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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91BDDC it is the complementary color #6E4223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91BDDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91BDDC shade: #96BDD7, #A7CFEA, #B8E1FD, #C9F3FF and #DAFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91BDDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91BDDC shade: #91BDDC, #80ABC9, #6F99B6, #5E87A3 and #4D7590

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91BDDC shade: #92BEDD, #92AADD, #9296DD, #A392DD and #B792DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91BDDC shade: #92BEDD, #92AADD, #9296DD and #9292DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91BDDC shade matches the following richer shades: #92BEDD, #87C0E8 and #7BC2F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91BDDC shade: #92BEDD, #9EBCD1, #AABAC6, #B5B8BA and #C1B6AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91BDDC shade: #92DDD3, #92D3DD, #92BFDD, #92ABDD and #9297DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91BDDC shade: #5498C9, #73ABD3, #92BEDD, #B2D1E7 and #D1E4F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91BDDC shade: #91BDDC, #BF92DD and #DDDD92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91BDDC shade: #91BDDC, #DD92BF and #BFDD92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91BDDC shade: #91BDDC, #BF92DD, #DDB092 and #B0DD92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91BDDC shade: #91BDDC, #D592DD, #DDB092 and #9ADD92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 14 / 0 / 14

HEX #91BDDC

RGB 145 189 220

HSL 204.8, 0.52%, 0.72%

LAB 74.56, -7.13, -20.21

 

Complementary color

CMYK 0 / 40 / 68 / 57

HEX #6E4223

RGB 110 66 35

HSL 24.8, 0.52%, 0.28%

LAB 32.55, 15.9, 26.51

 

CMYK 30 / 12 / 0 / 16

HEX #96BDD7

RGB 150 189 215

HSL 204, 0.45%, 0.72%

LAB 74.69, -6.94, -17.27

 

CMYK 29 / 12 / 0 / 8

HEX #A7CFEA

RGB 167 207 234

HSL 204.18, 0.61%, 0.79%

LAB 81.17, -7.04, -17.62

 

CMYK 27 / 11 / 0 / 1

HEX #B8E1FD

RGB 184 225 253

HSL 204.35, 0.95%, 0.86%

LAB 87.55, -7.13, -17.96

 

CMYK 21 / 5 / 0 / 0

HEX #C9F3FF

RGB 201 243 255

HSL 193.33, 1%, 0.89%

LAB 93.34, -10.92, -10.24

 

CMYK 15 / 0 / 0 / 0

HEX #DAFFFF

RGB 218 255 255

HSL 180, 1%, 0.93%

LAB 97.49, -11.79, -3.99

 

CMYK 34 / 14 / 0 / 14

HEX #91BDDC

RGB 145 189 220

HSL 204.8, 0.52%, 0.72%

LAB 74.56, -7.13, -20.21

 

CMYK 36 / 15 / 0 / 21

HEX #80ABC9

RGB 128 171 201

HSL 204.66, 0.4%, 0.65%

LAB 67.97, -6.98, -19.91

 

CMYK 39 / 16 / 0 / 29

HEX #6F99B6

RGB 111 153 182

HSL 204.51, 0.33%, 0.57%

LAB 61.25, -6.8, -19.61

 

CMYK 42 / 17 / 0 / 36

HEX #5E87A3

RGB 94 135 163

HSL 204.35, 0.27%, 0.5%

LAB 54.4, -6.59, -19.33

 

CMYK 47 / 19 / 0 / 44

HEX #4D7590

RGB 77 117 144

HSL 204.18, 0.3%, 0.43%

LAB 47.38, -6.31, -19.06

 

CMYK 34 / 14 / 0 / 13

HEX #92BEDD

RGB 146 190 221

HSL 204.8, 0.52%, 0.72%

LAB 74.92, -7.13, -20.19

 

CMYK 34 / 23 / 0 / 13

HEX #92AADD

RGB 146 170 221

HSL 220.8, 0.52%, 0.72%

LAB 69.53, 3.78, -28.44

 

CMYK 34 / 32 / 0 / 13

HEX #9296DD

RGB 146 150 221

HSL 236.8, 0.52%, 0.72%

LAB 64.28, 15.11, -36.57

 

CMYK 26 / 34 / 0 / 13

HEX #A392DD

RGB 163 146 221

HSL 253.6, 0.52%, 0.72%

LAB 64.62, 22.26, -35.94

 

CMYK 17 / 34 / 0 / 13

HEX #B792DD

RGB 183 146 221

HSL 269.6, 0.52%, 0.72%

LAB 66.4, 28.24, -33.03

 

CMYK 34 / 14 / 0 / 13

HEX #92BEDD

RGB 146 190 221

HSL 204.8, 0.52%, 0.72%

LAB 74.92, -7.13, -20.19

 

CMYK 34 / 23 / 0 / 13

HEX #92AADD

RGB 146 170 221

HSL 220.8, 0.52%, 0.72%

LAB 69.53, 3.78, -28.44

 

CMYK 34 / 32 / 0 / 13

HEX #9296DD

RGB 146 150 221

HSL 236.8, 0.52%, 0.72%

LAB 64.28, 15.11, -36.57

 

CMYK 34 / 34 / 0 / 13

HEX #9292DD

RGB 146 146 221

HSL 240, 0.52%, 0.72%

LAB 63.25, 17.41, -38.17

 

CMYK 34 / 14 / 0 / 13

HEX #92BEDD

RGB 146 190 221

HSL 204.8, 0.52%, 0.72%

LAB 74.92, -7.13, -20.19

 

CMYK 42 / 17 / 0 / 9

HEX #87C0E8

RGB 135 192 232

HSL 204.74, 0.68%, 0.72%

LAB 75.25, -8.27, -25.7

 

CMYK 50 / 20 / 0 / 4

HEX #7BC2F4

RGB 123 194 244

HSL 204.79, 0.85%, 0.72%

LAB 75.65, -8.89, -31.6

 

CMYK 34 / 14 / 0 / 13

HEX #92BEDD

RGB 146 190 221

HSL 204.8, 0.52%, 0.72%

LAB 74.92, -7.13, -20.19

 

CMYK 24 / 10 / 0 / 18

HEX #9EBCD1

RGB 158 188 209

HSL 204.71, 0.36%, 0.72%

LAB 74.72, -5.46, -13.91

 

CMYK 14 / 6 / 0 / 22

HEX #AABAC6

RGB 170 186 198

HSL 205.71, 0.2%, 0.72%

LAB 74.66, -3.03, -7.93

HEX #AABAC6

CMYK 3 / 1 / 0 / 27

HEX #B5B8BA

RGB 181 184 186

HSL 204, 0.03%, 0.72%

LAB 74.6, -0.66, -1.39

HEX #B5B8BA

CMYK 0 / 6 / 9 / 24

HEX #C1B6AF

RGB 193 182 175

HSL 23.33, 0.13%, 0.72%

LAB 74.75, 2.68, 4.95

HEX #C1B6AF

CMYK 34 / 0 / 5 / 13

HEX #92DDD3

RGB 146 221 211

HSL 172, 0.52%, 0.72%

LAB 83.19, -25.36, -2.48

 

CMYK 34 / 5 / 0 / 13

HEX #92D3DD

RGB 146 211 221

HSL 188, 0.52%, 0.72%

LAB 80.69, -18.06, -11.51

 

CMYK 34 / 14 / 0 / 13

HEX #92BFDD

RGB 146 191 221

HSL 204, 0.52%, 0.72%

LAB 75.2, -7.67, -19.78

 

CMYK 34 / 23 / 0 / 13

HEX #92ABDD

RGB 146 171 221

HSL 220, 0.52%, 0.72%

LAB 69.79, 3.22, -28.03

 

CMYK 34 / 32 / 0 / 13

HEX #9297DD

RGB 146 151 221

HSL 236, 0.52%, 0.72%

LAB 64.54, 14.53, -36.17

 

CMYK 58 / 24 / 0 / 21

HEX #5498C9

RGB 84 152 201

HSL 205.13, 0.52%, 0.56%

LAB 60.39, -7.09, -31.74

 

CMYK 45 / 19 / 0 / 17

HEX #73ABD3

RGB 115 171 211

HSL 205, 0.52%, 0.64%

LAB 67.63, -7.67, -26.01

 

CMYK 34 / 14 / 0 / 13

HEX #92BEDD

RGB 146 190 221

HSL 204.8, 0.52%, 0.72%

LAB 74.92, -7.13, -20.19

 

CMYK 23 / 10 / 0 / 9

HEX #B2D1E7

RGB 178 209 231

HSL 204.91, 0.52%, 0.8%

LAB 82.29, -5.54, -14.26

 

CMYK 13 / 5 / 0 / 5

HEX #D1E4F1

RGB 209 228 241

HSL 204.38, 0.53%, 0.88%

LAB 89.58, -3.72, -8.47

 

CMYK 34 / 14 / 0 / 14

HEX #91BDDC

RGB 145 189 220

HSL 204.8, 0.52%, 0.72%

LAB 74.56, -7.13, -20.21

 

CMYK 14 / 34 / 0 / 13

HEX #BF92DD

RGB 191 146 221

HSL 276, 0.52%, 0.72%

LAB 67.17, 30.68, -31.78

 

CMYK 0 / 0 / 34 / 13

HEX #DDDD92

RGB 221 221 146

HSL 60, 0.52%, 0.72%

LAB 86.58, -11.2, 36.88

 

CMYK 34 / 14 / 0 / 14

HEX #91BDDC

RGB 145 189 220

HSL 204.8, 0.52%, 0.72%

LAB 74.56, -7.13, -20.21

 

CMYK 0 / 34 / 14 / 13

HEX #DD92BF

RGB 221 146 191

HSL 324, 0.52%, 0.72%

LAB 69.25, 34.83, -11.66

 

CMYK 14 / 0 / 34 / 13

HEX #BFDD92

RGB 191 221 146

HSL 84, 0.52%, 0.72%

LAB 84.41, -22.49, 33.63

 

CMYK 34 / 14 / 0 / 14

HEX #91BDDC

RGB 145 189 220

HSL 204.8, 0.52%, 0.72%

LAB 74.56, -7.13, -20.21

 

CMYK 14 / 34 / 0 / 13

HEX #BF92DD

RGB 191 146 221

HSL 276, 0.52%, 0.72%

LAB 67.17, 30.68, -31.78

 

CMYK 0 / 20 / 34 / 13

HEX #DDB092

RGB 221 176 146

HSL 24, 0.52%, 0.72%

LAB 75.14, 12.22, 21.59

 

CMYK 20 / 0 / 34 / 13

HEX #B0DD92

RGB 176 221 146

HSL 96, 0.52%, 0.72%

LAB 83.45, -27.89, 32.18

 

CMYK 34 / 14 / 0 / 14

HEX #91BDDC

RGB 145 189 220

HSL 204.8, 0.52%, 0.72%

LAB 74.56, -7.13, -20.21

 

CMYK 4 / 34 / 0 / 13

HEX #D592DD

RGB 213 146 221

HSL 293.6, 0.52%, 0.72%

LAB 69.42, 37.52, -28.13

 

CMYK 0 / 20 / 34 / 13

HEX #DDB092

RGB 221 176 146

HSL 24, 0.52%, 0.72%

LAB 75.14, 12.22, 21.59

 

CMYK 30 / 0 / 34 / 13

HEX #9ADD92

RGB 154 221 146

HSL 113.6, 0.52%, 0.72%

LAB 82.19, -35.38, 30.29

 

Description

Color code: HEX #91BDDC | qconv.com Color code: HEX #91BDDC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 189 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 189 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 14 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 14% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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