYK 48 / 0 / 81 / 24

HEX #65C224

RGB 101 194 36

HSL 95.32, 0.69%, 0.45%

LAB 70.51, -52.62, 64.15

 

CMYK 70 / 0 / 81 / 24

HEX #3AC224

RGB 58 194 36

HSL 111.65, 0.69%, 0.45%

LAB 69.19, -63.24, 62.46

 

CMYK 81 / 0 / 71 / 24

HEX #24C238

RGB 36 194 56

HSL 127.59, 0.69%, 0.45%

LAB 68.93, -65.08, 55.52

 

CMYK 81 / 0 / 49 / 24

HEX #24C263

RGB 36 194 99

HSL 143.92, 0.69%, 0.45%

LAB 69.37, -59.72, 36.77

 

CMYK 26 / 0 / 81 / 24

HEX #8FC224

RGB 143 194 36

HSL 79.37, 0.69%, 0.45%

LAB 72.59, -37.93, 66.81

 

CMYK 29 / 0 / 92 / 17

HEX #96D411

RGB 150 212 17

HSL 79.08, 0.85%, 0.45%

LAB 78.23, -43.68, 75.45

 

CMYK 26 / 0 / 81 / 24

HEX #8FC224

RGB 143 194 36

HSL 79.37, 0.69%, 0.45%

LAB 72.59, -37.93, 66.81

 

CMYK 22 / 0 / 69 / 31

HEX #89AF36

RGB 137 175 54

HSL 78.84, 0.53%, 0.45%

LAB 66.71, -30.62, 55.16

 

CMYK 17 / 0 / 54 / 38

HEX #829D49

RGB 130 157 73

HSL 79.29, 0.37%, 0.45%

LAB 61.08, -23.1, 40.37

 

CMYK 11 / 0 / 34 / 46

HEX #7B8A5B

RGB 123 138 91

HSL 79.15, 0.21%, 0.45%

LAB 55.22, -13.88, 23.42

 

CMYK 3 / 0 / 8 / 53

HEX #75786E

RGB 117 120 110

HSL 78, 0.04%, 0.45%

LAB 49.91, -3.1, 5.09

 

CMYK 0 / 18 / 81 / 24

HEX #C2A024

RGB 194 160 36

HSL 47.09, 0.69%, 0.45%

LAB 67.08, 0.75, 63.47

 

CMYK 4 / 0 / 81 / 24

HEX #BAC224

RGB 186 194 36

HSL 63.04, 0.69%, 0.45%

LAB 75.54, -20.33, 70.54

 

CMYK 26 / 0 / 81 / 24

HEX #90C224

RGB 144 194 36

HSL 78.99, 0.69%, 0.45%

LAB 72.65, -37.54, 66.89

 

CMYK 47 / 0 / 81 / 24

HEX #66C224

RGB 102 194 36

HSL 94.94, 0.69%, 0.45%

LAB 70.55, -52.32, 64.21

 

CMYK 70 / 0 / 81 / 24

HEX #3BC224

RGB 59 194 36

HSL 111.27, 0.69%, 0.45%

LAB 69.21, -63.05, 62.49

 

CMYK 26 / 0 / 81 / 51

HEX #5C7C17

RGB 92 124 23

HSL 79.01, 0.69%, 0.29%

LAB 47.95, -26.37, 47.13

 

CMYK 26 / 0 / 82 / 38

HEX #769F1D

RGB 118 159 29

HSL 78.92, 0.69%, 0.37%

LAB 60.55, -32.1, 57.38

 

CMYK 26 / 0 / 81 / 24

HEX #8FC224

RGB 143 194 36

HSL 79.37, 0.69%, 0.45%

LAB 72.59, -37.93, 66.81

 

CMYK 24 / 0 / 76 / 15

HEX #A5DA35

RGB 165 218 53

HSL 79.27, 0.69%, 0.53%

LAB 80.96, -39.43, 70.05

 

CMYK 19 / 0 / 61 / 12

HEX #B5E058

RGB 181 224 88

HSL 78.97, 0.69%, 0.61%

LAB 83.88, -33.82, 60.35

 

CMYK 26 / 0 / 82 / 23

HEX #91C424

RGB 145 196 36

HSL 79.13, 0.69%, 0.45%

LAB 73.3, -38.05, 67.49

 

CMYK 81 / 0 / 40 / 24

HEX #24C275

RGB 36 194 117

HSL 150.76, 0.69%, 0.45%

LAB 69.64, -56.53, 27.91

 

CMYK 7 / 81 / 0 / 24

HEX #B524C2

RGB 181 36 194

HSL 295.06, 0.69%, 0.45%

LAB 45.61, 72.69, -50.49

 

CMYK 26 / 0 / 82 / 23

HEX #91C424

RGB 145 196 36

HSL 79.13, 0.69%, 0.45%

LAB 73.3, -38.05, 67.49

 

CMYK 81 / 26 / 0 / 24

HEX #2490C2

RGB 36 144 194

HSL 198.99, 0.69%, 0.45%

LAB 56.3, -12.1, -34.27

 

CMYK 0 / 81 / 26 / 24

HEX #C22490

RGB 194 36 144

HSL 318.99, 0.69%, 0.45%

LAB 45.28, 68.2, -21.16

 

CMYK 26 / 0 / 82 / 23

HEX #91C424

RGB 145 196 36

HSL 79.13, 0.69%, 0.45%

LAB 73.3, -38.05, 67.49

 

CMYK 81 / 0 / 40 / 24

HEX #24C275

RGB 36 194 117

HSL 150.76, 0.69%, 0.45%

LAB 69.64, -56.53, 27.91

 

CMYK 56 / 81 / 0 / 24

HEX #5624C2

RGB 86 36 194

HSL 258.99, 0.69%, 0.45%

LAB 32.11, 57.97, -73.04

 

CMYK 0 / 81 / 42 / 24

HEX #C22470

RGB 194 36 112

HSL 331.14, 0.69%, 0.45%

LAB 44.09, 64.74, -3.35

 

CMYK 26 / 0 / 82 / 23

HEX #91C424

RGB 145 196 36

HSL 79.13, 0.69%, 0.45%

LAB 73.3, -38.05, 67.49

 

CMYK 81 / 0 / 15 / 24

HEX #24C2A5

RGB 36 194 165

HSL 168.99, 0.69%, 0.45%

LAB 70.65, -45.56, 3.54

 

CMYK 56 / 81 / 0 / 24

HEX #5624C2

RGB 86 36 194

HSL 258.99, 0.69%, 0.45%

LAB 32.11, 57.97, -73.04

 

CMYK 0 / 81 / 66 / 24

HEX #C22441

RGB 194 36 65

HSL 348.99, 0.69%, 0.45%

LAB 42.93, 61.28, 24.35

 

Description

Color code: HEX #91C424 | qconv.com Color code: HEX #91C424 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 196 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 196 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 82 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 82% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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