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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91B55B it is the complementary color #6E4AA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91B55B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91B55B shade: #96B556, #A7C769, #B8D97C, #C9EB8F and #DAFDA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91B55B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91B55B shade: #91B55B, #80A348, #6F9135, #5E7F22 and #4D6D0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91B55B shade: #90B55A, #A9B55A, #B5A85A, #B58F5A and #B5775A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91B55B shade: #90B55A, #78B55A, #5FB55A, #5AB56D and #5AB585

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91B55B shade matches the following richer shades: #90B55A, #94C846, #98DB33 and #9CEF1F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91B55B shade: #90B55A, #8CA16D, #898E80, #857B94 and #8167A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91B55B shade: #B5A95A, #A9B55A, #90B55A, #78B55A and #60B55A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91B55B shade: #65823A, #7B9E47, #90B55A, #A3C176 and #B6CE93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91B55B shade: #91B55B, #5AB590 and #B55AB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91B55B shade: #91B55B, #5A90B5 and #B55A90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91B55B shade: #91B55B, #5AB590, #7E5AB5 and #B55A7E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91B55B shade: #91B55B, #5AB5AC, #7E5AB5 and #B55A63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 50 / 29

HEX #91B55B

RGB 145 181 91

HSL 84, 0.38%, 0.53%

LAB 69.34, -27.09, 41.61

 

Complementary color

CMYK 33 / 55 / 0 / 36

HEX #6E4AA4

RGB 110 74 164

HSL 264, 0.38%, 0.47%

LAB 39.4, 34.85, -43.29

 

CMYK 17 / 0 / 52 / 29

HEX #96B556

RGB 150 181 86

HSL 79.58, 0.39%, 0.52%

LAB 69.61, -25.66, 44.45

 

CMYK 16 / 0 / 47 / 22

HEX #A7C769

RGB 167 199 105

HSL 80.43, 0.46%, 0.6%

LAB 76.12, -25.81, 43.31

 

CMYK 15 / 0 / 43 / 15

HEX #B8D97C

RGB 184 217 124

HSL 81.29, 0.55%, 0.67%

LAB 82.52, -25.9, 42.15

 

CMYK 14 / 0 / 39 / 8

HEX #C9EB8F

RGB 201 235 143

HSL 82.17, 0.7%, 0.74%

LAB 88.84, -25.95, 41.01

 

CMYK 14 / 0 / 36 / 1

HEX #DAFDA2

RGB 218 253 162

HSL 83.08, 0.96%, 0.81%

LAB 95.06, -25.98, 39.9

 

CMYK 20 / 0 / 50 / 29

HEX #91B55B

RGB 145 181 91

HSL 84, 0.38%, 0.53%

LAB 69.34, -27.09, 41.61

 

CMYK 21 / 0 / 56 / 36

HEX #80A348

RGB 128 163 72

HSL 83.08, 0.39%, 0.46%

LAB 62.72, -26.97, 42.74

 

CMYK 23 / 0 / 63 / 43

HEX #6F9135

RGB 111 145 53

HSL 82.17, 0.46%, 0.39%

LAB 55.97, -26.75, 43.72

 

CMYK 26 / 0 / 73 / 50

HEX #5E7F22

RGB 94 127 34

HSL 81.29, 0.58%, 0.32%

LAB 49.1, -26.37, 44.31

 

CMYK 29 / 0 / 86 / 57

HEX #4D6D0F

RGB 77 109 15

HSL 80.43, 0.76%, 0.24%

LAB 42.08, -25.73, 43.9

 

CMYK 20 / 0 / 50 / 29

HEX #90B55A

RGB 144 181 90

HSL 84.4, 0.38%, 0.53%

LAB 69.27, -27.58, 41.99

 

CMYK 7 / 0 / 50 / 29

HEX #A9B55A

RGB 169 181 90

HSL 67.91, 0.38%, 0.53%

LAB 71.02, -17.64, 44.52

 

CMYK 0 / 7 / 50 / 29

HEX #B5A85A

RGB 181 168 90

HSL 51.43, 0.38%, 0.53%

LAB 68.44, -5.9, 41.65

 

CMYK 0 / 21 / 50 / 29

HEX #B58F5A

RGB 181 143 90

HSL 34.95, 0.38%, 0.53%

LAB 61.83, 7.67, 33.53

 

CMYK 0 / 34 / 50 / 29

HEX #B5775A

RGB 181 119 90

HSL 19.12, 0.38%, 0.53%

LAB 55.84, 21.03, 25.87

 

CMYK 20 / 0 / 50 / 29

HEX #90B55A

RGB 144 181 90

HSL 84.4, 0.38%, 0.53%

LAB 69.27, -27.58, 41.99

 

CMYK 34 / 0 / 50 / 29

HEX #78B55A

RGB 120 181 90

HSL 100.22, 0.38%, 0.53%

LAB 67.86, -36.4, 39.95

 

CMYK 48 / 0 / 50 / 29

HEX #5FB55A

RGB 95 181 90

HSL 116.7, 0.38%, 0.53%

LAB 66.69, -44.43, 38.25

 

CMYK 50 / 0 / 40 / 29

HEX #5AB56D

RGB 90 181 109

HSL 132.53, 0.38%, 0.53%

LAB 66.77, -42.94, 28.56

 

CMYK 50 / 0 / 27 / 29

HEX #5AB585

RGB 90 181 133

HSL 148.35, 0.38%, 0.53%

LAB 67.21, -38.43, 16.29

 

CMYK 20 / 0 / 50 / 29

HEX #90B55A

RGB 144 181 90

HSL 84.4, 0.38%, 0.53%

LAB 69.27, -27.58, 41.99

 

CMYK 26 / 0 / 65 / 22

HEX #94C846

RGB 148 200 70

HSL 84, 0.54%, 0.53%

LAB 74.85, -36.77, 57.47

 

CMYK 31 / 0 / 77 / 14

HEX #98DB33

RGB 152 219 51

HSL 83.93, 0.7%, 0.53%

LAB 80.5, -44.8, 69.98

 

CMYK 35 / 0 / 87 / 6

HEX #9CEF1F

RGB 156 239 31

HSL 83.94, 0.87%, 0.53%

LAB 86.45, -52.42, 80.14

 

CMYK 20 / 0 / 50 / 29

HEX #90B55A

RGB 144 181 90

HSL 84.4, 0.38%, 0.53%

LAB 69.27, -27.58, 41.99

 

CMYK 13 / 0 / 32 / 37

HEX #8CA16D

RGB 140 161 109

HSL 84.23, 0.22%, 0.53%

LAB 63.48, -16.69, 24.71

 

CMYK 4 / 0 / 10 / 44

HEX #898E80

RGB 137 142 128

HSL 81.43, 0.06%, 0.53%

LAB 58.25, -4.51, 6.82

 

CMYK 10 / 17 / 0 / 42

HEX #857B94

RGB 133 123 148

HSL 264, 0.1%, 0.53%

LAB 53.27, 8.9, -12.09

 

CMYK 23 / 38 / 0 / 35

HEX #8167A7

RGB 129 103 167

HSL 264.38, 0.27%, 0.53%

LAB 48.46, 23.85, -30.62

 

CMYK 0 / 7 / 50 / 29

HEX #B5A95A

RGB 181 169 90

HSL 52.09, 0.38%, 0.53%

LAB 68.71, -6.43, 41.98

 

CMYK 7 / 0 / 50 / 29

HEX #A9B55A

RGB 169 181 90

HSL 67.91, 0.38%, 0.53%

LAB 71.02, -17.64, 44.52

 

CMYK 20 / 0 / 50 / 29

HEX #90B55A

RGB 144 181 90

HSL 84.4, 0.38%, 0.53%

LAB 69.27, -27.58, 41.99

 

CMYK 34 / 0 / 50 / 29

HEX #78B55A

RGB 120 181 90

HSL 100.22, 0.38%, 0.53%

LAB 67.86, -36.4, 39.95

 

CMYK 47 / 0 / 50 / 29

HEX #60B55A

RGB 96 181 90

HSL 116.04, 0.38%, 0.53%

LAB 66.73, -44.14, 38.31

 

CMYK 22 / 0 / 55 / 49

HEX #65823A

RGB 101 130 58

HSL 84.17, 0.38%, 0.37%

LAB 50.73, -22.87, 35.19

 

CMYK 22 / 0 / 55 / 38

HEX #7B9E47

RGB 123 158 71

HSL 84.14, 0.38%, 0.45%

LAB 60.89, -26.6, 41

 

CMYK 20 / 0 / 50 / 29

HEX #90B55A

RGB 144 181 90

HSL 84.4, 0.38%, 0.53%

LAB 69.27, -27.58, 41.99

 

CMYK 16 / 0 / 39 / 24

HEX #A3C176

RGB 163 193 118

HSL 84, 0.38%, 0.61%

LAB 74.34, -22.86, 34.47

 

CMYK 12 / 0 / 29 / 19

HEX #B6CE93

RGB 182 206 147

HSL 84.41, 0.38%, 0.69%

LAB 79.72, -18.26, 26.75

 

CMYK 20 / 0 / 50 / 29

HEX #91B55B

RGB 145 181 91

HSL 84, 0.38%, 0.53%

LAB 69.34, -27.09, 41.61

 

CMYK 50 / 0 / 20 / 29

HEX #5AB590

RGB 90 181 144

HSL 155.6, 0.38%, 0.53%

LAB 67.45, -36.08, 10.62

 

CMYK 0 / 50 / 0 / 29

HEX #B55AB5

RGB 181 90 181

HSL 300, 0.38%, 0.53%

LAB 52.37, 49.68, -32.23

 

CMYK 20 / 0 / 50 / 29

HEX #91B55B

RGB 145 181 91

HSL 84, 0.38%, 0.53%

LAB 69.34, -27.09, 41.61

 

CMYK 50 / 20 / 0 / 29

HEX #5A90B5

RGB 90 144 181

HSL 204.4, 0.38%, 0.53%

LAB 57.52, -7.44, -24.87

 

CMYK 0 / 50 / 20 / 29

HEX #B55A90

RGB 181 90 144

HSL 324.4, 0.38%, 0.53%

LAB 50.86, 43.49, -12.83

 

CMYK 20 / 0 / 50 / 29

HEX #91B55B

RGB 145 181 91

HSL 84, 0.38%, 0.53%

LAB 69.34, -27.09, 41.61

 

CMYK 50 / 0 / 20 / 29

HEX #5AB590

RGB 90 181 144

HSL 155.6, 0.38%, 0.53%

LAB 67.45, -36.08, 10.62

 

CMYK 30 / 50 / 0 / 29

HEX #7E5AB5

RGB 126 90 181

HSL 263.74, 0.38%, 0.53%

LAB 45.75, 34.18, -43.11

 

CMYK 0 / 50 / 30 / 29

HEX #B55A7E

RGB 181 90 126

HSL 336.26, 0.38%, 0.53%

LAB 50.27, 40.92, -3

 

CMYK 20 / 0 / 50 / 29

HEX #91B55B

RGB 145 181 91

HSL 84, 0.38%, 0.53%

LAB 69.34, -27.09, 41.61

 

CMYK 50 / 0 / 5 / 29

HEX #5AB5AC

RGB 90 181 172

HSL 174.07, 0.38%, 0.53%

LAB 68.17, -29.36, -3.77

 

CMYK 30 / 50 / 0 / 29

HEX #7E5AB5

RGB 126 90 181

HSL 263.74, 0.38%, 0.53%

LAB 45.75, 34.18, -43.11

 

CMYK 0 / 50 / 45 / 29

HEX #B55A63

RGB 181 90 99

HSL 354.07, 0.38%, 0.53%

LAB 49.54, 37.7, 12.13

 

Description

Color code: HEX #91B55B | qconv.com Color code: HEX #91B55B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 181 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 181 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 50 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 50% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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